First published in 1973, this remarkable book about life in a small turn-of-the-century Wisconsin town has become a cult classic. Lesy has collected and arranged photographs taken between 1890 and 1910 by a Black River Falls photographer, Charles Van Schaik.
What we ate, how we ate, and how eating changed during America’s first real food revolution, 1900–1910. Before Julia Child introduced the American housewife to France’s cuisine bourgeoise, before Alice Waters built her Berkeley shrine to local food, before Wolfgang Puck added Asian flavors to classical dishes and caviar to pizza, the restaurateurs and entrepreneurs of the early twentieth century were changing the way America ate. Beginning with the simplest eateries and foods and culminating with the emergence of a genuinely American way of fine dining, Repast takes readers on a culinary tour of early-twentieth-century restaurants and dining. The innovations introduced at the time—in ingredients, technologies, meal service, and cuisine—transformed the act of eating in public in ways that persist to this day. Illustrated with photographs from the time as well as color plates reproducing menus from the New York Public Library’s Buttolph Menu Collection, Repast is a remarkable record of the American palate.
Vivid, laconic, and crisp. The bodies fall like dominoes, and every word sounds like it was shot from a gun. And as you might expect from Lesy, the photographs are extraordinary." —Luc Sante Things began as they usually did: Someone shot someone else. So begins a chapter of Michael Lesy's disturbingly satisfying account of Chicago in the 1920s, the epicenter of Murder in America. Just as Lesy’s first book, Wisconsin Death Trip, subverted the accepted notion of the Gay Nineties, so Murder City exposes the dark side of the Jazz Age. Revisiting seventeen Chicago murder cases—including that of Belva and Beulah, two murderesses whose trials inspired the musical Chicago—Lesy's sharp, fearless storytelling makes a compelling case that this collection of criminals may be progenitors of our modern age.
Vivid, laconic, and crisp. The bodies fall like dominoes, and every word sounds like it was shot from a gun. And as you might expect from Lesy, the photographs are extraordinary." —Luc Sante Things began as they usually did: Someone shot someone else. So begins a chapter of Michael Lesy's disturbingly satisfying account of Chicago in the 1920s, the epicenter of Murder in America. Just as Lesy’s first book, Wisconsin Death Trip, subverted the accepted notion of the Gay Nineties, so Murder City exposes the dark side of the Jazz Age. Revisiting seventeen Chicago murder cases—including that of Belva and Beulah, two murderesses whose trials inspired the musical Chicago—Lesy's sharp, fearless storytelling makes a compelling case that this collection of criminals may be progenitors of our modern age.
People of the Big Voice tells the visual history of Ho-Chunk families at the turn of the twentieth century and beyond as depicted through the lens of Black River Falls, Wisconsin studio photographer, Charles Van Schaick. The family relationships between those who “sat for the photographer” are clearly visible in these images—sisters, friends, families, young couples—who appear and reappear to fill in a chronicle spanning from 1879 to 1942. Also included are candid shots of Ho-Chunk on the streets of Black River Falls, outside family dwellings, and at powwows. As author and Ho-Chunk tribal member Amy Lonetree writes, “A significant number of the images were taken just a few short years after the darkest, most devastating period for the Ho-Chunk. Invasion, diseases, warfare, forced assimilation, loss of land, and repeated forced removals from our beloved homelands left the Ho-Chunk people in a fight for their culture and their lives.” The book includes three introductory essays (a biographical essay by Matthew Daniel Mason, a critical essay by Amy Lonetree, and a reflection by Tom Jones) and 300-plus duotone photographs and captions in gallery style. Unique to the project are the identifications in the captions, which were researched over many years with the help of tribal members and genealogists, and include both English and Ho-Chunk names.
A prolific writer of fiction and nonfiction and winner of the National Book Award for Europe Central, William T. Vollmann is considered by many to be one of America's most important living writers. Vollmann has written short stories, novels, and essays, and he has contributed to such publications as Esquire, Granta, Harper's, The New Yorker, Playboy, and Spin magazine. As the author of several works of fiction, including Butterfly Stories, The Royal Family, and You Bright and Risen Angels—as well as such nonfiction as the seven-volume Rising Up and Rising Down: Some Thoughts on Violence, Freedom, and Urgent Means—Vollmann continues to produce significant material at an astounding rate. In this annotated bibliography, Michael Hemmingson has assembled a comprehensive list of all editions of Vollmann's books in every language, as well as every short story, every essay, his investigative journalism, and book reviews. This book also includes an extensive listing of Vollmann's limited edition "book object" artist editions. William T. Vollmann: An Annotated Bibliography is a much needed volume for libraries and fans.
A unique meeting of two transformative talents in American photography, Walker Evans (Let Us Now Praise Famous Men) and Michael Lesy (Wisconsin Death Trip), with a selection of Evans's little-seen Polaroid portraits and last works
Powerful preacher, political negotiator for New England in the halls of Parliament, president of Harvard, father of Cotton Mather, Increase Mather was the epitome of the American Puritan. He was the most important spokesman of his generation for Congregationalism and became the last American Puritan of consequence as the seventeenth century ended. The story begins in 1639 when Mather was born in the Massachusetts village of Dorchester. He left home for Harvard College when he was twelve and at twenty-two began to stir the city of Boston from the pulpit of North Church. He had written four books by the time he was thirty-two. Certain he was God's chosen instrument and New England God's chosen people, he disciplined mind and spirit in service to them both. Tempted to "Atheisme" and unbelief, afflicted early by nightmares and melancholy, then by hope and joy, he was a pioneer in recognizing the excitement of the new sciences and sought to reconcile them to theology. This well-wrought biography, the first of Increase Mather in forty years, draws on the extensive Mather diaries, which were transcribed by Michael Hall.
Cormac McCarthy told an interviewer for the New York Times Magazine that "books are made out of books," but he has been famously unwilling to discuss how his own writing draws on the works of other writers. Yet his novels and plays masterfully appropriate and allude to an extensive range of literary works, demonstrating that McCarthy is well aware of literary tradition, respectful of the canon, and deliberately situating himself in a knowing relationship to precursors. The Wittliff Collection at Texas State University acquired McCarthy's literary archive in 2007. In Books Are Made Out of Books, Michael Lynn Crews thoroughly mines the archive to identify nearly 150 writers and thinkers that McCarthy himself references in early drafts, marginalia, notes, and correspondence. Crews organizes the references into chapters devoted to McCarthy's published works, the unpublished screenplay Whales and Men, and McCarthy's correspondence. For each work, Crews identifies the authors, artists, or other cultural figures that McCarthy references; gives the source of the reference in McCarthy's papers; provides context for the reference as it appears in the archives; and explains the significance of the reference to the novel or play that McCarthy was working on. This groundbreaking exploration of McCarthy's literary influences—impossible to undertake before the opening of the archive—vastly expands our understanding of how one of America's foremost authors has engaged with the ideas, images, metaphors, and language of other thinkers and made them his own.
Forsøg på at indkredse jazzmusikkens væsen ved en gennemgang af forskellige måder at beskrive jazz på i musikkritikken, i skønlitteraturen og i udsagn fra musikere og komponister
(Limelight). Looking back on a century that witnessed the emergence of motion pictures to become, almost immediately, a dominant cultural force in our lives, this penetrating and provocative book argues that "movies (like cathedrals) cannot help but display the subconscious impulses oftheir society." From D.W. Griffith to the Marx Brothers to film noir, "what are conceived and consumed as innocent pop movies ... are in fact manifestations of wild horror, superstitious ignorance, fatalistic dread and bigoted savagery.
These recorded consversations between highly acclaimed author Michael Ondaatje and veteran editor Walter Murch, two giants of their respective industries, elucidate the world of film from the inside out.
What does it mean to deeply love a home place that haunts us still? From Mark Twain to Grant Wood to Garrison Keillor, regionalists from the Gilded Age to the Digital Age have explored the American Gothic and the homegrown fatalism that flourish in many of the nation's most far-flung and forgotten places. The Haunt of Home introduces us to a cast of real-life Midwestern characters grappling with the Gothic in their own lives, from promising young professionals debating the perennial "Should I stay or should I go" dilemma, to recent émigrés and entrepreneurs seeking personal reinvention, to faithful boosters determined to keep their communities alive despite the odds. In The Haunt of Home Zachary Michael Jack considers the many ways a region's abiding spirit shapes the ethos of a land and its people, offering portraits of others who, like himself, are determined to live out the unique promise and predicament of the Gothic.
Mystic Chords of Memory "Illustrated with hundreds of well-chosen anecdotes and minute observations . . . Kammen is a demon researcher who seems to have mined his nuggets from the entire corpus of American cultural history . . . insightful and sardonic." —Washington Post Book World In this ground-breaking, panoramic work of American cultural history, the Pulitzer Prize-winning author of A Machine That Would Go of Itself examines a central paradox of our national identity How did "the land of the future" acquire a past? And to what extent has our collective memory of that past—as embodied in our traditions—have been distorted, or even manufactured? Ranging from John Adams to Ronald Reagan, from the origins of Independence Day celebrations to the controversies surrounding the Vietnam War Memorial, from the Daughters of the American Revolution to immigrant associations, and filled with incisive analyses of such phenonema as Americana and its collectors, "historic" villages and Disneyland, Mystic Chords of Memory is a brilliant, immensely readable, and enormously important book. "Fascinating . . . a subtle and teeming narrative . . . masterly." —Time "This is a big, ambitious book, and Kammen pulls it off admirably. . . . [He] brings a prodigious mind and much scholarly rigor to his task . . . an importnat book—and a revealing look at how Americans look at themselves." —Milwaukee Journal
Popular public radio show host Michael Feldman and coauthor Diana Cook introduce Wisconsin's weirdest, wackiest, and most outrageous people, places, and things including a man who owes his life to a foam rubber cheesehead, a worm that plays basketball, and the best place to savor chicken in a hubcap.
The first history ever written on the Irish in Kansas City, St. Louis, The Irish Wilderness and Missouri at large. Includes the early settlers and settlements, family history, parades, organizations, politics, from the earliest times to modern day. This is the only enlarged and updated edition ever in print. Sources for futher study included. Indexed. Authored by the most published author in the field. Free "Missouri Irish" companion podcast series to this book, hosted by the author, at www.Irishroots.com
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