The truth behind one of the oldest fictions in history can finally be told. The Catholics were in danger of wresting influence from Robert Cecil who had managed to remove Queen Elizabeth's favourites and put himself at the forefront of political power. King James, easily influenced, especially by a pretty face, male or female, needed to be restrained, especially with his profligate spending. Cecil had three goals, therefore: remove the Catholic nobility; limit Puritan influence and endear himself to the king by becoming even more favoured than the pretty boys at court, the most influential of them had saved James's life. The Puritans were dealt with by the king at 'The Hampton Court Conference' and that left the Catholics and the pretty boys. If he could only hatch a plot to discredit the Catholics and save the king at the same time, he would remove any potential opposition and earn the king's undying gratitude, put him above all others in the king's estimation. So he did
Cecil was a consummate plotter who undermined enemies and helped his supporters, he himself wrote: "I spend my time in sowing so much seed as my poor wretched fingers can scatter, in such a season as may bring forth a plentiful harvest. I dare boldly say no shower or storm shall mar our harvest except it should come from beyond the middle region."" This was written just a fortnight before the discovery of poor Guy Fawkes. What does it mean? It is ambiguous, which is probably what Cecil wanted. I think it is a coded message proclaiming that nothing could stop his plot from succeeding except if those in his service, in the Midlands bungled their part; that is failed to kill all the Catholics hiding in the house. This must surely refer to the assassination of all those Catholic nobles who fled London. If they were dead, they could not protest their innocence. The sherif's men ambushed and destroyed anyone who might have told the truth. Might those 'plotters' have set the record straight?
This is the true story of the Gunpowder Plot; read the facts, read the truth; know that you have been brainwashed by the Tudor Court's king of spin who went on to manipulate the Stuart court. James was hoodwinked and encouraged to persecute Catholics, in order for Cecil to deal with the greater threat of Puritan rebellion.
We all know the story of Guy Fawkes who wanted to blow up parliament. The very people who were going to replace James would be present at the opening. How did he think he would get away with it? It does not make sense unless it was a story. Now, finally, you can read about the real plot, the plot to destroy the Catholic nobility hatched by Robert Cecil, Earl of Salisbury. Behind the scenes, he directed and manipulated the cast in his play. Catesby, the supposed ringleader, had embraced Anglicanism, bringing his children up in the Church of England, yet he is portrayed as the zealous leader of the plot. Guy Fawkes was simply a night-watchman guarding barrels. James I feared being stabbed or blown up; Cecil ran an efficient spy network; and he was able to play on James's fears. Read the true story that relies on facts. For far too long we have meekly accepted the propaganda of the age and ignored the flimsiness of those contrived coincidences that gave Cecil's outrageous plot credence.
Remember the Fifth tells the true story of Guy Fawkes and Robert Catesby. The plot was Robert Cecil's attempt to remove the Catholic influence at James's court. Catesby was killed at Holbeche House unable to tell the truth.Now, you can find out how the truth was twisted by an arch manipulator who controlled the most sophisticated spy network in London at that time.
We all know the story of Guy Fawkes who wanted to blow up parliament. What did he wish to gain; the very people who were going to replace James were present? How did he think he would get away with it? It does not make sense unless it was a story. Now, finally, you can read about the real plot, the plot to destroy the Catholic nobility hatched by Robert Cecil, Earl of Salisbury. Behind the scenes, he manipulated the cast in his play. Catesby, the supposed ringleader, had embraced Anglicanism, bringing his children up in the Anglican faith, yet he is portrayed as the zealous leader of the plot. Guy Fawkes was simply a night-watchman guarding barrels. James I feared being stabbed or blown up; Cecil ran an efficient spy network; and he was able to play on James's fears. Read the true story that relies on facts. For far too long we have meekly accepted the propaganda of the age and ignored the flimsiness of those contrived coincidences that gave Cecil's outrageous plot credence.
Remember the Fifth of November, the story you were told was just that. Robert Cecil was a master manipulator and master storyteller. He could not have succeeded if it had not been for the help of his consummate companion, Markham. This is the real story of the plot hatched by Cecil to ingratiate himself with King James.
In a heartwarming travelogue, the author of In Search of Burningbush chronicles his odyssey throughout some of Europe's most beautiful and dog friendly cities, including Amsterdam, Prague, Rome, Paris, Venice, and Vienna, with his canine companion Ella, as together they take in the sites, enjoy four-star cuisine, and more. Reprint. 20,000 first printing.
Unlock the full potential of each and every image with reliable post-production techniques that will become a fundamental part of your photography. Using easily followed, step-by-step instructions, Michael Freeman demystifies the complexities of today's high-powered editing programs to provide you with effective digital workflows tailored to your particular photographic style, and using whichever editing programs you are most comfortable with. Begin by exploring the fundamental aspects of image optimisation, from fixing exposure and making colour adjustments, to sharpening and noise reduction - essential steps that elevate simple snapshots to stunning images. Then move on to explore the advanced possibilities of black-and-white conversion, panoramic stitching, HDR imaging, and more. Learn to recognise the right tools for the job, saving you time on the computer and ensuring each image gets the treatment it deserves. Whether you're salvaging an underexposed shot or building a composite of multiple images, these techniques will give your photography a professional and refined style.
Instead of simply narrating the life of the saint, Robson looks at Francis through the thoughts and writings of those who knew him: his parents, the local bishop, Pope Innocent III, Cardinal Ugolino, Saint Anthony of Padua and Saint Clare. What emerges is a new understanding of the saint.
Photography is international best-seller Michael Freeman’s life, and in this book he works together with fellow photography experts to share his and their knowledge with anyone who wants to learn not only how to take better photos, but also why those photographs work and where they fit in with the history of the craft. Inspired by the structure of a college course and the benefits of a collective learning environment, this book teaches the fundamentals of photography not just through comprehensive lessons and instructions, but also through challenges in which readers can participate. Sample work from Michael’s students provides inspiration, and critical evaluations of the results ensure that the core concepts are being grasped every step of the way. Additionally, readers can join in by sharing their work via the series’ dedicated website.
A History of American Music Education covers the history of American music education, from its roots in Biblical times through recent historical events and trends. It describes the educational, philosophical, and sociological aspects of the subject, always putting it in the context of the history of the United States. It offers complete information on professional organizations, materials, techniques, and personalities in music education.
Magdalena, a river that courses through the heart of Columbia, connects a violent past with the country's uncertain present. British writer Michael Jacobs struggles to reconcile his love for the land and its people with the dangers that both still present. Determined to eliminate modern conveniences from his journey, he begins traversing the river by tugboat. He makes an exception for a cell phone that maintains a sporadic signal at best, in efforts to keep in touch with his mother, whose health is deteriorating. Jacobs cannot help but notice parallels between his mother's dementia and his travels through Colombian township––home to the world's highest incidences of early–onset Alzheimer's. While navigating the mysterious river and unfamiliar territory—both emotional and geographical—Jacobs comes across Gabriel Garcia Márquez, whose own faltering memory shows a growing obsession with the Magdalena River of his youth. When Jacobs and his companions are apprehended by FARC guerillas who turn out to be as quirky and affable as they are intimidating, life begins to imitate the magical realism of Márquez's signature works. Shortly after being released from captivity, the FARC camp is bombed by the Colombian air force, leaving no likely survivors among his oddly likeable captors. Exploring themes of adventure, endings, and "the utter pointlessness of it all," Jacobs can only forge onward in his reflection of the mystical river.
What happened on this date in church history? From ancient Rome to the twenty-first century, from peasants to presidents, from missionaries to martyrs, this book shows how God does extraordinary things through ordinary people every day of the year. Each story appears on the day and month that it occurred and includes questions for reflection and a related Scripture verse.
Cecil was a consummate plotter who undermined enemies and helped his supporters, he himself wrote: "I spend my time in sowing so much seed as my poor wretched fingers can scatter, in such a season as may bring forth a plentiful harvest. This was written just a fortnight before the discovery of poor Guy Fawkes. What does it mean? It is ambiguous, which is probably what Cecil wanted.I think it is a coded message proclaiming that nothing could stop his plot from succeeding except if those in his service, in the Midlands bungled their part; that is failed to kill all the Catholics hiding in the house. This must surely be the assassination of all those Catholic nobles who fled London. If they were dead, they could not protest their innocence. The sheriff's men from the 'middle region' did not 'mar' his plan, they ambushed and destroyed anyone who might have told the truth. Might those 'plotters' have set the record straight?
Show People offers a comprehensive history of the idea of the film star from Mary Pickford to Andy Serkis, traversing more than one hundred years and drawing on examples from America, Britain, Europe, and Asia. Renowned film writer Michael Newton explores our enduring love affair with fame, glamour, and the cinematic image. Newton builds up an expansive picture of movie stardom through explorations of striking and diverse figures such as Ingrid Bergman and John Wayne, Anna Karina and Sidney Poitier, Maggie Cheung, and Raj Kapoor. He celebrates the great performers of the past, and he looks forward to developments in the future, while also illuminating the inner workings of the movie industry and what moves us in a film and in an actor’s performance. An encyclopedic, illustrated history of film idols ready for their close-ups, Show People is ultimately a book about cinephilia, the love of cinema, and our complex connection to that celebrated and beleaguered figure, the movie star.
This guide is for all visitors to Vienna who are interested in the history of medicine. 15 walks through the city reveal the old medical Vienna: the Fools’ Tower, Freud’s private practice and apartment, the workplaces of many famous physicians, through the old General Hospital, the old university, and the most important pathological museums. Little-known details and anecdotes are included as well as a short history of Vienna and some gourmet tips.
This book offers an account of where Carrie came from, what she wants, what makes her tick and, most important, the influence she has on our PM. There are too many sources for [it] to be dismissed as a hatchet job ... There is plenty in this volume that deserves to be taken seriously." – James Hanning, UnHerd "Well researched and insightful ... By writing First Lady, Michael Ashcroft has done us a favour ... This book tells us a lot about the way Britain under Boris Johnson is being run." – Kathy Gyngell, The Conservative Woman "[The] explosive book that has set Westminster alight." – Mail on Sunday Carrie Johnson is not only the consort of the Prime Minister, Boris Johnson; she is also considered by some to be the second most powerful unelected woman in Britain after the Queen. Since she moved into Downing Street in July 2019, questions have been raised about her perceived influence, her apparent desire to control events, and the number of her associates who have been appointed to positions of standing in the government machine. So, are these concerns justified? In this carefully researched unauthorised biography, Michael Ashcroft charts the extraordinary ascent of Mrs Johnson, speaking to multiple sources who have been close to her and to Boris Johnson in recent years to produce a fascinating portrait of a woman who is still under the age of thirty-five. The book scrutinises Mrs Johnson's colourful family, her attempt to become a professional actress, and her early decision to work in politics. Long before she moved into No. 10, Mrs Johnson made a name for herself as a Conservative Party press aide before becoming a special adviser to two Cabinet ministers and eventually director of communications at Conservative campaign headquarters. Aside from politics, she is also the mother of two young children and campaigns in the fields of the environment and animal welfare. Carrie Johnson is without doubt a very modern prime ministerial spouse. This examination of her career and life offers the electorate the chance to assess exactly what role she plays in Boris Johnson's unpredictable administration and why that matters.
From the proto-cinematic sequencing of animal motion in the nineteenth century to the ubiquity of animal videos online, the histories of animal life and the moving image are enigmatically interlocked. Animal Life and the Moving Image is the first collection of essays to offer a sustained focus on the relations between screen cultures and non-human animals. The volume brings together some of the most important and influential writers working on the non-human animal's significance for cultures and theories of the moving image. It offers innovative analyses of the representation of animals across a wide range of documentary, fiction, mainstream and avant-garde practices, from early cinema to contemporary user-generated media. Individual chapters consider King Kong, The Birds, The Misfits, The Cove, Grizzly Man and Microcosmos, the work of Sergei Eisenstein, Robert Bresson, Malcolm Le Grice, Peter Greenaway, Carolee Schneemann and Isabella Rossellini, and YouTube stars Christian the lion and Maru the cat.
Examines how the papacy, over its two thousand years history, has influenced billions of people, especially in the areas of religion, politics, history, and the arts.
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