In the latest installment in Michael Harvey’s beloved Michael Kelly series, Chicago’s favorite Ovid-reading, gun-toting private investigator takes on Illinois’s first family in a blistering thriller that charts the border where ambition ends and evil begins. It’s been two years since disgraced Illinois governor Ray Perry disappeared from a federal courthouse in Chicago moments after being sentenced to thirty-seven years in prison on corruption charges. P.I. Michael Kelly is sitting in his office when he gets an anonymous e-mail offering to pay him nearly a quarter of a million dollars if he will find Perry, no questions asked. Kelly’s investigation begins with the woman Ray Perry left behind—his wife, Marie. Ostracized by her former friends and hounded by the feds, Marie tells Kelly she has no idea where her husband is. Like everyone else, Kelly doesn’t believe her. As he hunts for her husband, Kelly begins to unwind Marie Perry’s past. What he finds is a woman who turns out to be even more intriguing than her husband, with her own deeply complicated reasons for standing by him. Everyone in Chicago has secrets, including the governor’s wife. Some of them she shared with her husband. Some of them she kept to herself. And some of them could get Michael Kelly killed. The Governor’s Wife is a hard-eyed look at the intersection of the political and the personal, at the perils of trusting even those closest to us, and the collateral damage of our highest aspirations. Stylish, knock-out suspense from a modern master.
Private detective Michael Kelly returns in a lightning-paced, intricately woven mystery. When Kelly is hired by an old girlfriend to tail her abusive husband, he expects trouble of a domestic rather than a historical nature. Life, however, is not so simple. The trail leads to a dead body in an abandoned house on Chicago's North Side and then to places Kelly would rather not go: specifically, City Hall's fabled fifth floor, where the mayor is feeling the heat. Kelly becomes embroiled in a scam that stretches from current politics back to the night Chicago burned to the ground. Along the way, he finds himself framed for murder, before finally facing a killer bent on rewriting history.
Presents a collection of magazine and newspaper stories, articles, and columns by the notable journalist, who was killed in 2003 while covering the Iraq war.
The series of papers in this volume were given as talks in Sydney during a year of extra-ordinary surprises after Pope Benedict XVI resigned and Pope Francis was elected as Bishop of Rome (as he likes to call himself). Even if it's only catching up with many things that have become commonplace assumptions in the contemporary world, it would seem that the Catholic Church is at a turning point as has been evidenced in all that Pope Francis has done since becoming Bishop of Rome. The subject of the first paper by Michael Kelly is not so much the scandals that have rocked the Catholic Church of late, but where does the Church, as a community and a public entity, need to go from here on these issues. That discussion--as intimate as it is related to some very public features of the Church--has a context: the history of a Church badly in need of structural reform. If the sentiments of the faithful and the desire to make the community of the Church more in deed what it claims in words, the reach of those changes is as profound as it is extensive. Effective reform of an historical community like the Roman Catholic Church will not happen without a deep grasp of the history of forms in need of reformation. That is the focus of Chris Geraghty's contribution to this collection. Probing the spirit and reforming the body are for a purpose: mission. That mission is conditioned by the challenges of the context in which it is exercised. That is the focus of Frank Brennan's contribution as he assesses the challenges and proposes some fresh approaches to meeting them. Because there have been so many formulaic and essentially unengaged responses to contemporary issues in and beyond the Church, the transformation needed in attitude and practical proposals to handle them is vast.
Private detective Michael Kelly is hired by his former partner to solve an eight-year old rape and battery case long gone cold. But when the partner turns up dead, Kelly enlists a team of his savviest colleagues to connect the dots between the recent murder and the cold case it revived: a television reporter whose relationship with Kelly is not strictly professional; his best friend from childhood, a forensic DNA expert; and an old ally from the DA's office. To close the case, Kelly will have to face the mob, a serial killer, his own double-crossing friends, and the mean streets of the city he loves.
Contemporary theorizing about art is dominated by a clash between two approaches: philosophers have characteristically taken the view that art is a vehicle of some universal meaning or truth, while art historians, and others working in the humanities, emphasize the concrete nature and historical particularity of the work of art. Is art capable of sustaining these two approaches? Or, as Kelly argues, is art rather determined by its historical particularity? If so, then if philosophers continue to pursue mainly the universality of art, they inadvertently end up exhibiting a disinterest and distrust in art. Kelly calls such disinterest and distrust 'iconoclasm', and in this book he discusses four philosophers - Heidegger, Adorno, Derrida, and Danto - who are ultimately iconoclasts despite their deep philosophical engagement with the arts. He concludes by suggesting ways in which iconoclasm in aesthetics can be avoided in the future.
Kept in a bird-coop by his parents, Sunny McCreary endured a childhood of neglect, abuse and being bullied by pigeons, only to find it was all downhill from there. In the course of the most painful life ever, he survived tragedy and maiming, a savage convent school education, being pimped out in pink-satin hot pants, a degrading addiction to helium, and having a baboon's arse grafted onto his face. Then things got really bad. More horrible than A Child Called It, more heartrending than Ugly, more repulsive than the Alastair Campbell diaries, My Godawful Life is the misery memoir to end all misery memoirs and the feel-bad book of the year. "At last, a book to satirise the endless parade of misery memoirs. I seized upon this like manna from Heaven ... A glorious overload of dysfunction." Sue Baker, Publishing News
Dragonscales is a collection of essays and articles which supplement the Initiatory curricula presented in Apophis and Aegishjalmur. The articles may be read alone or together with the other two books in the series. These essays explore some of the Draconian themes in greater depth than was possible within the scope of the basic curriculum, providing new avenues and techniques for students to explore. In particular, this book's contents shed much more light upon the higher 'Heads' in the Draconian initiatory curriculum, providing much food for throught for the more advanced student. With expanded lore, practice and philosophy across a broad scope of subjects, this book will prove invaluable to all who Seek After the Draconian Mysteries.
Distilled through the occluded lens of weird fiction, Michael Kelly's third collection of strange tales is a timely and cogent examination of grief, love, identity, abandonment, homelessness, and illness. All cut through with a curious, quiet menace and uncanny melancholy. Advance Praise for All the Things We Never See "The stories in Michael Kelly's All the Things We Never See balance on the delicate knife edge of the weird, taking place at the moment of incision, just before the blood rushes to the cut. Full of quiet menace and strangeness, with characters bound into odd relationships both to the world and themselves, relationships they themselves often fail to understand, this is weird fiction at is finest." -- Brian Evenson, author of Song for the Unraveling of the World "Michael Kelly's sharp collection of uncanny stories will leave you questioning your relationships, your identity, and reality itself. These stories dig between your ribs and place a cold finger on your heart." -- Paul Tremblay, author of The Cabin at the End of the World, and A Head Full of Ghosts "After having nurtured a sterling reputation as a curator of weird fiction, Michael Kelly here reminds us that he's one of its best practitioners, too. ALL THE THINGS WE NEVER SEE is eerie and unsettling in the best ways, subverting reality and turning it back on itself, questioning the very earth under your feet. In the end, you're left not scared so much as uncertain, even vulnerable--your throat exposed to unseen forces." -- Nathan Ballingrud, author of Wounds, and North American Lake Monsters "Like a cottonmouth sleeping under a silk sheet, there's something unsettling under the surface of Michael Kelly's stories--and once these tales sink their fangs into you, as they did into me, you'll find the venom is strangely addictive." -- Craig Davidson, author of The Saturday Night Ghost Club Michael Kelly is the former Series Editor for the Year's Best Weird Fiction. He's a Shirley Jackson Award-winner, and a World Fantasy Award nominee. His fiction has appeared in a number of journals and anthologies, including Black Static, The Mammoth Book of Best New Horror 21 & 24, Supernatural Tales, Postscripts, Weird Fiction Review, and has been previously collected in Scratching the Surface, and Undertow & Other Laments.
A Deep Exploration of Celtic Spirituality The Book of Ogham is a practical manual for divination using the ancient Celtic characters of ogham writing. However, it is much more than that as well. It opens the doors to the authentic understanding of ancient Celtic cosmology and psychology in ways that have never been done before. This, as much as the divinatory material, opens the reader to vistas as yet uncharted in the fields of Celtic studies. In this book the reader will discover: * A complete system of oghamic divination * Four different methods of divination * The lore of each of the 20 ogham characters * Instructions on how to make ogham fews * Celtic psychology * Celtic cosmology * A complete suggested curriculum for training in Celtic spirituality based on the ogham system
An erotic novel with a humorous tone. When Robert and Jackie Grace move out of the city and into a new home in a peaceful country village, they expect a peaceful, pastoral existence for themselves and their daughter Aileen. What they don't expect to experience are passionate affairs, wife swapping, perverted role play and peeping tom antics, all centered around the local vicar, James Redders, whose ministry is unconventional to say the least. Nor do they expect their daughter's sexual boundaries to be thoroughly explored to their limits and beyond in the local manor house. A novel of steamy sex, shameless pleasures and broken taboos, as the Grace family discovers that when a man of the cloth drops his trousers, heaven takes on a whole new meaning!
The Quiet Man is a partially fictionalized memoir of the life of the author's grandfather, Anthony Ward, the quiet man of the title. The narrative moves back and forth from Tony's boyhood days on the family croft in rural Donegal, Ireland, to his time in Dublin as a young man, and to his old age in the industrial city of Glasgow, Scotland. Tony was born near the end of the nineteenth century and his first language and that of his people was Irish Gaelic. Along the way Tony is swept up in the momentous events of the Easter Rising in Dublin and the war for Irish independence that followed. These events and many others of his life make him, in his mature years, a "quiet man" of intimate thought. He lived a dutiful, modest life, and this book is a moving tribute to the man and his generation of Irishmen and all they stood for in their long, hard lives when family and honor were everything.
Contained in the pages of this book are stories from Celtic folklore, myth and history, respun for the modern world by a modern storyteller. Here are tales of bugganes and mermaids, of Merlin and dragons, of ghostly hounds and unearthly bulls, tales of tragedy, tales of comedy. Whatever your preference, there is a tale to match it, born out of the Celtic spirit.
When PI Michael Kelly is called upon by former colleague John Gibbons to help with an old case, he doesn't expect to find him dead the next morning. Coincidence? Kelly doesn't think so. Determined to catch his friend's killer, Kelly must piece together a link between Gibbons' death and the brutal rape that happened eight years earlier. He needs all the help he can get. Kelly's fearsome new team is bright, savvy and determined, but Chicago's mob, serial rapists and shady policing won't make it easy. This fast-paced debut captures the dangerous, gritty world of Chicago crime through wit and suspense.
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