A doctor carries a black bag. A soldier hauls his weapon. And the actor carries the monologue. For any working (or hopeful!) actor, the monologue is the calling card, the audition, and the preview of your talent. In a few brief seconds, your monologue can create an indelible image in the mind of the director and open the doorway to a career. This collection of new, original monologues allows the actor unique opportunities for expression: some are serious, some are humorous, and many can be performed either humorously or dramatically. None require an introduction, and most are suited for both male and female performers. Your monologue is your vehicle, and you must power it up and steer it with your own personality. The scenes within these pages represent every type of vehicle, from sleek sports cars to vintage jalopies; you may even find a scooter or a skateboard. Enjoy the ride.
It's the phone call that every parent dreads. When the ringing awakened Jackie Carpenter on that black Georgia night, she found everything she had ever known or believed or trusted ripped from her. Jackie's gentle son Jason was in jail, accused of murder, and Jason's wife and six year old son were shaken and helpless. What began as a nightmare grew into an ordeal. The story caught fire, grabbed headlines, and polarized a community. As she spiraled deeper into night, Jackie found herself adrift. Jason sat, terrified, in jail. Jackie began to fight with the ferociousness of a mama tiger, to save her sanity, her family, and hold on to her faith. What Jackie found in the darkness was a treasure that now empowers her. For though she was lost, she was never alone. And her message is now one of hope, and of the eternal light that cuts through the darkest night. Michael McClendon is a writer/director/actor for both stage and screen. After decades on the stage, he turned to film and TV, and has appeared opposite film greats like Tommy Lee Jones, Carroll O'Connor, Lily Tomlin, Patrick Swayze, and Jessica Lange. More recently, he directed and wrote the screenplay for Stand Your Ground, the motion picture inspired by the story in this book. Current or upcoming releases as writer/director include the award-winning shorts Dead Channels, Locations, and Inseparable. Michael's writing and directing have won top honors at the Alaska Film Festival, Indie Horror Film Fest, Avalonia Film Festival, WWWFF, Wular Lake International Film Festival, and more. He teaches film acting in between gigs and was recently named one of the five People To Watch In The Georgia Entertainment Industry.
Six-year-old JJ Veitch is a sweet, curious boy who loves the Lord, helping others, and embarking on adventures in the woods. Unfortunately JJ has no idea that he is at the beginning of a journey that will push him to the brink of manhood and teach him that bullies come in all shapes and sizes. JJ's father, Jason, is battling bullies. His are the most fearsome kind: adults. Desperate for change, he has to somehow find a way to stop the copper thieves who are robbing him of his livelihood. But when he takes matters into his own hands, he lands in jail, a horrifying place he never thought he'd be. As his family battles on Jason's behalf, JJ is terrorized by neighborhood thugs and must make a difficult choice whether to turn the other cheek or stand tall and fight for his beliefs. Will he and his family realize they only need to have faith the size of a mustard seed before it is too late?
A group of teenagers learn that loss and pain as well as courage and conviction have no minimum age requirement as they are forced to battle hoards of zombies or risk joining the ranks of the undead. As evil invades all that they took for granted, the teens learn about loyalty, courage and the power that can be found when fighting for what you value most. Pain Never Changes is the second book in the trilogy by teenage author Michael McClendon.
In 1957, big city business moves into the small town of Sulfur Fork, Tennessee. A brand new subdivision and factory are soon to be built. At the foot of cemetery hill, employees and visitors at the ancient city hall watch with both interest and trepidation. In order to make way for the new homes and industries, the Osborne Corporation must unearth and move all the residents of the town's cemetery. As relocation begins, though, something wonderful is found sleeping beneath the tombstones. The hunger for progress can prevent us from recognizing real magic when it shows up, but the townspeople of Sulfur Fork are ready. They're about to delve deeper into the past than they could ever imagine and set a new course for the future.
The 2007 volume of the 32-year-old Educational Media and Technology Yearbook series continues the legacy of its predecessors. It highlights the major trends of the previous year, which cluster around student-centered pedagogy (fueled by the No Child Left Behind legislation) as well as advances in online learning. It discusses advances in the school and library media worlds, in particular their responses to No Child Left Behind. It profiles an outstanding individual in the field: David R. Krathwohl (Hannah Hammond Professor Emeritus, Syracuse University). It identifies instructional technology-related organizations and graduate programs across North America. And it concludes with a mediagraphy of journals, books, ERIC documents, journal articles, and nonprint resources. As a repository of so much valuable data and information, it is, quite simply, a volume every media and technology professional will be proud to own.
This chronicle of the storied history of the University of Cincinnati basketball program is filled with anecdotes from and about its star players, coaches, and colorful characters. The coaches include Bob Huggins, who took over the program in 1989 and led the Bearcats back to prominence with a 1992 Final Four appearance; his predecessor Tony Yates, a former star Cincinnati player who was eventually fired as the coach; Ed Badger, who went on to coach and scout in the NBA: Gale Catlett, who left UC for West Virginia; Ed Jucker, who coached the Bearcats to their two national championships: and Tay Baker, the only man to coach at both UC and crosstown rival Xavier University. Among the star players featured in the book are, of course, Hall of Famers Oscar Robertson and Jack Twyman; 2000 National Player of the Year Kenyon Martin, and All-Americans such as Nick Van Exel, Danny Fortson and Steve Logan. Author Michael Perry also recounts some of the program's most memorable games and moments, including recaps of the most exciting Crosstown Shootouts against the rival Xavier Musketeers. Tales from the Cincinnati Bearcats Hardwood will be a comprehensive trip down memory lane, providing insight into the Huggins era and, for those who did not start following the team until the 1990s, a nice history lesson about one of America's top basketball programs.
Is the use of narrative as a method of doing theology justified? This volume, one of the first critical analyses of the subject, makes a strong case for such theology. Michael Goldberg explores the notion that all convictions are founded in some narrative and looks at the theological implications of biography and autobiography. He does so by considering the works of Carol P. Christ, James H. Cone, Joseph Fletcher, James Wm. McClendon, Jr., James W. Fowler, Will D. Campbell, Elie Wiesel, H. Richard Niebuhr, Hans W. Frei, Irving Greenberg, and others. After carefully examining the meaning, truth, and rationality of narrative theology, Goldberg summarizes its validity and describes ways that narrative might be used for theology in the future.
The wheat and the tares live together, but no matter how long a tare lives amidst wheat it will never become wheat, likewise the wheat will never become a tare. The day of harvest is coming and it is difficult to tell the difference between the wheat and weeds; not because the weeds try to blend in with the wheat but because the wheat envies the tares. Are we not made a new creature in the likeness of Christ? How is it that we who are made righteous defile ourselves with base, unholy, and unrighteous deeds. It is not enough to be a Christian in name, Christ is coming back and He knows the sheep from the goats.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.