French playwright, novelist, activist, and journalist Louis Sébastien Mercier (1740–1814) passionately captured scenes of social injustice in pre-Revolutionary Paris in his prolific oeuvre but today remains an understudied writer. In this penetrating study—the first in English devoted to Mercier in decades—Michael Mulryan explores his unpublished writings and urban chronicles, Tableau de Paris (1781–88) and Le Nouveau Paris (1798), in which he identified the city as a microcosm of national societal problems, detailed the conditions of the laboring poor, encouraged educational reform, and confronted universal social ills. Mercier’s rich writings speak powerfully to the sociopolitical problems that continue to afflict us as political leaders manipulate public debate and encourage absolutist thinking, deepening social divides. An outcast for his polemical views during his lifetime, Mercier has been called the founder of modern urban discourse, and his work a precursor to investigative journalism. This sensitive study returns him to his rightful place among Enlightenment thinkers.
This multi-disciplinary account of the fate of ancient monuments and technologies in Asia Minor studies the processes and their results with the help of archaeology, history, construction engineering, and travel documentation. To clarify changes, their causes and repercussions, it compares infrastructure engineering (transportation, water management, utilitarian architecture) in antiquity with developments over the past 200 years, using the accounts of European travellers and then of excavations. It analyses patterns of and reasons for the deterioration of material life, documenting the perceptions and understanding of Roman antiquities and engineering by populations living amidst ancient Roman art and architecture, roads, and aqueducts. These are complemented by travellers' accounts of the myriad aspects of the plundering of archaeological sites and antiquities.
This is the master volume to the 28 book set on Irish Family History from the Irish Genealogical Foundation. The largest and most comprehensive of the series, this volume includes family histories from every county in Ireland and Northern Ireland. It also has, for the first time, the complete surname index for the entire series. The 27 other books which are indexed in this volume will provide additional information on even more families.
This book is the first to closely examine the location of the earliest purpose-built Christian buildings inside the city of Rome in their contemporary context.
In this volume, Michael Flexsenhar III advances the argument that imperial slaves and freedpersons in the Roman Empire were essential to early Christians’ self-conception as a distinct people in the Mediterranean and played a multifaceted role in the making of early Christianity. Scholarship in early Christianity has for centuries viewed Roman emperors’ slaves and freedmen as responsible for ushering Christianity onto the world stage, traditionally using Paul’s allusion to “the saints from Caesar’s household” in Philippians 4:22 as a core literary lens. Merging textual and material evidence with diaspora and memory studies, Flexsenhar expands on this narrative to explore new and more nuanced representations of this group, showing how the long-accepted stories of Christian slaves and freepersons in Caesar’s household should not be taken at face value but should instead be understood within the context of Christian myth- and meaning-making. Flexsenhar analyzes textual and material evidence from the first to the sixth century, spanning Roman Asia, the Aegean rim, Gaul, and the coast of North Africa as well as the imperial capital itself. As a result, this book shows how stories of the emperor’s slaves were integral to key developments in the spread of Christianity, generating origin myths in Rome and establishing a shared history and geography there, differentiating and negotiating assimilation with other groups, and expressing commemorative language, ritual acts, and a material culture. With its thoughtful critical readings of literary and material sources and its fresh analysis of the lived experiences of imperial slaves and freedpersons, Christians in Caesar’s Household is indispensable reading for scholars of early Christianity, the origins of religion, and the Roman Empire.
Destruction of Cultural Heritage in 19th Century France examines the fate of the building stock and prominent ruins of France (especially Roman survivals) in the 19th century, supported by contemporary documentation and archives, largely provided through the publications of scholarly societies. The book describes the enormous extent of the destruction of monuments, providing an antidote to the triumphalism and concomitant amnesia which in modern scholarship routinely present the 19th century as one of concern for the past. It charts the modernising impulse over several centuries, detailing the archaeological discoveries made (and usually destroyed) as walls were pulled down and town interiors re-planned, plus the brutal impact on landscape and antiquities as railways were laid out. Heritage was largely scorned, and identity found in modernity, not the past.
This practical guide to online teaching is for kindergarten teachers and primary or elementary teachers. It is based on research, teacher interviews, and the author’s real-world experience working in online education, as both a teacher and a trainer. Macur signposts relevant research and gives examples of key themes, tools, and ideas that can be applied in everyday teaching. These include a range of fundamental aspects of the online environment, with chapters covering online platforms, classroom management, student engagement, and feedback. It offers tried-and-tested exercises, takeaways, and reflective questions to give the reader numerous moments to consider how they will use, adapt, and develop these tools and integrate them into their own teaching practice. Teaching Online for Kindergarten and Primary Teachers is a clear, informative, and pragmatic book for all educators and students to deepen their knowledge and prepare them for teaching online and delivering effective online education like a professional.
The Tyranny of Heaven argues for a new way of reading the figure of Milton's God, contending that Milton rejects kings on earth and in heaven. Though Milton portrays God as a king in Paradise Lost, he does this neither to endorse kingship nor to recommend a monarchical model of deity. Instead, he recommends the Son, who in Paradise Regained rejects external rule as the model of politics and theology for Milton's fit audience though few. The portrait of God in Paradise Lost serves as a scathing critique of the English people and its slow but steady backsliding into the political habits of a nation long used to living under the yoke of kingship, a nation that maintained throughout its brief period of liberty the image of God as a heavenly king, and finally welcomed with open arms the return of a human king. Michael Bryson is a Visiting Assistant Professor of English at Northwestern University.
Basing his contention on two different lines of argument, Michael Bryson posits that John Milton-possibly the most famous 'Christian' poet in English literary history-was, in fact, an atheist. First, based on his association with Arian ideas (denial of the doctrine of the Trinity), his argument for the de Deo theory of creation (which puts him in line with the materialism of Spinoza and Hobbes), and his Mortalist argument that the human soul dies with the human body, Bryson argues that Milton was an atheist by the commonly used definitions of the period. And second, as the poet who takes a reader from the presence of an imperious, monarchical God in Paradise Lost, to the internal-almost Gnostic-conception of God in Paradise Regained, to the absence of any God whatsoever in Samson Agonistes, Milton moves from a theist (with God) to something much more recognizable as a modern atheist position (without God) in his poetry. Among the author's goals in The Atheist Milton is to account for tensions over the idea of God which, in Bryson's view, go all the way back to Milton's earliest poetry. In this study, he argues such tensions are central to Milton's poetry-and to any attempt to understand that poetry on its own terms.
For more than one thousand years, people from every corner of the Greco-Roman world sought the hope for a blessed afterlife through initiation into the Mysteries of Demeter and Kore at Eleusis. In antiquity itself and in our memory of antiquity, the Eleusinian Mysteries stand out as the oldest and most venerable mystery cult. Despite the tremendous popularity of the Eleusinian Mysteries, their origins are unknown. Because they are lost in an era without written records, they can only be reconstructed with the help of archaeology. This book provides a much-needed synthesis of the archaeology of Eleusis during the Bronze Age and reconstructs the formation and early development of the Eleusinian Mysteries. The discussion of the origins of the Eleusinian Mysteries is complemented with discussions of the theology of Demeter and an update on the state of research in the archaeology of Eleusis from the Bronze Age to the end of antiquity.
Reorganizes the field and challenges our preconceptions in both familiar areas and in disciplines that are not usually treated in studies on the classical tradition. A must read.' - Craig Kallendorf, Texas A&M University 'An exciting read: energetic, considered, sparklingly written. One gets the feeling that all angles have been properly covered. An ambitious project brilliantly realized.' - Matthew Bell, King's College London 'The authors have pulled off the seemingly impossible task of fusing their three voices into a single, urgently argued discourse, and for that reason among many others, this will be a wonderful book to read and to use, for all kinds of readers.' - Terence Cave, St John's College, Oxford 'I found the text very readable and I particularly enjoyed the post-postmodernist take on many issues. It is hugely stimulating and intriguing throughout.' - Deborah Howard, University of Cambridge 'I think this is an absolutely splendid text, unique in conception, elegant and ingenious in design, and extremely ???user-friendly??? in styling and presentation.' - David Hopkins, University of Bristol 'A prodigiously ambitious, cornucopian book . . . so rich that no review will do it justice.' - Paul Barolsky, University of Virginia, Arion 'Impressive power and learning.' - Justus Cobet, Universität Duisburg-Essen, Sehepunkte 'Succeeds in providing an overarching account of a huge sweep of cultural history without losing sight of the host of nuances and particularities associated with such an overwhelmingly large topic.' - Pablo Maurette, University of Chicago, Comparative Critical Studies 'Highly innovative...engrossing...the book is marvellously packed throughout with insights and provocations. It conducts, to its great benefit and ours, a properly theoretical enquiry.' - Charles Martindale, University of Bristol, Translation and Literature The classical tradition – the legacy of Ancient Greece and Rome – is a large, diverse, and important field that continues to shape human endeavour and engender wide public interest. The Classical Tradition: Art, Literature, Thought presents an original, coherent, and wide-ranging guide to the afterlife of Greco-Roman antiquity in later Western cultures and a ground-breaking reinterpretation of large aspects of Western culture as a whole – English-speaking, French, German, and Italian – from a classical perspective. Encompassing almost two millennia of developments in art, literature, and thought, the authors provide an overview of the field, a concise point of reference, and a critical review of selected examples, from Titian to T. S. Eliot, from the hero to concepts of government. They engage in current theoretical debate on various fronts, from hermeneutics to gender. Themes explored include the Western languages and their continuing engagement with Latin and Greek; the role of translation; the intricate relationship of pagan and Christian; the ideological implications of the classical tradition; the interplay between the classical tradition and the histories of scholarship and education; the relation between high and low culture; and the myriad complex relationships – comparative, contrastive, and interactive – between art, literature, and thought themselves. Authoritative and accessible, The Classical Tradition: Art, Literature, Thought offers new insights into the powerful legacy of the ancient world from the Middle Ages and the Renaissance to the present day.
Specifications: 6" x 9" size; 207 pages; 40 illustrations; well indexed by surname. Includes Castles in County Galway; family seats of power; locations; variant spellings of family names; full map of County Galway, coats of arms, and sources for research. From ancient times to the modern day. First Edition. Author/Editor: Michael C. O'Laughlin. Please note that the first volume in the Irish Family Project, "The Book of Irish Families, great & small" has additional information on families in County Galway.
The French invaded Algeria in 1830, and found a landscape rich in Roman remains, which they proceeded to re-use to support the constructions such as fortresses, barracks and hospitals needed to fight the natives (who continued to object to their presence), and to house the various colonisation projects with which they intended to solidify their hold on the country, and to make it both modern and profitable. Arabs and Berbers had occasionally made use of the ruins, but it was still a Roman and Early Christian landscape when the French arrived. In the space of two generations, this was destroyed, just as were many ancient remains in France, in part because “real” architecture was Greek, not Roman.
Major Motion Picture Adaptation Coming Soon The internationally acclaimed actress Patricia Neal (1926–2010) was a star on stage, film, and television for more than sixty years. On Broadway she appeared in such lauded productions as Lillian Hellman's Another Part of the Forest, winning the first Tony award. In Hollywood she starred opposite the likes of John Wayne, Paul Newman, John Garfield, and Gary Cooper in some thirty films. She is perhaps best known for her portrayal of Alma Brown in Hud, which earned her the 1963 Academy Award for Best Actress. But there was much more to Neal's life. She was born in Packard, Kentucky, though she spent most of her childhood in Knoxville, Tennessee. For a time, Neal became romantically involved with Gary Cooper, her married costar in The Fountainhead. In 1953, Neal wed famed children's author Roald Dahl, a match that would bring her five children and thirty years of dramatic ups and downs. At the pinnacle of her screen career, Neal suffered a series of strokes which left her in a coma for twenty-one days, and Variety even ran a headline erroneously stating that she had died. After a difficult recovery, Neal returned to film acting, earning a second Academy Award nomination for The Subject Was Roses (1968). She appeared in several television movie roles in the 1970s and 1980s and won a Golden Globe for Best Actress in a Dramatic TV Movie in 1971 for The Homecoming. Adapted as a major motion picture (filmed as An Unquiet Life) starring Hugh Bonneville, Keeley Hawes, and Sam Heughan, Patricia Neal: An Unquiet Life is the first critical biography detailing the actress's impressive film career and remarkable personal life. Author Stephen Michael Shearer conducted numerous interviews with Neal, her professional colleagues, and her intimate friends and was given access to the actress's personal papers. The result is an honest and comprehensive portrait of an accomplished woman who lived her life with determination and bravado.
Sidney's Poetics is essential reading not only for students and scholars of Renaissance literature and literary theory but also for all who want to understand how human beings write and read creatively.
The Final Word A hands on guide to find your family within the county Tipperary . New; Full size 8 1/2 x 11; 76 pages; heavier parchment type cover; illustrations, some of which may appear faded with age as in the originals; County Map; Local Sources; Coats of Arms; and record extracts. Many families are given with family history notes, specific locations; coat of arms; and seats of power. Some are only mentioned. A must for any researcher. ( For a large collection of family histories within the county we also recommend "The Book of Irish Families, great & small", by O'Laughlin.)
The second volume of the 2 book set for "The Annals of Ireland by the Four Masters" as translated by Owen Connellan. This is the volume that contains the large fold-out map at the back of the book.
Discussses the relationship between the biblical prophet Ezekiel's vision of "wheels in the air" and the present day end-of-time concept as seen in various religious sects.
The Final Word A hands on guide to find your family within the county Waterford . New; Full size 8 1/2 x 11; 48 pages; heavier parchment type cover; illustrations, some of which may appear faded with age as in the originals; County Map; Local Sources; Coats of Arms; and record extracts. Many families are given with family history notes, specific locations; coat of arms; and seats of power. Some are only mentioned. A must for any researcher. ( For a large collection of family histories within the county we also recommend "The Book of Irish Families, great & small", by O'Laughlin.)
French playwright, novelist, activist, and journalist Louis Sébastien Mercier (1740–1814) passionately captured scenes of social injustice in pre-Revolutionary Paris in his prolific oeuvre but today remains an understudied writer. In this penetrating study—the first in English devoted to Mercier in decades—Michael Mulryan explores his unpublished writings and urban chronicles, Tableau de Paris (1781–88) and Le Nouveau Paris (1798), in which he identified the city as a microcosm of national societal problems, detailed the conditions of the laboring poor, encouraged educational reform, and confronted universal social ills. Mercier’s rich writings speak powerfully to the sociopolitical problems that continue to afflict us as political leaders manipulate public debate and encourage absolutist thinking, deepening social divides. An outcast for his polemical views during his lifetime, Mercier has been called the founder of modern urban discourse, and his work a precursor to investigative journalism. This sensitive study returns him to his rightful place among Enlightenment thinkers.
The Final Word A hands on guide to find your family within the county Wexford . New; Full size 8 1/2 x 11; 52 pages; heavier parchment type cover; illustrations, some of which may appear faded with age as in the originals; County Map; Local Sources; Coats of Arms; and record extracts. Many families are given with family history notes, specific locations; coat of arms; and seats of power. Some are only mentioned. A must for any researcher. ( For a large collection of family histories within the county we also recommend "The Book of Irish Families, great & small", by O'Laughlin.)
A Primary Source. This birth register is a primary genealogy source for finding the location and relative number of Irish families in 19th century Ireland. (Most families remain centered in the same areas in Ireland).This is an enlarged print out of the birth index of Ireland. It lists every surname found, and the county it was found in. Larger print makes it easier to read than the original. We have added a map of the counties and provinces along with commentary. Research aid published by the Irish Genealogical Foundation. One of the very few sources we have to locate surnames for the genealogy researcher in 19th century Ireland. This work serves as an Irish census records substitute for locating traditional family names in Ireland. If you do not know where to start looking for death, marriage and land records, this family surname locator could help find your county of origin.
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