They say bad things come in threes, and this third round of trick o’ treating is a close encounter of the twisted kind. We won't completely spoil the surprise, but this volume includes an alien invasion, defiled corpses, more lame candy, and some new, sick characters, including Kevin Kyle Kramer—a.k.a Triple K—and Monica, a charming thirteen-year-old who really REALLY hates dogs. This Halloween, you won't know what crazy is... Colored by Michael Kellaher, Kyle Foster and Glasshouse Graphics.
Michael Moorcock's triumphant return to Britain's adventuring detective, Sexton Blake! His first published novel restored, revised, expanded... and presented with a brand new prequel story! A deep sea mission... A baffling murder... Beneath a sky of limpid sapphire blue, the research ship Gorgon rolls gently on the scintillating waters of the Caribbean Sea. Below, two men in a bathysphere, lowered more than a 150 fathoms into the crushing depths. But when the sphere is raised, there is only one man inside... and he has a knife in his back! Now Sexton Blake must answer an impossible question: How did the killer escape?
Why do we have children and what do we raise them for? Does the proliferation of depictions of suffering in the media enhance, or endanger, compassion? How do we live and die well in the extended periods of debility which old age now threatens? Why and how should we grieve for the dead? And how should we properly remember other grief and grievances? In addressing such questions, the Christian imagination of human life has been powerfully shaped by the imagination of Christ's life Christs conception, birth, suffering, death, and burial have been subjects of profound attention in Christian thought, just as they are moments of special interest and concern in each and every human life. However, they are also sites of contention and controversy, where what it is to be human is discovered, constructed, and contested. Conception, birth, suffering, burial, and death are occasions, in other words, for profound and continuing questioning regarding the meaning of human life, as controversies to do with IVF, abortion, euthanasia, and the use of bodies and body parts post mortem, indicate. In The Ethics of Everyday Life, Michael Banner argues that moral theology must reconceive its nature and tasks if it is not only to articulate its own account of human being, but also to enter into constructive contention with other accounts. In particular, it must be willing to learn from and engage with social anthropology if it is to offer powerful and plausible portrayals of the moral life and answers to the questions which trouble modernity. Drawing in wide-ranging fashion from social anthropology and from Christian thought and practice from many periods, and influenced especially by his engagement in public policy matters including as a member of the UK's Human Tissue Authority, Banner develops the outlines of an everyday ethics, stretching from before the cradle to after the grave.
Death and Digital Media provides a critical overview of how people mourn, commemorate and interact with the dead through digital media. It maps the historical and shifting landscape of digital death, considering a wide range of social, commercial and institutional responses to technological innovations. The authors examine multiple digital platforms and offer a series of case studies drawn from North America, Europe and Australia. The book delivers fresh insight and analysis from an interdisciplinary perspective, drawing on anthropology, sociology, science and technology studies, human-computer interaction, and media studies. It is key reading for students and scholars in these disciplines, as well as for professionals working in bereavement support capacities.
In this book Michael A. Gordon examines the causes and consequences of the tragic and bloody "Orange Riots" that rocked New York City in 1870 and 1871. On July 12 of both years, groups of Irish Catholics clashed with Irish Protestants marching to commemorate the victory of 1690 at the Battle of the Boyne that confirmed the Protestant Ascendancy in Ireland. The violence of 1870 left eight people dead; the following year, more than sixty died. Reconstructing the events of July 12 in those years, Gordon provides a riveting and richly detailed account of the riots. He maintains that they stemmed from more than religious hatred or generations of oppression in Ireland. Rather, both years bear witness to a struggle between two profoundly different visions of the promise of America: a re-creation of European social classes or a form of life liberated from the constraints and stratifications of the Old World. These visions were enmeshed n the turbulent ideological and political confrontations arising from industrialization and newly found immigrant power under New York City's notorious mayor, William Marcy "Boss" Tweed. Gordon concludes by showing how the riots sparked a reform movement that toppled Tweed from power and led to the restructuring of city politics in the 1870s.
America had just won their war for Independence. It was time to set up a brand-new government. They knew they did not want to put too much power into the hands of one leader. Instead, they created three equal branches of government: the executive branch, the legislative branch, and the judicial branch. How could this new government make sure that one branch didn't gain too much power? Readers explore how the system of checks and balances works with examples of each type of check and balance. Additional information is presented in an easily understood graphic organizer.
The Hillsborough stadium disaster of 15 April 1989 and the death of Princess Diana on 31 August 1997 sparked expressivist scenes of public mourning hitherto unseen within the context of British society. The largely local displays of grief witnessed on Merseyside following the Hillsborough disaster were, however, repeated and provided a pre-text for the national (and global) public mourning which accompanied the death of Princess Diana. What was it, this book asks, about the Hillsborough disaster and death of Princess Diana that provoked such strong emotions? Why and how did these ostensibly similar events produce such contrasting reactions, moving some people, including the book’s author, to mourn one event but resist the mourning for the other? Mourning and Disaster provides an insight into a series of questions raised by the public mourning that followed these two events. What, for example, do the messages contained in the public books of condolence signed in the wake of these events tell us either about the social identities of the people who mourned or about the processes of meaning-making by which death is apprehended and understood? What do condolence books tell us about how contemporary society mourns and the ways in which loss is languaged? Is it the case that, in episodes of public mourning in which the deceased are not known to us personally, the mourner might actually be mourning some aspect of themselves? Is it also the case that in not mourning these events some aspect of one’s own identity or self was being repudiated or mourned? Drawing upon both the public books of condolence signed in Britain during the public mourning for these events, alongside the author’s own autobiographical memories of them, it is to these sorts of questions, amongst others, that this book seeks to provide answers.
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