Fan-favorite urban fantasista Ree Reyes and her crew of Geekomancers—humans that derive supernatural powers from pop culture—take on their biggest foes yet in this fourth book of the Geekomancy series. When Ree’s long time nemesis Lucretia is finally brought to trial and found guilty for the deadly attack on Grognard’s, the Geekomancer community breathes a collective sigh of relief. But Ree and her crew soon discover that Lucretia has three very angry, very dangerous sisters who won’t rest until Eastwood—a fellow Geekomancer—is killed. What follows is an adventure packed with epic battles, a bit of romance, and enough geeky W00t moments to fill your monthly quota of adventure and fun.
Clerks meets Buffy the Vampire the Slayer in this original urban fantasy ebook about Geekomancers—humans that derive supernatural powers from pop culture. Ree Reyes’s life was easier when all she had to worry about was scraping together tips from her gig as a barista and comic shop slave to pursue her ambitions as a screenwriter. When a scruffy-looking guy storms into the shop looking for a comic like his life depends on it, Ree writes it off as just another day in the land of the geeks. Until a gigantic “BOOM!” echoes from the alley a minute later, and Ree follows the rabbit hole down into her town’s magical flip-side. Here, astral cowboy hackers fight trolls, rubber-suited werewolves, and elegant Gothic Lolita witches while wielding nostalgia-powered props. Ree joins Eastwood (aka Scruffy Guy), investigating a mysterious string of teen suicides as she tries to recover from her own drag-your-heart-through-jagged-glass breakup. But as she digs deeper, Ree discovers Eastwood may not be the knight-in-cardboard armor she thought. Will Ree be able to stop the suicides, save Eastwood from himself, and somehow keep her job?
A side-quest novella in the bestselling Geekomancy urban fantasy series—when D&D-style adventures go from the tabletop to real life, look out! Ree Reyes, urban fantasista and Geekomancer extraordinaire, is working her regular drink-slinger shift at Grognard’s bar-and-gaming salon when everything goes wrong. The assorted magic wielders of the city’s underground have come to test their battle skills via RPGs like D&D, V:TES, White Wolf, and the like. All the usuals are there: her ex-mentor Eastwood, Drake (the man-out-of-time adventurer), and, of course, Grognard himself (her boss and a brewer of beer that act as magic potions). However, it’s the presence of these and other “usuals” that makes all the trouble. For, a nemesis from Eastwood and Ree’s past decides to finally take her revenge not just on those two, but on every self-styled “hero” in the city who happens to have crossed her at one point or another. When wave after wave of monsters besiege Grogrnard’s store, if Ree & Co. are going to survive, they’re going to have to work together. And avoid the minotaur. That’s always a good rule of thumb.
This volume in the highly respected Cambridge History of Science series is devoted to the history of science in the Middle Ages from the North Atlantic to the Indus Valley. Medieval science was once universally dismissed as non-existent - and sometimes it still is. This volume reveals the diversity of goals, contexts and accomplishments in the study of nature during the Middle Ages. Organized by topic and culture, its essays by distinguished scholars offer the most comprehensive and up-to-date history of medieval science currently available. Intended to provide a balanced and inclusive treatment of the medieval world, contributors consider scientific learning and advancement in the cultures associated with the Arabic, Greek, Latin and Hebrew languages. Scientists, historians and other curious readers will all gain a new appreciation for the study of nature during an era that is often misunderstood.
An extraordinary wartime memoir, combining the best kind of adventure story with a coming of age testimony of unforgettable resonance and poignancy. September 2011, Halkidiki, Northern Greece. A solitary 86 year-old man gazes across an Aegean headland, knowing that he must finally confront his past. He begins to write... September 1939, Nieppe, Northern France. 14 year-old Stephen is living with his family, 25 kilometres from Ypres. His French mother battles with her encroaching blindness. Failing to escape the advancing German army, his English father can no longer look after the war graves that cast so heartbreaking a shadow across the region. Stephen and his friend Marcel embark upon their great adventure: collecting souvenirs from strafed convoys and crashed Messerschmitts. But their world turns dark when arrested and imprisoned for sabotage and threatened with deportation or the firing squad. Upon his release, and still only 16, Stephen is recruited by the French Resistance. Growing up under the threat of imminent betrayal, he learns the arts of clandestine warfare, and - in a moment that haunts him still - how to kill... Such was the impact of Stephen Grady's work for the French Resistance, (especially during the countdown to D-Day and its bloody aftermath) that he was awarded the Croix de Guerre and the American Medal of Freedom.
Once upon a time, Michael Katakis lived in a place of big dreams, bright colours and sleight of hand. That place was America. One night, travelling where those who live within illusions should never go, he stared into the darkness and glimpsed a faded flag where shadows gathered, revealing another America. It was a broken place, bred from fear and distrust – a thousand shards of glass – filled with a people who long ago had given away all that was precious; a people who had been sold, for so long, a foreign betrayal that finally came from within, and for nothing more than a handful of silver. These essays, letters and journal entries were written as a farewell to the country Michael loves still, and to the wife he knew as his 'True North'. A powerful and personal polemic, A Thousand Shards of Glass is Michael's appeal to his fellow citizens to change their course; a cautionary tale to those around the world who idealise an America that never was; and, crucially, a glimpse beyond the myth, to a country whose best days could still lie ahead.
Looking across the cultural landscape of the twenty-first century, its literature, film, television, comic books, and other media, we can see multiple examples of what Shelley S. Rees calls a "changeling western," what others have called "weird westerns," and what Michael K. Johnson refers to as "speculative westerns"--that is, hybrid western forms created by merging the western with one or more speculative genres or subgenres, including science fiction, fantasy, horror, and alternate history. Speculative Wests investigates both speculative westerns and other speculative texts that feature western settings. Just as "western" refers both to a genre and a region, Johnson's narrative involves a study of both genre and place, a study of the "speculative Wests" that have begun to emerge in contemporary texts such as the zombie-threatened California of Justina Ireland's Deathless Divide (2020), the reimagined future Navajo nation of Rebecca Roanhorse's Sixth World series (2018-19), and the complex temporal and geographic borderlands of Alfredo Véa's time travel novel The Mexican Flyboy (2016). Focusing on literature, film, and television from 2016 to 2020, Speculative Wests creates new visions of the American West.
During the nearly sixty years of filmmaking, the always uneasy and often fractious Soviet-American relationship has been mirrored in Hollywood's portrayal of Russians and the Soviet Union. Friend or Foe? examines the portrayal of the Soviet Union in American film, and shows how these films reflect the attitudes of Americans, as well as how each portrayal changed with the often uneasy relations between the two countries. The authors show how films, as rich repositories of national consciousness, can be analyzed to reveal time-bound insights into popular fears and obsessions. History lovers and film buffs will appreciate the tongue-in-cheek approach to many of the absurdist films. Scholars in history, film studies, and political science will find the depth and breadth of research useful. A filmography, bibliography, and photographs further complement the study.
The second volume explains how the League of Nations mandates system fused two of the predominant and compelling global forces of the twentieth century: imperialism and Wilsonian internationalism. After the First World War, Britain and France administered most of Germany's former tropical African colonies as "mandates" under the supervision of the League as "a sacred trust of civilization." This system of international trusteeship changed British and French rule in Africa. In short, "mandates" were not "colonies." Mandates meant less militarism, more commercial equality, a greater emphasis on the interests of Africans, and an end to the extension of European national sovereignty over colonized peoples. Accountability to the League also required the British and French to reconsider traditional economic, strategic, and ideological assumptions about their empires. In the process, the "sacred trust" sowed the seeds of self-doubt about the very purpose and future of European imperialism. The mandates system continued to represent a genuine internationalisation and reformation of colonialism and had long-term economic, political, and cultural consequences for Africans and Europeans within the mandated territories. Despite the Depression, repeated Anglo-French foreign policy failures, growing humiliations for Geneva, and war in Africa and Europe, the principles and practices of international trusteeship proved persistent. Mandates demonstrated the relevance of international law, the importance of the League of Nations, and the impact of Wilsonian principles on international relations and European imperialism.
The story and history of The Baggy Green – Australia's premier sporting icon. The baggy green cap worn by Australian Test players is an icon. It's the pride of Australian cricket. With the face of the game everchanging, the wearing of the baggy green has always been the pinnacle for Australian players. The baggy green cap is revered by everyone with a connection to Australian cricket. The Baggy Green book charts its evolution with reflections from many past and present Test players. It explores the cap's history, mystique and worth, with insight from the sport's greatest figures, museums and leading auction houses.
Mr. Mikey's Video Views started as a response to the three-line reviews found in most review guides, and the "self-serving" and exceedingly picky reviews written by most "popular critics." Mr. Mikey is a movie lover, and has fun and enjoys virtually every movie he sees. His reviews reflect this love of movies.
In the first comprehensive guide to trees, ferns, and flowering plants of the Tahoe Basin, Graf covers more than 600 species, many of them rare, in accessible, descriptive text and in more than 300 color photos. 15 line illustrations.
Here is the first comprehensive examination of the international film career of Iowa-born actress Jean Seberg (1938-1979). Bursting onto the scene as star of Otto Preminger's controversial Saint Joan (1957), the 19-year-old Seberg encountered great difficulty recovering from the devastating criticism of her performance. The turnaround came in 1959 with her brilliant work in Jean-Luc Godard's "new wave" classic A bout de souffle (Breathless). Though her Hollywood prospects were harmed by subsequent political involvements, Seberg continued to work with some of Europe's finest directors. Her later films offer a fascinating view of the movie industry in the 1960s and 1970s--and of a courageous actress always ready for a new challenge. A biographical sketch provides a framework for detailed scrutiny of her 37 films. Background information and a critical evaluation is provided for each title.
Easy to use and filled with addictive--and highly useful--information about the people whose names will be carried into the future on the backs of the world's reptiles, The Eponym Dictionary of Reptiles is a handy and fun book for professional and amateur herpetologists alike.
Was golf better (to use one of Tiger's favorite phrases) back in the day? In [this book], Michael Bamberger, who fell for the game as a teenager in its wild Sansabelt-and-persimmon 1970s heyday, goes on a quest to try to find out. The result is a candid, nostalgic, intimate portrait of golf's greatest generation--then and now"--Dust jacket flap.
An entertaining, hilarious, biting biography of “Mr. Warmth,” the infamously prickly comic who dominated Hollywood and Las Vegas for decades, making an artform out of heckling his friends, family and especially his audiences - and they couldn’t get enough of it. Having ridden a wave of success that lasted more than sixty years, Don Rickles is best known as the “insult” comic who skewered presidents, royalty, celebrities, and friends and fans alike. But there was more to “Mr. Warmth” than a devilish ear-to-ear grin and lightning-fast put-downs. Rickles was a loving husband, an adoring father who suffered a devastating loss, and a loyal friend to the likes of Bob Newhart and Frank Sinatra. Don was also a young student at the American Academy of Dramatic Arts and intended to become a serious actor. But it was in small nightclubs where Rickles found success, steamrolling hecklers, honing his acerbic put-downs, and teaching the world to love being insulted. Don Rickles, The Merchant of Venom traces career from his rise in the 1950s to a late-in-life resurgence thanks to the Toy Story franchise, his role in Scorsese’s Casino, and scores of TV appearances from Carson to Seth Meyers. In the intervening decades, Rickles conquered every medium, including the stage, where the Vegas legend was still performing at the age of eighty-five. In his highly memorable career, he was idolized by a generation of younger comedians including Jerry Seinfeld, Jay Leno, and many others. And all along, Rickles performed in the shadow of a shocking open secret: he was the nicest man in town.
He is the law - and you better believe it! Judge, jury and executioner, Judge Dredd is the brutal comic book cop policing the chaotic future urban jungle of Mega-City One, created by John Wagner and Carlos Ezquerra and launching in the pages of 2000 AD in 1977. But what began as a sci-fi action comic quickly evolved into a searing satire on hardline, militarised policing and ‘law and order’ politics, its endless inventiveness and ironic humour acting as a prophetic warning about our world today - and with important lessons for our future. Blending comic book history with contemporary radical theories on policing, I Am The Law takes key Dredd stories from the last 45 years and demonstrates how they provide a unique wake up call about our gradual, and not so gradual, slide towards authoritarian policing. From the politicisation of policing to ‘zero tolerance’, from violent suppression of protest to the rise of the surveillance state, I Am The Law examines how a comic book warned us about the chilling endgame of today's 'law and order' politics.
The bible of B-movies is back--and better than ever! From Abby to Zontar, this book covers more than 9,000 amazing movies--from the turn of the century right up to today's Golden Age of Video--all described with Michael Weldon's dry wit. More than 450 rare and wonderful illustrations round out thie treasure trove of cinematic lore--an essential reference for every bad film fan.
The first encyclopedia to analyze, summarize, and explain the complexities of men's lives and the idea of modern manhood. The process of "making masculinity visible" has been going on for over two decades and has produced a prodigious and interesting body of work. But until now the subject has had no authoritative reference source. Men & Masculinities, a pioneering two-volume work, corrects the oversight by summarizing the latest historical, biological, cross-cultural, psychological, and sociological research on the subject. It also looks at literature, art, and music from a gender perspective. The contributors are experts in their specialties and their work is directed, organized, and coedited by one of the premier scholars in the field, Michael Kimmel. The coverage brings together for the first time considerable knowledge of men and manhood, focusing on such areas as sexual violence, intimacy, pornography, homophobia, sports, profeminist men, rituals, sexism, and many other important subjects. Clearly, this unique reference is a valuable guide to students, teachers, writers, policymakers, journalists, and others who seek a fuller understanding of gender in the United States.
Media history is his subject, and, as this memoir makes so delightfully clear, it has also been Erik Barnouw's life. Barnouw's story, told with wit and charm in Media Marathon, is the story of American culture adjusting to the twentieth century, of new media repeatedly displacing the old in a century-long competitive upheaval.
Reveals criminal corruption on a scale that the Kray twins would never have dreamt of' John Pearson, Profession of Violence, The Rise and Fall of the Kray Twins 'Gillard's detailed investigation makes for a stunning and shocking read' Barry Keeffe, The Long Good Friday 'Legacy illustrates the sordid links between business, politics and organised crime' Ioan Grillo, El Narco and Gangster Warlords When billions poured into the neglected east London borough hosting the 2012 Olympics, a turf war broke out between crime families for control of a now valuable strip of land. Using violence, guile and corruption, one gangster, the Long Fella, emerged as a true untouchable. A team of local detectives made it their business to take him on until Scotland Yard threw them under the bus and the business of putting on 'the greatest show on earth' won the day. Protecting the Olympic legacy by covering up a scandal of suspicious deaths and corruption seemed more important than protecting Londoners from the predatory Long Fella and his friends in suits. For others at Scotland Yard, the crime lord was simply too big and too dangerous to take on. Award-winning journalist Michael Gillard took up where they left off to expose the tangled web of chief executives, big banks, politicians and dirty money where innocent lives are destroyed and the guilty flourish. Gillard's efforts culminated in a landmark court case, which finally put a spotlight on the Long Fella and his friends and exposed London's real Olympic legacy.
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