Hollis Frampton was an American filmmaker, photographer, and theorist who bridged the experimental film and contemporary art worlds in the 1960s and 1970s. Best known for avant-garde films including Zorns Lemma (1970) and (nostalgia) (1971), Frampton spent his later years working on the unfinished epic Magellan, a monumental cycle that used the metaphor of Ferdinand Magellan’s circumnavigation of the world to rethink the natures and meanings of history, modernity, and cinema. Frampton’s career was cut short by cancer at age 48, with his vast ambitions for the project left incomplete. This book is a groundbreaking and comprehensive account of this remarkable figure’s work in its totality, from Frampton’s earliest films through Magellan. Michael Zryd explores the connections linking Frampton’s art and thought to other media forms, histories, and cultural frameworks. He foregrounds Frampton’s notion of the “infinite cinema,” which redefined the parameters of the medium to encompass all forms of moving image and sound media across the past and future of cinematic possibility. Zryd analyzes Frampton’s ambivalent relationship with modernism and the Enlightenment, showing how the artist navigated between attraction to radical artistic investigation and awareness of this tradition’s implication in colonialism and other oppressive power structures. Shedding new light on Frampton’s project of exploring and critiquing how cinema attempts to capture and understand the world, this book also considers his significance for contemporary art.
Examining one of the most popular and enduring genres of American music, this encyclopedia of classic rock from 1965 to 1975 provides an indispensable resource for cultural historians and music fans. More than movies, literature, television, or theater, rock music set the stage for the cultural shifts that occurred from 1965 to 1975. Led by The Beatles and Bob Dylan, rock became a self-conscious art form during these years, daring to go places unimaginable to earlier rock and roll musicians. The music and outspokenness of classic rock artists inspired and moved the era's social, cultural, and political developments with a power once possessed by authors and playwrights—and influenced many artists in younger generations of rock musicians. This single-volume work tracks the careers of well-known as well as many lesser-known but influential rock artists from the period, providing readers with a handy reference to the music from a critical, groundbreaking period in popular culture and its enduring importance. The book covers rock artists who emerged or came to prominence in the period ranging 1965–1975 and follows their careers through the present. It also specifically defines the term "classic rock" and identifies the criteria that a song must meet in order to be considered as within the genre. While the coverage naturally includes the cultural importance and legacy of most well-known American and British bands of the era, it also addresses the influence of artists from Western and Eastern Europe, Africa, Asia, and Latin America. Readers will grasp how the music of the classic rock era was notably more sophisticated than what preceded it—an artistic peak from which most of contemporary rock has descended.
This book examines the central decades of Peter Eisenman’s work through a formal and thematic analysis of key architectural projects and writings, revealing underlying characteristics and arguing for their productive continuity and transformative role. The book explores Eisenman’s approach to architectural form generation and thinking. It does this through a thematic and formal analysis of projects and writings from the mid-1970s to the mid-1990s. Following an introductory chapter addressing the theme of potentialities, the book is organised in two parts. The first part focuses on key period writings of Eisenman, framing the close reading around a practice of resistance, the architect’s approach to history as analysis, and the transformative conceptualisation of time. In the second part, the book undertakes an analysis of select projects from the 1980s and 1990s. Three formal preoccupations and conceptual orientations – ground manipulations, figuration, and spatial events – organise this part of the book. Previously unpublished material from the Peter Eisenman fonds, Canadian Centre for Architecture, Montréal, provides primary source material. A concluding chapter addresses Eisenman’s teaching, its relation to his larger project, and possible legacies for educators, practitioners, scholars, and theorists.
Providing a source of vision for the revitalisation of ground and envelope as spatial elements that can inform the search for embedded locally specific architectures, this book collects essays and projects that each contributes a particular element to what might constitute an integrated and richly nuanced approach to spatial organisation. Projects include: Paulo Mendes da Rocha; Brazilian Pavilion, Osaka World Expo 1970, Osaka, Japan RCR Arquitectes: Marquee at Les Cols Restaurant, Olot, Girona, Spain Weiss / Manfredi; Seattle Art Museum: Olympic Sculpture Park, Seattle, Washington, USA Peter Eisenman; City of Culture of Galicia, Santiago de Compostela, Spain Plasma Studio and Groundlab; Xi’an Horticultural Expo, Longgang, China Foreign Office Architects; Yokohama International Ferry Terminal, Yokohama, Japan Nekton Design; Turf City, Reykjavik, Iceland Alvaro Siza; Swimming Pool, Leça da Palmeira, Portugal Eduardo Souto de Moura; Braga Municipal Stadium, Braga Portugal MVRDV; Villa VPRO, Hilversum, Netherlands Bernard Tschumi; Le Fresnoy Art Centre, Tourcoing, France OCEAN; World Centre for Human Concerns, New York City, USA R&Sie(n); Spidernethewood, Nîmes, France Toyo Ito; Serpentine Pavilion, London, England Enric Miralles and Carme Pinós; Olympic Archery Range, Barcelona, Spain Kengo Kuma; GC Prostho Museum Research Centre, Aichi Prefecture, Japan Cloud 9; MediaTic, Barcelona, Spain Diller, Scofidio and Renfro; Blur Building, Yverdon-les-Bains, Switzerland, Swiss National Expo With an abundance of built and un-built key projects available, it is now possible to outline the contours of a new discourse. This book initiates a new beginning in this direction so that architecture can partake in the creation of heterogeneous space and culturally, socially and environmentally sustainable built environments.
The twenty-fifth anniversary edition featuring a new Preface, invaluable for graduate students and researchers in high energy physics and astrophysics.
A two-volume systematic exposition of superstring theory and its applications which presents many of the new mathematical tools that theoretical physicists are likely to need in coming years. This volume contains an introduction to superstrings
Fractal analysis is a method for measuring, analysing and comparing the formal or geometric properties of complex objects. In this book it is used to investigate eighty-five buildings that have been designed by some of the twentieth-century’s most respected and celebrated architects. Including designs by Le Corbusier, Eileen Gray, Frank Lloyd Wright, Robert Venturi, Frank Gehry, Peter Eisenman, Richard Meier and Kazuyo Sejima amongst others, this book uses mathematics to analyse arguments and theories about some of the world’s most famous designs. Starting with 625 reconstructed architectural plans and elevations, and including more than 200 specially prepared views of famous buildings, this book presents the results of the largest mathematical study ever undertaken into architectural design and the largest single application of fractal analysis presented in any field. The data derived from this study is used to test three overarching hypotheses about social, stylistic and personal trends in design, along with five celebrated arguments about twentieth-century architecture. Through this process the book offers a unique mathematical insight into the history and theory of design.
Writing, for Michael Snow, is as much a form of “art-making” as the broad range of visual art activities for which he is renowned, including the “Walking Woman” series and the film Wavelength. Conversely, many of the texts included in this anthology are as significant visually as they are at the level of content — they are meant to be looked at as well as read. Situated somewhere between a repository of contemporary thought by one of our leading Canadian artists and a history book as it brings to light some important moments in the cultural life of Canada since the 1950s, these texts tell their own story, marking the passage of time, ideas and attitudes. The works included here, ranging from essays and interviews and record album cover notes to filmscripts and speeches (which, in Snow’s hands, often fall into the category of performance art), are not only “built for browsing,” they offer insights into both the professional and the private Snow. Together, they expand the context of Snow’s work and show the evolution of a great Canadian artist, beginning with his early attempts at defining art, to his emergence and recognition on the international art scene. This book is one of four books that are part of the Michael Snow Project. Initiated by the Art Gallery of Ontario and The Power Plant Gallery, the project also includes four exhibitions of his visual art and music.
Antiquarian interest in the Roman period mosaics of Britain began in the 16th century. This book is the first to explore responses and attitudes to mosaics, not just at the point of discovery but during their subsequent history. It is a field which has received scant attention and provides a compelling insight into the agency of these remains.
From the award-winning author of NO HUNGER IN PARADISE Outside the global spotlight, footballers don't drive Aston Martins or pose for underwear ads. This is war. This is life. This is football. Michael Calvin turned up for the first day of pre-season training at Millwall FC. 333 days later, he sat among the subs at Wembley. Over the course of a season, he witnessed the intimate everyday life of a football club far from the glitz and glamour of the Premier League, and the unique characters that come together every day on the field. These are dedicated, hard-working family men, close to their roots, 'playing for the people who hate their jobs, who'd love our lives.' Forget about the over-hyped circus of the Premier League. This is the beautiful game in all its raucous glory: essential reading for anyone whom football is a way of life.
Tracing one's own family history is a compelling exercise that often throws up unexpected connections. In this book, Michael Greening traces his surname story as far back as the sixteenth century, including some of the branches that moved to the US, Canada, Australia and New Zealand. He also explains the association with Sir Edward Elgar.
Electric Guitars: The Illustrated Encyclopedia is a tour through pop-music’s most celebrated musical instrument. Covering several decades of iconic pieces, this guide describes electric guitars produced by every significant manufacturer from Alembic to Zemaitis. Alongside every model is detailed information and a host of action pictures of key players, from Chet Atkins to Joey Z. 1,200 photographs really bring each guitar to life. With 800 classic, rare and unusual instruments from all major manufacturers in studio-quality photographs, plus illustrations of key players, original ads, and memorabilia, it’s easy to get lost within these pages. Comprehensive and informative text with a unique A-to-Z guitar directory covers makers’ histories, great guitarists, and musical trends. This is the definitive guide to the electric guitar, written and researched by the world’s leading authorities on the instrument that has shaped over 50 years of popular music. In words and pictures, detailed descriptions of just why the electric guitar is the most exciting icon of modern pop music.
Originally released as a videographic experiment in film history, Jean-Luc Godard's Histoire(s) du cinéma has pioneered how we think about and narrate cinema history, and in how history is taught through cinema. In this stunningly illustrated volume, Michael Witt explores Godard's landmark work as both a specimen of an artist's vision and a philosophical statement on the history of film. Witt contextualizes Godard's theories and approaches to historiography and provides a guide to the wide-ranging cinematic, aesthetic, and cultural forces that shaped Godard's groundbreaking ideas on the history of cinema.
A prize-winning r"Washington Post" reporter tells the story of the Florida Everglades, from its beginnings as 4,500 off-putting square miles of natural liquid wasteland to the ecological mess it has become. Photos.
The Buried Past presents the most significant archaeological discoveries made in one of America's most historic cities. Based on more than thirty years of intensive archaeological investigations in the greater Philadelphia area, this study contains the first record of many nationally important sites linking archaeological evidence to historical documentation, including Interdependence and Valley Forge National Historical Parks. It provides an archaeological tour through the houses and life-ways of both the great figures and the common people. It reveals how people dined, what vessels and dishes they used, and what their trinkets (and secret sins) were.
Fareham Revisited started out as a poem, which Michael Stephenson was inspired to write when he was reflecting on how much his home town had changed since the 1950s and 1960s. The poem and its sentiments struck a chord with so many people that he decided to write a book about Fareham that would evoke more of these memories. The book was privately published in 2004. This new revised and expanded edition will delight anyone who remembers the town in its heyday - and will also intrigue newcomers. Part-memoir and part-history, Fareham Revisited perfectly captures the allure of the shops and cafés along the ‘Golden Mile', the alleyways or ‘drokes', the old cottages, the market with its livestock, the coal barges at the Quay and the well-known characters, including dairy boss Tom Parker who drove around Fareham in a four-horse-power carriage, though his milkmen still used the horse-and-cart. For bus and railway enthusiasts this, too, is the perfect book, as the author casts an expert eye on the bus companies that plied their trade in Fareham, with their distinctive livery, and remembers the last days of steam trains, of which he had a privileged view, as the house in which his family lived was next to the railway line.
Will Dylan is an electoral favourite, the government’s golden boy. Jonas Killey is a small-time lawyer – determined, uncompromising and obsessed. He is hounding Dylan in the hope of bringing him into disrepute. Jonas suddenly finds himself pursued by those who want him to keep quiet about one incident, but is determined the truth will be heard.
Seventy-nine Short Essays on Design brings together the best of designer Michael Bierut's critical writing—serious or humorous, flattering or biting, but always on the mark. Bierut is widely considered the finest observer on design writing today. Covering topics as diverse as Twyla Tharp and ITC Garamond, Bierut's intelligent and accessible texts pull design culture into crisp focus. He touches on classics, like Massimo Vignelli and the cover of The Catcher in the Rye, as well as newcomers, like McSweeney's Quarterly Concern and color-coded terrorism alert levels. Along the way Nabakov's Pale Fire; Eero Saarinen; the paper clip; Celebration, Florida; the planet Saturn; the ClearRx pill bottle; and paper architecture all fall under his pen. His experience as a design practitioner informs his writing and gives it truth. In Seventy-nine Short Essays on Design, designers and nondesigners alike can share and revel in his insights.
This book presents the first detailed mathematical analysis of the social, cognitive and experiential properties of Modernist domestic architecture. The Modern Movement in architecture, which came to prominence during the first half of the twentieth century, may have been famous for its functional forms and machine-made aesthetic, but it also sought to challenge the way people inhabit, understand and experience space. Ludwig Mies van der Rohe’s buildings were not only minimalist and transparent, they were designed to subvert traditional social hierarchies. Frank Lloyd Wright’s organic Modernism not only attempted to negotiate a more responsive relationship between nature and architecture, but also shape the way people experience space. Richard Neutra’s Californian Modernism is traditionally celebrated for its sleek, geometric forms, but his intention was to use design to support a heightened understanding of context. Glenn Murcutt’s pristine pavilions, seemingly the epitome of regional Modernism, actually raise important questions about the socio-spatial structure of architecture. Rather than focussing on form or style in Modernism, this book examines the spatial, social and experiential properties of thirty-seven designs by Wright, Mies, Neutra and Murcutt. The computational and mathematical methods used for this purpose are drawn from space syntax, isovist geometry and graph theory. The specific issues that are examined include: the sensory and emotional appeal of space and form; shifting social and spatial structures in architectural planning; wayfinding and visual understanding; and the relationship between form and program.
In the later medieval centuries, a whole range of important social, political and artistic activities took place against the backdrop of the great English households. In this vividly illuminating book, C. M. Woolgar explores the details of life in these great houses. Based on an extensive investigation of household accounts and related primary documents, he examines the daily routines, the weekly and annual patterns, and the life-cycle observances of birth, childhood, marriage, death and burial. He also delineates the major changes that transformed the economy and geography of both lay and clerical households between 1200 and 1500.
This is a comprehensive introduction to post-classical American film. Covering American cinema since 1960, the text looks at both Hollywood and non-mainstream cinema.
Trajectories in Architecture: Plan, Sensation, Temporality presents a compelling examination of underlying issues in late-twentieth-century architecture. Three formal preoccupations and conceptual orientations are used as guiding threads or trajectories. These three trajectories – the plan as conceptual device, a logic of sensation, and temporalities – serve to organise individual chapters in the central sections of the book and provide a new lens to the study of period work, revealing architectural conditions and consequent spatial effects little explored to date. Trajectories in Architecture adds to scholarship and expands our understanding of the role of conceptual and formal criteria in the analysis and creation of works of architecture. The book provides potentially transformative new interpretations of influential architects and key projects from the last half of the twentieth century to reveal new alignments and potentialities in architecture’s recent past as a contribution to identifying future possibilities. In so doing, the book argues for the still-latent potential in modern architecture’s traditions and design principles and their future expression. Trajectories in Architecture includes analysis of significant projects of Le Corbusier, Peter Eisenman, Zaha Hadid, John Hejduk, Louis I. Kahn, and I. M. Pei.
A new history that overturns the received wisdom that science displaced magic in Enlightenment Britain--named a Best Book of 2020 by the Financial Times In early modern Britain, belief in prophecies, omens, ghosts, apparitions and fairies was commonplace. Among both educated and ordinary people the absolute existence of a spiritual world was taken for granted. Yet in the eighteenth century such certainties were swept away. Credit for this great change is usually given to science - and in particular to the scientists of the Royal Society. But is this justified? Michael Hunter argues that those pioneering the change in attitude were not scientists but freethinkers. While some scientists defended the reality of supernatural phenomena, these sceptical humanists drew on ancient authors to mount a critique both of orthodox religion and, by extension, of magic and other forms of superstition. Even if the religious heterodoxy of such men tarnished their reputation and postponed the general acceptance of anti-magical views, slowly change did come about. When it did, this owed less to the testing of magic than to the growth of confidence in a stable world in which magic no longer had a place.
How much does the Thomas Cromwell of popular novels and television series resemble the real Cromwell? This meticulous study of Cromwell's early political career expands and revises what has been understood concerning the life and talents of Henry VIII's chief minister. Michael Everett provides a new and enlightening account of Cromwell's rise to power, his influence on the king, his role in the Reformation, and his impact on the future of the nation. Controversially, Everett depicts Cromwell not as the fervent evangelical, Machiavellian politician, or the revolutionary administrator that earlier historians have perceived. Instead he reveals Cromwell as a highly capable and efficient servant of the Crown, rising to power not by masterminding Henry VIII's split with Rome but rather by dint of exceptional skills as an administrator.
Living Space: John Coltrane, Miles Davis, and Free Jazz, from Analog to Digital fuses biography and style history in order to illuminate the music of two jazz icons, while drawing on the discourses of photography and digital architecture to fashion musical insights that may not be available through the traditional language of jazz analysis. The book follows the controversial trajectories of two jazz legends, emerging from the 1959 album Kind of Blue. Coltrane's odyssey through what became known as "free jazz" brought stylistic (r)evolution and chaos in equal measure. Davis's spearheading of "jazz-rock fusion" opened a door through which jazz's ongoing dialogue with the popular tradition could be regenerated, engaging both high and low ideas of creativity, community, and commerce. Includes 42 illustrations.
During a character-defining run, Brian Michael Bendis crafted a pulp-fiction narrative that exploited the Man Without Fear's rich tapestry of characters and psychodrama, and resolved them in an incredibly nuanced, modern approach. Now, this Eisner Award-winning run is collected across three titanic trade paperbacks! In this volume, witness the Kingpin's downfall at the hands of Sammy Silke and see how a down-on-his-luck FBI agent can change Matt's life forever. Collects Daredevil #16-19 & #26-40.
In 2028, Earth is in the midst of worldwide conflict and increasing terrorist activity. Confronting the ever-growing dangers, a brilliant scientist named Katie MacAngus leads a team of physicists: through the use of her faster-than-light spaceships they are to found a human colony on one of the newly-discovered planets within the Milky Way. But as plans for this colony begin to unfold, threats are made from malicious governments and businesses - desperate to gain knowledge of MacAngus's revolutionary technology and exploit its huge military potential. And meanwhile, the ethical issues involved in the colonisation process are unmistakable. In order to tackle these growing concerns, the physicists employ George Higham: a brilliant young philosopher/clergyman who soon becomes deeply involved in the ensuing events - both practically and emotionally.
Before 9/11, films addressing torture outside of the horror/slasher genre depicted the practice in a variety of forms. In most cases, torture was cast as the act of a desperate and depraved individual, and the viewer was more likely to identify with the victim rather than the torturer. Since the terrorist attacks of September 11, 2001, scenes of brutality and torture in mainstream comedies, dramatic narratives, and action films appear for little other reason than to titillate and delight. In these films, torture is devoid of any redeeming qualities, represented as an exercise in brutal senselessness carried out by authoritarian regimes and institutions. This volume follows the shift in the representation of torture over the past decade, specifically in documentary, action, and political films. It traces and compares the development of this trend in films from the United States, Europe, China, Latin America, South Africa, and the Middle East. Featuring essays by sociologists, psychologists, historians, journalists, and specialists in film and cultural studies, the collection approaches the representation of torture in film and television from multiple angles and disciplines, connecting its aesthetics and practices to the dynamic of state terror and political domination.
Yellowstone National Park looks like a pristine western landscape populated by its wild inhabitants: bison, grizzly bears, and wolves. But the bison do not always range freely, snowmobile noise intrudes upon the park’s profound winter silence, and some tourist villages are located in prime grizzly bear habitat. Despite these problems, the National Park Service has succeeded in reintroducing wolves, allowing wildfires to play their natural role in park forests, and prohibiting a gold mine that would be present in other more typical western landscapes. Each of these issues—bison, snowmobiles, grizzly bears, wolves, fires, and the New World Mine—was the center of a recent policy-making controversy involving federal politicians, robust debate with interested stakeholders, and discussions about the relevant science. Yet, the outcomes of the controversies varied considerably, depending on politics, science, how well park managers allied themselves with external interests, and public thinking about the effects of park proposals on their access and economies. Michael Yochim examines the primary influences upon contemporary national park policy making and considers how those influences shaped or constrained the final policy. In addition, Yochim considers how park managers may best work within the contemporary policy-making context to preserve national parks.
To a lawyer, injustice is the unfair conduct of a trial. This book looks into several notorious cases of supposed injustice, Socrates, Joan of Arc, Charles I, Admiral Byng, Lord Haw-Haw, and the Nuremberg Trials. It looks for answers to the legal question 'was the trial fair?', and the humane question 'was the accused guilty or innocent?'.
In Experiencing the Past Michael Shanks presents an animated exploration of the character of archaeology and reclaims the sentiment and feeling which are so often lost in purely academic approaches.
Verbalising the Visual: Translating Art and Design into Words investigates how we can best communicate our experiences of visual culture into written and spoken words. The book introduces students to a broad range of language and terminology: formal and informal, academic and colloquial, global and local, all of which can be found in current art and design discourse. It includes a variety of examples and case studies that explore the many ways in which language is used to discuss, describe, analyze and critically evaluate art and design.
A discussion of the impact of government revenues and expenditures on economic activity, with special reference to developing countries. Michael Howard raises theoretical and empirical issues relating to the role of the public sector in economic development.
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