The old buildings and historic places of British Columbia form a kind of "roadside memory," a tangible link with stories of settlement, change, and abandonment that reflect the great themes of BC's history. Michael Kluckner began painting his personal map of the province in a watercolour sketchbook. In 1999, after he put a few of the sketches on his website, a network of correspondents emerged that eventually led him to the family letters, photo albums, and memories from a disappearing era of the province. Vanishing British Columbia is a record of these places and the stories they tell, presenting a compelling argument for stewardship of regional history in the face of urbanization and globalization.
The goal of the logo is to alert readers to the threat that massive unauthorized photocopying poses to the future of the written work. [...] The Deco idiom col- onized broadcast facility, from the world's metropolis in London to the North American prairie, and instrument, the radio cabinet, in the houses of the prosperous to the relatively poor. [...] This book would not have been possible without the vision and support of Luc Noppen and the Institut du patrimoine of the Université du Québec à Montréal and the Society for the Study of Architecture in Canada, which founded the Prix Phyllis-Lambert. [...] In addition to Luc and the Institut du patrimoine, I would like to acknowledge the financial support of the Social Science and Humanities Research Council of Canada, the IODE (War Memorial Scholarship Program), the Shastri Indo-Canadian Institute, the Canadian Centre for Architecture (CCA) (with support of TD Financial Bank), and, at UBC, the Faculty of Graduate Studies and the Department of Art H [...] There are numerous others who gave of their time and expertise: Don Luxton, Linda Fraser at the CAA, Joan Seidl at the Museum of Vancouver, the staff at the City of Vancouver Archives and the Vancouver Public Library, the staff at the Special Collections at UBC, Alexis Sornin and the librarians at the CCA, Kathleen Correia and the staff at the California State Library, Jennifer Whitlock at the Uni"--
A wartime explosion in Halifax harbour has wrecked the city killing 2,000, injuring 9,000 and destroying 1,600 houses. Toronto Advocate cub reporter Kate Dawson is sent to Halifax to cover the explosion's aftermath and in the process prove herself equal to any male journalist. After reporting the devastation, interviewing key figures and covering the official inquiry into the disaster, she learns the authorities intend to place responsibility for the disaster on three innocent men. Kate faces a dilemma. Should she reveal the authorities' attempt at scapegoating the men, and by going public risk her career and imprisonment under the War Measures Act? Or, should she report the truth?
The first edition of our Handbook was written in 1983. In the preface to the first edition we noted the rapid development of inductively coupled plasma atomic emission spectrometry and its considerable potential for elemental analysis. The intervening five years have seen a substantial growth in ICP applications; much has happened and this is an appropriate time to present a revised edition. The basic approach of the book remains the same. This is a handbook, addressed to the user of the technique who seeks direct, practical advice. A concise summary of the technique is attempted. Detailed, theoretical treatment of the background to the method is not covered. We have, however, thoroughly revised much of the text, and new chapters have been added. These reflect the changes and progress in recent years. We are grateful to Mr Stephen Walton, Dr Gwendy Hall and London and Scandinavian Metallurgical Co. Ltd for their contributions. Chapter 3 (Instrumentation) has been rewritten by Mr Walton, the new Chapter on ICP-mass spectrometry has been written by Dr Hall, and London and Scandinavian provided much of the information for the chapter on metals analysis by ICP-AES. These chapters have been integrated into the book, and a conscious effort has been made to retain the unity of style within the book. New material has been added elsewhere in the book, archaeological materials are considered, pre concentration methods and chemometrics covered more fully.
The thoroughly revised new edition of this best-seller, presents the wide use of AAS in numerous fields of application. The comparison between the different AAS techniques enables the reader to find the best solution for his analytical problem. Authors Bernhard Welz and Michael Sperling have succeeded in finding a balance between theoretical fundamentals and practical applications. The new chapter 'physical fundamentals' describes the basic principles of AAS. The development of AAS is now described in a separate chapter. Further new chapters are devoted to the latest developments in the field of flow injection and the use of computers for laboratory automation. Methodological progress e. g. speciation analysis is also covered in this new edition. The index and the extensive bibliography make this book a unique source of information. It will prove useful not only for analytical chemists, out also spectroscopists in industry, institutes, and universities. Atomic Absorption Spectrometry will also be invaluable for clinics and research institutes in the fields of biochemistry, medicine, food technology, geology, metallurgy, petrochemistry, and mineralogy.
When looking at old pictures of Toronto, it is clear that the city’s urban, economic, and social geography has changed dramatically over the generations. Historic photos of Toronto’s streetcar network offer a unique opportunity to examine how the city has been transformed from a provincial, industrial city into one of North America’s largest and most diverse regions. Streetcars and the Shifting Geographies of Toronto studies the city’s urban transformations through an analysis of photographs taken by streetcar enthusiasts, beginning in the 1960s. These photographers did not intend to record the urban form, function, or social geographies of Toronto; they were "accidental archivists" whose main goal was to photograph the streetcars themselves. But today, their images render visible the ordinary, day-to-day life in the city in a way that no others did. These historic photographs show a Toronto before gentrification, globalization, and deindustrialization. Each image has been re-photographed to provide fresh insights into a city that is in a constant state of flux. With gorgeous illustrations, this unique book offers an understanding of how Toronto has changed, and the reasons behind these urban shifts. The visual exploration of historic and contemporary images from different parts of the city helps to explain how the major forces shaping the city affect its form, functions, neighbourhoods, and public spaces.
Winner of the 2020 Basil Stuart Stubbs Prize Winner of the 2019 Lieutenant Governor’s Medal for Historical Writing A celebration of the richly diverse flora and fauna of Vancouver Island as explored through the records of explorers, settlers, and visitors, and with due respect to the wealth of Indigenous traditional knowledge of the island’s ecosystems. In Nature’s Realm gathers initial reports, recorded histories, and personal accounts left by Vancouver Island’s early naturalists who studied the region’s flora and fauna. Many, such as Archibald Menzies, accompanied English and Spanish explorations investigating the coastal geography for colonial expansion. Doctor–naturalists such as John Scouler, David Douglas, and Robert Brown worked with the Hudson’s Bay Company and collected specimens. Irish-born John Macoun, a renowned naturalist, brought his expertise to Vancouver Island, as did botanical artists Sarah Lindley (Lady Crease) and Emily Henrietta Woods. In Nature’s Realm is a companion volume to Layland’s two previous titles: A Perfect Eden: Encounters by Early Explorers of Vancouver Island, shortlisted for a BC Book Prize in two categories; and The Land of Heart's Delight: Early Maps and Charts of Vancouver Island, shortlisted for the Bill Duthie Booksellers’ Choice Prize, and for the City of Victoria Butler Book Prize.
2050 is a murder mystery set in a post-apocalyptic landscape -- recognizably the Vancouver area -- reduced by climate change, war and pandemic to a fraction of its former size."--
This is an entertaining and thoughtful account of how painter and writer Kluckner and his wife left the city, bought a farm in Langley, B.C., and set about raising chickens and sheep. It is partly meditational about the art of farming and gently whimsical about the daily and seasonal chores.
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