In writing the original book and the revised text, I am constantly reminded that we are a house divided, and I feel deeply the lament of the psalmist who cried out: It is not enemies who taunt me- I could bear that; it is not adversaries who deal insolently with me- I could hide from them. But it is you, my equal, my companion, my faithful friend, with whom I kept pleasant company; we walked in the house of God with the throng. We Catholics are now a house divided. Not only that, we are in danger of becoming irreconcilably split. Perhaps all that is left is for schism, for the situation to be recognized, and for us to sadly move apart. While there is disquiet in my heart, there is at the same time great comfort in knowing that the Holy Spirit is in charge of this oft-times cantankerous community, that whatever happens will be in accord with his will, and that is good. Whatever I say, it is said with loving concern, but I believe very strongly that "Catholic" is not a label to be worn but a life to be lived with direction from, and deference to, the Magisterium, the teaching authority of the Catholic Church.
“There is a connection, hard to explain logically but easy to feel, between achievement in public life and progress in the arts. The age of Pericles was also the age of Phidias. The age of Lorenzo de Medici was also the age of Leonardo da Vinci. The age of Elizabeth was also the age of Shakespeare, and the new frontier for which I campaign in public life can also be a new frontier for American art.” —John F. Kennedy When the John F. Kennedy Center for the Performing Arts opened in our nation’s capital on September 8, 1971, its mission was to be the “national center for the performing arts.” Forty years later the Center has succeeded in that mission and continues to celebrate it—countless times over—in every state and country around the world, and in the hearts and minds of millions of audience members, performers, and artists. In The Nation’s Stage, that history comes alive through a stirring historical and pictorial narrative. An incubator and springboard for some of the most memorable and important theater, dance, opera, and musical productions of the past four decades, the Center has hosted plays by Tennessee Williams, Arthur Miller, Tom Stoppard, and August Wilson, as well as theater for young people with Debbie Allen; dance by Antony Tudor, Agnes de Mille, Mark Morris, and Jerome Robbins; orchestral scores by Leonard Bernstein, Aaron Copland, Dmitri Shostakovich, and John Cage; and breathtaking performances from the world’s most notable actors, musicians, and dancers. Every year, millions of Americans and people from around the globe gather at the Center to enjoy the arts. This book, an introduction to the Center’s accomplishments and abilities and a commemorative artifact for those who have enjoyed those gifts over the years, is a historical narrative with hundreds of colorful archival photos that allow past audiences to relive the most magical moments at the Center. Those who’ve never been inside receive a backstage pass to all the glamour and wonder this national treasure has to offer.
In writing the original book and the revised text, I am constantly reminded that we are a house divided, and I feel deeply the lament of the psalmist who cried out: It is not enemies who taunt me- I could bear that; it is not adversaries who deal insolently with me- I could hide from them. But it is you, my equal, my companion, my faithful friend, with whom I kept pleasant company; we walked in the house of God with the throng. We Catholics are now a house divided. Not only that, we are in danger of becoming irreconcilably split. Perhaps all that is left is for schism, for the situation to be recognized, and for us to sadly move apart. While there is disquiet in my heart, there is at the same time great comfort in knowing that the Holy Spirit is in charge of this oft-times cantankerous community, that whatever happens will be in accord with his will, and that is good. Whatever I say, it is said with loving concern, but I believe very strongly that "Catholic" is not a label to be worn but a life to be lived with direction from, and deference to, the Magisterium, the teaching authority of the Catholic Church.
Early life attempts to tell the stories of primitive life. The text conveys some of the excitement in the current attempts to reconstruct the opening chapters of life on the planet Earth, long before the appearance of the simplest animal or plant.
In this extraordinary and ambitious book, Peter Lake examines how different sections of sixteenth- and early seventeenth-century England - protestant, puritan and catholic, the press and the popular stage - sought to enlist these pamphlets to their own ideological and commercial purposes.".
This is a new biography of a Catholic martyr exploring the complicated and controversial story of her demise. The story of Margaret Clitherow represents one of the most important yet troubling events in post-Reformation history. Her trial, execution and subsequent legend have provoked controversy ever since it became a cause celebre in the time of Elizabeth I. Through extensive new research into the contemporary accounts of her arrest and trial the authors have pieced together a new reading of the surrounding events. The result is a work which considers the question of religious sainthood and martyrdom as well as the relationship between society, the state and the Church in Britain during the C16th. They establish the full ideological significance of the trial and demonstrate that the politics of post-Reformation British society cannot be understood without the wider local, national and international contexts in which they occurred. This is a major contribution to our understanding of both English Catholicism and the Protestant regime of the Elizabethan period.
A practice-oriented guide for any lawyer involved in litigation or arbitration in the United States but who faces issues that go beyond its borders. Both international litigation and arbitration are extensively covered in this work. The chapters revolve around the practical problems which face the litigator - service of proceedings, discovery, the obtaining of evidence and enforcement of judgments and awards. In addition, some important topics in substantive law are addressed.
This volume of 14 original essays by historians and literary scholars explores childhood and children's books in Early Modern Europe, 1550-1800. The collection aims to reposition childhood as a compelling presence in early modern imagination--a ready emblem of innocence, mischief, and playfulness. The essays offer a wide-ranging basis for reconceptualizing the development of a separate literature for children as central to evolving early modern concepts of human development and socialization. Among the topics covered are constructs of literacy as revealed by the figure of Goody Two Shoes, notions of pedagogy and academic standards, a reception study of children's reading based on book purchases made by Rugby school boys in the late eighteenth-century, an analysis of the first international best-seller for children, the abbe Pluche's Spectacle de la nature, and the commodification of child performers in Jacobean comedies.
With private health insurance costs averaging over $300 per month, per person-and with 36 million Americans lacking coverage of any sort-it is easy to understand why health care has captured the public imagination as the domestic policy issue of the 1990s. Americans spend well over $800 billion a year on health care, yet we are neglecting ba
Catholics and Treason takes the narratives generated by the contemporary law of treason as it applied to Roman Catholics, during and after the Reformation of the Church in the sixteenth century, and uses them to explore the Catholic community's writing of its own history. Prosecutions of Catholics under the existing law and via new legislation produced a great deal of documentation which tells us much about contemporary politics that we could not garner from any other source. The intention here is to locate the narratives of persecution inside the context of the 'mainstream' history of the period from which, for the most part, they have been routinely excluded but out of which they partly emerged. In that respect, this is the history of the post-Reformation Church and State with the politics (of violence) put back. This volume takes as its starting point the magnum opus of Bishop Richard Challoner, his Memoirs of Missionary Priests, and it works backwards from that book into the period that Challoner describes. Historian Michael Questier seeks to reassemble as far as possible the historical jigsaw puzzle on which Challoner laboured but which he could not complete, thinking about the implications for our view of the post-Reformation and of the way in which Challoner and others described the Catholic experience of in/tolerance.
Dynastic Politics and the British Reformations, 1558-1630 revisits what used to be regarded as an entirely 'mainstream' topic in the historiography of the later sixteenth and early seventeenth centuries - namely, the link between royal dynastic politics and the outcome of the process usually referred to as 'the Reformation'. As everyone knows, the principal mode of transacting so much of what constituted public political activity in the early modern period, and especially of securing something like political obedience if not exactly stability, was through the often distinctly un-modern management of the crown's dynastic rights, via the line of royal succession and in particular through matching into other royal and princely families. Dynastically, the states of Europe resembled a vast sexual chess board on which the trick was to preserve, advance, and then match (to advantage) one's own most powerful pieces. This process and practice were, obviously, not unique to the sixteenth and seventeenth centuries. But the changes in religion generated by the discontents of western Christendom in the Reformation period made dynastic politics ideologically fraught in a way which had not been the case previously, in that certain modes of religious thought were now taken to reflect on, critique, and hinder this mode of exercising monarchical authority, sometimes even to the extent of defining who had the right to be king or queen.
A handful of star athletes, along with their promoters and journalists, created America's sports entertainment industry during the 1920s, the Golden Age of American sports. The period had an extraordinary impact, profoundly changing individual sports, establishing the secular religion of sports and sports heroes, and helping bond disparate social and regional sectors of the country. It's when sports became a cornerstone of modern American life. Heroes and Ballyhoo profiles the ten most prominent Golden Age heroes and describes their effect on sports and society. Babe Ruth saved baseball after the Black Sox Scandal. Boxer Jack Dempsey made the "sweet science" a respectable sport. Red Grange single-handedly set professional football on a path to eventual success. Knute Rockne helped transform college football from a game to a colossal enterprise. Bobby Jones changed golf into a spectator sport, and Walter Hagen sparked the first national interest in professional golf. Bill Tilden put tennis on the front of the sports section. Tennis player Helen Wills Moody joined swimmer Gertrude Ederle in empowering women athletes. Johnny Weissmuller astonished international swimming before becoming Tarzan. The book also explores the ballyhoo artists--sportswriters, promoters, and press agents--who hyped the stars to a receptive public. Simultaneously, the spectators established themselves as the focus of popular sports. The personalities and events of the 1920s thus created today's entertainment conglomerate of heroes, promoters and advertisers, fans, arenas--and money. Sports as a profit center started with the Golden Age's heroes and PR artists, and the public's obsessive interest in sports helped shape America's emerging mass society. Heroes and Ballyhoo tells the story of what was both a symptom and a cause of modern America.
Discusses the history of a war without a winner, the beginning of the Cold War, the Cold War turning hot in Korea, North Korea surprising the world, victory at Inchon, China entering the war, the Korean War dividing America, waging peace to win a war, and the aftermath.
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