Doctrine and Difference: Readings in Classic American Literature aims to expand and deepen the inquiry begun in the volume from 2007. Beginning with an essay on the avowedly Puritan poetry of Anne Bradstreet and ending with two not-quite-secular novels from late in the 19th century, this volume seeks to uncover the religious and philosophical meanings deeply embedded in so much of 19th century American literature, and then, importantly, to identify and analyze the techniques by which the "doctrines" are differentiated into imaginative literature. Poe, Emerson, Thoreau, Hawthorne, Melville—and yes, even Howells and James—are driven by powerful thematic intentions. But they do not preach: they dramatize. And, as they talk their way through their existential issues, they often talk to one another: yes, no, maybe, ok but not so fast. Stressing the idea of a shared, poet-Puritan inheritance, the new Doctrine and Difference means to re-confirm the vitality of literary history and, in particular, the importance of reading the classic texts of American literature in context and in relation.
Hailed as a child prodigy and later acclaimed as England's finest extempore organist, Samuel Wesley - son of Charles Wesley and nephew of John Wesley, the founders of Methodism - is best known today for his musical compositions and for his promotion of the music of J. S. Bach. At the heart of this source book is a calendar of Samuel Wesley's correspondence. The editors date and summarise the content of over 1100 surviving letters and other documents, most of which have not previously been published. The book accordingly reveals considerable new information about Wesley and his complex personal affairs, including his incarceration for debt and his confinement in a lunatic asylum for a year. Many details are provided about London musical life in the era from Boyce to Mendelssohn that prior scholars have not taken into account. The book also presents a chronology of Wesley's life, a descriptive list of his nearly 550 musical and literary works, a discography, an iconography and a bibliography. It therefore is the most comprehensive available reference source for Wesley's life, times and music.
In How Catholics Encounter the Bible, award-winning biblical scholar and historian Michael Peppard explores the paradoxical role of the Bible for Catholics--a book central to their tradition, but one which Catholics rarely read. Instead, as Peppard shows, biblical ideas influence Catholics through diverse modes of storytelling, artistic imagination, and ritual. Through examples of pilgrimage, visual arts, poetry, music, and even on Netflix, Peppard shows how the Bible thrives among Catholics, even if its printed text may be missing.
This book provides an examination of noble cause, how it emerges as a fundamental principle of police ethics and how it can provide the basis for corruption. The noble cause — a commitment to "doing something about bad people" — is a central "ends-based" police ethic that can be corrupted when officers violate the law on behalf of personally held moral values. This book is about the power that police use to do their work and how it can corrupt police at the individual and organizational levels. It provides students of policing with a realistic understanding of the kinds of problems they will confront in the practice of police work.
One (Un)Like the Other responds to the question, "What are the conditions of possibility that make genuine knowledge of other persons—and, therefore, love—possible?" By providing an original interpretive framework for exploring ethics in relation to empathy and transcendence from multiple perspectives in continental philosophy, empathy is described as a trace of what remains essentially and irreducibly "other" in every act of givenness. The use of the phenomenological method places "Einfühlung theory" in its rich historical context, beginning with Husserl and the early phenomenologists and extending to contemporary issues that explore "otherness" in light of consciousness, gender, embodiment, community, intentionality, emotions, intersubjectivity, values, language, and apophatic discourse. The implications of recasting "empathy" in an interpretive and dialogical model of reciprocity envision new paradigms of understanding ethics as an infinite playing field. No longer subservient to metaphysics and ontology, empathy is described as an act of infinite concern, a "hermeneutics of suspicion" that transcends epistemological theory and ethical command. Drawing on Husserl, Scheler, Stein, Heidegger, Levinas, Derrida, and others, this study presents an examination and expansion of empathy as an encounter with otherness in its most radical and transcendent forms.
Vague references to the 'war on terror' and the 'threat to national security' are frequently used by venal politicians to cover-up criminal associations and covert illegal activity, ranging from money-laundering, narcotics trafficking, abduction and murder to the wholesale slaughter of non-combatant civilians - glibly dismissed as 'collateral damage' in mainstream media coverage of state terror, from the Caucuses to the Middle East and the streets of European capitals, while locally, in towns and villages that never make headlines, predatory Catholic clergy and radical Islamic academics and imams abuse trust to accommodate their personal agendas of greed, lust and revenge. The issues in Understanding Shadows include how the overweening pride of US and European intelligence agencies contributed to the development of the 'Islamic' bomb, and the proliferation of nuclear technology; crime and extra-judicial 'punishment' in Russia and abroad under President Putin; and how the bloody and brutal end of 'democratic Islam' in Algeria has facilitated the "fear and loathing” which has dominated the West's security agenda since 9/11.The arrogance and political hubris of former British PM, Tony Blair, and the corrupt use of intelligence, took the UK to war in Iraq, and was a factor in the lonely death of WMD specialist, Dr David Kelly, while 'off stage' Israel continued its colonization of occupied Arab lands and upgraded its collective punishment of Gaza. There is an account of the curious journey the CIA's USSR 'dangle', Lee Harvey Oswald, made across Cold War Europe in June 1962, while the end of the apartheid regime in South Africa provided an opportunity for self-serving, power-hungry ANC politicians to 'feather their own nests' at the expense of the impoverished majority - a depressing example of a righteous liberation struggle turned sour.Meanwhile, the 'long war' continued. Operation 'Banner' was the codename given to the longest British Army deployment since 1945. In the North of Ireland, where the 36-year period of active service is referred to as the 'Troubles', clandestine military units, including the murderous Force Research Unit , waged a 'dirty war' against the Provisional IRA in particular, and the nationalist community in general. An estimated 763 British soldiers died and over 6,000 were injured during the 'Troubles'. An awareness of the 'back stories' to these issues is an important factor for the understanding of shadows.
The first edition of The English Chamber Organ was published in 1968. This new, revised edition takes into account the considerable research into chamber organs that has taken place over the last thirty years. Much of the book has been completely rewritten and expanded, and it includes a number of organs not detailed in the first edition. As its revised title suggests, this new edition covers foreign-make imports as well as British-made organs that were sent overseas. Part one comprises a series of chapters that cover the history of the chamber organ, its origins and development. Part two provides a general introduction to the construction of organs, while part three gives detailed descriptions of 196 British chamber organs, with information on their location, specifications, design, and suggestions for further reading. As a domestic instrument the chamber organ was often perceived to be as much a piece of furniture as an item of musical equipment. The Chamber Organ in Britain offers an assessment of the organ as both a musical instrument and as a decorative icon.
Throughout the nineteenth century, people heard more music in the theatre—accompanying popular dramas such as Frankenstein, Oliver Twist, Uncle Tom’s Cabin, Lady Audley’s Secret, The Corsican Brothers, The Three Musketeers, as well as historical romances by Shakespeare and Schiller—than they did in almost any other area of their lives. But unlike film music, theatrical music has received very little attention from scholars and so it has been largely lost to us. In this groundbreaking study, Michael V. Pisani goes in search of these abandoned sounds. Mining old manuscripts and newspapers, he finds that starting in the 1790s, theatrical managers in Britain and the United States began to rely on music to play an interpretive role in melodramatic productions. During the nineteenth century, instrumental music—in addition to song—was a common feature in the production of stage plays. The music played by instrumental ensembles not only enlivened performances but also served other important functions. Many actors and actresses found that accompanimental music helped them sustain the emotional pitch of a monologue or dialogue sequence. Music also helped audiences to identify the motivations of characters. Playwrights used music to hold together the hybrid elements of melodrama, heighten the build toward sensation, and dignify the tragic pathos of villains and other characters. Music also aided manager-directors by providing cues for lighting and other stage effects. Moreover, in a century of seismic social and economic changes, music could provide a moral compass in an uncertain moral universe. Featuring dozens of musical examples and images of the old theatres, Music for the Melodramatic Theatre charts the progress of the genre from its earliest use in the eighteenth century to the elaborate stage productions of the very early twentieth century.
For road warriors and armchair epicures alike, the seventh edition of Roadfood is the key to finding some of the tastiest treasures in the United States. The indispensable companion for savvy travelers nationwide, Roadfood is now bigger and better than ever. Totally revised and updated, the seventh edition covers over 700 of the country’s best local eateries, including more than 200 brand new listings along with up-to-date descriptions of old favorites. An extended tour of the most affordable, most enjoyable dining options along America’s highways and back roads, Roadfood offers enticing, satisfying meal-time alternatives for chain restaurant–weary travelers. The Sterns provide vivid descriptions and clear regional maps that direct people to the best lobster shacks on the East Coast; the ultimate barbecue joints in the South; the most sizzling steakhouses in the Midwest; and dozens of top-notch diners, hotdog stands, ice cream parlors, and other terrific spots to stop for a bite countrywide.
This is a book on how and why workers come together. Almost coincident with its inception, worker organisation is a central and enduring element of capitalism. In the 19th and 20th centuries’ mobilisation by workers played a substantial role in reshaping critical elements of these societies in Europe, North America, Australasia and elsewhere including the introduction of minimum labour standards (living wage rates, maximum hours etc), workplace safety and compensation laws and the rise of welfare state more generally. Notwithstanding setbacks in recent decades, worker organisation represents a pivotal countervailing force to moderate the excesses of capitalism and is likely to become even more influential as the social consequences of rising global inequality become more manifest. Indeed, instability and periodic shifts in the respective influence of capital and labour are endemic to capitalism. As formal institutions have declined in some countries or unions outlawed and severely repressed in others, there has been growing recognition of informal strike activity by workers and wider alliances between unions and community organisations in others. While such developments are seen as new they aren’t. Indeed, understanding of worker organisation is often ahistorical and even those understandings informed by historical research are, this book will argue, in need of revision. This book provides a new perspective on and new insights into how and why workers organise, and what shapes this organisation. The Origins of Worker Mobilisation will be key reading for scholars, academics and policy makers the fields of industrial relations, HRM, labour economics, labour history and related disciplines.
This compilation of the prefaces from the author's "English plays of the nineteenth century" (5 vols. ; London : Oxford Univ. Press, 1969-1976) provides an introduction to the critical interpretations of most genres of English drama.
A cornucopia for road warriors and armchair epicures alike, Roadfood is a road map to some of the tastiest treasures in the United States. First published in 1977, the original Roadfood became an instant classic. James Beard said, "This is a book that you should carry with you, no matter where you are going in these United States. It's a treasure house of information." The 40th anniversary edition of Roadfood includes 1,000 of America's best local eateries along highways and back roads, with nearly 200 new listings, as well as a brand new design. Filled with enticing alternatives for chain-weary-travelers, Roadfood provides descriptions of and directions to (complete with regional maps) the best lobster shacks on the East Coast; the ultimate barbecue joints down South; the most indulgent steak houses in the Midwest; and dozens of top-notch diners, hotdog stands, ice-cream parlors, and uniquely regional finds in between. Each entry delves into the folkways of a restaurant's locale as well as the dining experience itself, and each is written in the Sterns' entertaining and colorful style. "The bible for motorists seeking mouthwatering barbecue or homemade pie." - USA Today
This edition makes available in a single edition all of Hunt's major works, fully annotated and with a consolidated index. The set will include all of Hunt's poetry, and an extensive selection of his periodical essays.
From amateur experiments in scrapbooks and stereographs to contemporary photobook collaborations between leading practitioners, poets and photographers have created an art form that continues to evolve and deserves critical exploration. Photopoetry 1845-2015, a Critical History represents the first account of this challenging and diverse body of work. Nott traces the development of photopoetic collaboration from its roots in 19th-century illustrative practices to the present day. Focusing on work from the UK and US, he examines how and why poets and photographers collaborate, and explores the currents of exchange and engagement between poems and photographs on the page. The book not only considers canonical figures, but brings to light forgotten practitioners whose work questioned and shaped the relationship between word and image. Photopoetry 1845-2015, a Critical History provides a new lens through which to explore poetry, photography, and the spaces between them.
Revealing the series of closet dramas written by Byron and Shelley to be deeply embedded in contemporary radical culture, the author explains why the dramas were written and why they invoke and apparently oppose textual and theatrical versions of themselves.
Thoroughly revised and updated, this edition of the classic casebook on police ethics explores the moral complexities of situations faced by law enforcement officers every day across the United States. This updated edition of Power and Restraint maintains its place as a leading set of standards for evaluating police behavior. It extends our understanding of the basis of police accountability by grounding it in principles of the social contract and constitutional democracy. It applies the standards of fair access, public trust, public safety first, role discipline, and neutral professionalism to a variety of modern policing situations that help identify best practices and increase understanding of the challenges of policing in 21st-century America. Power and Restraint first locates itself in the context of other significant studies by scholars from various disciplines on moral issues in police work. Next, it establishes a foundation for moral evaluation of police work grounded in social contract theory as expressed in the U.S. Constitution and Declaration of Independence. Third, the authors generate five standards derived from the social contract for judging the actions of police. In the second half of the book, the reader is asked to apply these standards to a variety of typical but morally ambiguous policing situations.
This book contains three of Bakhtin's early essays from the years following the Russian Revolution, when Bakhtin and other intellectuals eagerly participated in the debates of the period.
This edition makes available in a single edition all of Hunt's major works, fully annotated and with a consolidated index. The set will include all of Hunt's poetry, and an extensive selection of his periodical essays.
Be prepared for exam day with Barron’s. Trusted content from AP experts! Barron’s AP English Literature and Composition Premium, 2025 includes in‑depth content review and practice. It’s the only book you’ll need to be prepared for exam day. Written by Experienced Educators Learn from Barron’s‑‑all content is written and reviewed by AP experts Build your understanding with comprehensive review tailored to the most recent exam Get a leg up with tips, strategies, and study advice for exam day‑‑it’s like having a trusted tutor by your side Be Confident on Exam Day Sharpen your test‑taking skills with 8 full‑length practice tests–5 in the book, including a diagnostic test to target your studying, and 3 more online–plus detailed answer explanationsand sample essays Strengthen your knowledge with key advice for answering multiple-choice questions and writing a polished essay Reinforce your learning with practice by tackling dozens of sample questions and mini-workout exercises that cover all units on the AP English Literature and Composition exam Brush up on the literary terms you should know for test day with a clear and comprehensive glossary Robust Online Practice Continue your practice with 3 full‑length practice tests on Barron’s Online Learning Hub Simulate the exam experience with a timed test option Deepen your understanding with detailed answer explanations and expert advice Gain confidence with scoring to check your learning progress
Delegates to the convention examined Newfoundland's economy and society, and debated the merits of returning to responsible government (suspended in 1934) or joining the Canadian confederation. A number of public figures of the 1950s and 1960s came into prominence during the convention, most notably Joseph R. Smallwood, leader of the confederate group. This unique and remarkable historical document is a must for Commonwealth and Canadian specialists and research libraries.
Hailed as a child prodigy and later acclaimed as England's finest extempore organist, Samuel Wesley - son of Charles Wesley and nephew of John Wesley, the founders of Methodism - is best known today for his musical compositions and for his promotion of the music of J. S. Bach. At the heart of this source book is a calendar of Samuel Wesley's correspondence. The editors date and summarise the content of over 1100 surviving letters and other documents, most of which have not previously been published. The book accordingly reveals considerable new information about Wesley and his complex personal affairs, including his incarceration for debt and his confinement in a lunatic asylum for a year. Many details are provided about London musical life in the era from Boyce to Mendelssohn that prior scholars have not taken into account. The book also presents a chronology of Wesley's life, a descriptive list of his nearly 550 musical and literary works, a discography, an iconography and a bibliography. It therefore is the most comprehensive available reference source for Wesley's life, times and music.
Following Jesus Christ presents unique challenges to disciples today. In our current climate of relativism, materialism, and consumerism, Christians are increasingly perplexed as to who they are and what following after Christ means today. Drawing on the Protestant tradition (in particular, Dietrich Bonhoeffer, Martin Luther, and Adolf Schlatter) and findings from psychology, this book offers a fresh integrative interpretation of Jesus's radical call into discipleship. This call is interpreted through a christological lens, as Jesus Christ in his role as Prophet calls us to self-denial, in his role as Priest invites us to cross-bearing, and as King demands us to follow him. Jesus's call to discipleship challenges disciples to embrace various tensions by faith and to grow and even flourish in and through them. By denying themselves, they find their true self; by taking up their cross, they find real life; and by following Christ, they find the great friend and befriend the world as the community of disciples. This book is for Christians who seek to mature in intentional self-reflection and discover practical ways of living out Christ's radical call into discipleship today.
Ethics and the University brings together two closely related topics, the practice of ethics in the university ("academic ethics") and the teaching of practical or applied ethics in the university. This volume is divided into four parts: * A survey of practical ethics, offering an explanation of its recent emergence as a university subject, situating that subject into a wider social and historical context and identifying some problems that the subject generates for universities * An examination of research ethics, including the problem of plagiarism * A discussion of the teaching of practical ethics. Michael Davis explores how ethics can be integrated into the university curriculum and what part particular cases should play in the teaching of ethics * An exploration of sexual ethics Ethics and the University provides a stimulating and provocative analysis of academic ethics which will be useful to students, academics and practitioners.
As the turbulent 60s began to fade into the calmer 70s, a coterie of young singers, songwriters, musicians, artists, and poets began to congregate, musically on the stage of The New Bijou Theater - the Springfield, Missouri nightclub that would become the loose-knit groups home. What started as an informal weekly gathering, quickly morphed into a formal band. Dubbed the Family Tree, they became a favorite of the local counter-culture, as well as a continuation of the tradition-rich, Springfield music scene - which, until recently, included the Ozark Jubilee (the nations first televised country music show). Though unprofitable at the time, they stuck to their guns and their original songs. When a rough tape of an early Bijou gig caught the ear of music mogul, John Hammond, it culminated in a 26-song studio demo, which caught the ear of A&M executive, David Anderle. The group signed with the label, changed their name to its present moniker, and whisked off to London to record their debut album under the tutelage of Glyn Johns. The album contained If You Want to Get to Heaven. Their subsequent album, recorded in rural Missouri, contained Jackie Blue. Both songs remain staples on classic rock radio. By the early 80s, the Ozark Mountain Daredevils found themselves right where the Family Tree had stood a decade before - in Springfield with no record deal. They did, though, find themselves with legions of loyal fans around the world. Amidst personnel changes, personal turmoils and a cornucopia of tales from the rock-n-roll highway, the next twenty years were spent on the road. Though continuing to write, they could garner little interest among the rapidly modernizing music industry - a situation many long-haired, long-named hippie bands of the 70s find themselves in. Their music, though, lives in the hearts of their fans.
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