Excellent…Reynolds is as good on the Paris writing as he is on the Paris life." —Times Literary Supplement The 1920s in Paris are the pivotal years in Hemingway's apprenticeship as a writer, whether he was sitting in cafes or at the feet of Gertrude Stein. These are the heady times of the Nick Adams short stories, Fitzgerald's The Great Gatsby, and the writing of The Sun Also Rises. These are also the years of Hemingway's first marriage to Hadley Richardson, the birth of his first son, and his discovery of the bullfights at Pamplona.
Michael Newman's novel Cocktails In Paris is a witty, engaging satire on the caf life as lived by six twenty-something foreign students on Paris's left bank. The story takes place during a single afternoon at an outdoor caf table. As the erudite but pompous, Oxford-educated Simon and the bright, earnest African-American David spend the afternoon drinking and engaging in a prolonged verbal joust, they are watched by the sweet German girl Katya, who barely says a word. After a while they are joined by the sophisticated Jewish-American Princess sisters Tricia and Julia, whose jaded, worldly comments provide a satiric counterpoint to the boys' semi-pointless argumentation. As the afternoon falls into evening Magnus, a Swedish friend, joins them for the drunken finale.
In celebration of the 150th anniversary of the Paris Commune, leftist writers Olivier Besancenot and Michael Löwy offer a deeply informed, and eminently enjoyable, imagined history of what might have been if Karl Marx and his eldest daughter, Jenny, had travelled to Paris during the heady weeks of April 1871. In disguise, employing imperfect but serviceable French, Karl and Jenny encounter and debate many important figures of the movement, including Leo Frankel, Eugène Varlin, Charles Longuet, Elisabeth Dmitrieff, and Louise Michel, eventually returning to England with a profoundly changed sense of political possibility.
Michael Brein's travel guides make city public transport simple. Maps include how to get to the top 50 sights in the area by public transit, ultra- large transit maps, detailed mini-area maps of attractions, and instructions on how to get to places.
Growing up in Huntsville, Alabama, during the first quarter of the 20th century, Alabama-born organist and composer Lee Orville Erwin, like many of the 20th century’s great American composers, spent time studying in Paris. From 1930 until 1931 Erwin studied in France with organist André Marchal and the harmony teachers Jean Verd and Nadia Boulanger. This formative experience greatly shaped his compositional style and aesthetic. Upon returning to the United States, Erwin began his lengthy career in radio and television working with Arthur Godfrey. In 1967, Erwin was commissioned by the American Theater Organ Society to compose organ music for the Gloria Swanson film Queen Kelly. It was this film that led his career back into the consoles of the great American theater organs. He toured extensively, playing thousands of concerts of organ music during silent film showings. He thus ushered in the silent film revival, continuing the genre of live music performance accompanying film. Erwin, believing that cue sheets originally compiled for these films during the silent film era were “full of the musical cliché’s of the 1920s,” composed new scores to over 100 silent films. An American Organist in Paris presents Lee Orville Erwin's letters from France to his family in 1930-1931. In these letters, Erwin recounts his daily experiences and encounters with some of the 20th century's greatest musicians and teachers. He writes of his lessons with Marchal, Verd, and Boulanger and dinner parties with Olivier Messiaen. Erwin's letters not only provide the singular experiences of a young musician but also reflect the common experiences shared by the multitude of American composers who studied in France during this time. These letters are extensively footnoted to provide clarity and background information of the locations and personalities discussed. A biographical chapter on Erwin, which outlines his extensive musical career and impact on the silent film music revival in the 20th century, is also included. This book will serve as a unique glimpse into the life of one of America's most prolific composers for the theater organ.
In Following Hemingway to Paris, Michael sets his sights on finding the true meaning for and in his life while enjoying adventurous living and alcohol in the City of Lights with his fianc, Julia. He quickly reveals himself to be an amateur philosopher who at times is also a drunken sot with the requisite depression, ubiquitous humor, and wholesome desire to be a literary success. Following Hemingway to Paris is at the same time funny and melancholy, stark and involving the reader will understand that the pain felt by Michael over his fathers suicide is so easily shown in his pique-writings and alcoholic dalliances, while neither are contradictory to his upright Christian beliefs. As we all love the Paris of our hearts and memories, reading this book will remind you of your own dream to find yourself.
Inhaltsangabe:Abstract: Paris has traditionally called to the American heart, beginning with the arrival of Benjamin Franklin in 1776 in an effort to win the support of France for the colonies War of Independence. Franklin would remain in Paris for nine years, returning to Philadelphia in 1785. Then, in the first great period of American literature before 1860, literary pioneers such as Washington Irving, James Fenimore Cooper, Henry Wadsworth Longfellow, Ralph Waldo Emerson, and Nathaniel Hawthorne were all to spend time in the French capital. Henry James, toward the close of the nineteenth century, was the first to create the image of a talented literary artist who was ready to foreswear his citizenship. From his adopted home in England he traveled widely through Italy and France, living in Paris for two years. There he became close friends with another literary expatriate, Edith Wharton, who made Paris her permanent home. Between them they gave the term expatriate a high literary polish at the turn of the century, and their prestige was undeniable. They were the in cosmopolitans, sought out by traveling Americans, commented on in the press, the favored guests of scholars, as well as men and women of affairs. This thesis investigates the mass expatriation of Americans to Paris during the 1920s, and then focuses on selected works by two of the expatriates: Ernest Hemingway s The Sun Also Rises (1926) and F. Scott Fitzgerald s The Great Gatsby (1925). The specific emphasis is on disillusionment with the American lifestyle as reflected in these novels. The two books have been chosen because both are prominent examples of the literary criticism that Americans were directing at their homeland from abroad throughout the twenties. In a first step, necessary historical background regarding the nature of the American lifestyle is provided in chapter two. This information is included in order to facilitate a better understanding of what Hemingway and Fitzgerald were actually disillusioned with. Furthermore, that lifestyle was a primary motivating factor behind the expatriation of many United States citizens. Attention is given to the extraordinary nature of the American migration to Paris in the twenties, as the sheer volume of exiles set it apart from any expatriation movement before or since in American history. Moreover, a vast majority of the participants were writers, artists, or intellectuals, a fact which suggests the United States during [...]
R.Michael, in this work, seeks to take a slice of life from the City of Love, the City of Lights that have garnered the imaginations of millions of people over the centuries. Here shows a bit of that famous city, Paris through his eyes though words can't capture it enough. Vive Paris!!! Viva France!!!
This paper reviews trends in official debt rescheduling and recent experience with debt renegotiations in the face of the persistent problems of heavily indebted developing countries.
In this book, Michael R. Lynn analyzes the popularization of science in Enlightenment France. He examines the content of popular science, the methods of dissemination, the status of the popularizers and the audience, and the settings for dissemination and appropriation. Lynn introduces individuals like Jean-Antoine Nollet, who made a career out of applying electric shocks to people, and Perrin, who used his talented dog to lure customers to his physics show. He also examines scientifically oriented clubs like Jean-François Pilâtre de Rozier's Musée de Monsieur which provided locations for people interested in science.
Sans-Culottes' sets out a new way of thinking about the history of the French Revolution. It's starting point is the now-forgotten original meaning of the phrase sans culottes, or what the condition of being without breeches (sans culottes) once meant in the 18th century.
Provides the definitive account of Vichy's own antisemitic policies and practices. It is a major contribution to the history of the Jewish tragedy in wartime Europe answering the haunting question, "What part did Vichy France really play in the Nazi effort to murder Jews living in France?
Most of the seven million people who visit the cathedral of Notre Dame in Paris each year probably do not realize that the legendary gargoyles adorning this medieval masterpiece were not constructed until the nineteenth century. The first comprehensive history of these world-famous monsters, The Gargoyles of Notre-Dame argues that they transformed the iconic thirteenth-century cathedral into a modern monument. Michael Camille begins his long-awaited study by recounting architect Eugène Viollet-le-Duc’s ambitious restoration of the structure from 1843 to 1864, when the gargoyles were designed, sculpted by the little-known Victor Pyanet, and installed. These gargoyles, Camille contends, were not mere avatars of the Middle Ages, but rather fresh creations—symbolizing an imagined past—whose modernity lay precisely in their nostalgia. He goes on to map the critical reception and many-layered afterlives of these chimeras, notably in the works of such artists and writers as Charles Méryon, Victor Hugo, and photographer Henri Le Secq. Tracing their eventual evolution into icons of high kitsch, Camille ultimately locates the gargoyles’ place in the twentieth-century imagination, exploring interpretations by everyone from Winslow Homer to the Walt Disney Company. Lavishly illustrated with more than three hundred images of its monumental yet whimsical subjects, The Gargoyles of Notre-Dame is a must-read for historians of art and architecture and anyone whose imagination has been sparked by the lovable monsters gazing out over Paris from one of the world’s most renowned vantage points.
Christofferson argues that French anti-totalitarianism was the culmination of direct-democratic critiques of communism & revisions of the revolutionary project after 1956. He offers an alternative interpretation for the denunciation of communism & Marxism by the French intellectual left in the late 1970s.
Using a unique analytical framework based on host-stranger relations, this book explores the response of cities to the settlement of labour immigrants. Comparing the local policies of four cities - Paris, Amsterdam, Rome and Tel Aviv - Michael Alexander charts the development of migrant policies over time and situates them within the broader social context, providing a fuller understanding of the interaction between cities and their migrant populations.
The events of 1968 have been seen as a decisive turning point in the Western world. The author takes a critical look at "May 1968" and questions whether the events were in fact as "revolutionary" as French and foreign commentators have indicated. He concludes the student movement changed little that had not already been challenged and altered in the late fifties and early sixties. The workers' strikes led to fewer working hours and higher wages, but these reforms reflected the secular demands of the French labor movement. "May 1968" was remarkable not because of the actual transformations it wrought but rather by virtue of the revolutionary power that much of the media and most scholars have attributed to it and which turned it into a symbol of a youthful, renewed, and freer society in France and beyond.
This investigation not only revises what historians have long thought of the attitude of barristers toward the French Revolution, but also offers insights into the corporate character of Old Regime society and how the Revolution affected it. Fitzsimmons's study suggests that many propertied commoners during the Revolution were not politically engaged, that they were not necessarily associated with a party or cause simply because of their place within a set of social relationships.
Cadogan launches a new City Guide series with a personal approach to each city. Combining up-to-the-minute facts with cultural and historical asides - the hallmark of Cadogan. Extensive, clear mapping with more cross-referencing than any other city guide.
On March 29, 1971, a Canadian was found brutally murdered in a small Paris apartment. The victim, François Mario Bachand, was a radical member of the separatist Front de Libération du Québec (FLQ), the terrorist group that had been causing havoc in Canada, planting bombs and carrying out kidnappings. Bachand served a jail term in the early 1960s, and after his release he was considered a loose cannon, heartily despised by many associates. It was widely believed that the FLQ had killed one of its own. Twenty years after Bachand died in Paris, author Michael McLoughlin came across a single document in the National Archives of Canada that shed an eerie new light on the circumstances of Bachand's death. The murder, McLoughlin discovered, was not so simple after all. And the deeper he dug, the more complicated - and disturbing - the case became. Last Stop, Paris analyzes the shocking circumstances surrounding Bachand's murder. McLoughlin carefully reconstructs the secret meeting that determined Bachand's fate and the events that led to his assassination on the March day in Paris. It also follows the movements of the FLQ and the RCMP Security Service, and reveals the close international connections that tied revolutionary groups of the later 1960s and 1970s - from Cuba to Europe to the Middle East - to underground agents of the CIA, MI5, and French intelligence. A revealing look at the international web of terrorism and government intelligence, Last Stop, Paris is an explosive examination of the secrets, betrayals and violence that characterized the most tumultuous period in Canada's recent history.
New scholarship and interpretation of Flavin's work also appears in the form of three critical essays by experts and an extensive chronology, comprehensive bibliography, and exhibition history. In addition, this book includes Flavin's text, "'...in daylight or cool white.' an autobiographical sketch," originally published in Artforum in 1965, and two interviews with the artist - one from 1972 and the other from 1982."--BOOK JACKET.
This ambitious undertaking is designed to acquaint students, teachers, and researchers with reference sources in any branch of English studies, which Marcuse defines as "all those subjects and lines of critical and scholarly inquiry presently pursued by members of university departments of English language and literature.'' Within each of 24 major sections, Marcuse lists and annotates bibliographies, guides, reviews of research, encyclopedias, dictionaries, journals, and reference histories. The annotations and various indexes are models of clarity and usefulness, and cross references are liberally supplied where appropriate. Although cost-conscious librarians will probably consider the several other excellent literary bibliographies in print, such as James L. Harner's Literary Research Guide (Modern Language Assn. of America, 1989), larger academic libraries will want Marcuse's volume.-- Jack Bales, Mary Washington Coll. Lib., Fredericksburg, Va. -Library Journal.
Europe offers some of the world’s most exciting cities, romantic landscapes, outstanding museums, important historic sights, renowned works of art, and awesome architectural wonders, plus great cuisine, incredible shopping, and all kinds of entertainment and nightlife. Odds are, you can’t do it all. Depending on your personal interests, this friendly guide helps you pick the right sites and make the most of your trip, with: Trip planning, including applying for passports; making reservations; dealing with trip insurance, health issues, and Customs; rail passes, train tickets, traveler’s checks, and more Detailed info on 15 of Europe’s most popular destinations: London, Edinburgh, Dublin, Paris, Amsterdam, Munich, Vienna, Innsbruck, Prague, Naples, Florence, Venice, Madrid, Barcelona, and Athens Info on local customs, must-see attractions, and out-of-the-way gems, plus a little historical background to help you put the sites you’ll see in context Like every For Dummies travel guide, Europe For Dummies, 4th Edition helps you make the most of your vacation. It includes: Down-to-earth trip-planning advice Info on the best ships for every budget Tips on sightseeing at ports of call Handy Post-it Flags to mark your favorite pages Whether you want to marvel at majestic cathedrals or go on a pub crawl in Dublin, have a 5-star meal in Paris or a picnic lunch amidst the ruins of a Mycenaean city overlooking the Mediterranean, take in museums and castles or hike the Alps, explore the historic (or prehistoric) sites or experience diverse nightlife, with Europe For Dummies, 4th Edition, you’re on your way to a fantastic European holiday.
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