Los Angeles 1930. The man hanging on the cross at Mission San Fernando Rey definitely wasn’t the Savior. The best that could be said of him was that he was a corrupt financier, the worst a rapist and child molester who traded in political favors. Detective Mathieu had encountered him on his first case and despised him. Now as he stared up at his dead body, he knew he would have to find his killer. It was not a task he relished. The search would lead him through the underbelly of false gods and false promises in 1930s Los Angeles.
Los Angeles 1930s. The victim’s short blonde hair was wet, and she was naked. From the blueish tint to her skin, it appeared she had drowned. At this distance from shore, she should have been under thirty feet of water, but the reservoir was empty, only a shallow pool remaining where she lay. She looked European, perhaps Germanic, with her prominent nose and high cheekbones. In her early thirties, she was young and fit with an athletic build and piercing blue eyes that now stared vacantly into space. The way the killer had posed her body looked like a ritual, but that was only a guess. But Detective Mathieu had come to trust his instincts. They’d served him well in his previous cases. The case would plunge Mathieu into a world of unbridled hate, filled with Nazi spies and terrorists in 1930s Los Angeles.
It is 1929 in Los Angeles when Officer Mathieu answers a domestic disturbance call at night in a poor black neighborhood. When no one answers the unlocked door, he enters to find a beautiful, white woman lying naked on the floor, the victim of two fatal gunshot wounds. Soon after, the officer makes a shocking discovery. The woman is the personal secretary to the most powerful man in Los Angeles. The police immediately suspect the black musician who owns the house. But when the woman’s past exposes surprising revelations, Officer Mathieu suspects that the rich and powerful are involved. As he struggles to solve the case, only time will tell if truth or power will win out. In this thrilling tale, a Los Angeles detective must attempt to solve a complex case after a young, white woman is found murdered in a black musician’s house in 1929.
The Battle of Petersburg was the culmination of the Virginia Overland campaign, which pitted the Army of the Potomac, led by Ulysses S. Grant and George Gordon Meade, against Robert E. Lee's Army of Northern Virginia. In spite of having outmaneuvered Lee, after three days of battle in which the Confederates at Petersburg were severely outnumbered, Union forces failed to take the city, and their final, futile attack on the fourth day only added to already staggering casualties. By holding Petersburg against great odds, the Confederacy arguably won its last great strategic victory of the Civil War. In The Battle of Petersburg, June 15-18, 1864, Sean Michael Chick takes an in-depth look at an important battle often overlooked by historians and offers a new perspective on why the Army of the Potomac's leadership, from Grant down to his corps commanders, could not win a battle in which they held colossal advantages. He also discusses the battle's wider context, including politics, memory, and battlefield preservation. Highlights include the role played by African American soldiers on the first day and a detailed retelling of the famed attack of the First Maine Heavy Artillery, which lost more men than any other Civil War regiment in a single battle. In addition, the book has a fresh and nuanced interpretation of the generalships of Grant, Meade, Lee, P. G. T. Beauregard, and William Farrar Smith during this critical battle.
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