“Engaging and insightful.” —Booklist Much Ado, written by award-winning journalist Michael Lenehan, gives readers an intimate, behind-the-scenes look at the lauded American Players Theatre’s 2014 production of William Shakespeare’s Much Ado About Nothing. Wall Street Journal drama critic Terry Teachout has called the APT—based in the unassuming town of Spring Green, Wisconsin—"the best classical theater company in America." It's also one of the most successful, with an annual budget of $6 million and ticket sales of more than 100,000 each season. Performing almost entirely outdoors, rain or shine, on the "Up the Hill" stage, the company has established a reputation for authentic, accessible, entertaining shows—and Much Ado was no exception, selling nearly 23,000 tickets during its five-month run. Through Lenehan's keen reporter eyes, Much Ado explores the evolution of this complicated stage production, from casting to costumes to curtain call. In doing so, it provides readers with a deeper sense of the company's astonishing artistry and craft, a peek into the intricate technical logistics involved with outdoor theater, and a refreshing perspective on one of the Bard's most famous plays. Lenehan weaves together firsthand observations and literary analysis with interviews with key members of the APT's artistic ensemble and production staff—including lauded director David Frank, lead actors Colleen Madden (Beatrice) and David Daniel (Benedick), and set and costume designer Robert Morgan—to paint a remarkable portrait of one of our most treasured artistic institutions.
One of our most valuable capacities is our ability partly to predict what will come next in a text. But linguistic understanding of this remains very limited, especially in genres such as the short story where there is a staging of the clash between predictability and unpredictability. This book proposes that a matrix of narrativity-furthering textual features is crucial to the reader s forming of expectations about how a literary story will continue to its close. Toolan uses corpus linguistic software and methods, and stylistic and narratological theory, in the course of delineating the matrix of eight parameters that he sees as crucial to creating narrative progression and expectation. The book will be of interest to stylisticians, narratologists, corpus linguists, and short story scholars.
In this book, Michael Cramer views the Society for Creative Anachronism (SCA), an organization that studies and recreates the middle ages, as a case study for a growing fascination with medieval fantasy in popular culture. He explores the act of medieval re-creation as performance by focusing on the SCA, describing the group's activities, investigating its place in popular culture, and looking at the SCA not so much as a historical society but as an on-going work of performance art; a postmodern counter-culture riff on what it means to be "medieval." Cramer examines the group's activities, from persona and character development to theatrical performance and personal interaction; from the complex official ceremonies to full contact armored combat with mock broadswords. He explores the SCA in detail to discover how its members adapt and employ ideas about the Middle Ages in performance, ritual reenactment, living history, and re-creation, analyzing the performance of identity through ritual, sport, drama, and personal interaction, and he focuses on the reconstruction of the medieval "king game," a game in which a mock king is chosen to reign over a mock court. The book also studies various ideas about medievalism, including the contrast between reenactment and re-creation, and places these activities in the context of contemporary American society. With three appendixes, a bibliography, and a selection of photos, Cramer demonstrates how and why medieval fantasy is increasingly used in popular culture and analyzes the dissatisfaction with contemporary culture that leads people into these realms of fantasy.
This collection brings together eighteen of the author’s original papers, previously published in a variety of academic journals and edited collections over the last three decades, on the process of interpretation in literature and the visual arts in one comprehensive volume. The volume highlights the centrality of artistic texts to the study of multimodality, organized into six sections each representing a different modality or semiotic system, including literature, television, film, painting, sculpture, and architecture. A new introduction lays the foundation for the theoretically based method of analysis running through each of the chapters, one that emphasizes the interplay of textual details and larger thematic purposes to create an open-ended and continuous approach to the interpretation of artistic texts, otherwise known as the "hermeneutic spiral". Showcasing Michael O’Toole’s extensive contributions to the field of multimodality and in his research on interpretation in literature and the visual arts, this book is essential reading for students and scholars in multimodality, visual arts, art history, film studies, and comparative literature.
Behind the Scenes examines planning in the City of Adelaide from 1972 until 1993 within the historical framework of City/State relations from 1836 when the Province of South Australia was founded. During this 21-year period, the City had its own planning and development control legislation separate from the rest of the State. Dr Llewellyn-Smith examines why this situation came about, why it continued for this particular period and why it ceased in 1993 when the separate legislation was repealed and the City became part of the State system under the new Development Act 1993. Behind the Scenes includes original interviews with many of the key individuals in the City and State who played influential roles during this period. Dr Llewellyn-Smith himself was the City Planner from 1974 until 1981 and then the Town Clerk/Chief Executive Officer of the Adelaide City Council from 1982 until 1993: this book, then, is both a work of scholarship and an insider's account. With a joint foreword by The Hon. Jay Weatherill MP, Premier of South Australia, and The Rt Hon. the Lord Mayor of Adelaide, Mr Stephen Yarwood.
Death, that silent specter, took Patrick Lenehan late one night as he walked home from a neighborhood bar. Drown in a large puddle some fifty yards into a cornfield, he woke to a separate reality, having become an eye on the sky and all that surrounded him. One might dismay, being alone, isolated, and interred, in a cornfield, but Lenehan gloried in it, his senses alerted to the wonders of a greatly expanded universe. It warmed his frost bitten little heart to have shuffled off that mortal coil, and leapt, as it were, into eternity. Death, however, as life, is not always so fortuitous. One day a fair maiden named Drew came along, and spied, what she believed was a body, buried in the snow. Lenehan was horrified, thinking he'd be dug up and and re-interred in some blasted cemetery where his wondrous life as a dead man would be lined with lead, sealing him in darkness forever. But the fair lady did not find a body, she found only his clothes, cotton sweats, underwear and all, which she summarily ripped from the frozen ground and headed for home. In the grave, he questioned, "Where am I, if I'm not in my clothes...?" In a few hours she was back, having cleaned and dried his sweats, she wore them. Lying down on the spot where she'd found the clothing, she asked for divine guidance in this odd situation, and in a few minutes there was an overwhelming response, a coruscating energy filled them both, and as she sank into his body, their souls touched, and were merged together in what only she understood, was matrimony. In the grave Lenehan realized he didn't have to let her go, he could keep her, and all they would find were his sweats, lying in the snow, but when she started coughing and fighting for her life, he relented and released her. From that day forth, like a perpetual sentinel, she observed as the field was planted and the corn began to grow, and the story of Cornondé Cobb began to unfold. No greater love story, it is also the sword of freedom that the Cobb wields against those who believe power is the answer to the questions of life.
Reading James Joyce is a ready-at-hand compendium and all-encompassing interpretive guide designed for teachers and students approaching Joyce’s writings for the first time, guiding readers to better understand Joyce’s works and the background from which they emerged. Meticulously organized, this text situates readers within the world of Joyce including biographical exploration, discussion of Joyce’s innovations and prominent works such as Dubliners, Ulysses, and Finnegans Wake, surveys of significant critical approaches to Joyce’s writings, and examples of alternative readings and contemporary responses. Each chapter will provide interpretive approaches to contemporary literary theories and key issues, including end-of-chapter strategies and extended readings for further engagement. This book also includes shorter assessments of Joyce’s lesser-known works—critical writings, drama, poetry, letters, epiphanies, and personal recollections—to contextualize the creative and social environments from which his most notable publications arose. This uniquely comprehensive guide to Joyce will be an invaluable and comprehensive resource for readers exploring the influential world of Joyce studies.
In recession-chastened, soddenly staycationing Britain, Foley may well have devised a new bestseller format: a how-to book offering a way of escape ... [a] lovely book' Guardian It has always been difficult to appreciate everyday life, often devalued as dreary, banal and burdensome, and never more so than in a culture besotted with fantasy, celebrity and glamour. Yet, with characteristic wit and earthiness, Michael Foley - author of the bestselling The Age of Absurdity - draws on the works of writers, thinkers and artists who have celebrated and examined the ordinary life, and encourages us to delight in the complexities of the everyday. With astute observation, Foley brings fresh insights to such things as the banality of everyday speech, the madness and weirdness of snobbery, love and sex, and the strangeness of the everyday environment, such as the office. It is all more fascinating, comical and mysterious than you think. Intelligent, funny and entertaining, Foley shows us how to find contentment and satisfaction by embracing the ordinary things in life. 'A convincing argument for the beauty of the seemingly banal… ' Scotsman
This book takes the following question as its starting point: What are some of the crucial things the reader must do in order to make sense of a literary narrative? The book is a study of the texture of narrative fiction, using stylistics, corpus linguistic principles (especially Hoey’s work on lexical patterning), narratological ideas, and cognitive stylistic work by Werth, Emmott, and others. Michael Toolan explores the textual/grammatical nature of fictional narratives, critically re-examining foundational ideas about the role of lexical patterning in narrative texts, and also engages the cognitive or psychological processes at play in literary reading. The study grows out of the theoretical questions that stylistic analyses of extended fictional texts raise, concerning the nature of narrative comprehension and the reader’s experience in the course of reading narratives, and particularly concerning the role of language in that comprehension and experience. The ideas of situation, repetition and picturing are all central to the book’s argument about how readers process story, and Toolan also considers the ethical and emotional involvement of the reader, developing hypotheses about the text-linguistic characteristics of the most ethically and emotionally involving portions of the stories examined. This book makes an important contribution to the study of narrative text and is in dialogue with recent work in corpus stylistics, cognitive stylistics, and literary text and texture.
A Complete Guide to Literary Analysis and Theory offers an accessible introduction to all the current approaches to literary analysis. Ranging from stylistics and historicism to post-humanism and new materialism, it also includes chapters on media studies and screen studies. The Guide is designed for use in introductory literature courses and as a primer in theory courses. Each chapter summarizes the main ideas of each approach to the study of literature in clear prose, providing lucid introductions to the practice of each school, and conducts readings using classic and modern works of literature from around the world. The book draws on examples from a wide range of works from classics such as F. Scott Fitzgerald’s The Great Gatsby and Shakespeare's King Lear to contemporary works such as Ocean Vuong's On Earth We're Briefly Gorgeous and Amanda Gorman's "The Hill We Climb." This wide-ranging introduction is ideal for students encountering literary study for the first time, as well as more advanced students who need a concise summary of critical methods. It strives to make complex ideas simple and provides readings that undergraduates should be able to understand and enjoy as well as training them to conduct analyses of their own.
The publication of James Joyce's Ulysses crowned years of writing and constant rewriting at almost every stage, so that as many as ten versions exist for some pages. To understand how Joyce worked, Michael Groden traces the book's history in detail, synthesizing evidence from notebooks, drafts, manuscripts, typescripts, and proofs. Originally published in 1977. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
James Joyce left Ireland in 1904 in self-imposed exile. Though he never permanently returned to Dublin, he continued to characterize the city in his prose throughout the rest of his life. This volume elucidates the ways Joyce wrote about his homeland with conflicting bitterness and affection—a common ambivalence in expatriate authors, whose time in exile tends to shape their creative approach to the world. Yet this duality has not been explored in Joyce’s work until now. The first book to read Joyce’s writing through the lens of exile studies, James Joyce and the Exilic Imagination challenges the tendency of scholars to stress the writer’s negative view of Ireland. Instead, it showcases the often-overlooked range of emotional attitudes imbuing Joyce’s work and produces a fuller understanding of Joyce’s canon.
The publication of James Joyce's Ulysses crowned years of writing and constant rewriting at almost every stage, so that as many as ten versions exist for some pages. To understand how Joyce worked, Michael Groden traces the book's history in detail, synthesizing evidence from notebooks, drafts, manuscripts, typescripts, and proofs. Originally published in 1977. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Examines the life and writings of James Joyce, including a biographical sketch, detailed synopses of his works, social and historical influences, and more.
(series copy)These encyclopedic companions are browsable, invaluable individual guides to authors and their works. Useful for students, but written with the general reader in mind, they are clear, concise, accessible, and supply the basic cultural, historical, biographical and critical information so crucial toan appreciation and enjoyment of the primary works. Each is arranged in an A-Z fashion and presents and explains the terms, people, places, and concepts encountered in the literary worlds of James Joyce, Mark Twain, and Virginia Woolf.As a keen explorer of the mundane material of everyday life, James Joyce ranks high in the canon of modernist writers. He is arguably the most influential writer of the twentieth-century, and may be the most read, studied, and taught of all modern writers. The James Joyce A-Z is the ideal companionto Joyce's life and work. Over 800 concise entries relating to all aspects of Joyce are gathered here in one easy-to-use volume of impressive scope.
The Persuasion Handbook provides readers with cogent, comprehensive summaries of research in a wide range of areas related to persuasion. From a topical standpoint, this handbook takes an interdisciplinary approach, covering issues of interest to interpersonal and mass communication researchers as well as psychologists and public health practitioners. Persuasion is presented in this volume on a micro to macro continuum, moving from chapters on cognitive processes, the individual, and theories of persuasion to chapters highlighting broader social factors and phenomena related to persuasion, such as social context and larger scale persuasive campaigns. Each chapter identifies key challenges to the area and lays out research strategies for addressing those challenges.
James Joyce and Heraldry demonstrates that heraldry is an essential key to the symbols of Joyce's major works. It is a clear, witty introduction to heraldry and the use of heraldic imagery by Western writers, including Dante, Chaucer, Shakespeare, Jonson, and Sterne. Michael O'Shea shifts the focus from the aural imagery of Joyce to reveal the visual impact deriving from Joyce's use of the symbols and language of heraldry. He cites biographical and textual evidence of Joyce's deep interest in coats of arms, crests, and other heraldic emblems; and demonstrates that Joyce used these visual symbols as well as "the curious jargons of heraldry" in his writings. O'Shea succeeds in compiling an indispensable reference work that sheds new light on Joyce's major texts, A Portrait of the Artist as a Young Man, Ulysses, and Finnegans Wake. His commentary is thoroughly illustrated and includes a glossary of heraldic terms keyed to Joyce's usage of them.
Need the go-to reference on adult bone and joint injuries? Get the definitive guide on fracture treatment, written by the world’s top orthopaedic surgeons: Rockwood and Green’s Fractures in Adults. This fully updated and expanded 8th edition offers up-to-the-minute research and recommendations from more than 80 leading orthopaedic experts from around the world. An essential resource on fractures for every orthopaedic surgeon or resident.. Features: NEW chapters on: Management of the Geriatric or Elderly Patient; Management of Bone Defects;; Psychological Aspect of Trauma NEW authors from countries including India, China, Columbia, Greece, and Denmark NEW 10 new full length videos added to the video library. All videos feature easy navigation so you can go directly to specific steps in the procedure, or watch the entire procedure from start to finish Pearls and Pitfalls and preventive measures listed for all procedures NEW Time-saving outline template for easy quick-reference “Before the Case” checklists of all necessary equipment for each surgical procedure Preferred Technique section provides algorithms explaining each author’s choice of preferred procedure Full-color operative photos, tables, x-rays, diagrams, and more than 500 line drawings of surgical procedures
A practical understanding of the law is essential for all those involved in the manual handling of adults and children (as patients, clients or pupils), whether in 'hands-on', managing, commissioning or advisory roles. To this end, Manual Handling in Health and Social Care presents an accessible overview of manual handling legislation, legal case law, national guidance, policy and practice. Applicable primarily to England, Scotland and Wales, it covers both employee safety under the Manual Handling Operations Regulations and wider health and safety at work legislation, and also patient and client entitlement under community care, NHS and human rights legislation. A stand-alone overview of manual handling law and practice is followed by more in-depth material, in A-Z format and fully cross-referenced, which allows the reader to look up issues for quick access to further information. In particular, it contains an extensive collection of case law relevant to health and social care and digested in summary form. Topics include rehabilitation, risk assessment, care plans, equipment provision, documentation of decisions and cumulative strain injury. Addressing the tensions sometimes existing between the health and safety of employees, the needs and wishes of service users and limited resources, this book provides professionals, managers, front-line staff and legal advisers with an understanding of law as a useful and practical tool to assist in solutions to manual handling problems.
There's nothing more important to Bostonians than their sports teams. From the Red Sox and Celtics to the Patriots and Bruins to a number of major college programs, millions of fans from all generations discuss, debate, and live-and-die with their hometown squads all year long. In The Great Book of Boston Sports Lists, two high-profile sports-media pros -- along with original contributions from over 20 famous sports heroes and fans including Fred Lynn, Dave Goucher, Mike Eruzione, Dan Shaughnessy, Adam Vinatieri, Mayor Ray Flynn, Micky Ward, Zdeno Chara, Bill Rodgers, and more -- fan the flames of the ongoing sports debate with informative and entertaining lists that highlight and rank the best, worst, and most remarkable of local sports past and present.
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