A magnificent new biography of the man who gave us David Copperfield, Oliver Twist, and Ebenezer Scrooge This long-awaited biography, twenty years after the last major account, uncovers Dickens the man through the profession in which he excelled. Drawing on a lifetime's study of this prodigiously brilliant figure, Michael Slater explores the personal and emotional life, the high-profile public activities, the relentless travel, the charitable works, the amateur theatricals and the astonishing productivity. But the core focus is Dickens' career as a writer and professional author, covering not only his big novels but also his phenomenal output of other writing--letters, journalism, shorter fiction, plays, verses, essays, writings for children, travel books, speeches, and scripts for his public readings, and the relationships among them. Slater's account, rooted in deep research but written with affection, clarity, and economy, illuminates the context of each of the great novels while locating the life of the author within the imagination that created them. It highlights Dickens' boundless energy, his passion for order and fascination with disorder, his organizational genius, his deep concern for the poor and outrage at indifference towards them, his susceptibility towards young women, his love of Christmas and fairy tales, and his hatred of tyranny. Richly and precisely illustrated with many rare images, this masterly work on the complete Dickens, man and writer, becomes the indispensable guide and companion to one of the greatest novelists in the language.
PROJECT TWO: Siberia Jim Standish is a genuine tough guy. He feels the lack of fear and an inability to resist beautiful women are two of his weaknesses and is very good at solving 'unsolvable' projects for his clients. In this book, he tackles one major project and two smaller ones that involve the Mafia in Mexico City and a drug lord in western Mexico. He gets seduced by four women and has several people try to kill him. He also winds up with custody of twins that their mother doesn't want. Jim also solves personal problems for close friends. Here, he uses his superior intelligence--and an MIT professor--to help Ike avoid trouble from home. The title comes from his major project. A foreign group stole $740,000 from a Houston client, and Jim thinks he can steal it back. Four countries and two American cities later, he gets the chance, and almost gets killed more than once in the process. The love of his life, a beautiful attorney, comes close to being raped and murdered--twice--in California. . . but she's as tough as Jim, and a black belt in karate. So, one of the criminals winds up in prison and the other gets castrated by his mob partners. The problem is that she isn't sure she loves Jim enough to marry him. This fast-paced novel is one of a series that follow three principal characters as they try to live their uncommon lives. Jim's projects--the major ones and many of the smaller ones--are fictionalized versions of actual projects the author was involved with during his years as an international crisis manager.
Shakespeare's sexuality has always been an ambiguous concept, despite the pleasant fictions of Shakespeare in Love. Now Michael Keevak examines such sources as anecdotes, imitations, forgeries, spurious works and portraits to show that this ambiguity has a long and twisted history.
This work traces the composer's German tours from Leipzig and Dresden to major cities like Munich and Berlin, and to such out-of-the-way places as Rolandseck, Solingen, Liegnitz, Jena, and Ludwigsburg. Cited or paraphrased in the text are quotations from more than 2,000 sources, many of them new to Liszt scholarship. Separate chapters are devoted to Liszt's reception by German critics, and to the German compositions Liszt completed for voice, male chorus, and piano during these tours. The book concludes with a listing of all Liszt's German concerts and with translations of fifteen especially lengthy and interesting reviews.
The 700-year history of the novel in English defies straightforward telling. Geographically and culturally boundless, with contributions from Great Britain, Ireland, America, Canada, Australia, India, the Caribbean, and Southern Africa; influenced by great novelists working in other languages; and encompassing a range of genres, the story of the novel in English unfolds like a richly varied landscape that invites exploration rather than a linear journey. In The Novel: A Biography, Michael Schmidt does full justice to its complexity. Like his hero Ford Madox Ford in The March of Literature, Schmidt chooses as his traveling companions not critics or theorists but “artist practitioners,” men and women who feel “hot love” for the books they admire, and fulminate against those they dislike. It is their insights Schmidt cares about. Quoting from the letters, diaries, reviews, and essays of novelists and drawing on their biographies, Schmidt invites us into the creative dialogues between authors and between books, and suggests how these dialogues have shaped the development of the novel in English. Schmidt believes there is something fundamentally subversive about art: he portrays the novel as a liberalizing force and a revolutionary stimulus. But whatever purpose the novel serves in a given era, a work endures not because of its subject, themes, political stance, or social aims but because of its language, its sheer invention, and its resistance to cliché—some irreducible quality that keeps readers coming back to its pages.
This Australian handbook presents detailed, practical advice on how preservice teachers can confidently approach professional experience placements and the work they undertake with their mentors. Throughout the text important research-based evidence and theoretical frameworks are highlighted to provide a lens through which professional experiences can be analysed. By providing a strong theoretical foundation, the handbook is designed to help preservice teachers to make sense of their classroom experiences and provide guidance on how to improve their pedagogy.
The influence of the Roman Empire has been widespread and profound, perhaps more so than that of any other empire or civilization. Rome laid the foundation for many of the institutions and ideas in the modern Western world, including the common political and legal systems. Roman ruins can still be found in distant England, and Roman aqueducts still bring fresh drinking water to modern Rome. Other legacies of the Roman Empire include concrete, pizza, sports arenas, and many English words. Empire of Ancient Rome, Revised Edition opens with a brief summary of the Roman Empire and provides an account of the world and geographic area in the years leading up to the empire. In an easy-to-follow format, this volume covers the growth of Rome as a republic, the political and social forces that drove the transition to a dictatorship of caesars, the reasons for Rome's eventual decline, and what happened to the remnants of the empire.
Aims to bring alive, through the eyes of their contemporaries, three of the greatest political figures of the Victorian era - Henry, third Viscount Palmerston, Benjamin Disraeli and William Gladstone. This four-volume set draws together various documents including journals and diaries, pamphlets, correspondence, and other ephemeral literature. Volume 3 covers the political life of Benjamin Disraeli (Part II) and William Ewart Gladstone (Part I).
This comprehensive survey of the screen adaptations of the works of Charles Dickens covers the worldwide film, television and video dramatizations from 1897-1993. It contains a catalog of more than 350 TV productions with cast lists and credits.
First published in 1984, this title examines the development of a special rhetoric in Dickens’ work, which, by using grotesque effects, challenged the complacency of his middle-class Victorian readers. The study begins by exploring definitions of the grotesque and moves on to look at three key aspects that particularly impacted on Dickens’ imagination: popular theatre (especially pantomime), caricature, and the tradition of the Gothic novel. Michael Hollington traces the development of Dickens’ application of the grotesque from his early work to his late novels, showing how its use becomes more subtle. Hollington’s title greatly enhances our appreciation of Dickens’ technique, showing the skill with which he used the grotesque to undermine stereotyped responses and encourage his readership to challenge their context.
Our worldview determines our perception of reality and thus shapes our attitude to life and the way we live. If our worldview adequately reflects reality, we can lead an authentic and meaningful life that we will later look back on with satisfaction. A mature worldview is much more than the accumulation of facts and experiences. Whereas in the past there was primarily a lack of scientific insight, today it is above all the immense flood of information and opinions that obscures our view of essential knowledge. It is therefore not surprising that people's views sometimes differ considerably with regard to fundamental questions of life. The thesis of this book is that in this age it is possible for the first time to obtain objectively convincing answers to the great philosophical questions of life. However, for this we have to draw on two equal sources of knowledge, which in the last centuries were rather regarded as adversaries: science and religion. In their respective updated forms, they are the key to separating truth from error and to assembling various worldview fragments into a coherent overall picture. If science and faith pull together in a mature way, great insights and undreamt-of connections open up. This book provides an easy-to-read, albeit quite comprehensive, introduction to the profound principle of the unity of science and religion. After examining what distinguishes modern science and true faith, it explains how both areas of knowledge are interrelated by their very nature and work constructively together. Building on this methodological foundation, essential philosophical concepts are explained in the light of current scientific and religious knowledge, which should not be missing as necessary pillars in any mature worldview.
The multifaceted career of John Thelwall (1764-1834)—poet, novelist, playwright, journalist, politician, scientist—is the lens through which we are offered here a new look at the phenomenon of British Jacobinism, long distorted by the critical view of it as intellectually weak bequeathed to us by Coleridge and Wordsworth, once Jacobins themselves. This book, the first on Thelwall in almost one hundred years, combines literary analysis and historical description to show how this innovative political activist remained true to his radicalism while adapting his methods in the face of the anti-Jacobin reaction that Paine's The Rights of Man helped set off. The three parts of the book set Thelwall's achievements and challenges in the political and literary context of his times. Part One, "Jacobin(s) Writing," focuses on the most essential aspects, ideologically and formally, of the insurgent writing of the 1790s to which Thelwall contributed. Part Two, "The Voice of the People," treats both Thelwall's radical oratory and journalism, as well as his writings and activities as a natural scientist and rhetorician, a professor and technician of "elocution." Part Three, "Jacobin Allegory," expounds on Thelwall's characteristic strategy of indirect expression through synecdoche and allegory, which he used in his later career after repression forced him out of politics. Through Thelwall's life Michael Scrivener succeeds in revealing how British Jacobinism reshaped the public sphere, initiating numerous literary experiments with oratory, pamphlets, periodicals, popularizations, and songs in the spaces opened up by political associations, lectures, meetings, and trials. Jacobinism thus altered the very institutions of reading and writing by expanding literacy, restructuring the popular arena for reading, and generating a body of diverse texts that were "seditious allegories.
This brilliant, classic and scholarly study provides the fullest treatment of a key subject. It is one of the essential works on Dickens's work and life. Dickens's treatment of women is a central aspect of his artistic achievement. Professor Slater examines the novelist's experience of women - as son, brother, lover, husband, and father, and as it affected the deepest emotional currents in his life. His perception of female nature and his conception of women's role in the home and outside it - and the ways in which these found expression in his art - are pivotal topics. Professor Slater has sifted the mass of legends and doubtful traditions about Dickens's private life to present a close examination of his relations with women, and of his views of woman's nature and the womanly ideal.
Here is a fabulous and fun reference guide to the Latin and Greek origins of such words and expressions as "windbag" and "seize the day," as well as a lively tour through the literature and life of ancient times. With fun black-and-white illustrations, this irreverent and informative book provides history, maps, and even a glossary for a unique way to revisit the ancient classics.
Feminine Law: Freud, Free Speech, and the Voice of Desire explores the conjunction between psychoanalysis and democracy, in particular their shared commitments to free speech. In the process, it demonstrates how lawful constraints enable an embodied space or "gap" for the potentially disruptive but also liberating and novel flow of desire and its symbols. This space, intuited by the First Amendment as it is by Freud's free association, enables personal and collective sovereignty. By naming a "feminine law," we mark the primacy a space between the conceivable and the inconceivable, between knowledge and mystery. What do political free speech and psychoanalytic free association have in common, besides the word "free"? And what do Sigmund Freud and Justice Louis Brandeis share besides a world between two great wars? How is the female body a neglected key to understanding the conditions and contradictions of free discourse? Drs. Jill Gentile and Michael Macrone take up these questions, and more, in their wide-ranging, often passionate exploration of the hidden legacy of Freud and the Founding Fathers.
An excellent guide not only to topical, historical, geographical and other references and allusions, but to plot, theme, characters, and publications. One can turn from a recipe for sherry-cobbler, to a full account of Dicken's use of Shakespeare, all in a lucid and graceful prose. It is not an index, but an encyclopaedia.
Easy Access is the only handbook organized by the types of help student writers need. Part One (red tabs) provides a guide to writing processes and products. Solutions to common writing problems and ESL troublespots are found in Part Two (blue tab). Part Three (yellow tab) offers alphabetically organized definitions and examples of grammar, mechanics, and punctuation terms.
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