In Freak Inheritance, both leading authors and emerging voices use cutting-edge disability and cultural theories to expose the operations of eugenicist thought in historical and contemporary culture. It is the follow-up to the field-defining Freakery: Cultural Spectacles of the Extraordinary Body (1996).
The Gospel according to St John, often regarded as the most important of the gospels in the account it gives of Jesus' life and divinity, received close attention from nineteenth-century biblical scholars and prompted a significant response in the arts. This original interdisciplinary study of the cultural afterlife of John in Victorian Britain places literature, the visual arts and music in their religious context. Discussion of the Evangelist, the Gospel and its famous prologue is followed by an examination of particular episodes that are unique to John. Michael Wheeler's research reveals the depth of biblical influence on British culture and on individuals such as Ruskin, Holman Hunt and Tennyson. He makes a significant contribution to the understanding of culture, religion and scholarship in the period.
A first-of-its-kind history, The Mormon Tabernacle Choir tells the epic story of how an all-volunteer group founded by persecuted religious outcasts grew into a multimedia powerhouse synonymous with the mainstream and with Mormonism itself. Drawing on decades of work observing and researching the Mormon Tabernacle Choir, Michael Hicks examines the personalities, decisions, and controversies that shaped "America's choir." Here is the miraculous story behind the Tabernacle's world-famous acoustics, the anti-Mormonism that greeted early tours, the clashes with Church leaders over repertoire and presentation, the radio-driven boom in popularity, the competing visions of rival conductors, and the Choir's aspiration to be accepted within classical music even as Mormons sought acceptance within American culture at large. Everything from Billboard hits to TV appearances to White House performances paved the way for Mormonism's crossover triumph. Yet, as Hicks shows, such success raised fundamental concerns regarding the Choir's mission, functions, and image.
Presenting the life and professional career of The Dean of Afro-American Composers, this is the first comprehensive book on the writings by and about Still, the compositions with manuscript sources, the performances of Still's works, and the reviews of those performances. It includes a touching personal reminiscence by his daughter Judith Anne. The full resources of the extensive collection known as The William Grant Still and Verna Arvey Papers at the University of Arkansas Libraries, Fayetteville, give this book the distinction of being the first one about Still that utilizes diaries, letters, scrapbooks, and family papers to provide information on his works and performances. Still performed, composed, and arranged in the commercial music field before he began to write orchestral works and opera. He is called the Dean of Afro-American Composers because of his pioneering efforts on behalf of American music and his achievements as an African American. Still was the first African American to write a symphony that was performed by a major symphony orchestra in the United States, the first to conduct a major symphony orchestra, the first to conduct a major symphony in the Deep South, the first to direct a white radio orchestra, the first to have an opera produced by a major company, and the first to have an opera televised over a national network. His career tells an important story about the development of an American style of music.
Ralph Ellison's Invisible Man is one of the most widely read works of African American literature. This book gives students a thorough yet concise introduction to the novel. Included are chapters on the creation of the novel, its plot, its historical and social contexts, the themes and issues it addresses, Ellison's literary style, and the critical reception of the work. Students will welcome this book as a guide to the novel and the concerns it raises. The volume offers a detailed summary of the plot of Invisible Man as well as a discussion of its origin. It additionally considers the social, historical, and political contexts informing Ellison's work, along with the themes and issues Ellison addresses. It explores Ellison's literary art and surveys the novel's critical reception. Students will value this book for what it says about Invisible Man as well as for its illumination of enduring social concerns.
Covering genres from adventure and fantasy to horror, science fiction, and superheroes, this guide maps the vast terrain of graphic novels, describing and organizing titles to help librarians balance their graphic novel collections and direct patrons to read-alikes. New subgenres, new authors, new artists, and new titles appear daily in the comic book and manga world, joining thousands of existing titles—some of which are very popular and well-known to the enthusiastic readers of books in this genre. How do you determine which graphic novels to purchase, and which to recommend to teen and adult readers? This updated guide is intended to help you start, update, or maintain a graphic novel collection and advise readers about the genre. Containing mostly new information as compared to the previous edition, the book covers iconic super-hero comics and other classic and contemporary crime fighter-based comics; action and adventure comics, including prehistoric, heroic, explorer, and Far East adventure as well as Western adventure; science fiction titles that encompass space opera/fantasy, aliens, post-apocalyptic themes, and comics with storylines revolving around computers, robots, and artificial intelligence. There are also chapters dedicated to fantasy titles; horror titles, such as comics about vampires, werewolves, monsters, ghosts, and the occult; crime and mystery titles regarding detectives, police officers, junior sleuths, and true crime; comics on contemporary life, covering romance, coming-of-age stories, sports, and social and political issues; humorous titles; and various nonfiction graphic novels.
As garment workers, longshoremen, autoworkers, sharecroppers and clerks took to the streets, striking and organizing unions in the midst of the Depression, artists, writers and filmmakers joined the insurgent social movement by creating a cultural front. Disney cartoonists walked picket lines, and Billie Holiday sand 'Strange Fruit' at the left-wing cabaret, Café Society. Duke Ellington produced a radical musical, Jump for Joy, New York garment workers staged the legendary Broadway revue Pins and Needles, and Orson Welles and his Mercury players took their labor operas and anti-fascist Shakespeare to Hollywood and made Citizen Kane. A major reassessment of US cultural history, The Cultural Front is a vivid mural of this extraordinary upheaval which reshaped American culture in the twentieth century.
Here is the first in-depth account of the birth of black baseball and its dramatic passage from grass-roots venture to commercial enterprise. In the late nineteenth century resourceful black businessmen founded ball teams that became the Negro Leagues. Racial bias aside, they faced vast odds, from the need to court white sponsors to negotiating ball parks. With no blacks in cities, they barnstormed small towns to attract fans, employing all manner of gimmickry to rouse attention. Drawing on major newspapers and obscure African-American journals, the author explores the diverse forces that shaped minority baseball. He looks unflinchingly at prejudice in amateur and pro circles and constant inadequate press coverage. He assesses the impact of urbanization, migration, and the rise of northern ghettoes, and he applauds those bold innovators who forged black baseball into a parallel club that appealed to whites yet nurtured a uniquely African American playing style. This was black baseball's finest hour: at once a source of great ethnic pride and a hard won pathway for integration into the mainstream.
There has been no serious study of Anglican bishops since Kenneth Kirk published Apostolic Ministry in 1946. This new book goes straight back to the New Testament and the Early Church to discover the little-known origins of episcopal ministry and how it came to Britain through the efforts of first the Celtic and then the Roman Church. Increasing politicisation by William the Conqueror and his successors is examined in depth, as is Cranmer's rediscovery of its essentially teaching and pastoral functions of the episcopate at the Reformation. Lancelot Andrewes's career is spotlighted to find the true qualities of the classic 17th century Anglican bishop before he declined into the political hack and social climber of the 18th century. A chapter on the 19th century shows how Queen Victoria, her entourage, her Prime Ministers and her Archbishops of Canterbury all played lively parts in the appointment of new bishops, with considerable tussles frequently occurring between them. The history can be truly absorbing! A statistical analysis reveals how the English episcopate has changed in the century between 1905 and 2005, noting that while the educational backgrounds of bishops have not altered greatly, with Oxbridge still a major influence, their social backgrounds and ecclesiastical careers now tend to follow a different path. Has this produced a better episcopate? The episcopal histories of the Church in Wales and the Scottish Episcopal Church get a chapter each, which include a close-up of their contrasting methods for appointing bishops and the resulting difference in atmosphere between these two bodies. The Scottish chapter shows how the Episcopalians' democratic electoral system travelled to the USA at the end of the 18th century and subsequently influenced the episcopal organisation of nearly all newer branches of the Anglican Communion. A chapter on changing thinking about episcopacy in the Church of England and elsewhere reveals several trends, including moves towards collegial decision-making and a decline in emphasis upon the teaching and pastoral functions. There is also a review of the growing phenomenon of extra-mural Anglicanism brought into being in the aftermath of ordaining women priests and adopting a less rigorous attitude towards marriage and other sexual matters. The results of a major statistical survey on the attitudes of clergy and laity and recently retired bishops towards the episcopate and its responsibilities are presented in detail. The dioceses surveyed were Bradford, Leicester, Monmouth and Edinburgh. These results highlight the huge pressures and varied calls upon a bishop's time, including his relationship with his parishes, attendance at the House of Lords, diocesan administration and clergy discipline. Are bishops on a hiding to nowhere? The final chapter expands upon the lessons to be learnt from both the historical analysis and the results of the statistical survey, asking whether the existing episcopate is adequate to face the challenges of today and tomorrow. Practical solutions are offered, which will stimulate action to promote the faith of Christ in an increasingly difficult religious, political, social and economic environment. A suggestion is also made to help create a Church where both those for and against women priests can co-exist and flourish in their work without either side suffering offence or marginalisation. Unfortunately bishops are an embarrassing subject for clergy and laity to discuss, which is why they have been so little researched and so infrequently written about. They are important people and wield great power. For their own sakes and for the sake of the Church their role must be discussed sympathetically but realistically. This important book should help start the process.
The Correspondence of Michael Faraday Michael Faraday (1791-1867) was one of the most important men of science in nineteenth century Britain. His discoveries of electro-magnetic rotations (1821) and electro-magnetic induction (1831) laid the foundations of the modern electrical industry. His discovery of the magneto-optical effect and diamagnetism (1845) led him to formulate the field theory of electro-magnetism, which forms one of the cornerstones of modern physics. These and a whole host of other fundamental discoveries in physics and chemistry, together with his lecturing at the Royal Institution, his work for the state (including Trinity House), his religious beliefs and his lack of mathematical ability, make Faraday one of the most fascinating scientific figures ever. All these aspects of his life and work and others, such as his health, are reflected in his letters which, in this final volume, cover Faraday's life to his death in August 1867. Also published here are letters that could not be dated and letters that should have been included in volumes one to five but which had not been located when those volumes were published. In total just over 80% of the letters in this volume are previously unpublished. The dominant topic of the 1860s (covered in nearly 40% of the letters) is Faraday's involvement with the lighthouse service relating in particular to his advice to Trinity House and the Board of Trade on matters such as electric light and the controversial issue of fog signals. Also detailed is the complex process by which his various posts were transferred to John Tyndall. Similar issues existed with Faraday's gradual withdrawal from his duties at the Royal Institution, including the misguided attempt to make him President. And, of course, running through many of the letters are comments on his declining health and impending death. Major correspondents include the Astronomer Royal G.B. Airy, the Secretary of Trinity House P.H. Berthon, the Birmingham glassmaker J.T. Chance, the Assistant Secretary of the Board of Trade T.H. Farrer, the German mathematician Julius Plü cker, the Cambridge trained mathematical natural philosophers James Clerk Maxwell and William Thomson, Faraday's colleagues at the Royal Institution Henry Bence Jones, John Tyndall and Benjamin Vincent, the Swiss chemist Christian Schoenbein and the astronomer James South.
Poetry makes nothing happen," wrote W. H. Auden in 1939, expressing a belief that came to dominate American literary institutions in the late 1940s--the idea that good poetry cannot, and should not, be politically engaged. By contrast, Michael Thurston here looks back to the 1920s and 1930s to a generation of poets who wrote with the precise hope and the deep conviction that they would move their audiences to action. He offers an engaging new look at the political poetry of Edwin Rolfe, Langston Hughes, Ezra Pound, and Muriel Rukeyser. Thurston combines close textual reading of the poems with research into their historical context to reveal how these four poets deployed the resources of tradition and experimentation to contest and redefine political common sense. In the process, he demonstrates that the aesthetic censure under which much partisan writing has labored needs dramatic revision. Although each of these poets worked with different forms and toward different ends, Thurston shows that their strategies succeed as poetry. He argues that partisan poetry demands reflection not only on how we evaluate poems but also on what we value in poems and, therefore, which poems we elevate.
In exploring the criminalization of corporations, this book uses the landmark "Ford Pinto case" as a centerpiece for exploring corporate violence and the long effort to bring such harm within the reach of the criminal law. Corporations that illegally endanger human life now must negotiate the surveillance of government regulators and risk civil suits from injured parties seeking financial compensation. They also may be charged with criminal offenses and their officials sent to prison.
Most observers believe that gospel music has been sung in African-American churches since their organization in the late 1800s. Yet nothing could be further from the truth, as Michael W. Harris's history of gospel blues reveals. Tracing the rise of gospel blues as seen through the career of its founding figure, Thomas Andrew Dorsey, Harris tells the story of the most prominent person in the advent of gospel blues. Also known as "Georgia Tom," Dorsey had considerable success in the 1920s as a pianist, composer, and arranger for prominent blues singes including Ma Rainey. In the 1930s he became involved in Chicago's African-American, old-line Protestant churches, where his background in the blues greatly influenced his composing and singing. Following much controversy during the 1930s and the eventual overwhelming response that Dorsey's new form of music received, the gospel blues became a major force in African-American churches and religion. His more than 400 gospel songs and recent Grammy Award indicate that he is still today the most prolific composer/publisher in the movement. Delving into the life of the central figure of gospel blues, Harris illuminates not only the evolution of this popular musical form, but also the thought and social forces that forged the culture in which this music was shaped.
R.C. Sherriff, author of Journeys End, the most famous play of the Great War, saw all his front line service with the 9th Battalion East Surrey Regiment. This intense experience profoundly affected his writing and, through his play, it continues to have a powerful influence on our understanding of the conflict. Yet the story of his battalion has never been told in full until now. In The Journeys End Battalion, Michael Lucas gives a vivid account of its history. Using official and unofficial sources, diaries, letters, and British and German wartime records, he describes the individuals who served in it and the operations they took part in. He identifies the inspiration for Journeys End and considers how Sherriff delved into his experiences and those of his fellow soldiers in order to create his drama. So not only does the book shed new light on the wartime career of R.C. Sherriff, but it is a valuable record of the operation of a British battalion on the Western Front during the Great War.
Archbishop Michael Ramsey was one of the church's most remarkable twentieth-century saints--wise and humble, humorous and compassionate. These introductory lectures on Anglicanism reveal the breadth of Ramsey's theological understanding, his ecumenism, and his vision of the church and the Christian life. Informal and conversational in style, the lectures offer an overview of Anglican theology, spirituality, and history. Ramsey begins with Anglicanism's enduring characteristics, including its dependence on Scripture, tradition--the ancient writers of the church who guide us in interpreting the Bible--and reason, our God-given capacity for divine revelation. Next Ramsey explores its teachings on theology and the sacraments, Tractarianism and the Oxford Movement, the renaissance of Anglican religious communities, and the evolving doctrines of creation, incarnation, and the Holy Spirit. The final section presents Ramsey's theology of the church and Anglicanism's relationship to Rome and the Orthodox churches.
Michael A. G. Haykin provides an excellent primer on Reformed Evangelical spirituality by opening a window to the life and work of Alexander Whyte. Haykin's biographical essay introduces the reader to Whyte and to the high premium he placed on vibrant Christianity. The remainder of the book presents 28 selections from various written works by Whyte that display his burning zeal for the devoted life. For those who are not familiar with Whyte but interested in acquainting themselves with him and the spirituality of the Reformed tradition, this book will make a reliable introduction. A Consuming Fire is the first book in a series called Profiles in Reformed Spirituality, being co-edited by Joel R. Beeke and Michael A.G. Haykin. This series is designed to introduce the spirituality and piety of the Reformed tradition by presenting descriptions of the lives of notable Christians with select passages from their works. This combination of biographical sketches and collected portions from primary sources gives a taste of the treated subjects’ contribution to our spiritual heritage and some direction as to how the reader can find further edification through their works.
Staged Readings studies the social consequences of 19th-century America’s two most prevalent leisure forms: theater and popular literature. In the midst of watershed historical developments—including numerous waves of immigration, two financial Panics, increasing wealth disparities, and the Civil War—American theater and literature were developing at unprecedented rates. Playhouses became crowded with new spectators, best-selling novels flew off the shelves, and, all the while, distinct social classes began to emerge. While the middle and upper classes were espousing conservative literary tastes and attending family matinees and operas, laborers were reading dime novels and watching downtown spectacle melodramas like Nymphs of the Red Sea and The Pirate’s Signal or, The Bridge of Death!!! As audiences traveled from the reading parlor to the playhouse (and back again), they accumulated a vital sense of social place in the new nation. In other words, culture made class in 19th-century America. Based in the historical archive, Staged Readings presents a panoramic display of mid-century leisure and entertainment. It examines best-selling novels, such as Harriet Beecher Stowe’s Uncle Tom’s Cabin and George Lippard’s The Quaker City. But it also analyzes a series of sensational melodramas, parlor theatricals, doomsday speeches, tableaux vivant displays, curiosity museum exhibits, and fake volcano explosions. These oft-overlooked spectacles capitalized on consumers’ previous cultural encounters and directed their social identifications. The book will be particularly appealing to those interested in histories of popular theater, literature and reading, social class, and mass culture.
This is a selection of writings on themes of trauma and transformation, hope and anguish, in a time of reckoning. The first section offers biographical fragments about life after the "bulldozer" runs you over. How do you get up? How do you live with others who don't understand? How do you keep walking? They draw upon life experiences in Boston, Iona, and New Jersey. Faith is not so much about agreeing with doctrine, but a dynamic, active, seeking, questioning, trust in God. It includes both audacity and humility. The second section draws upon fragments of historical reflection, "On Violent Innocence, Mourning, and Metanoia in New Jersey." This is an exploration of the principality of white racism, state-based violence, and exploitation of the poor. It asks the question: How did the Confederate flag get in the front window of the Presbyterian church on Lincoln's birthday? Some of the white terrorism that happened at the Capitol is prefigured here. Yet there is grace hidden in judgment. We cannot heal from what we do not name. The third section contains fragments of prophetic wisdom from Lorna Goodison, Richard Fenn, Mike Gecan, Karen Hernandez-Granzen, and Archange Antoine. Along with Traci West and Chris Hedges, their voices are strong and true.
English teacher Dexter feels like he’s being taunted by the universe. Everywhere he turns he’s accosted by wedding invitations, housewarming parties and tables for two. Every last one of his friends is settling down with their other halves, while Dexter spends his evenings marking schoolbooks with his ginger cat for company. The thing is, he doesn’t even mind being single; he just wishes his friends were too. After another wedding ends in a drunken disaster, Dexter is musing on the situation and wondering what he’s going to screw up next, when he gets the shocking reminder that he’s not the centre of the universe. An alien spaceship has landed on the continent and when first contact is made, it’s anything but friendly. Humanity’s numbers dwindle immediately, and the survivors are left to do exactly that – survive. Dexter gathers his friends and they all set off on a mission across the country, each with the goal of preserving their own lives in this new world. But these aliens are two-headed, tenacious and have technology beyond anything seen on Earth, so saving the day looks more and more unlikely as they track down Dexter’s motley crew. In the end, perhaps it is the one thing Dexter dislikes most that will help him survive, if he can just stop thinking about himself for one minute. Written to subvert any story that insists on including a romance subplot, as well as any science fiction story where untrained amateurs inexplicably have the right skills to save the day, The Third Wheel shines a light on those who are just trying to make it through to tomorrow in the face of overwhelming odds.
Although in recent years scholars have explored the cultural construction of masculinity, they have largely ignored the ways in which masculinity intersects with other categories of identity, particularly those of race and ethnicity. The essays in Race and the Subject of Masculinities address this concern and focus on the social construction of masculinity--black, white, ethnic, gay, and straight--in terms of the often complex and dynamic relationships among these inseparable categories. Discussing a wide range of subjects including the inherent homoeroticism of martial-arts cinema, the relationship between working-class ideologies and Elvis impersonators, the emergence of a gay, black masculine aesthetic in the works of James Van der Zee and Robert Mapplethorpe, and the comedy of Richard Pryor, Race and the Subject of Masculinities provides a variety of opportunities for thinking about how race, sexuality, and "manhood" are reinforced and reconstituted in today's society. Editors Harry Stecopoulos and Michael Uebel have gathered together essays that make clear how the formation of masculine identity is never as obvious as it might seem to be. Examining personas as varied as Eddie Murphy, Bruce Lee, Tarzan, Malcolm X, and Andre Gidé, these essays draw on feminist critique and queer theory to demonstrate how cross-identification through performance and spectatorship among men of different races and cultural backgrounds has served to redefine masculinity in contemporary culture. By taking seriously the role of race in the making of men, Race and the Subject of Masculinities offers an important challenge to the new studies of masculinity. Contributors. Herman Beavers, Jonathan Dollimore, Richard Dyer, Robin D. G. Kelly, Christopher Looby, Leerom Medovoi, Eric Lott, Deborah E. McDowell, José E. Muñoz, Harry Stecopoulos, Yvonne Tasker, Michael Uebel, Gayle Wald, Robyn Wiegman
THE EVIL THAT FEEDS ON FEAR! The quiet suburb seems peaceful enough, until loner Donny Mann succumbs to the irresistible urge to Drive the web of the Southern California freeways, armed with a stolen .38-and the unspeakable need to fire it. He finds his victims soon enough-an old, black Cadillac alone on a dark stretch of highway. Three people witness the shooting. Three people see the Caddy crash. Three people know that no one left the wreck. But when the police arrive, they find the car empty of anything save blood.and the horror locked in its trunk. One after another, the citizens of Tamarind Valley fall prey to something, or some thing, that feeds on fear and grows exponentially in power with each victim. Donny's brother Richard gradually realizes that he stands at the center of an expanding circle of evil. If he and his friends do not prevail, the evil will! MICHAEL R. COLLINGS has written and edited over forty books of horror, literary criticism, and poetry, among others, many of them being reprinted by Borgo Press. He lives and works in Idaho.
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