The first full-length study of Heaney's poetics, Professing Poetry explores Heaney's unusual concept of influence and the various ways in which Heaney interacts with other writers
Drawn from Shelley's Prometheus Unbound, the title of this book suggests the cultural and literary persistence of the Romantic in the work of many British, American, and Irish poets since 1900. Allowing for and celebrating the multiple, even fractured nature of Romantic legacies, Michael O'Neill focuses on the creative impact of Romantic poetry on twentieth- and twenty-first century poetry. Individual chapters embrace numerous authors and texts, and span different cultures; the intention is not the forlorn hope of completeness, but the wish to open up possibilities and intersections, and there is a strong sense throughout of poetry serving as a subtle and profound form of literary criticism. A wide-ranging introduction analyses the persistence of the Romantic in poets such as Ted Hughes, Wilfred Owen, Robert Frost, Denise Levertov, Robert Lowell, and others, and sets the scene for subsequent discussions. Chapter 1 dwells on images of 'air', using these to understand the efforts of a number of twentieth-century poets to 'sustain' Romanticism, or forms of it. Chapters 2 and 3 focus on Yeats and Eliot, respectively, the latter apparently shunning the Romantic, the former seeming to embrace it, but both responding with subtlety and individuality to the Romantic bequest. Chapter 4 argues that Wallace Stevens's 'Esthétique du Mal' should be read as a work that illuminates the writings of the major Romantics, especially about evil and suffering. Chapter 5 discusses the work of W. H. Auden and Stephen Spender, exploring the complex response of both poets to the Romantic, Auden complicated in his post-Romantic attitudes, Spender daring in his attempts to renew a Romantic lyricism in a post-Romantic age. Chapter 6 returns to a broader sweep as it investigates the response of a range of contemporary poets from Northern Ireland, including Heaney, Kavanagh, Mahon, and Carson, to Romantic poetry. Chapter 7 sustains the Irish connection, discussing Paul Muldoon's dealings with Byron and other Romantics, especially in Madoc. And Chapter 8 focuses on Geoffrey's Hill's tense and tensed relations with Romantic poetry, and on Roy Fisher's sense of being a 'gutted Romantic', in order to illustrate two diverse ways of being post-Romantic in contemporary culture.
Chasing after a family secret--a curious silence surrounding a long-lost ancestor--led the author on a pilgrimage through the landscape, history and literature of Ireland. His journey of self-discovery, flavored by poems, stories, lore and legend, reflects his idea that literature may be the key that explains the past and reveals the present. Serving as part memoir and part journalistic chronicle, this work offers a unique look at how memory, literature and travel shape one's definition of oneself. Also serving as a love letter to Ireland with chapters on native born authors such as James Joyce, Frank O'Connor, Seamus Heaney and more, this book explores the deeper influences of what makes a man a writer, scholar, adventurer, husband and father.
It’s 1945. The war is over and Matt McCartan is mustered out of the army just in time to attend his father’s funeral. Matt and his father always had an estranged relationship and because of that Matt knows almost nothing about his father’s life and childhood. While going through his father’s papers he discovers a single clue that might shed light on who his father was: a faded envelope with a return address of Ballyturan, Ireland. Seeking further information, he composes a letter to the village priest asking if he, or someone in the village, knew his father. The priest doesn’t respond, but a young woman does and her shocking letter sets Matt off on a journey of discovery to find out not only who his father was, but who he is. He arrives at Ballyturan, a small village on the Dingle Peninsula, only to learn that there is more to this sleepy village than meets the eye. Why does the village priest lie to him? Why does the richest man in Dingle threaten him? And what secrets are the village butcher and a local farmer keeping from him? The only one in Ballyturan who seems to have any answers is a man whom everyone in the village thinks is mad. But to Matt, he’s the only one in Ballyturan who makes sense. Eventually, Matt peels away layer upon layer of secrecy and mendacity and treachery to uncover the shocking and unhappy sad truth about his father.
Michael Benton's book develops the concept of spectatorship as an answer to these questions. It explores the similarities and differences in our experiences of literature and the visual arts, and discusses their implications for pedagogy and their applications in cross-curricular work in the classroom. Teachers will find that, while many of the visual and verbal texts may be familiar, the approaches to them offer fresh insights and a rich agenda for the classroom. Shakespeare, Fielding, Hogarth, Blake, Wordsworth, Constable, Turner, the Pre-Raphaelites, Wilfred Owen, Paul Nash, Stanley Spencer, Ted Hughes and Seamus Heaney - the range of authors and artists discussed is both extensive and relevant to the National Curriculum and to post-16 and undergraduate courses.
Combining detailed explorations of both mainstream and experimental poets with a clear historical and literary overview, Reading Postwar British and Irish Poetry offers readers at all levels an ideal guide to the rich body of poetic works published in Britain and Ireland over the last half-century. Features detailed discussions of individual poems that are widely available in anthologies and selected poems volumes Pays explicit attention to how to read the poems, focusing on language and form and the institutional conditions of literary possibility in which poets worked Includes poets of all types and styles from throughout the post-war period, including canonical and mainstream poets alongside experimental poets, women, and poets of color
These 14 essays by scholars who have worked with David Jasper in both church and academy develop original discussions of themes emerging from his writings on literature, theology and hermeneutics. The arts, institutions, literature and liturgy are among the subject areas they cover.
On the 19th September 1982 Kerry ran out in Croke Park chasing immortality. Victory over Offaly in the All-Ireland football final would secure them five titles in a row, a record certain never to be matched again. It had taken Offaly six heartbreaking years under manager Eugene McGee to drag themselves up from their lowest ebb, but now they stood on the cusp of a glorious reward. The result was a classic final that changed lives and dramatically altered the course of gaelic football history. The Kings of September is an epic story of triumph and loss, joy and tragedy, a story of two teams who illuminated a grim period in Irish life and enthralled a nation.
Originally written for the fiftieth anniversary of the Constitution of Ireland, this book is an account of how the Constitution's requirements have been implemented by the legislature and interpreted by the courts. In this way it provides an integrated and contextual account of constitutional law in Ireland. It goes as far as to place it in context of some foreign constitutions, especially the Constitutions of the United States, France, Germany and the United Kingdom, as indeed the Irish courts refer frequently to other countries for guidance in interpreting the Constitution. The book largely falls into four parts. The first few chapters are introductory and cover the drafting and adoption of the Constitution, some features of the State and its citizens, and the judicial review of laws. The next few chapters deal with the various institutions of government and with the activities of the State in the international arena and in relation to fiscal matters. Then following on from this there are a number of chapters which consider what may be termed the various civil liberties and rights. There is a final brief section, towards the end of the book which deals with the various legal breaches of the Constitution. This new edition has been extensively rewritten to account for the enormous to take into account the tumultuous changes in Irish Constitutional Law in the intervening years. Challenges to articles, referenda, new legislation, and cases are all judicially considered. Michael Forde and David Leonard offer the reader everything they need to know on this complex subject.
Reading Poetry offers a comprehensive and accessible guide to the art of reading poetry. Discussing more than 200 poems by more than 100 writers, ranging from ancient Greece and China to the twenty-first century, the book introduces readers to the skills and the critical and theoretical awareness that enable them to read poetry with enjoyment and insight. This third edition has been significantly updated in response to current developments in poetry and poetic criticism, and includes many new examples and exercises, new chapters on ‘world poetry’ and ‘eco-poetry’, and a greater emphasis throughout on American poetry, including the impact traditional Chinese poetry has had on modern American poetry. The seventeen carefully staged chapters constitute a complete apprenticeship in reading poetry, leading readers from specific features of form and figurative language to larger concerns with genre, intertextuality, Caribbean poetry, world poetry, and the role poetry can play in response to the ecological crisis. The workshop exercises at the end of each chapter, together with an extensive glossary of poetic and critical terms, and the number and range of poems analysed and discussed – 122 of which are quoted in full – make Reading Poetry suitable for individual study or as a comprehensive, self-contained textbook for university and college classes.
This book examines the topic of excess in modern Irish writing in terms of mysticism, materialism, myth and language. The study engages ideas of excess as they appear in works by major thinkers from Hegel, Kierkegaard and Marx through to Nietzsche, Bataille, Derrida and, more recently, Badiou. Poems, plays and fiction by a wide range of Irish authors are considered. These include works by Oscar Wilde, W. B. Yeats, G. B. Shaw, Patrick Pearse, James Joyce, Sean O’Casey, Louis MacNeice, Samuel Beckett, Elizabeth Bowen, Roddy Doyle, Seamus Heaney, Marina Carr and Medbh McGuckian. The readings presented illustrate how Matthew Arnold’s nineteenth-century idea of the excessive character of the Celt is itself exceeded within the modernity of twentieth-century Irish writing.
LOVE GONE BAD. MURDER GONE WRONG. West Coast doctor Kenneth Stahl would do anything to free himself from his wife Carolyn. Then Adriana Vasco—Kenneth's former receptionist and mistress of nine years—obliged by introducing him to ex-con Dennis Earl Godley. The deal was set. Godley would murder Carolyn for thirty-thousand dollars. On the day after her 44th birthday, the trusting victim was lured to a lonely stretch of road. The deadly rendezvous took a shocking turn. Not only was Carolyn gunned down with a .357 Magnum, but Kenneth would also be killed. The hit man's getaway driver was the other woman, Adriana Vasco. In a sensational trial, a tangled web of lies, sex, and betrayal unfolded as Adriana and Dennis turned against each other...and Michael Fleeman tells the whole shocking story in his true crime book Deadly Mistress.
Drawing on diverse cultural forms, and ranging across disciplinary boundaries, Nation States maps the contested cultural terrain of Irish nationalism from the Act of Union of 1800 to the present. In looking at Irish nationalism as a site of struggle, Mays examines both the myriad ways in which the nation fashions itself as the a priori ground of identity, and those processes through which nationalism engenders an ostensibly unique national identity corresponding to one and only one nation-state, the place where we always have been, and can only ever be, 'at home.
The writers in this text seek to reconcile the established critical perspectives of Irish studies with a forward-looking critical momentum that incorporates the realities of globalisation and economic migration.
In the nearly thirty years of his writing career the Irish poet Seamus Heaney has established himself as an enduring world writer. This book provides the fullest account yet of his early life as an Ulster Catholic and the experiences, influences, and relationships - personal, literary, and political - that shaped his poetic development and awareness in the midst of the complex and violent history that has formed modern Ireland. Michael Parker's extensive research includes a considerable amount of original material, such as photographs and interviews with Heaney and with many key personalities from his past and present. Parker presents fresh insights into the background and possible sources of Heaney's poems, commentaries on unpublished poems and drafts, and careful readings of each of the poet's collections up to and including the 1991 Seeing Things.
A patient-focused practical handbook for rapid acquisition of broad surgical knowledge The Surgical Handbook by Michael Karsy and esteemed colleagues addresses training gaps by exposing early trainees, medical students, residents, advanced practice providers, and non-specialists to a diverse array of surgical subspecialty diseases and acute management topics. The impressive breadth of content presented in this resource reflects multidisciplinary contributions. The text covers far more than existing medical handbooks, while featuring concise distillation of key points conducive to learning. The book is organized by 16 sections starting with general perioperative and operative management of topics that apply to all surgeons, such as critical care, trauma, and general surgery. Subsequent chapters encompass a full spectrum of surgical specialties—from vascular and cardiothoracic—to neurosurgery and orthopaedics, as well as handy evidence-based reference guides. The focused collection of topics within each section serves as a useful resource for learning about management of specific diseases and also a starting point for self-directed learning. Key Highlights Bullet points, illustrations, diagrams, and figures enhance rapid acquisition of knowledge Tables on acute diagnosis and management of common inpatient scenarios such as electrolyte and acid/base disturbances provide easy-to-use tools Clinical references include practice pearls on trauma management, key medications for common inpatient conditions, acute patient events (e.g. cardiac and stroke), anesthesia and intubation medications, and preoperative and post-anesthesia issues This backpack companion will benefit medical students and junior surgical residents during rotations and clerkships and help early-career clinicians gain insights into timely disease recognition, initial management, surgical risks, and when to make referrals.
This problem-oriented casebook primarily has a statutory emphasis. Students are challenged to read & interpret the cases in conjunction with the statutes, thereby allowing them to understand & appreciate trends in the law. The first half of the book is devoted to non-bankruptcy remedies & the relationship between debtors & creditors. Bankruptcy materials are presented in the second half. Teacher's Manual available.
From electronic versions of the classics, to movie databases, to extensive collections of digitized art and music, it's all here. The Internet has become the vehicle for communication between those who create, study, and further develop these rich cultural resources. This guide shows readers how to connect to a wealth of people and resources--in completely non-technical language. (Communications/Networking)
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