Throughout his childhood and during his twenty years of professional service in the New Zealand Army, author Michael J. Roberts repeatedly heard a message: grown men don't cry. To cope with life's ups and downs, Roberts put on a mask and effectively concealed his emotions behind it--that is, until he was diagnosed with cancer. In Grown Men Don't Cry, Roberts shares his story and describes how he found inner peace by allowing himself to cry and by turning to be Jesus to be saved. This memoir narrates his personal journey as he faced recovery from a major operation, the fight against late stage-three cancer, radiation, and chemotherapy and ensuing depression. He tells how through these challenges and despair he found hope and God. A story about one man's triumph over great odds and the fear of death, Grown Men Don't Cry shows that no matter the despair or the pain, one must always have hope.
In The Jeweled Style, Michael Roberts offers a new approach to the Latin poetry of late antiquity, one centering on an aesthetic quality common to both the literature and the art of the period—the polychrome patterning of words and phrases or of colors and shapes. In Roberts's view, the writer or artist of this period works as a jeweler, carefully setting compositional units in a geometric framework, consistently demonstrating a preference for effects of patterning over realistic representation, and for a unity situated at a higher level than the literal, historical sequence of the narrative. Roberts's introductory chapter is followed by an anthology of representative narrative and descriptive poetry from the fourth and fifth centuries A.D. Next, Roberts traces the use of "jewels" as a literary metaphor from the first century A.D. to late antiquity. He then compares the works of late antique literature to wall and floor mosaics, ivory diptychs, Christian sarcophagi, and contemporary styles of dress. Emphasizing that the poetry of this period is not uniform, he differentiates the main genres of Christian narrative poetry—biblical and hagiographical epic—from secular examples of the jeweled style, such as the poetry of Ausonius and Sidonius. Roberts concludes by examining the influence of late antique aesthetics on the medieval poetics of Matthew of Vendôme and Geoffrey of Vinsauf. Elegantly written and augmented by twenty-three illustration, The Jeweled Style will be welcomed by many readers, including Latinists and other classicists, medievalists and Renaissance scholars specializing in literature, Byzantinists, and art historians.
This is the first of a two-part compact edition, in which the two text volumes of the 1987 three-volume work have been combined. The preliminary chapters, providing a general introduction to arachnology, include morphology and behaviour, classification and nomenclature, and a key to the families. These are followed by short descriptions of all the British species in the condensed text, written principally to help their identification, although information on habitat and distribution is also included. Especially significant are the many comparative line drawings of critical features, principally genitalia but also carapaces and other structures, by which the species may be determined.
The Mystery of the Cross and the Narrow Gate Revealed is a search to reconcile apparent contradictions in the Bible, especially those passages pertaining to salvation. Beginning with the premise of the infallibility of the Bible, it argues that both the Reformers understanding of the atonement and their doctrine of salvation are invalid, since they are contradicted by numerous scriptures. In the end, the result of this search is a new understanding of both the atonement and salvation and the development of doctrines on these subjects, which will enable us to read canonically without seeing contradictions. Through faith and reason, a sound hermeneutic and careful exegesis, The Mystery of the Cross and the Narrow Gate uncovers the internal coherence of scripture, with the principal objective of restoring truth and bringing reform to a church that fails to grasp that the Holy Spirit is given to humankind to enable us to become holy and be made fit for the kingdom in heaven-refer www.themysteryofthecross.com.
The Aesthetics of Free Speech: Rethinking the Public Sphere is one of the first books to theoretically explore the relationship between free speech and the public sphere. By drawing upon Marxist theory the author, John Michael Roberts, demonstrates how liberal theorists frequently construct an abstract aesthetic of "rational", "cultivated" and "competent" discussion which then serves as a norm through which certain utterances can be humiliated and excluded from participating fully within the public sphere. However, the author also shows how excluded utterances develop their own aesthetic of free speech and how this aesthetic then comes back to haunt the bourgeois public sphere.
True life accounts of the paranormal experiences over a 12 year period of investigating the paranormal. Contains investigation accounts from locations all over the country including Myrtles Plantation, Catfish Plantation, and the Battleship North Carolina. This book is also meant to be an informative source as well as a guide.
Signals and Systems by M.J. Roberts offers a student-centered, pedagogically driven approach to teaching Signals and Systems. The author has a clear understanding of the issues students face in learning the material and does a superior job of addressing these issues. The book is intended to cover a two-semester sequence in Signals and Systems for Juniors in engineering.
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