What magic words get the ultra-low hotel rates? How can telemarketers be made to pay you for answering the phone? Emmy award-winning consumer reporter Michael Finney has answered thousands of questions on his TV and radio talk shows and in newspapers. Entertaining and educating, this easy-to-read book reveals a money-saving secret on each page.
An indispensible guide to shopping in the San Francisco Bay Area. The author has found the stores with the best prices, largest selection and most unique merchandise.--Publisher.
Acclaimed writers, family, friends, and more pay homage to the celebrated Southern author of The Prince of Tides and The Great Santini. New York Times–bestselling writer Pat Conroy (1945–2016) inspired a worldwide legion of devoted fans, but none are more loyal to him and more committed to sustaining his literary legacy than the many writers he nurtured over the course of his fifty-year career. In sharing their stories of Conroy, his fellow writers honor his memory and advance our shared understanding of his lasting impact on literary life in and well beyond the American South. Conroy’s fellowship drew from all walks of life. His relationships were complicated, and people and places he thought he’d left behind often circled back to him at crucial moments. The pantheon of contributors includes Rick Bragg, Kathleen Parker, Barbra Streisand, Janis Ian, Anthony Grooms, Mary Hood, Nikky Finney, Nathalie Dupree and Cynthia Graubart, Ron Rash, Sandra Brown, and Mary Alice Monroe; Conroy biographers Katherine Clark and Catherine Seltzer; his longtime friends; Pat’s students Sallie Ann Robinson and Valerie Sayers; members of the Conroy family; and many more. Each author in this collection shares a slightly different view of Conroy. Through their voices, a multifaceted portrait of him comes to life and sheds new light on who he was. Loosely following Conroy’s own chronology, the essays herewith wind through his river of a story, stopping at important ports of call. Cities he called home and longed to visit, along with each book he birthed, become characters that are as equally important as the people he touched along the way.
52 Faith-Building Devotions Defending Christianity (I am set to defend the gospel, give an answer for my hope, and fight for the faith: Philippians 1:17; 1 Peter 3:15; Jude 3).
52 Faith-Building Devotions Defending Christianity (I am set to defend the gospel, give an answer for my hope, and fight for the faith: Philippians 1:17; 1 Peter 3:15; Jude 3).
Is the Bible God’s Word? Yes. Is Jesus the Messiah, the Son of God, and the only Mediator between a sinful people and a perfect, holy, and righteous God? Yes! Is the Christian faith supported by reasonable, provable, historical, archaeological, and philosophical evidence? Yes, yes, and yes! The word apologetics comes from two Greek words, apo (out from) and logos (logic), and it literally means to give out a logical defense (apologia). In Christianity, it means to give out logical reasons for our faith, to defend the truth of Scripture, and to give reasons for believing in Christ. Like Paul, I am “set for the defense (apologia) of the gospel” (Philippians 1:17). Like Peter, I am “ready always to give an answer (apologia)” to everyone who asks why I trust Christ (1 Peter 3:15). Like Jude, I am prepared to earnestly contend (epi-agnízomai: agonize, fight) for the faith (Jude 3). I have written this book to defend and contend for the Christian faith; I want to let others know why I believe the Bible is God’s Word and Jesus is God’s Son (2 Timothy 3:16; John 1:34).
Over 125 years ago the Columbian Exposition was staged in Chicago on Lake Michigan's shoreline. Visitors from around the country and world were first introduced to many industrial technologies and commercial offerings that would shape 20th century culture.This book explores a collection of event photographs and juxtaposes them against a set of modern images to catalog the living remnants in art and architecture around the city as a legacy to the 1893 World's Fair.
Highlights information on fiber in the diet, provided by the American Heart Association. Discusses the recommended dietary fiber intake and dietary fiber, a term used for several materials that make up the parts of plants the body cannot digest.
Ideal for GCSE Graphic Products and Standard Grade Graphic Communication, this guide covers everything from basic techniques to developing ideas, presentation drawing, and technical drawing. It also aims to help the student through the design stages of any technology project whether in wood, plastics, metal, textiles, electronics or control. Students' work is linked to real-life case studies.
In the Australian colonies, early natural historians worked in isolation. Far from the latest in European ideas and books, the collegiality societies, and even fellow colonial practioners, individuals pressed on as best they could with the resources at hand. Their focus was firmly on collection - most of the fruits of which were dispatched 'back home' for others to analyse and evaluate.By the 1850s, however, the picture had changed. A colonial infrastructure of societies and institutions was emerging. Local practioners were beginning to make their own evaluations, and publications with substantial local content were not uncommon. Australian natural history was coming of age. And it would further mature as the controversy over evolutionary theory was fought out.By the turn of the century, with Darwinist principles accepted in schools, teacher education programmes and universities, old-style natural history had been displaced by the new professional discipline of Biology. Focusing on the social relations between Australian naturalists, this study 'provides a window through which the evolution of natural history in Australia may be discerned'.
The fourteen short stories collected in this volume were written between 1913 and 1921, most of them against the background of the 1914-18 War. All but one were published in slightly different versions by magazines and periodicals on both sides of the Atlantic. Ten were selected and revised by Lawrence for his collection England, My England published in 1922 in the United States and 1924 in Britain. Some of the stories included in this volume are "Tickets Please", "The Blind Man", "Monkey Nuts", "Wintry Peacock", "Hadrian", "Samson and Delilah", "The Primrose Path", "The Horse-Dealer's Daughter", and "The Last Straw". The texts aim to recover Lawrence's own intentions, which editors and publishers all too frequently ignored or altered. Where possible, manuscripts and corrected typescripts are used as base-texts. The introduction traces the composition and revision of the stories, setting them in the context of Lawrence's life and work. The textual apparatus gives variant readings, and explanatory notes identify sources, references and quotations. The 1915 version of "England, My England" is given in an appendix.
A vibrant collection of personal and lyric essays in conversation with archival objects of Black history and memory. What are the politics of nature? Who owns it, where is it, what role does it play in our lives? Does it need to be tamed? Are we ourselves natural? In A Darker Wilderness, a constellation of luminary writers reflect on the significance of nature in their lived experience and on the role of nature in the lives of Black folks in the United States. Each of these essays engages with a single archival object, whether directly or obliquely, exploring stories spanning hundreds of years and thousands of miles, traveling from roots to space and finding rich Blackness everywhere. Erin Sharkey considers Benjamin Banneker's 1795 almanac, as she follows the passing of seasons in an urban garden in Buffalo. Naima Penniman reflects on a statue of Haitian revolutionary François Makandal, within her own pursuit of environmental justice. Ama Codjoe meditates on rain, hair, protest, and freedom via a photo of a young woman during a civil rights demonstration in Alabama. And so on--with wide-ranging contributions from Carolyn Finney, Ronald Greer II, Alexis Pauline Gumbs, Sean Hill, Michael Kleber-Diggs, Glynn Pogue, Katie Robinson, and Lauret Savoy--unearthing evidence of the ways Black people's relationship to the natural world has persevered through colonialism, slavery, state-sponsored violence, and structurally racist policies like Jim Crow and redlining. A scrapbook, a family chest, a quilt--and an astounding work of historical engagement and literary accomplishment--A Darker Wilderness is a collection brimming with abundance and insight.
D. H. Lawrence's Women in Love - 'the beginning of a new world', as he called it - suffered in the course of its revision, transcription, and publication some of the most spectacular damage ever inflicted upon one of his books. Until now no text of Women in Love has ever been published which is faithful to all of Lawrence's revisions. This edition, edited by scholars in England and America, clears the text of literally thousands of accumulated errors allowing its readers to read and understand the novelist's work as he himself created it. The edition includes the 'Foreword' Lawrence wrote in 1919 and two preliminary and discarded chapters which have attracted widespread critical and biographical discussion. The introduction gives a full history of the novel's composition, revision, publication and reception, and notes explain allusions and references; the textual apparatus records all variants between the base-text and the first printed editions.
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