In this book, Michael Cramer views the Society for Creative Anachronism (SCA), an organization that studies and recreates the middle ages, as a case study for a growing fascination with medieval fantasy in popular culture. He explores the act of medieval re-creation as performance by focusing on the SCA, describing the group's activities, investigating its place in popular culture, and looking at the SCA not so much as a historical society but as an on-going work of performance art; a postmodern counter-culture riff on what it means to be "medieval." Cramer examines the group's activities, from persona and character development to theatrical performance and personal interaction; from the complex official ceremonies to full contact armored combat with mock broadswords. He explores the SCA in detail to discover how its members adapt and employ ideas about the Middle Ages in performance, ritual reenactment, living history, and re-creation, analyzing the performance of identity through ritual, sport, drama, and personal interaction, and he focuses on the reconstruction of the medieval "king game," a game in which a mock king is chosen to reign over a mock court. The book also studies various ideas about medievalism, including the contrast between reenactment and re-creation, and places these activities in the context of contemporary American society. With three appendixes, a bibliography, and a selection of photos, Cramer demonstrates how and why medieval fantasy is increasingly used in popular culture and analyzes the dissatisfaction with contemporary culture that leads people into these realms of fantasy.
Without words, apps would be an unusable jumble of shapes and icons, while voice interfaces and chatbots wouldn't even exist. Words make software human–centered, and require just as much thought as the branding and code. This book will show you how to give your users clarity, test your words, and collaborate with your team. You'll see that writing is designing.
This newly updated edition is a compilation of readings, divided into nine sections, each examining a specific hotel department or activity. Each topic is examined through a variety of viewpoints on the duties, responsibilities, problems, and opportunities encountered there. Multidimensional case studies, taking a practical approach, challenge readers to identify the central issues involved in complex management problems, understand the structure and resources of the department in question, and find solutions that may help in managing other hotel resources and departments.
In 1948, Watkins Glen became the site of the first postwar road race in America on a 6.6-mile course through the village and surrounding highways; the present-day road course was built in 1956 and held its first race the same year. The circuit presented its first professional race in 1957 when NASCAR made its first appearance. NASCAR returned to the Glen in 1964 and 1965 and found a permanent spot on the Watkins Glen calendar beginning in 1986. Today, the annual NASCAR Sprint Cup Series race in August ranks as the largest spectator event in the state of New York. In addition to NASCAR and Formula One, Watkins Glen race fans have enjoyed America's greatest race series, including Indy car, Can-Am, Trans-Am, six-hour endurance for prototypes, and amateur sports car racing.
With contributions from Great Britain, Ireland, America, Canada, Australia, India, and Southern Africa; influenced by great novelists working in other languages; and encompassing a range of genres, the story of the novel in English unfolds like a richly varied landscape that invites exploration rather than a linear journey.
From the beginning of the sound era until the end of the 1930s, independent movie-making thrived. Many of the independent studios were headquartered in a section of Hollywood called "Poverty Row." Here the independents made movies on the cheap, usually at rented facilities where shooting was limited to only a few days. From Allied Pictures Corporation to Willis Kent Production, 55 Poverty Row Studios are given histories in this book. Some of the studios, such as Diversion Pictures and Cresent Pictures, came into existence for the sole purpose of releasing movies by established stars. Others, for example J.D. Kendis, were early exploitation filmmakers under the guise of sex education. The histories include critical commentary on the studio's output and a filmography of all titles released from 1929 through 1940.
In 1909, Earl Grey, the governor general of Canada, donated a trophy to honour the best amateur football team in the country. Since then 99 Grey Cups have been awarded. In November 2012 the 100th Cup will be presented in Toronto.
This work covers Bronson's entire output in film and on television, and includes many film stills and photographs. Alphabetical entries list film or episode, complete cast and credits, and year of release. Accompanying each entry's plot synopsis and discussion is a survey of the critical responses to the work. The great Charles Laughton once said Bronson "has the strongest face in the business, and he is also one of its best actors." Pretty high praise for an actor who, though loved by fans worldwide, has been consistently underestimated by critics. Bronson's career has spanned five decades, from such television appearances in The Fugitive, Rawhide, Bonanza and Have Gun, Will Travel as well as the telemovie A Family of Cops (1995) and its two sequels. He will long be remembered for his role as urban vigilante Paul Kersey in the Death Wish films. Bronson is one of the most enigmatic, and also most recognizable, of all film stars.
PROC DOCUMENT by Example Using SAS demonstrates the practical uses of the DOCUMENT procedure, a part of the Output Delivery System, in SAS 9.3. Michael Tuchman explains how to work with PROC DOCUMENT, which is designed to store your SAS procedure output for replay at a later time without having to rerun your original SAS code. You’ll learn how to: save a collection of procedure output, descriptive text, and supporting graphs that can be replayed as a single unit save output once and distribute that same output in a variety of ODS formats such as HTML, CSV, and PDF create custom reports by comparing output from the same procedure run at different points in time create a table of contents for your output modify the appearance of both textual and graphical ODS output even if the original data is no longer available or easily accessible manage your tabular and graphical output by using descriptive labels, titles, and footnotes rearrange the original order of output in a procedure to suit your needs After using this book, you’ll be able to quickly and easily create libraries of professional-looking output that are accessible at any time. This book is part of the SAS Press program.
From Chicago to L.A. begins the task of defining an alternative agenda for urban studies and examines the case for shifting the focus of urban studies from Chicago to Los Angeles. The authors, experienced scholars from a variety of disciplines, examine: The concepts that have blocked our understanding of Southern California cities The imaginative structures that people have been using to understand and explain Los Angeles The utility of the "Los Angeles School" of urbanism
For more than seven decades Nick Lucas was an entertainer, beginning as a child street musician and becoming one of the most popular singer-guitarists of all time. He was a popular sideman in bands, and his solo career conquered radio, recordings, vaudeville, Broadway, films, night clubs and television. He is credited with being the first musician to replace the banjo with the guitar in big bands and on records, and with initiating the "intimate style" of singing, making him the first crooner. Nick Lucas' guitar playing contributed significantly to the instrument's popularity, and he influenced generations of players with his instruction books and by having a line of popular guitar picks bearing his name. He was the first guitarist to have a custom-made model, "The Nick Lucas Special." This biography comprehensively covers Nick Lucas' career as he entertained audiences in the United States, England and Australia, becoming a beloved star and influencing popular music to the present day.
A Kirkus Reviews Best Nonfiction of 2011 title The second volume of Michael Palin's diaries covers the bulk of the 1980s, a decade in which the ties binding the Pythons loosened—they made their last film Monty Pyton's Meaning of Life in 1983. For Michael, writing and acting took over much of his life, culminating in his appearances in A Fish Called Wanda, in which he played the hapless, stuttering Ken, and won a BAFTA for Best Supporting Actor. Halfway to Hollywood follows Palin's torturous trail through seven movies and ends with his final preparations for the documentary that was to change his life—Around the World in 80 Days. During these years he co-wrote and acted in Terry Gilliam's Time Bandits as well as spearing in Gilliam's follow-up success Brazil. Palin co-produced, wrote and played the lead in The Missionary opposite Maggie Smith, who also appeared with him in A Private Function, written by Alan Bennett. In television the decade was memorable for East of Ipswich, inspired his links with Suffolk. Such was his fame in the US, he was enticed into once again hosting the enormously popular show Saturday Night Live. He filmed one of the BBC's Great Railway Journeys as well as becoming chairman of the pressure group Transport 2000. His life with Helen and the family remains a constant, as the children enter their teens. Palin's joy of writing is evident once more in Halfway to Hollywood as he demonstrates his continuing sense of wonder at the world in which he finds himself. A world of screens large and small.
This book not only includes chapters on more than twenty new screen sleuths but also updates information on several detectives included in the first two volumes of Famous Movie Detectives. Author Michael Pitts also provides new material on sleuths in silent films and serials, as well as a listing of radio and television detective programs.
Russell Long (1918-2003) occupies a unique niche in twentieth-century United States history. Born into Louisiana's most influential political family, and son of perhaps the most famous Louisianan of all time, Long extended the political power generated by other members of his family and attained heights of power unknown to his predecessors, including his father, Huey. The Long family and its followers pervaded Louisiana politics from the late 1920s through the 1980s. Being a Long--especially a son of Huey Long--preordained Russell for a political life. His father's assassination set the wheels in motion for his eventual political career. In 1948, Russell followed his father and his mother to a seat in the United States Senate. In due course, he rose to the politically eminent positions of majority whip and chair of the Senate Finance Committee. Russell Long: A Life in Politics examines Long's public life and places it within the context of twentieth-century Louisiana, southern, and national politics. In Louisiana, Long's politics arose out of the Longite/ Anti-Longite period of history. Yet he transcended many of those two groups' factional squabbles. In the national realm, Long's politics exhibited a working philosophy that straddled the boundaries between New Deal liberalism and southern conservatism. By the time of his retirement in early 1987, he had witnessed the demise of one political paradigm--the New Deal liberal consensus--and the creation of one dominated by a new style of conservatism.
This special enhanced eBook includes twelve Gershwin classics performed by Michael Feinstein and commentary from the author on the music and the lives of George and Ira Gershwin. From celebrated entertainer Michael Feinstein comes a beautifully illustrated account of the lives and legacies of the Gershwins—told through stories of twelve of their greatest songs. The “Ambassador of the Great American Songbook” Michael Feinstein was just twenty years old when he got the chance of a lifetime: a job with his hero, Ira Gershwin. During their six-year partnership, the two became close friends. Feinstein blossomed under Gershwin’s mentorship and Gershwin was reinvigorated by the younger man’s zeal for his and his brother George’s legacy. Now, in The Gershwins and Me, the only book of its kind, Michael Feinstein shares unforgettable stories and reminiscences from the music that defined American popular song, along with rare Gershwin memorabilia he’s collected through the years. From “Strike Up the Band” to “Love Is Here to Stay,” each of the twelve chapters highlights one of the Gershwins’ classic songs, exploring the brothers’ lives, illuminating what the music meant to them, and telling the stories of how their iconic tunes came to life. Throughout the star-studded narrative, Feinstein unfolds the moving chronicle of his own life with the Gershwins, describing his vision for their enduring presence today. No other writer could give us such an authoritative inside perspective on these titans of American culture—and no other writer could include such a soulful collection of music as Feinstein’s original recordings of the twelve songs. A timeless classic and the definitive account of the Gershwins and their legacy, The Gershwins and Me will having you humming with every turn of the page.
This revised and greatly expanded edition of a well-established reference book presents 5105 feature length (four reels or more) Western films, from the early silent era to the present. More than 900 new entries are in this edition. Each entry has film title, release company and year, running time, color indication, cast listing, plot synopsis, and a brief critical review and other details. Not only are Hollywood productions included, but the volume also looks at Westerns made abroad as well as frontier epics, north woods adventures and nature related productions. Many of the films combine genres, such as horror and science fiction Westerns. The volume includes a list of cowboys and their horses and a screen names cross reference. There are more than 100 photographs.
A facsimile reprint of the Second Edition (1994) of this genealogical guide to 25,000 descendants of William Burgess of Richmond (later King George) County, Virginia, and his only known son, Edward Burgess of Stafford (later King George) County, Virginia. Complete with illustrations, photos, comprehensive given and surname indexes, and historical introduction.
This reference handbook surveys research on the central issue associated with the teaching of unprepared writers. Though basic writing has only been recognized as a distinct area of teaching and research since 1975, the existing bibliographic texts already seem limited due to their age or lack of annotation. This volume provides current and extensive bibliographic essays and will help to define this new field of study for teachers and researchers. Following an introduction that summarizes the origins and significant texts in basic writing, the book is divided into three sections, Social Science Perspectives, Linguistic Perspectives, and Pedagogical Perspectives. The first section, which contains three essays, views the field through the lens of social, psychological, and political issues. The second section, also containing three essays, examines contributions made from studies of grammar, dialects, and second-language acquisition. The third section, in its four essays, focuses on the design, development, administration, and evaluation of basic writing courses, the use of computers in basic writing classrooms, the role of the writing lab, and the preparation of basic writing teachers. An appendix that reviews current textbooks for basic writing courses is also included, as well as an index. This book will be a valuable resource for teachers of basic writing, in education courses and workshops that train teachers and tutors, and in fields such as linguistics, technical writing, and Teaching English as a Second Language. It will also be an important addition to public and university libraries and many education programs.
Vivid, laconic, and crisp. The bodies fall like dominoes, and every word sounds like it was shot from a gun. And as you might expect from Lesy, the photographs are extraordinary." —Luc Sante Things began as they usually did: Someone shot someone else. So begins a chapter of Michael Lesy's disturbingly satisfying account of Chicago in the 1920s, the epicenter of Murder in America. Just as Lesy’s first book, Wisconsin Death Trip, subverted the accepted notion of the Gay Nineties, so Murder City exposes the dark side of the Jazz Age. Revisiting seventeen Chicago murder cases—including that of Belva and Beulah, two murderesses whose trials inspired the musical Chicago—Lesy's sharp, fearless storytelling makes a compelling case that this collection of criminals may be progenitors of our modern age.
A Practical Guide to Medical Negligence Litigation covers the lifetime of a High Court medical negligence action from first contact with a client through to plenary hearing, settlement and mediation including inquests. This practical guide to procedural steps that must be taken cites all relevant case law and statutes including the Rules of the Superior Courts, the Civil Liability and Courts Acts 2004, the various statutory instruments and Coroners Act.
Orson Welles was once asked which directors he most admired. He replied: "The old masters. By which I mean John Ford, John Ford, and John Ford." A legend in his own time, John Ford (1894–1973) received a record four Academy Awards for best director, and two of his World War II documentaries won Oscars for the US Navy. He directed 136 films in a career that lasted from the early silent era through the late 1960s. Ford is celebrated throughout the world as the cinema's foremost chronicler of American history, the leading poet of the Western genre, and a wide-ranging filmmaker of profound emotional impact. His classic films—including Stagecoach (1939), The Grapes of Wrath (1940), How Green Was My Valley (1941), The Quiet Man (1952), The Searchers (1956), and The Man Who Shot Liberty Valance (1962)—remain widely popular, and he has been acknowledged as a major influence on filmmakers such as Jean Renoir, Ingmar Bergman, Akira Kurosawa, Howard Hawks, Frank Capra, Samuel Fuller, Elia Kazan, Sidney Lumet, Martin Scorsese, Steven Spielberg, and George Lucas. In this groundbreaking critical study, Joseph McBride and Michael Wilmington provide an overview of Ford's career as well as in-depth analyses of key Ford films. Analyzing recurring Fordian themes and relating each film to his entire body of work, the authors insightfully explore the full richness of Ford's tragicomic vision of history. This new and revised version includes a study of the twenty-seven Ford silent films now known to survive in whole or in part (more than double the number available when the original edition was published); essays on three controversial aspects of Ford: his tragicomic sensibility, his views of race, and the influence of his Irish heritage; and an expanded version of McBride's interview with Ford on the last day of his career.
The “glorious…sweeping, full-scale biography” of Norman Mailer, the famous novelist, journalist, and public figure: “There’s not a paragraph in this enormous book that doesn’t contain a nugget of something you…wish you had known” (The New York Times). Norman Mailer was one of the giants of American letters, and one of the most celebrated public figures of his time. He was a novelist, journalist, biographer, and filmmaker; a provocateur and passionate observer of his times; and a husband, father, and serial philanderer. Perhaps nothing characterized Mailer more than his ambition. He wanted not merely to be the greatest writer of his generation, but a writer great enough to be compared to Dostoevsky and Tolstoy. As Michael Lennon describes, although he considered himself first and foremost a novelist, his greatest literary contribution may have been in journalism, where he used his novelistic gifts to explore the American psyche. He would return to certain subjects obsessively: John F. Kennedy, Marilyn Monroe, sex, technology, and the intricate relationship of fame and identity. Lennon captures Mailer in all his sharp complexities and shows us how he self-consciously invented and re-invented himself throughout his lifetime. Michael Lennon knew Mailer for thirty-five years, and in this definitive biography, he had the cooperation of Mailer’s late widow, Norris Church, his ex-wives, and all of his children, as well as his sister, Barbara. He also had access to Mailer’s vast, unpublished correspondence and papers, and he interviewed dozens of people who knew Mailer. In Norman Mailer: A Double Life he “brings Mailer thoroughly alive in this great wallop of a book…and he captures the entirety of a man who embodied his era like no other” (The Washington Post).
Marion Shilling began her career as a silent film ingenue for MGM and went on to play heroines in Westerns of the 1930s. Stage actress Esther Muir made the transition from Broadway to Hollywood just as talkies became popular. Hugh Allan was a leading man in the last years of the silents only to leave the film business in 1930 because of the uncertainty surrounding his transition to sound films and his disgust with studio politics. These three performers and thirteen others (Barbara Barondess, Thomas Beck, Mary Brian, Pauline Curley, Billie Dove, Edith Fellows, Rose Hobart, William Janney, Marcia Mae Jones, Barbara Kent, Anita Page, Lupita Tovar, and Barbara Weeks) reminisce here about Hollywood and the movie business as it made the transition.
This comprehensive text traces the development of one of the world's richest literatures from the Old English period through to the present day, discussing a wide range of key authors without losing its clarity or verve. Building on the book's established reputation and success, the third edition has been revised and updated throughout. It now provides a full final chapter on the contemporary scene, with more on genres and the impact of globalization. This accessible book remains the essential companion for students of English literature and literary history, or for anyone wishing to follow the unfolding of writing in England from its beginnings. It is ideal for those who know a few landmark texts, but little of the literary landscape that surrounds them; those who want to know what English literature consists of; and those who simply want to read its fascinating story. New to this Edition: - Fully revised throughout - A full final chapter on contemporary writing, with closer attention paid to the growing diversity of literatures in English in the British Isles
Combining the most powerful elements of Foucault's theories, Clifford produces a methodology for cultural and political critique called "political genealogy" to explore the genesis of modern political identity. At the core of American identity, Clifford argues, is the ideal of the "Savage Noble," a hybrid that married the Native American "savage" with the "civilized" European male. This complex icon animates modern politics, and has shaped our understandings of rights, freedom, and power.
Giving deserved attention to nearly 150 neglected films, this book covers early sound era features, serials and documentaries with genre elements of horror, science fiction and fantasy, from major and minor studios and independents. Full credits, synopses, critical analyses and contemporary reviews are provided for The Blue Light, The Cat Creeps, College Scandal, Cosmic Voyage, The Dragon Murder Case, The Haunted Barn, Lost Gods, Murder in the Red Barn, The New Gulliver, Return of the Terror, Seven Footprints to Satan, S.O.S. Iceberg, While the Patient Slept, The White Hell of Pitz Palu and many others.
Gangsters such as Al Capone and Lucky Luciano were considered by many people to be the most exciting personalities of the 1920s and 1930s. The public was hungry for press coverage about these mysterious and dangerous men. Most reports about them were sketchy, as the reporters did not want to get on the bad side of the racket bosses. Hollywood's response to the public's fascination was to portray the lives of gangsters on the movie screen, using actors such as Humphrey Bogart, James Cagney, and Edward G. Robinson. Perhaps surprisingly, these men received not-so-favorable reviews from the Academy Award voters, and as their popularity grew with the public, censorship dictated other actors be brought in to play the roles. That's what this book is about--the personal and professional lives of William Bendix, Charles Bickford, Ward Bond, Broderick Crawford, Brian Donlevy, Paul Douglas, William Gargan, Barton MacLane, and Lloyd Nolan, second-string actors who replaced the big names and did a memorable job. A filmography is supplied for each actor.
Blackface minstrelsy is associated particularly with popular culture in the United States and Britain, yet despite the continual two-way flow of performers, troupes and companies across the Atlantic, there is little in Britain to match the scholarship of blackface studies in the States. This book concentrates on the distinctively British trajectory of minstrelsy. The historical study and cultural analysis of minstrelsy is important because of the significant role it played in Britain as a form of song, music and theatrical entertainment. Minstrelsy had a marked impact on popular music, dance and other aspects of popular culture, both in Britain and the United States. Its impact in the United States fed into significant song and music genres that were assimilated in Britain, from ragtime and jazz onwards, but prior to these influences, minstrelsy in Britain developed many distinct features and was adapted to operate within various conventions, themes and traditions in British popular culture. Pickering provides a convincing counter-argument to the assumption among writers in the United States that blackface was exclusively American and its British counterpart purely imitative. Minstrelsy was not confined to its value as song, music and dance. Jokes at the expense of black people along with demeaning racial stereotypes were integral to minstrel shows. As a form of popular entertainment, British minstrelsy created a cultural low-Other that offered confirmation of white racial ascendancy and imperial dominion around the world. The book attends closely to how this influence on colonialism and imperialism operated and proved ideologically so effective. At the same time British minstrelsy cannot be reduced to its racist and imperialist connections. Enormously important as those connections are, Pickering demonstrates the complexity of the subject by insisting that the minstrel show and minstrel performers are understood also in terms of their own theatrical dynamics, t
Eschatology and ethics are joined at the hip, says Michael Allen, and both need theocentric reorientation. In Grounded in Heaven Allen retrieves the traditional concept of the beatific vision and seeks to bring Christ back into the heart of our theology and our lives on earth. Responding to the earthly-mindedness of much recent theology, Allen places his focus on God and the heavenly future while also appreciating ways in which the Reformed tradition provides a unique angle on broadly catholic concerns. Reaching back to classical ethics as well as its reformation by Calvin and other Reformed theologians, Grounded in Heaven offers a distinctly Protestant account of the ascetical calling to be heavenly-minded and to deny one’s self.
From 'audet IX to Zytchin III, this book covers it all. This is the ultimate reference book for all Star Trek fans! Added to this edition are 128 new pages. This addendum highlights the latest episodes of Star Trek: Deep Space Nine®, Star Trek: Voyager® and the newest feature film, Star Trek: Insurrection™. The thousands of photos and hundreds of illustrations place the Star Trek universe at your fingertips. Planets and stars, weapons and ships, people and places are just part of the meticulous research and countless cross-reference that fill this book.
This book is the first authored overview of resilience in tourism and its relationship to the broader resilience literature. The volume takes a multi-scaled approach to examine resilience at the individual, organisation and destination levels, and with respect to the wider tourism system. It covers the different approaches to understanding resilience (the ecological and engineering approaches) and identifies issues with their understanding and application. The book connects issues of resilience to related key concepts such as vulnerability, adaptation, networks, systems, change and social capital. It is designed to be an upper level undergraduate and postgraduate primer on resilience in a tourism context and will be of interest to tourism researchers in planning, development, geography, impacts, sustainability, disaster management and environmental studies.
Gary Mitchell is dead, killed by his best friend for the sake of his ship. As Captain Kirk returns home in sadness, he recalls the first time he held Gary's life in his hands. The time is seven years earlier, and the two men have been assigned to the USS Constitution, Gary as chief navigator and Kirk as second officer, when the starship comes to the defence of an alien world menaced by ruthless invaders. An early attack leaves both the captain and the first officer in comas, and Jim Kirk must take command for the first time. He finds himself with only one chance to defeat the heavily armed enemy - but the cost may be Gary Mitchell's life!
In Mallparks, Michael T. Friedman observes that as cathedrals represented power relations in medieval towns and skyscrapers epitomized those within industrial cities, sports stadiums exemplify urban American consumption at the turn of the twenty-first century. Grounded in Henri Lefebvre and George Ritzer's spatial theories in their analyses of consumption spaces, Mallparks examines how the designers of this generation of baseball stadiums follow the principles of theme park and shopping mall design to create highly effective and efficient consumption sites. In his exploration of these contemporary cathedrals of sport and consumption, Friedman discusses the history of stadium design, the amenities and aesthetics of stadium spaces, and the intentions and conceptions of architects, team officials, and civic leaders. He grounds his analysis in case studies of Oriole Park at Camden Yards in Baltimore; Fenway Park in Boston; Dodger Stadium in Los Angeles; Nationals Park in Washington, DC; Target Field in Minneapolis; and Truist Park in Atlanta.
Continuing the powerful story of Jim Kirk's lost friend, the man who helped shape a Starfleet captain... Gary Mitchell is dead, killed by his best friend for the sake of his ship. As Captain Kirk returns home in sadness, he recalls the first time he held Gary's life in his hands: Seven years earlier, the two men have been assigned to the U.S.S. Constitution, Gary as chief navigator and Kirk as second officer, when the starship comes to the defense of an alien world menaced by ruthless invaders. An early attack leaves both the captain and the first officer in comas, and Jim Kirk must take command for the first time. He finds himself with only one chance to defeat the heavily armed enemy -- but the cost may be Gary Mitchell's life!
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