Illustrated with black and white and colored prints from Edvard Munch. Original pictorial wrappers and color illustrated frontispiece. Published alongside the exhibition of the same name. "This exhibition considers Munch's relevance to a modern world through three interpretive paths." (From the forward) These paths are the technical methods Munch used as a Symbolist printmaker, his reception and exhibitions in North American, and Munch's influence in popular culture. With several essays and a chronology.
Continuing a Gold Medallion Award-winning legacy, the completely revised Expositor's Bible Commentary puts world-class biblical scholarship in your hands. A staple for students, teachers, and pastors worldwide, The Expositor's Bible Commentary (EBC) offers comprehensive yet succinct commentary from scholars committed to the authority of the Holy Scriptures. The EBC uses the New International Version of the Bible, but the contributors work from the original Hebrew and Greek languages and refer to other translations when useful. Each section of the commentary includes: An introduction: background information, a short bibliography, and an outline An overview of Scripture to illuminate the big picture The complete NIV text Extensive commentary Notes on textual questions, key words, and concepts Reflections to give expanded thoughts on important issues The series features 56 contributors, who: Believe in the divine inspiration, complete trustworthiness, and full authority of the Bible Have demonstrated proficiency in the biblical book that is their specialty Are committed to the church and the pastoral dimension of biblical interpretation Represent geographical and denominational diversity Use a balanced and respectful approach toward marked differences of opinion Write from an evangelical viewpoint For insightful exposition, thoughtful discussion, and ease of use—look no further than The Expositor's Bible Commentary.
This collection of essays covers the four major periods of Israel's history and explores the theological, literary, historical, and archaeological dimensions of each era.
One of the most powerful traditions of the Jewish fascination with language is that of the Name. Indeed, the Jewish mystical tradition would seem a two millennia long meditation on the nature of name in relation to object, and how name mediates between subject and object. Even within the tide of the 20th century’s linguistic turn, the aspect most notable in – the almost entirely secular - Jewish philosophers is that of the personal name, here given pivotal importance in the articulation of human relationships and dialogue. The Name of God in Jewish Thought examines the texts of Judaism pertaining to the Name of God, offering a philosophical analysis of these as a means of understanding the metaphysical role of the name generally, in terms of its relationship with identity. The book begins with the formation of rabbinic Judaism in Late Antiquity, travelling through the development of the motif into the Medieval Kabbalah, where the Name reaches its grandest and most systematic statement – and the one which has most helped to form the ideas of Jewish philosophers in the 20th and 21st Century. This investigation will highlight certain metaphysical ideas which have developed within Judaism from the Biblical sources, and which present a direct challenge to the paradigms of western philosophy. Thus a grander subtext is a criticism of the Greek metaphysics of being which the west has inherited, and which Jewish philosophers often subject to challenges of varying subtlety; it is these philosophers who often place a peculiar emphasis on the personal name, and this emphasis depends on the historical influence of the Jewish metaphysical tradition of the Name of God. Providing a comprehensive description of historical aspects of Jewish Name-Theology, this book also offers new ways of thinking about subjectivity and ontology through its original approach to the nature of the name, combining philosophy with text-critical analysis. As such, it is an essential resource for students and scholars of Jewish Studies, Philosophy and Religion.
This book explores how the ancient Aramaic translations of the Hebrew Bible known as Targums are in part designed to guide readers to see the messianism of the biblical text. The interpreters who produced the Targums were careful readers of Scripture and were in many cases prompted by the finer details of the biblical text itself to produce their messianic renderings. The Targums have been an important part of the history of messianic interpretation of the Hebrew Bible, and they continue to have something to say to readers today.
A comprehensive and orthodox guide to biblical origins and interpretation How did we get the Bible? How do we interpret it? And what does it mean for our lives today? Michael B. Shepherd introduces undergraduates and seminarians to these crucial questions in this reliable and thorough new textbook. Shepherd covers textual criticism, formation of the canon, and history of translation, all while remaining committed to Scripture’s ultimate purpose—inviting us to salvation through Jesus Christ. Showing how the Bible directs its own interpretation, Shepherd encourages learners to listen to the Word of God, rather than twisting it to fit their own ends. His section-by-section treatment of the Bible encourages students to view the Bible as cohesive, while remaining sensitive to its diverse genres. Thorough and accessible, this textbook goes beyond typical historical introductions to spiritually form students learning to understand Scripture. An Introduction to the Making and Meaning of the Bible is the serious, evangelical introduction your students need and will reference for years to come.
Michael Li-Tak Shen carefully examines the biblical view of God's absolute uniqueness, and argues that the biblical texts are consistent in their prohibition of idolatry and its paraphernalia in whatever form---a helpful point in similar pastoral situations today in a world of idols, ideologies, addictions, and runaway consumerism. The high view of the absolute nature of God warns against lax and mistaken notions of so-called Christian freedom." Robert Solomon, Bishop, the Methodist Church in Singapore. --Book Jacket.
This original and provocative study tells the story of American literary history from the perspective of its environmental context. Weaving together close readings of early American texts with ecological histories of tobacco, potatoes, apples and honey bees, Michael Ziser presents a method for literary criticism that explodes the conceptual distinction between the civilized and natural world. Beginning with the English exploration of Virginia in the sixteenth century, Ziser argues that the settlement of the 'New World' - and the cultivation and exploitation of its bounty - dramatically altered how writers used language to describe the phenomena they encountered on the frontier. Examining the work of Harriot, Grainger, Cooper, Thoreau and others, Ziser reveals how these authors, whether consciously or not, transcribed the vibrant ecology of North America, and the ways that the environment helped codify a uniquely American literary aesthetic of lasting importance.
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