Western philosophy has been dominated by the concept or the idea—the belief that there is one sovereign notion or singular principle that can make reality explicable and bring all that exists under its sway. In modern politics, this role is played by ideology. Left, right, or center, political schools of thought share a metaphysics of simplification. We internalize a dominant, largely unnoticeable framework, oblivious to complex, plural, and occasionally conflicting or mutually contradictory explanations for what is the case. In this groundbreaking work, Michael Marder proposes a new methodology for political science and philosophy, one which he terms “categorial thinking.” In contrast to the concept, no category alone can exhaust the meaning of anything: categories are so many folds, complications, respectful of multiplicity. Ranging from classical Aristotelian and Kantian philosophies to phenomenology and contemporary politics, Marder's book offers readers a theoretical toolbox for the interpretation of political phenomena, processes, institutions, and ideas. His categorial apparatus encompasses political temporality and spatiality; the revolutionary and conservative modalities of political actuality, possibility, and necessity; quantitative and qualitative approaches to the study of political reality; the meaning of political relations; and various senses of political being. Under this lens, the political appears not as a singular concept but as a family of categories, allowing room for new, plural, and often antagonistic ideas about the state, the people, sovereignty, and power.
Grafting: do we ever do anything other than that? And are we ever free from vegetal influences when we engage in its operations? For the philosopher Michael Marder, our reflections on vegetal life have a fundamental importance in how we can reflect on our own conceptions of ethics, politics, and philosophy in general. Taking as his starting point the simple vegetal conception of grafting, Marder guides the reader through his concise and numerous reflections on what could be described as a vegetal philosophy. Grafts are transplants either of a shoot inserted into the trunk of another tree or, surgically, of skin (among other living tissues). They are delicate operations intended to preserve, improve, and modify both the grafted materials and the body that receives them. To graft is to create unlikely encounters, hybrid mixes, and novel surfaces. Moving across disciplinary lines, Grafts combines the lessons of plant science with the history of philosophy, semiotics, literary compositions, and political theory. Co-authoring some of the texts with other philosophers, plant scientists and artists, Marder allows their insights to be grafted onto his own, and vice versa. Weighing in on contemporary debates such as the ethics of biotechnology, dietary practices or political organization, Marder inserts an unmistakable vegetal perspective into topics of discussion where it normally wouldn’t be found. Transferring the living tissue of his own texts into another context, he helps them live better, more fully, than otherwise.
The question of energy is among the most vital for the future of humanity and the flourishing of life on this planet. Yet, only very rarely (if at all) do we ask what energy is, what it means, what ends it serves, and how it is related to actuality, meaning-making, and instrumentality. Energy Dreams interrogates the ontology of energy from the first coinage of the word energeia by Aristotle to the current practice of fracking and the popularity of "energy drinks." Its sustained, multi-disciplinary investigation builds a theoretical infrastructure for an alternative energy paradigm. This study unhinges stubbornly held assumptions about energy, conceived in terms of a resource to be violently extracted from the depths of the earth and from certain living beings (such as plants, converted into biofuels), a thing that, teetering on the verge of depletion, sparks off movement and is incompatible with the inertia of rest. Consulting the insights of philosophers, theologians, psychologists and psychoanalysts, economic and political theorists, and physicists, Michael Marder argues that energy is not only a coveted object of appropriation but also the subject who dreams of amassing it; that it not only resides in the dimension of depth but also circulates on the surface; that it activates rest as much as movement, potentiality as much as actuality; and that it is both the means and the end of our pursuits. Ultimately, Marder shows that, instead of being grounded in utopian naïveté, the dreams of another energy—to be procured without devastating everything in existence—derive from the suppressed concept of energy itself.
From the books and heretics burnt on the pyres of the Inquisition to self-immolations at protest rallies, from the massive burning of oil on the global scale to inflammatory speech, from the imagery of revolutionary sparks ready to ignite the spirits of the oppressed to car bombings in the Middle East, fire proves to be an indispensable element of the political. To account for this elemental source of heat and light, Pyropolitics delineates a semantico-discursive field, replete with the literal and metaphorical mentions and uses of fires, flames, sparks, immolations, incinerations, and burning in political theory and practices. Relying on classical political theory, literature, theology, contemporary philosophy, and an analysis of current events, Michael Marder argues that geo-politics, or the politics of the Earth, has always had an unstable, at once shadowy and blinding, underside—pyropolitics, or the politics of fire. If this obscure double of geopolitics is, increasingly, dictating the rules of the game today, then it is crucial to learn to speak its language, to discern its manifestations, and to project where our world ablaze is heading.
The margins of philosophy are populated by non-human, non-animal living beings, including plants. While contemporary philosophers tend to refrain from raising ontological and ethical concerns with vegetal life, Michael Marder puts this life at the forefront of the current deconstruction of metaphysics. He identifies the existential features of plant behavior and the vegetal heritage of human thought so as to affirm the potential of vegetation to resist the logic of totalization and to exceed the narrow confines of instrumentality. Reconstructing the life of plants "after metaphysics," Marder focuses on their unique temporality, freedom, and material knowledge or wisdom. In his formulation, "plant-thinking" is the non-cognitive, non-ideational, and non-imagistic mode of thinking proper to plants, as much as the process of bringing human thought itself back to its roots and rendering it plantlike.
From books and heretics burnt on the pyres of the Inquisition to self-immolations at protest rallies, from the burning of fossil fuels to inflammatory speech, from the imagery of revolutionary sparks ready to ignite the spirits of the oppressed to car bombings and “scorched earth” policy, fire proves to be an indispensable element of the political. Pyropolitics in the World Ablaze builds upon the scintillating, by turns horrifying and hopeful, images and realities of flames, hearths, sparks, immolations, melting pots, incinerations, and burning in political thought and practices. Relying on classical political theory, theology, philosophy, literature and cinema, as well as an analysis of current events, Michael Marder argues that geo-politics, or the politics of the Earth, has always had an unstable, at once shadowy and blinding, underside—pyro-politics, or the politics of fire. If this obscure double of geopolitics is increasingly dictating the rules of the game today, then it is crucial to learn to speak its language, to discern its manifestations and to project where our world ablaze is heading. This new edition includes recent examples of the uses and accusations of ‘incendiary speech’ both by Donald Trump and by European populist right and exploration of threats of global warming that have now reached a turning point in our collective relation to the dangers and promises of fire .
Despite their conceptual allergy to vegetal life, philosophers have used germination, growth, blossoming, fruition, reproduction, and decay as illustrations of abstract concepts; mentioned plants in passing as the natural backdrops for dialogues, letters, and other compositions; spun elaborate allegories out of flowers, trees, and even grass; and recommended appropriate medicinal, dietary, and aesthetic approaches to select species of plants. In this book, Michael Marder illuminates the elaborate vegetal centerpieces and hidden kernels that have powered theoretical discourse for centuries. Choosing twelve botanical specimens that correspond to twelve significant philosophers, he recasts the development of philosophy through the evolution of human and plant relations. A philosophical history for the postmetaphysical age, The PhilosopherÕs Plant reclaims the organic heritage of human thought. With the help of vegetal images, examples, and metaphors, the book clears a path through philosophyÕs tangled roots and dense undergrowth, opening up the discipline to all readers.
Now updated—the leading single-volume introduction to solid state and soft condensed matter physics This Second Edition of the unified treatment of condensed matter physics keeps the best of the first, providing a basic foundation in the subject while addressing many recent discoveries. Comprehensive and authoritative, it consolidates the critical advances of the past fifty years, bringing together an exciting collection of new and classic topics, dozens of new figures, and new experimental data. This updated edition offers a thorough treatment of such basic topics as band theory, transport theory, and semiconductor physics, as well as more modern areas such as quasicrystals, dynamics of phase separation, granular materials, quantum dots, Berry phases, the quantum Hall effect, and Luttinger liquids. In addition to careful study of electron dynamics, electronics, and superconductivity, there is much material drawn from soft matter physics, including liquid crystals, polymers, and fluid dynamics. Provides frequent comparison of theory and experiment, both when they agree and when problems are still unsolved Incorporates many new images from experiments Provides end-of-chapter problems including computational exercises Includes more than fifty data tables and a detailed forty-page index Offers a solutions manual for instructors Featuring 370 figures and more than 1,000 recent and historically significant references, this volume serves as a valuable resource for graduate and undergraduate students in physics, physics professionals, engineers, applied mathematicians, materials scientists, and researchers in other fields who want to learn about the quantum and atomic underpinnings of materials science from a modern point of view.
No matter how much you fight it, dust pervades everything. It gathers in layers, adapting to the contours of things and marking the passage of time. It is also a gathering place, a random community of what has been and what is yet to be, a catalog of traces, and a set of promises: dead skin cells and plant pollen, hair and paper fibers, not to mention the dust mites who make it their home. Dust blurs the boundaries between the living and the dead, plant and animal matter, the inside and the outside, you and the world ("for dust thou art, and unto dust shalt thou return:). Michael Marder's Dust delves into one of the most mundane and familiar phenomena, finding in it a key to thinking about existence, community, and justice today. -- Inside cover flap.
An innovative, wide-ranging consideration of the global ecological crisis and its deep philosophical and theological roots. Global crises, from melting Arctic ice to ecosystem collapse and the sixth mass extinction, challenge our age-old belief in nature as a phoenix with an infinite ability to regenerate itself from the ashes of destruction. Moving from antiquity to the present and back, Michael Marder provides an integrated examination of philosophies of nature drawn from traditions around the world to illuminate the theological, mythical, and philosophical origins of the contemporary environmental emergency. From there, he probes the contradictions and deadlocks of our current predicament to propose a philosophy of nature for the twenty-first century. As Marder analyzes our reliance on the image and idea of the phoenix to organize our thoughts about the natural world, he outlines the obstacles in the path of formulating a revitalized philosophy of nature. His critical exposition of the phoenix complex draws on Chinese, Indian, Russian, European, and North African traditions. Throughout, Marder lets the figure of the phoenix guide readers through theories of immortality, intergenerational and interspecies relations, infinity compatible with finitude, resurrection, reincarnation, and a possibility of liberation from cycles of rebirth. His concluding remarks on a phoenix-suffused philosophy of nature and political thought extend from the Roman era to the writings of Hannah Arendt.
Understanding the political and ecological implications of Heidegger’s work without ignoring his noxious public engagements The most controversial philosopher of the twentieth century, Martin Heidegger has influenced generations of intellectuals even as his involvement with Nazism and blatant anti-Semitism, made even clearer after the publication of his Black Notebooks, have recently prompted some to discard his contributions entirely. For Michael Marder, Heidegger’s thought remains critical for interpretations of contemporary politics and our relation to the natural environment. Bringing together and reframing more than a decade of Marder’s work on Heidegger, this volume questions the wholesale rejection of Heidegger, arguing that dismissive readings of his project overlook the fact that it is impossible to grasp without appreciating his lifelong commitment to phenomenology and that Heidegger’s anti-Semitism is an aberration in his still-relevant ecological and political thought, rather than a defining characteristic. Through close readings of Heidegger’s books and seminars, along with writings by other key phenomenologists and political philosophers, Marder contends that neither Heidegger’s politics nor his reflections on ecology should be considered in isolation from his phenomenology. By demonstrating the codetermination of his phenomenological, ecological, and political thinking, Marder accounts for Heidegger’s failures without either justifying them or suggesting that they invalidate his philosophical endeavor as a whole.
From the New York Times bestselling author of The Book of Air and Shadows, the story of one man's fearless quest for revenge among some of the world's most dangerous criminals Lauded as his #1 favorite book of the year, Stephen King advised President Obama, in the pages of Entertainment Weekly, to pick up Michael Gruber's previous book, The Good Son. With an unforgettable hero, The Return is as exciting and provocative as Gruber's best work. The real Richard Marder would shock his acquaintances, if they ever met him. Even his wife, long dead, didn't know the real man behind the calm, cultured mask he presents to the world. Only an old army buddy from Vietnam, Patrick Skelly, knows what Marder is capable of. Then a shattering piece of news awakens Marder's buried desire for vengeance, and with nothing left to lose, he sets off to punish the people whose actions, years earlier, changed his life. Uninvited, Skelly shows up and together the two of them raise the stakes far beyond anything Marder could have envisioned. As Marder and Skelly head toward an apocalypse of their own making, Marder learns that good motives and sense of justice can't always protect the people a man loves. A range of fearsomely real characters, from a brutally violent crime lord to a daringly courageous young woman, a roller-coaster of twists and turns, and a shattering exploration of what constitutes morality in the face of evil, Michael Gruber has once more proven that he is "a gifted and natural storyteller" (Chicago Tribune) and shows why he has been called "the Stephen King of crime writing" (The Denver Post).
#1 NEW YORK TIMES BESTSELLER • From the author of Jurassic Park, Timeline, and Sphere comes this extraordinary thriller about airline safety, business intrigue, and a deadly cover-up. “The pacing is fast, the suspense nonstop.”—People Three passengers are dead. Fifty-six are injured. The interior cabin is virtually destroyed. But the pilot manages to land the plane. At a moment when the issue of safety and death in the skies is paramount in the public mind, a lethal midair disaster aboard a commercial twin-jet airliner flying from Hong Kong to Denver triggers a pressured and frantic investigation. Airframe is nonstop reading, full of the extraordinary mixture of super suspense and authentic information on a subject of compelling interest that are the hallmarks of Michael Crichton. “A one-sitting read that will cause a lifetime of white-knuckled nightmares.”—The Philaelphia Inquirer “The ultimate thriller . . . [Crichton’s] stories are always page-turners of the highest order. . . . [Airframe] moves like a firehouse dog chasing a red truck.”—The Denver Post “Dramatically vivid.”—The New York Times
While tanks were the most recognized armored vehicles during the Cold War, NATO and Warsaw Pact (WP) armies fielded a wide array of armored fighting vehicles (AFVs). These included armored cars, armored personnel carriers (APCs), anti-aircraft vehicles and self propelled artillery. Over the Cold War years nations both progressively developed series of AFVs and introduced entirely new ranges. APCs, vital to all frontline units, evolved from machine gun-armed battlefield taxis such as the US M113 and Soviet BTR-60 series into sophisticated infantry fighting vehicles. The Soviet BMP-1, US Bradley M2/M3, West German Marder and British Warrior and CVR series were classic examples of the latter, with numerous variants. The Soviet BRDM-2 series was the most numerous armored car. The British Army fielded the Saladin, Ferret and Fox and the German Army introduced the eight-wheeled Luchs and tracked SPZ11-2 Kurz. Early anti-aircraft vehicles, such as the American M42 with two 40mm Bofors, were superseded by the formidable Soviet ZSU-23-4 Shilka and the West German Geopard with radar-guided guns. This authoritative and superbly illustrated book covers the full range of AFVs in service with NATO and WP armies over the four decades of the Cold War. It will be an invaluable addition to the libraries of the expert and layman alike.
Ranging across philosophy, theology, ecology, psychology, and art, in Dump Philosophy Michael Marder argues that the earth, along with everything that lives and thinks on it, is at an advanced stage of being converted into a dump for industrial output and its by-products feeding consumerism and its excesses. Every day, scientific studies, media reports, and first-hand accounts of the rapidly deteriorating state of the environment hit us with a growing and disconcerting force. Trends such as microplastics in water, airborne toxins, topsoil degradation, and dangerous levels of carbon dioxide have upset the delicate ecological balance that has until now been sustaining life on the planet. Marder's original treatise paints a portrait of the Anthropocene as a global dump which wreaks havoc, causing disease and degrading our sensation, perception, and thinking, so that nuance is lost and ideas are reduced to soundbites in chains of free association. Describing the dump's fundamental characteristics and its effects on the body and the mind, he contemplates wider physiological, social, economic, and environmental metabolisms in the age of dumping, as well as the role of philosophy caught in its crosshairs. While surveying the devastation that is the reality of the twenty-first century, the book provides a frightening and yet intellectually spellbinding glimpse of the future.
Virginia Woolf's Mrs Dalloway (1925) has long been recognised as one of her outstanding achievements and one of the canonical works of modernist fiction. Each generation of readers has found something new within its pages, which is reflected in its varying critical reception over the last ninety years. As the novel concerns itself with women's place in society, war and madness, it was naturally interpreted differently in the ages of second wave feminism, the Vietnam War and the anti-psychiatry movement. This has, of course, created a rather daunting number of different readings. Michael H. Whitworth contextualizes the most important critical work and draws attention to the distinctive discourses of critical schools, noting their endurance and interplay. Whitworth also examines how adaptations, such as Michael Cunningham's The Hours, can act as critical works in themselves, creating an invaluable guide to Mrs Dalloway.
Spanning a decade of Michael Marder’s contributions as a public intellectual, Senses of Upheaval documents a period of exceptional global turmoil in intellectual, cultural, technological and political spheres.
Hegel’s The Phenomenology of Spirit has been one of the most important works of philosophy since the nineteenth century, while the question of energy has been crucial to life in the twenty-first century. In this book, Michael Marder integrates the two, narrating a story about the trials and tribulations of energy embedded in Hegel’s dialectics. Through an original interpretation of actuality (Wirklichkeit) as energy in the Hegelian corpus, the book provides an exciting lens for understanding the dialectical project and the energy‐starved condition of our contemporaneity. To elaborate this theory, Marder undertakes a meticulous rereading of major parts of the Phenomenology, where the energy deficit of mere consciousness gives way to the energy surplus of self‐consciousness and its self‐delimitation in the domain of reason. In so doing, he denounces the current understanding of energy as pure potentiality, linking this mindset to pollution, profit-driven economies, and environmental crises. Surprising and deeply engaged with its contemporary implications, this book doesn’t simply illuminate aspects of The Phenomenology of Spirit—it provides an entirely new understanding of Hegel’s ideas.
A philosophical guide to passengerhood, with reflections on time, space, existence, boredom, our sense of self, and our sense of the senses. While there are entire bookstore sections—and even entire bookstores—devoted to travel, there have been few books on the universal experience of being a passenger. With this book, philosopher Michael Marder fills the gap, offering a philosophical guide to passengerhood. He takes readers from ticketing and preboarding (preface and introduction) through a series of stops and detours (reflections on topics including time, space, existence, boredom, our sense of self, and our sense of the senses) to destination and disembarking (conclusion). Marder finds that the experience of passengers in the twenty-first century is experience itself, stretching well beyond railroad tracks and airplane flight patterns. On his journey through passengerhood, he considers, among many other things, passenger togetherness, which goes hand in hand with passenger loneliness; flyover country and the idea of placeness; and Descartes in an airplane seat. He tells us that the word metaphor means transport in Greek and discusses the gray area between literalness and metaphoricity; explains the connection between reading and riding; and ponders the difference between destination and destiny. Finally, a Beckettian disembarking: you might not be able to disembark, yet you must disembark. After the voyage in the world ends, the journey of understanding begins.
A unique introduction to the design, analysis, and presentation of scientific projects, this is an essential textbook for undergraduate majors in science and mathematics. The textbook gives an overview of the main methods used in scientific research, including hypothesis testing, the measurement of functional relationships, and observational research. It describes important features of experimental design, such as the control of errors, instrument calibration, data analysis, laboratory safety, and the treatment of human subjects. Important concepts in statistics are discussed, focusing on standard error, the meaning of p values, and use of elementary statistical tests. The textbook introduces some of the main ideas in mathematical modeling, including order-of-magnitude analysis, function fitting, Fourier transforms, recursion relations, and difference approximations to differential equations. It also provides guidelines on accessing scientific literature, and preparing scientific papers and presentations. An extensive instructor's manual containing sample lessons and student papers is available at www.cambridge.org/Marder.
Hoo-Doo Cowboys and Bronze Buckaroos undertakes an interdisciplinary exploration of the African American West through close readings of texts from a variety of media. This approach allows for both an in-depth analysis of individual texts and a discussion of material often left out or underrepresented in studies focused only on traditional literary material. The book engages heretofore unexamined writing by Rose Gordon, who wrote for local Montana newspapers rather than for a national audience; memoirs and letters of musicians, performers, and singers (such as W. C. Handy and Taylor Gordon), who lived in or wrote about touring the American West; the novels and films of Oscar Micheaux; black-cast westerns starring Herb Jeffries; largely unappreciated and unexamined episodes from the "golden age of western television" that feature African American actors; film and television westerns that use science fiction settings to imagine a "postracial" or "postsoul" frontier; Percival Everett's fiction addressing contemporary black western experience; and movies as recent as Quentin Tarantino's Django Unchained. Despite recent interest in the history of the African American West, we know very little about how the African American past in the West has been depicted in a full range of imaginative forms. Hoo-Doo Cowboys and Bronze Buckaroos advances our discovery of how the African American West has been experienced, imagined, portrayed, and performed.
Green Mass is a meditation on—and with—twelfth-century Christian mystic and polymath Saint Hildegard of Bingen. Attending to Hildegard's vegetal vision, which greens theological tradition and imbues plant life with spirit, philosopher Michael Marder uncovers a verdant mode of thinking. The book stages a fresh encounter between present-day and premodern concerns, ecology and theology, philosophy and mysticism, the material and the spiritual, in word and sound. Hildegard's lush notion of viriditas, the vegetal power of creation, is emblematic of her deeply entwined understanding of physical reality and spiritual elevation. From blossoming flora to burning desert, Marder plays with the symphonic multiplicity of meanings in her thought, listening to the resonances between the ardency of holy fire and the aridity of a world aflame. Across Hildegard's cosmos, we hear the anarchic proliferation of her ecological theology, in which both God and greening are circular, without beginning or end. Introduced with a foreword by philosopher Marcia Sá Cavalcante Schuback and accompanied by cellist Peter Schuback's musical movements, which echo both Hildegard's own compositions and key themes in each chapter of the book, this multifaceted work creates a resonance chamber, in which to discover the living world anew. The original compositions accompanying each chapter are available free for streaming and for download at www.sup.org/greenmass
#1 New York Times Bestseller “Terrifying. . . irresistibly suspenseful.” — New York Times Book Review “Holds your attention ruthlessly from start to finish.” — Time magazine A terrifying page–turner in classic Crichton tradition, masterfully combining the elements of a heart–pounding thriller with cutting–edge technology. The result is a tale so realistic, so scary, you won’t be able to put it down. Deep in the Nevada desert, the Xymos Corporation has built a state-of-the-art fabrication plant, surrounded by miles and miles of nothing but cactus and coyotes. Eight people are trapped. A self-replicating swarm of predatory molecules is rapidly evolving outside the plant. Massed together, the molecules form an intelligent organism that is anything but benign. More powerful by the hour, it has targeted the eight scientists as prey. They must stop the swarm before it is too late… In Prey, Michael Crichton combines scientific brilliance with relentless pacing to create an electrifying, chilling techno-thriller
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