The Great Crowd is a social history of All Saints Episcopal Church of Omaha, Nebraska. Founded in 1885, precisely at the moment when Omaha was experiencing a spurt of rapid grown, the parish has continued to succeed as a religious community deeply enmeshed in the life of the city. It was from the beginning a distinctly urban parish and, as change came for the city, underwent its changes, including a major relocation of its facility. It also found itself navigating the changes in national culture and in the character of the larger Episcopal Church. Curiously, very different rectorseight in all, with different configurations of lay leadership drawn from across the cityresponded to these successive waves of change, and yet, they held on the conviction that they had maintained the unique identity of the parish that they had inherited from those who had gone before them. They did so in no small part by telling their story. Drawing from the parish archives, including its vestry minutes, correspondence, and publications the author, himself one of the eight rectors, has taken up a critical retelling the story bring up to 9/11, 2001. These pages contain a strange tapestry of names and faces, from Omahas cowboy mayor to its storied lawyers and devout bus drivers who melded themselves in that strange unity called a parish. In the authors telling, the story becomes a critical tool for understanding how a Christian community works and for providing a basis for a critical assessment of the purpose and meaning of religious community in American life.
The book is the attempt of a person who spent his life in the priesthood of the church, mainly as pastor, to share his own personal love for the church and its traditions and his commitment to intellectual honesty and an adequate response to the social reality of the present. It should be taken as gift which hopes that it will guide and encourage others in search of spiritual understanding in their own stories..
This small collection of poems was written in the course of a decade by an Episcopal priest approaching retirement. The inspiration for them came from the "metaphysical poetry" of the Seventeenth century English priest poets, Donne, Herbert, and Traherne. They were first used in his teaching and spiritual direction and continue to inspire readers. James Delmont, of the National Book Critics Circle, offers the follow description: Michael Tan Creti’s To Make Myself a Word is a marvelous collection of free verse poems and poetic prose reflections that provide a running commentary on life, faith and history – history that is both collective and personal. From the point of view of a pastor in the American Episcopal Church, the author muses, with irony and sensitivity, on ethics, memories, relationships, expectations, disappointments and the daily search for God in our lives. There is a skein of faith stubbornly running through these often exquisitely crafted word portraits that reward the reader with wisdom, continuing questions and even some answers. It is well worth reading – and not all at once.” Recently the text one of the poems, "The Father's Face," has been set as a cappella anthem by the composer Michael McCabe and is available from Parachlete Press, under the title "Seek God Face.
The Great Crowd is a social history of All Saints Episcopal Church of Omaha, Nebraska. Founded in 1885, precisely at the moment when Omaha was experiencing a spurt of rapid grown, the parish has continued to succeed as a religious community deeply enmeshed in the life of the city. It was from the beginning a distinctly urban parish and, as change came for the city, underwent its changes, including a major relocation of its facility. It also found itself navigating the changes in national culture and in the character of the larger Episcopal Church. Curiously, very different rectors--eight in all, with different configurations of lay leadership drawn from across the city--responded to these successive waves of change, and yet, they held on the conviction that they had maintained the unique identity of the parish that they had inherited from those who had gone before them. They did so in no small part by telling their story. Drawing from the parish archives, including its vestry minutes, correspondence, and publications the author, himself one of the eight rectors, has taken up a critical retelling the story bring up to 9/11, 2001. These pages contain a strange tapestry of names and faces, from Omaha's cowboy mayor to its storied lawyers and devout bus drivers who melded themselves in that strange unity called a parish. In the author's telling, the story becomes a critical tool for understanding how a Christian community works and for providing a basis for a critical assessment of the purpose and meaning of religious community in American life.
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