Cannibal Tours and Glass Boxes poses a number of probing questions about the role and responsibility of museums and anthropology in the contemporary world. In it, Michael Ames, an internationally renowned museum director, challenges popular concepts and criticisms of museums and presents an alternate perspective which reflects his experiences from many years of museum work. Based on the author's previous book, Museums, the Public and Anthropology, the new edition includes seven new essays which argue, as in the previous volume, that museums and anthropologists must contextualize and critique themselves -- they must analyse and critique the social, political and economic systems within which they work. In the new essays, Ames looks at the role of consumerism and the market economy in the production of such phenomena as worlds' fairs and McDonald's hamburger chains, referring to them as "museums of everyday life" and indicating the way in which they, like museums, transform ideology into commonsense, thus reinforcing and perpetuating hegemonic control over how people think about and represent themselves. He also discusses the moral/political ramifications of conflicting attitudes towards Aboriginal art (is it art or artifact?); censorship (is it liberating or repressive?); and museum exhibits (are they informative or disinformative?). The earlier essays outline the development of museums in the Western world, the problems faced by anthropologists in attempting to deal with the often conflicting demands of professional as opposed to public interests, the tendency to both fabricate and stereotype, and the need to establish a reciprocal rather than exploitative relationship between museums/anthropologists and Aboriginal people. Written during the course of the last decade, these essays offer an accessible, often anecdotal, journey through one professional anthropologist's concerns about, and hopes for, his discipline and its future.
Cannibal Tours and Glass Boxes poses a number of probing questions about the role and responsibility of museums and anthropology in the contemporary world. In it, Michael Ames, an internationally renowned museum director, challenges popular concepts and criticisms of museums and presents an alternate perspective which reflects his experiences from many years of museum work. Based on the author's previous book, Museums, the Public and Anthropology, the new edition includes seven new essays which argue, as in the previous volume, that museums and anthropologists must contextualize and critique themselves -- they must analyse and critique the social, political and economic systems within which they work. In the new essays, Ames looks at the role of consumerism and the market economy in the production of such phenomena as worlds' fairs and McDonald's hamburger chains, referring to them as "museums of everyday life" and indicating the way in which they, like museums, transform ideology into commonsense, thus reinforcing and perpetuating hegemonic control over how people think about and represent themselves. He also discusses the moral/political ramifications of conflicting attitudes towards Aboriginal art (is it art or artifact?); censorship (is it liberating or repressive?); and museum exhibits (are they informative or disinformative?). The earlier essays outline the development of museums in the Western world, the problems faced by anthropologists in attempting to deal with the often conflicting demands of professional as opposed to public interests, the tendency to both fabricate and stereotype, and the need to establish a reciprocal rather than exploitative relationship between museums/anthropologists and Aboriginal people. Written during the course of the last decade, these essays offer an accessible, often anecdotal, journey through one professional anthropologist's concerns about, and hopes for, his discipline and its future.
“California’s Ancient Past is an excellent introduction and overview of the archaeology and ancient peoples of this diverse and dynamic part of North America. Written in a concise and approachable format, the book provides an excellent foundation for students, the general public, and scholars working in other regions around the world. This book will be an important source of information on California’s ancient past for years to come.” —Torben C. Rick, Smithsonian Institution "California's Ancient Past is a well written, highly informative, and thought-provoking book; it will make a significant contribution to California archaeology. It is highly readable—the text and materials covered are suitable for both scholars and interested lay people. The book is well organized...with discussions about the culture history and theoretical perspectives of California archaeology and . . . the latest and most relevant references." —Kent Lightfoot, University of California, Berkeley “With California’s Ancient Past, Arnold and Walsh [offer] a well-written, interesting, and succinct archaeological summary of California from the terminal Pleistocene to historic contact.” —David S. Whitley, Journal of Anthropological Research
Was the relationship between English settlers and Native Americans in the New World destined to turn tragic? This book investigates how the newcomers interacted with Algonquian groups in the Chesapeake Bay area and New England, describing the role that original Americans occupied in England's empire during the critical first century of contact. Michael Leroy Oberg considers the history of Anglo-Indian relations in transatlantic context while viewing the frontier as a zone where neither party had the upper hand. He tells how the English pursued three sets of policies in America—securing profit for their sponsors, making lands safe from both European and native enemies, and "civilizing" the Indians—and explains why the British settlers found it impossible to achieve all of these goals. Oberg places the history of Anglo-Indian relations in the early Chesapeake and New England in a broad transatlantic context while drawing parallels with subsequent efforts by England as well as its imperial rivals—the French, Dutch, and Spanish—to plant colonies in America. Dominion and Civility promises to broaden our understanding of the exchange between Europeans and Indians and makes an important contribution to the emerging history of the English Atlantic world.
Monsters known as yōkai have long haunted the Japanese cultural landscape. This history of the strange and mysterious in Japan seeks out these creatures in folklore, encyclopedias, literature, art, science, games, manga, magazines and movies, exploring their meanings in the Japanese imagination over three centuries.
Michael McLeod doesn't simply debunk hoaxes; he critically, but sympathetically, explores the motivations that have driven the 'Bigfoot community' to build an enormous and intricate, if ramshackle, edifice of lore. McLeod has written an anatomy of mythology with implications that go beyond the Bigfoot phenomenon. The Bigfoot mythologists' strange, colorful, and sometimes comical, personalities play a big part of this compulsively readable story."—David Rains Wallace, author of The Klamath Knot: Explorations of Myth and Evolution "In the same way that dinosaurs and other exotic beasts from Earth's distant and hazy past inspire and fascinate many of us, Bigfoot has captured the imagination of generations of Americans. Here, Michael McLeod approaches the 'Bigfoot phenomenon' in the same way that a detective would follow leads at a crime scene. The result is a delicious case study of human obsession and the fuzzy border between science and pseudoscience."—Chris Beard, author of The Hunt for the Dawn Monkey: Unearthing the Origins of Monkeys, Apes, and Humans
Plant Systematics, Third Edition, has made substantial contributions to plant systematics courses at the upper-undergraduate and first year graduate level, with the first edition winning The New York Botanical Garden's Henry Allan Gleason Award for outstanding recent publication in plant taxonomy, plant ecology or plant geography. This third edition continues to provide the basis for teaching an introduction to the morphology, evolution and classification of land plants. A foundation of the approach, methods, research goals, evidence and terminology of plant systematics are presented, along with the most recent knowledge of evolutionary relationships of plants and practical information vital to the field. In this new edition, the author includes greatly expanded treatments on families of flowering plants, as well as tropical trees (all with full-color plates), and an updated explanation of maximum likelihood and Bayesian inference algorithms. Chapters on morphology and plant nomenclature have also been enhanced with new material. Covers research developments in plant molecular biology Features clear, detailed cladograms, drawings and photos Includes major revisions to chapters on phylogenetic systematics and plant morphology
The American Promise appeals to all types of students and provides the right resources and tools to support any classroom environment. A clear political framework supports a vibrant social and cultural story that embraces the voices of hundreds of Americans — from presidents to pipefitters and sharecroppers to suffragettes — who help students connect with history and grasp important concepts. Now in its fifth edition, The American Promise does even more to increase historical analysis skills and facilitate active learning, and its robust array of multimedia supplements make it the perfect choice for traditional face-to-face classrooms, hybrid courses, and distance learning.
Tourism has become increasingly ‘exotic’, a process made possible by low-cost charter tourism and cheaper air tickets. Faraway and evermore ‘exotic’ holidays are becoming widespread and within reach as destinations make their entry into the mass tourism market. Strolls through the bazaars of Istanbul and cruises on the Nile are packaged into the sea, sand and sun culture of traditional forms of organized mass tourism. At the same time new technologies weave the fabric of tourism and everyday life even closer, circulating images, information, and objects between them. Taking off from this observation, Tourism, Performance and the Everyday invites readers to follow the flow’s of tourist desires, objects, meanings, photographs, fears, dreams and memories weaving together the spaces of and between Western Europe, Turkey and Egypt. Tourism, Performance and the Everyday carefully analyzes the cultural and social impacts of mass-tourist experiences of ‘exotic’ places on the wider aspects of everyday life. It treats mass-tourism as a cultural phenomenon that feeds into the practices and networks of peoples’ everyday lives rather than as an isolated, trivial or ‘exotic’ event. It traces how these impacts are mediated by various mobilities between home and away through innovate mobile and ethnographic research methods at tourist destinations and the home of tourists. The book contains analysis of diaries, photographs, blogs and photo web sharing sites, participant observation of performing tourists and ‘home ethnographies’ of the afterlife tourist photographs, souvenirs and memories. In doing this, the book traces out the multiple interconnections and mobilities between everyday spaces and leisure spaces as well as the multiple ways in which the Orient is consumed on holiday and at home. The book appeals to a wide audience among students, researchers and educators within the social and cultural sciences studying, researching and teaching theories and methods of tourism, Orientalism and cultural encounters as well as broader issues of leisure, consumption and everyday life.
James Michael Ullman (1925-1997) was an American novelist and newspaper writer/editor known for his work in and about the Chicago area. Ullman served in World War II and the U.S. Navy for two and a half years, and also served as an Air Force civilian employee on Guam. He was educated at Chicago's Wright Junior College and De Paul University, eventually receiving a Masters in Journalism from Northwestern University in 1954. He became a newspaperman soon after, serving as police reporter on the La Porte, Indiana Herald-Argus, then as editor of the Skokie, IL News, and served as head of the United Press Bureau’s Chicago desk. He won a prize in Ellery Queen Mystery Magazine’s 1953 contest with his first story, "Anything New on the Strangler?" His short stories continued to appear in EQMM through the early 1960s, when he turned to novels. This volume selects four of his best: THE NEON HAYSTACK FULL COVERAGE THE VENUS TRAP LADY ON FIRE If you enjoy this ebook, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see more of the 300+ volumes in this series, covering adventure, historical fiction, mysteries, westerns, ghost stories, science fiction -- and much, much more!
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