In his remarkable memoir, at once frank, audacious, canny, and revealing, Michael Korda, the author of Charmed Lives and Queenie, does for the world of books what Moss Hart did for the theater in Act One, and succeeds triumphantly in making publishing seem as exciting (and as full of great characters) as the stage. Another Life is not just an adventure--the engaging and often hilarious story of a young man making his career--but the insider's story of how a cottage industry metamorphosed into a big business, with sometimes alarming results for all concerned. Korda writes with grace, humor, and a shrewd eye, not only about himself and his rise from a lowly (but not humble) assistant editor reading the "slush pile" of manuscripts to a famous editor in chief of a major publishing house, but also about the celebrities and writers with whom he worked over four decades. Here are portraits--rare, intimate, always keenly observed--of such larger-than-life figures as Ronald Reagan, affable and good-natured but the most reluctant of authors, struggling with his "ghosted" presidential autobiography; Richard Nixon, seen here as a genial, if bizarrely detached, host; superagent Irving Lazar, pursuing his endless deals and dreams of "class"; retired Mafia boss Joseph Bonanno, the last of the old-time dons, laboring over his own version of his life in his desert retreat; Joan Crawford, giving Korda her rules for successful living; and countless other greats, near greats, and would-be greats. Here too are famous writers, sometimes eccentric, sometimes infuriating, sometimes lost souls, captured memorably by someone who was close to them for years: Graham Greene, in pursuit of his FBI file and a Nobel Prize; Tennessee Williams, wrestling unsuccessfully with his demons; Jacqueline Susann, facing and conquering the dreaded "second-novel syndrome" after the stunning success of Valley of the Dolls; Harold Robbins (who had to be guarded under lock and key and made to finish his novels), struggling to keep the IRS at bay from the deck of his yacht; Carlos Castaneda, at his most sorcerously charming, described--at last--in detail, as he really was, by one of the few people who knew him well; not to mention Richard Adams, Will and Ariel Durant, Susan Howatch, S. J. Perelman, Fannie Hurst, Larry McMurtry, and many, many more. Parts of this book that have appeared in The New Yorker over the years have brought Korda great acclaim--the chapter about Jacqueline Susann has been made into a major motion picture. Here at last, entertaining and provocative and always hugely readable, is the whole story--a book as engaging and full of life as Korda's highly acclaimed memoir of his family, Charmed Lives, about which Irwin Shaw wrote: "I don't know when I have enjoyed a book more.
An Esquire Best Book About Hollywood A USA TODAY Best Book of 2021 “A lovely and loving book.”—Will Schwalbe, New York Times bestselling author of The End of Your Life Book Club "I'm not sure I have ever read a book about movies that is as tender and open-hearted as Films of Endearment."—Mark Harris, New York Times bestselling author of Mike Nichols: A Life A poignant memoir of family, grief and resilience about a young man, his dynamic mother and the '80s movies they shared together Michael Koresky's most formative memories were simple ones. A movie rental. A mug of tea. And a few shared hours with his mother. Years later and now a successful film critic, Koresky set out on a journey with his mother to discover more about their shared cinematic past. They rewatched ten films that she first introduced to him as a child, one from every year of the '80s, each featuring women leads. Together, films as divergent as 9 to 5, Terms of Endearment, The Color Purple and Aliens form the story of an era that Koresky argues should rightly be called "The Decade of the Actress." Films of Endearment is a reappraisal of the most important and popular female-driven films of that time, a profound meditation on loss and resilience, and a celebration of the special bond between mothers and their sons.
A reconstruction of Shaw's life from his days as a young playwright and novelist up to his death in 1984. Despite a prevailing pedestrian tone and lapses into gossip column journals, a chilling and, at times, insightful portrait of the man and his social milieu emerges forcefully. Acidic paper. Annotation copyrighted by Book News, Inc., Portland, OR
The remarkable untold story of Franklin D. Roosevelt and the five extraordinary men he used to pull America into World War II In the dark days between Hitler’s invasion of Poland in September 1939 and Japan’s attack on Pearl Harbor in December 1941, Franklin D. Roosevelt sent five remarkable men on dramatic and dangerous missions to Europe. The missions were highly unorthodox and they confounded and infuriated diplomats on both sides of the Atlantic. Their importance is little understood to this day. In fact, they were crucial to the course of the Second World War. The envoys were magnificent, unforgettable characters. First off the mark was Sumner Welles, the chilly, patrician under secretary of state, later ruined by his sexual misdemeanors, who was dispatched by FDR on a tour of European capitals in the spring of 1940. In summer of that year, after the fall of France, William “Wild Bill” Donovan—war hero and future spymaster—visited a lonely United Kingdom at the president’s behest to determine whether she could hold out against the Nazis. Donovan’s report helped convince FDR that Britain was worth backing. After he won an unprecedented third term in November 1940, Roosevelt threw a lifeline to the United Kingdom in the form of Lend-Lease and dispatched three men to help secure it. Harry Hopkins, the frail social worker and presidential confidant, was sent to explain Lend-Lease to Winston Churchill. Averell Harriman, a handsome, ambitious railroad heir, served as FDR’s man in London, expediting Lend-Lease aid and romancing Churchill’s daughter-in-law. Roosevelt even put to work his rumpled, charismatic opponent in the 1940 presidential election, Wendell Willkie, whose visit lifted British morale and won wary Americans over to the cause. Finally, in the aftermath of Germany’s invasion of the Soviet Union, Hopkins returned to London to confer with Churchill and traveled to Moscow to meet with Joseph Stalin. This final mission gave Roosevelt the confidence to bet on the Soviet Union. The envoys’ missions took them into the middle of the war and exposed them to the leading figures of the age. Taken together, they plot the arc of America’s trans¬formation from a divided and hesitant middle power into the global leader. At the center of everything, of course, was FDR himself, who moved his envoys around the globe with skill and élan. We often think of Harry S. Truman, George Marshall, Dean Acheson, and George F. Kennan as the authors of America’s global primacy in the second half of the twentieth century. But all their achievements were enabled by the earlier work of Roosevelt and his representatives, who took the United States into the war and, by defeating domestic isolationists and foreign enemies, into the world. In these two years, America turned. FDR and his envoys were responsible for the turn. Drawing on vast archival research, Rendezvous with Destiny is narrative history at its most delightful, stirring, and important.
Historians have often marginalized the effect of African American troops on the outcome of the Civil War. While many histories briefly mention the service of the blacks, few reveal their impact. Lorenzo Thomas was one of the most exceptional people to serve in that war, but no biography of his life has been written. Most of his career was spent as an administrator in the U. S. Army, from his graduation from West Point in 1823 until the start of the war when he was the army's Adjutant General. His life changed when he was charged by Secretary of War Stanton to go West and recruit troops for the Union that were desperately needed. Stanton and Thomas did not get along and with pressure mounting to get more troops, Stanton saw this as an opportunity to get Thomas out of Washington. Thomas did exceptionally well in recruiting tens of thousands of troops for the Union. After the war ended, President Andrew Johnson replaced Stanton with Thomas as temporary Secretary of War. This precipitated the impeachment hearings against Johnson and some say that the testimony of Thomas caused the impeachment of Johnson to be dismissed.
Louise Erdrich and Michael Dorris, the most prominent writers of Native American descent, collaborate on all their works. In these interviews, conducted both separately and jointly, they discuss how their writing moves from conception to completion and how The Beet Queen, Tracks, A Yellow Raft in Blue Water, and The Crown of Columbus have been enhanced by both their artistic and their matrimonial union. Being of mixed blood and having lived in both white and Native American worlds, they give an original perspective on American society. Sometimes with humor and always with refreshing candor, their discussions undermine the damaging stereotypes of Native Americans. Some of the interviews focus on their nonfiction book, The Broken Cord, which recounts the struggle to solve their adopted son's health problems from fetal alcohol syndrome. Included are two recent interviews published here for the first time. In this collection, Erdrich and Dorris tell why they have chosen to write about many varying subjects and of why they refuse to be imprisoned in a literary ghetto of writers whose only subjects are Native Americans.
This trilogy of books examines three integral aspects of the cocainetrade: it's production in Bolivia (Mark Jacobs's mysterious and poeticnovel Stone Cowboy), the smuggler's tale (Robert Sabbag's drug classicSnowblind) and its use on the streets of New York (Michael Guinzburg'swise-cracking violent thriller Beam Me Up, Scotty). Taken togetherthese three brilliantly written, entertaining and highly acclaimedbooks give us a more illuminating picture of the cocaine trade andcocaine use than any number of sociological essays ever could.
Is it time to release Michael Gold from his personal gulag to range free in the pastures of 20th-century American literature?" -- Jim Hoberman, The Nation This definitive collection of fiction, drama, poetry, and journalism, edited by the author of the award-winning biography Michael Gold: The People's Writer, shows why Michael Gold was once the most famous radical writer in America and why his pro-democracy message still matters. From 1914 to 1966, Gold produced a body of literature best defined as "the direct expression of a man who is angry about something"--the injustices of American society. From his early support for radical leaders like John Reed and solidarity with impoverished immigrants and exploited workers, to his determined support for the Civil Rights movement and opposition to the Vietnam War, Damned Agitator shows how Gold directed his righteous indignation to advocate for those who were least able to advocate for themselves. This collection is the first to include the full range of Gold's writings, from poetry, fiction, and drama to literary criticism, personal memoir, and social commentary. At a time when democracy is threatened worldwide, Michael Gold is freshly relevant to a new generation. Though his legacy has been largely erased, this book recovers the deep political passions of the "damned agitator.
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