Glossator 8 (2013)Kafka's Zurau Aphorisms -- Michael CiscoSensuous and Scholarly Reading in Keats's 'On First Looking into Chapman's Homer' -- Thomas DayNotes to Stephen Rodefer's Four Lectures (1982) -- Ian HeamesOrnate and Explosive Grief: A Comparative Commentary on Frank O'Hara's "In Memory of My Feelings" and "To Hell With It", Incorporating a Substantial Gloss on the Serpent in the Poetry of Paul Val�ry, and a Theoretical Excursus on Ornate Poetics -- Sam LadkinOn In Memory of Your Occult Convolutions -- Richard Parker
Through attuned close readings, this volume brings out the imaginative and formal brilliance of Percy Bysshe Shelley's writing as it explores his involvement in processes of dialogue and influence. Shelley recognizes that poetic individuality is the reward of connectedness with other writers and cultural influences. 'A great Poem is a fountain forever overflowing with the waters of wisdom and delight', he writes, 'and after one person and one age has exhausted all its divine effluence which their peculiar relations enable them to share, another and yet another succeeds, and new relations are ever developed, the source of an unforeseen and an unconceived delight' (A Defence of Poetry). He is among the major Romantic poetic exponents and theorists of influence, because of his passionately intelligent commitment to the onward dissemination of ideas and feelings, and to the unpredictable ways in which poets position themselves and are culturally positioned between past and future. The book has a tripartite structure. The first three chapters seek to illuminate his response to representative texts, figures, and themes that constitute the triple pillars of his cultural inheritance: the classical world (Plato); Renaissance poetry (Spenser and Milton); Christianity and, in particular, the concept of deity and the Bible. The second and major section of the book explores Shelley's relations and affinities with, as well as differences from, his immediate predecessors and contemporaries: Hazlitt and Lamb; Wordsworth; Coleridge; Southey; Byron; Keats (including the influence of Dante on Shelley's elegy for his fellow Romantic) and the great painter J. M. W. Turner, with whom he is often linked. The third section considers Shelley's reception by later nineteenth-century writers, figures influenced by and responding to Shelley including Beddoes, Hemans, Landon, Tennyson, and Swinburne. A coda discusses the body of critical work on Shelley produced by A. C. Bradley, a figure who stands at the threshold of twentieth-century thinking about Shelley.
An encyclopedic work providing vital information on the more than 1,400 individuals connected with the killing of President John F. Kennedy--from suspects to witnesses to investigators. Photos. **Lightning Print On Demand Title
By combining the techniques of textual criticism and the insights of close reading, Generous Mistakes offers new perspectives not only on two of Henry James's major novels (The Portrait of a Lady and The Ambassadors) but also on the process by which they became the books we know--or think we know. Through a better understanding of the conditions of production that affected James's author function, we achieve a deeper appreciation of the historical contingencies of his artistry. Closely examining new forms of evidence (even fingerprints), Generous Mistakes contends that authorship is a hybrid construction, a sometimes unpredictable sequence of different forms of practice, each of which contributes meaningfully to the texts we read and analyze. Offering a sustained examination of the 'textual condition' of James's work--going beyond the relatively familiar ground of authorial revision--this study brings into sharper focus the complex and sometimes arbitrary factors that contributed to the making of two masterpieces of modern fiction and to the legend of the master who wrote them.
This book addresses the gap between print and digital scholarly approaches by combining both praxis and theory in a case study of a new international collaborative digital project, the Modernist Archives Publishing Project (MAPP). MAPP is an international collaborative digital project, funded by the Social Sciences and Humanities Research Council of Canada, that uses digital tools to showcase archival traces of twentieth-century publishing. The twenty-first century has witnessed, and is living through, some of the most dynamic changes ever experienced in the publishing industry, arguably altering our very understanding of what it means to read a book. This book brings to both general readers and scholarly researchers a new way of accessing, and thereby assessing, the historical meanings of change within the twentieth-century publication industry by building a resource which organises, interacts with, and uses historical information about book culture to narrate the continuities and discontinuities in reading and publishing over the last century.
The past two decades have seen profound changes in the legal profession. Lives of Lawyers Revisited extends Michael Kelly’s work in the original Lives of Lawyers, offering unique insights into the nature of these changes, examined through stories of five extraordinarily varied law practices. By placing the spotlight on organizations as phenomena that generate their own logic and tensions, Lives of Lawyers Revisited speaks to the experience of many lawyers and anticipates important issues on the professional horizon. "Michael Kelly has done it again! His Lives of Lawyers Revisited is a very easy read about some very difficult notions like 'litigation blindness' and law as a business. It presents some fascinating perspectives on our profession." —J. Michael McWilliams, Past President, American Bar Association "The best single book about the American realities and possibilities of the American legal profession, combining an empathic and insightful account of law practice with a penetrating analysis of the wider context of professional work." —Marc Galanter, University of Wisconsin "Michael Kelly believes that professional values and conduct are not realized in codes, but in the experiences of practice, and that practice draws its routines and ideals from organizations. Through his studies of lawyers in various firms, closely observed and sympathetically described, Kelly reveals how differently organizations adapt to the intense pressures of today's practice environment. His method of linking individual life-experiences to organizational strategies and the external constraints of competition and client demands infuses realism and richness into the concept of professionalism and makes this one of the most interesting and original books on professions and professionalism to appear in years." —Robert W. Gordon, Yale Law School "In his two volumes of Lives of Lawyers, Michael Kelly explores legal ethics in an unusual, and unusually rewarding, way. Rather than focusing on rules or arguments, Kelly looks at the kind of lives lawyers lead. Ethics, Socrates thought, is about how to live one's life, and Kelly takes the Socratic question to heart. He explores the institutions lawyers work in and the choices they make. He writes with intelligence, great insight, and above all with heart. This is a superb book." —David Luban, Georgetown University Michael J. Kelly is President and Chairman of the Board of the National Senior Citizens Law Center, an advocacy group for older Americans of limited means.
Drawing extensively on archival research, The Late Cantos of Ezra Pound critically explores the textual history of Pound's late verse, namely Section: Rock-Drill (1955) and Thrones (1959). Examining unpublished letters, draft manuscripts and other prepublication material, this book addresses the composition, revision and dissemination of these difficult texts in order to shed new light on their significance to Pound's wider project, his methods and techniques, and the structures of authority-literary and political-that govern the meaning of his poetry. Illustrated by reproductions of archival documents, The Late Cantos of Ezra Pound is an innovative new study of one of the most important poets of the 20th century.
Samuel Taylor Coleridge's conception of "the willing suspension of disbelief" marks a pivotal moment in the history of literary theory. Returning to Coleridge's thought and Shakespeare criticism to reconstruct this idea as a form of "poetic faith", Michael Tomko here lays the foundations of a new theologically oriented mode of literary criticism. Bringing Coleridge into dialogue with thinkers ranging from Augustine to Josef Pieper, contemporary critics such as Stephen Greenblatt and Terry Eagleton as well as writers like J.R.R. Tolkien and Wendell Berry, Beyond the Willing Suspension of Disbelief offers a method of reading for post-secular literary criticism that is not only historically and politically aware but also deeply engaged with aesthetic form.
A USA Today bestseller “Echoes of One Flew over the Cuckoo’s Nest reverberate through this cinematic tale...readers looking for an adrenaline-inducing resistance plot will find this worth their time.” —Publishers Weekly From award-winning author J. Michael Straczynski, The Glass Box is a hard-hitting, fast-paced sci-fi novel about the choices we make and the ramifications we face. Riley Diaz was born to fight back. When she’s incarcerated under the authority of a shadowy new defense act, Riley is sent to one of a growing number of American Renewal Centers (ARCs)—institutions modeled after psychiatric facilities—for mandatory reeducation. Forced therapy, involuntary medication, solitary confinement, restricted rations, and more are all in the ARC program’s bag of dirty tricks designed to break down dissidents. Give in, and you go free. Resist, and ... Riley declares a one-woman war against the gaslighting and manipulation in a struggle to take down the ARC program and its white-coated collaborators. Despite being isolated and resented by her fellow inmates, Riley eventually wins their trust, and forms a heartfelt, life-and-death bond with a mysterious patient known only as Frankenstein, who is as enigmatic as his namesake. Sometimes breaking an unjust system starts with one person willing to stand up—when standing is the hardest thing in the world—and saying no. Riley Diaz is willing to stand behind that word, regardless of the cost, in order to put her fist through the Glass Box once and for all. Acclaimed creator J. Michael Straczynski takes the reader on a mesmerizing journey inspired by pressing contemporary issues, including our right to protest and the threats designed to undermine that right. Told with drama and heart, The Glass Box is a moving story that features a colorful and often eccentric cast of characters readers will fall in love with.
Revealing the series of closet dramas written by Byron and Shelley to be deeply embedded in contemporary radical culture, the author explains why the dramas were written and why they invoke and apparently oppose textual and theatrical versions of themselves.
This interdisciplinary volume of collected, mostly unpublished essays demonstrates how Mikhail Bakhtin's theory of dialogic meaning--and its subsequent elaborations--have influenced a wide range of critical discourses. With essays by Michael Holquist, Jerome J. McGann, John Searle, Deborah Tannen, Gary Saul Morson, Caryl Emerson, Shirley Brice Heath, Don H. Bialostosky, Paul Friedrich, Timothy Austin, John Farrell, Rachel May, and Michael Macovski, the collection explores dialogue not only as an exchange among intratextual voices, but as an extratextual interplay of historical influences, oral forms, and cultural heuristics as well. Such approaches extend the implications of dialogue beyond the boundaries of literary theory, to anthropology, philosophy, linguistics, and cultural studies. The essays address such issues as the establishment and exercise of political power, the relation between conversational and literary discourse, the historical development of the essay, and the idea of literature as social action. Taken together, the essays argue for a redefinition of literary meaning--one that is communal, interactive, and vocatively created. They demonstrate that literary meaning is not rendered by a single narrator, nor even by a solitary author--but is incrementally exchanged and constructed.
Examining the claim that an emerging underclass reveals an unprecedented crisis in American society, this collection of essays studies a complex set of processes that has been at work for a long period, degrading inner cities and the nation as a whole.
In "My Name is Legion" Professor Newheart interfaces narrative and psychological criticism with historical perspectives, cultural examination, and poetic reflection to create this unique book-length treatment of the Gerasene demoniac that is described in Mark 5:1-20.
DIVArgues that the writers of the 30s and 40s--Hemingway, Ayn Rand, John Dos Passos, Gertrude Stein, Richard Wright, Wallace Stevens et al. -- identified and understood the formal problems of literary modernism through an idea of the social and an idiom of s/div
Wild About Books – essays on books and writing, about reading them and writing them, and publishing them and collecting them and preserving them in libraries. Essays about the shared experience of literature, the art and craft of writing, the pleasures of reading, the survival of five hundred years of print culture, together with reflections and suggestions on creative writing, on what to do, and how to do it, and on what I’ve done, and why I wrote this book and how I wrote that one, together with anecdotes from other writers’ experiences, from writers in person, and from the books they have written. ‘What strikes one first … is Wilding’s keen sense of literary integrity … an ironic, witty, highly educated, and in its indirect way, passionate authorial persona who has believed in literature as a life of principle, has seen many of the bases of that belief assaulted by abstruse theory, trendy anti-realism, and sinecure-seeking cynicism, and yet still in the face of everything, is able to make the affirming act through the agency of fiction … No one in English writes better fiction about the process of writing than Wilding.’ – Don Graham, Antipodes ‘A career that is remarkable for how prolific and innovative it has been in so many areas, whether Wilding was working as a short story writer, novelist, critic, editor, commentator, anthologist, or publisher. Few Australian writers have successfully ventured so much and for so long. Moreover, a surprising coherence exists among this variety. Wilding’s work is driven by his political radicalism, which seems as much to do with a probing, sometimes acrid, intelligence, as sentiment.’ – Peter Pierce, Dictionary of Literary Biography
We are at a crossroads in our nation's history and presented with two distinct choices; liberty or tyranny. We either believe in American exceptionalism and the founding principle that man can rule himself. Or we choose a style of governance that centrally plans our very existence. We either believe in the principles espoused by Washington, Jefferson, Madison, Franklin, et al...or we believe in the principles espoused by Marx, Engels, Bismarck, Lenin, et al... Following The Constitutional Convention, Benjamin Franklin said "we have a Republic if we can keep it." A warning against apathy and a call to arms that freedom requires eternal vigilance. Reagan planted his flag and asked, "if not us who, if not now, when?" We are presented with a choice, between a style of government whereby the power is derived from the people and a style of government that usurps all power from the governed. Progressivism is a villainous perfidy and a style of government completely antithetical to our founding principles.
A major new critical biography of Sir William Jones (1746-94), the foremost Orientalist of his generation and one of the greatest intellectual navigators of all time, whose Sanskrit researches did more than any other writer to destroy Eurocentric prejudice, reshaping Western perceptions of India and the Orient.
The fall of Constantinople to the Ottomans in 1453 marked the end of a thousand years of the Christian Roman Empire. Thereafter, world civilisation began a process of radical change. The West came to identify itself as Europe; the Russians were set on the path of autocracy; the Ottomans were transformed into a world power while the Greeks were left exiles in their own land. The loss of Constantinople created a void. How that void was to be filled is the subject of this book. Michael Angold examines the context of late Byzantine civilisation and the cultural negotiation which allowed the city of Constantinople to survive for so long in the face of Ottoman power. He shows how the devastating impact of its fall lay at the centre of a series of interlocking historical patterns which marked this time of decisive change for the late medieval world. This concise and original study will be essential reading for students and scholars of Byzantine and late medieval history, as well as anyone with an interest in this significant turning point in world history.
The sequel to the sold-out comic book "The Cast of Doctor Who" brings the stories of five more Doctors. The enigmatic, often eccentric, time travelling hero known only to science fiction fans as the Doctor, explores the timeline in order to save the world from dangers both mysterious and impossible. However, the five men profiled in this issue have been heroes in their own right. Peter Davison, Sylvester McCoy, Jon Pertwee, Christopher Eccleston and more!
An absorbing survey of poetry written in one of the most revolutionary eras in the history of British literature This comprehensive survey of British Romantic poetry explores the work of six poets whose names are most closely associated with the Romantic era—Wordsworth, Coleridge, Blake, Keats, Byron, and Shelley—as well as works by other significant but less widely studied poets such as Leigh Hunt, Charlotte Smith, Felicia Hemans, and Letitia Elizabeth Landon. Along with its exceptional coverage, the volume is alert to relevant contexts, and opens up ways of understanding Romantic poetry. The Romantic Poetry Handbook encompasses the entire breadth of the Romantic Movement, beginning with Anna Laetitia Barbauld and running through to Thomas Lovell Beddoes and John Clare. In its central section ‘Readings’ it explores tensions, change, and continuity within the Romantic Movement, and examines a wide range of individual poems and poets through sensitive, attentive and accessible analyses. In addition, the authors provide a full introduction, a detailed historical and cultural timeline, biographies of the poets whose works are featured in the “Readings” section, and a helpful guide to further reading. The Romantic Poetry Handbook is an ideal text for undergraduate and postgraduate study of British Romantic poetry. It also will appeal to every reader with an interest in the Romantics and in poetry generally.
This fast-paced book by Yale professors Michael Graetz and Ian Shapiro unravels the following mystery: How is it that the estate tax, which has been on the books continuously since 1916 and is paid by only the wealthiest two percent of Americans, was repealed in 2001 with broad bipartisan support? The mystery is all the more striking because the repeal was not done in the dead of night, like a congressional pay raise. It came at the end of a multiyear populist campaign launched by a few individuals, and was heralded by its supporters as a signal achievement for Americans who are committed to the work ethic and the American Dream. Graetz and Shapiro conducted wide-ranging interviews with the relevant players: members of congress, senators, staffers from the key committees and the Bush White House, civil servants, think tank and interest group representatives, and many others. The result is a unique portrait of American politics as viewed through the lens of the death tax repeal saga. Graetz and Shapiro brilliantly illuminate the repeal campaign's many fascinating and unexpected turns--particularly the odd end result whereby the repeal is slated to self-destruct a decade after its passage. They show that the stakes in this fight are exceedingly high; the very survival of the long standing American consensus on progressive taxation is being threatened. Graetz and Shapiro's rich narrative reads more like a political drama than a conventional work of scholarship. Yet every page is suffused by their intimate knowledge of the history of the tax code, the transformation of American conservatism over the past three decades, and the wider political implications of battles over tax policy.
Romanticism is a worldview that finds expression over a whole range of cultural fields—not only in literature and art but in philosophy, theology, political theory, and social movements. In Romanticism Against the Tide of Modernity Michael Löwy and Robert Sayre formulate a theory that defines romanticism as a cultural protest against modern bourgeois industrial civilization and work to reveal the unity that underlies the extraordinary diversity of romanticism from the eighteenth to the twenty-first century. After critiquing previous conceptions of romanticism and discussing its first European manifestations, Löwy and Sayre propose a typology of the sociopolitical positions held by romantic writers-from “restitutionist” to various revolutionary/utopian forms. In subsequent chapters, they give extended treatment to writers as diverse as Coleridge and Ruskin, Charles Peguy, Ernst Bloch and Christa Wolf. Among other topics, they discuss the complex relationship between Marxism and romanticism before closing with a reflection on more contemporary manifestations of romanticism (for example, surrealism, the events of May 1968, and the ecological movement) as well as its future. Students and scholars of literature, humanities, social sciences, and cultural studies will be interested in this elegant and thoroughly original book.
Wenn die gewaltigen ökologischen Herausforderungen der Gegenwart bewältigt werden sollen, braucht es klare ethische Orientierungen und tiefe Quellen innerer Kraft. Der Autor reflektiert die Potenziale der christlichen Tradition für eine Ethik und Spiritualität der Schöpfung. Dafür greift er auf biblische und liturgische Impulse ebenso zurück wie auf die Enzyklika Laudato si von Papst Franziskus und setzt sie mit naturwissenschaftlichen, soziologischen und ökonomischen Überlegungen in Beziehung. Auf dieser Grundlage entwickelt es eine Handlungs- und Hoffnungsperspektive, die durch Schwierigkeiten und Enttäuschungen hindurch tragfähig ist.
Known only to science fiction fans as the Doctor, a being who explores the timeline in order to save the world from dangers both mysterious and impossible, the BBC’s Dr. Who is the longest running sci-fi TV series of all time, and the secret to its longevity is the ability to recast the lead actor as the same character. The Cast of Dr. Who takes you back in time to explore the personal histories of ten men who have portrayed the BBC’s enigmatic, often eccentric, time travelling hero.
This collection of original essays discusses the implications of the new media for the creation, delivery and assessment of English studies. Strategies by which digital technologies can serve professional, scholarly and pedagogical needs in a completely new way are explored in the context of the role and mission of humanities in the electronic age.
During the two decades following entry into World War II, nearly 30 million men and women served in or worked for the United States military. Tens of thousands faced a general court-martial under the Articles of War, which prescribed either life in prison or death for crimes of murder, rape or desertion. Only 160 men were sentenced to death and executed--159 for murder or rape (or a combination of the two), and one for desertion. The manner of death was by firing squad or by hanging. These dishonored servicemen were buried in various locations around the world. Later, nearly all were moved to grave sites in military cemeteries, segregated from those who died honorably. This book tells the stories of the men, their crimes and their executions.
Forty-five years after his death, and more than seventy years after his indictment for treason, Ezra Pound remains a deeply controversial figure. Today it is hard to imagine a poet sparking national debate, but Pound did just that. His receipt in 1949 of the first-ever Bollingen Award for Poetry started a hue and cry that spread to every US periodical that made even a pretense of following "cultural" issues: even Time weighed in. It took two years for things to simmer down, and when they finally did, literary study looked profoundly different. Everyone engaged in the study of poetry today, professors and students alike, works in an environment shaped by that national crisis of conscience. The present book considers this untold story, and investigates not just what critics have had to say about Pound but also why they have asked the questions they have asked. It is routine for reception histories to distinguish between professional studies and more popular responses; this book encourages us to consider why we make that distinction and what the costs of doing so might be. Unprofessional responses to Pound have often been ideologically and politically embarrassing for Pound scholars, who have in response policed the distinction between professional and popular readings with extraordinary vigilance. As a result, the history of Pound's reception unfolds as a kind of drama - perhaps the last ongoing theater for McCarthyite cultural-political anxieties. Michael Coyle is Professor of English at Colgate University and has published widely on Pound. Roxana Preda is Leverhulme Fellow in American Literature at the University of Edinburgh and President of the Ezra Pound Society.
At the close of the eighteenth century, Erasmus Darwin declared that he would 'enlist the imagination under the banner of science,' beginning, Michael Page argues, a literary narrative on questions of evolution, ecology, and technological progress that would extend from the Romantic through the Victorian periods. Examining the interchange between emerging scientific ideas-specifically evolution and ecology-new technologies, and literature in nineteenth-century Britain, Page shows how British writers from Darwin to H.G. Wells confronted the burgeoning expansion of scientific knowledge that was radically redefining human understanding and experience of the natural world, of human species, and of the self. The wide range of authors covered in Page's ambitious study permits him to explore an impressive array of topics that include the role of the Romantic era in the molding of scientific and cultural perspectives; the engagement of William Wordsworth and Percy Shelley with questions raised by contemporary science; Mary Shelley's conflicted views on the unfolding prospects of modernity; and how Victorian writers like Charles Kingsley, Samuel Butler, and W.H. Hudson responded to the implications of evolutionary theory. Page concludes with the scientific romances of H.G. Wells, to demonstrate how evolutionary fantasies reached the pinnacle of synthesis between evolutionary science and the imagination at the close of the century.
Mathewson, one of the towering figures in baseball history, won 373 games in 17 seasons, all but one of those victories for the New York Giants. After his playing career, he was a manager, army officer and baseball executive, played a role in the unraveling of the Black Sox, and fought a courageous battle against tuberculosis. A man with a keen sense of honor and responsibility for both private and public obligations, he was adored by the public as a real-life Frank Merriwell. In the decades since his death, the perception of Mathewson has changed remarkably little. This biography documents in great depth his life on and off the baseball field, and draws from sources, old and new, to let Mathewson's life speak for itself. Not many sports figures can withstand such scrutiny.
In the second decade of the nineteenth century, the British press began a campaign of critical abuse against Leigh Hunt, caricaturing the radical journalist as an upstart "Cockney" author whose literary talents were as disreputable as his politics. Lord Byron, on the other hand, was revered as a peer and a poetical genius who, the conservative press argued, would never befriend and collaborate with a writer like Hunt. Yet Byron did just that. Byron, Hunt, and the Politics of Literary Engagement is the first full-length study of the friendship and literary relationship of two of the most important second-generation Romantic authors. Challenging long-held critical attitudes, this study shows that Byron and Hunt engaged in a creative and meaningful dialogue at each major stage in their careers, from their earliest published volumes of juvenile poetry and verse satire to their most celebrated contributions to Romantic literature: The Story of Rimini and Don Juan. Drawing upon newly recovered letters and unpublished manuscript material, this book illuminates the surprisingly durable and artistically significant friendship of Lord Byron and Leigh Hunt.
Attacked by T.S. Eliot and F.R. Leavis, Shelley's poetry has, over the last few decades, enjoyed a revival of critical interest. His radical politics and arrestingly original poetic strategies have been studied from a variety of perspectives - formalist, deconstructionist, new historicist, feminist and others. Of all the Romantics, Shelly has benefited most from the so-called 'theoretical revolution', as is borne out by the wide range of recent critical work represented in this volume. The 134 essays selected analyse many of Shelley's finest poems, including Alastor, Julian and Maddalo, Prometheus Unbound, Adonais and The Triumph of Life. Michael O'Neill's informed Introduction explores the contours of this debate. Detailed headnotes to the individual essays, explanations of difficult terms, and a further reading section provide invaluable guides to the reader. This collection illuminates the enduring and contemporary significance of the work of a major poet.
A bold work of synthetic scholarship, Writing Australian Unsettlement argues that the history of Australian literature contains the rough beginnings of a new literacy. Michael Farrell reads songs, letters and visual poems by Indigenous farmers and stockmen, the unpunctuated journals of early settler women, drover tree-messages and carved clubs, and a meta-commentary on settlement from Moore River (the place escaped from in The Rabbit-Proof Fence) in order to rethink old forms. The book borrows the figure of the assemblage to suggest the active and revisable nature of Australian writing, arguing against the "settling" effects of its prior editors, anthologists, and historians. Avoiding the advancement of a new canon, Farrell offers instead an unsettled space in which to rethink Australian writing.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.