Welcome to the weird and wonderful world of Dublin. Though this isn’t the usual side of the city the tourists, travellers and residents see. This is the real Dublin, the strange and twisted nooks and crannies of the city’s bizarre history – past, present and future. Following on from the bestselling Portico Strangest titles now comes a book devoted to one of Ireland’s most beautiful, and popular, cities. Located on the beautiful eastern seaboard, Dublin is a city with more strangeness than you can shake a pint of Guinness at. Home to one million people, the name, strangely, comes from the Irish ‘Dubh Linn’, which means 'Black Pool', but that name was already taken. Dublin’s Strangest Tales is a treasure trove of the hilarious, the odd and the baffling – an alternative travel guide to some of the city’s best-kept secrets. Read on, if you dare! You have been warned.
Exploring writing of working-class Dublin after Seán O'Casey, this book breaks new ground in Irish Studies, unearthing submerged narratives of class in Irish life. Examining how working-class identity is depicted by authors like Brendan Behan and Roddy Doyle, it discusses how this hidden, urban Ireland has appeared in the country's literature.
Martyn Wallace awoke in his boarding house and held his aching head. His room was brown and dirty and bare. He called it Reading Gaol. Amidst the filth and fury of Dublin 1904, the theatrical event of the century is about to explode! Fading stars, rebels, whores and romantics irreverently expose the strange and lurid world of Dublin by Lamplight. An instant hit when it first opened in 2004, this hugely entertaining and anarchic production is a night to change a nation's destiny! Unless it all goes horribly wrong . . . Written by Michael West in collaboration with Corn Exchange theatre company, Dublin by Lamplight was first produced at the Project Arts Centre in Dublin in 2004, before a transfer to the Traverse Theatre, Edinburgh, in 2005. This new edition of the playscript was published to coincide with a major revival at the Abbey Theatre in spring 2017
Welcome to the weird and wonderful world of Dublin. Though this isn’t the usual side of the city the tourists, travellers and residents see. This is the real Dublin, the strange and twisted nooks and crannies of the city’s bizarre history – past, present and future. Following on from the bestselling Portico Strangest titles now comes a book devoted to one of Ireland’s most beautiful, and popular, cities. Located on the beautiful eastern seaboard, Dublin is a city with more strangeness than you can shake a pint of Guinness at. Home to one million people, the name, strangely, comes from the Irish ‘Dubh Linn’, which means 'Black Pool', but that name was already taken. Dublin’s Strangest Tales is a treasure trove of the hilarious, the odd and the baffling – an alternative travel guide to some of the city’s best-kept secrets. Read on, if you dare! You have been warned.
The war was prosecuted ruthlessly by the Irish Republican Army which, paralleling the political efforts of Sinn Féin, hoped to break Britain's will to rule Ireland and create an independent Irish republic. The British retaliated by introducing two new irregular forces into Ireland, the Black and Tans and the Auxiliaries. Fighting took place principally in counties Cork, Limerick, Tipperary, Monaghan, Armagh, Clare, Kerry, and Longford. It was sporadic but vicious, with fewer than 2,000 IRA volunteers facing over 50,000 crown forces. The IRA depended upon energetic local leaders -- where there were none, there was little fighting.
After Captain Mickey Devlin had the Commissioner's favorite Internal Affairs Commander arrested, his chances of convincing the PC to approve an "On Official Business" trip to Ireland to capture a cop killer seemed improbable. But persuading "Higher Ups" t
During the eighteenth-century Enlightenment, Scotland and England produced such well-known figures as David Hume, Adam Smith, and John Locke. Ireland’s contribution to this revolution in Western thought has received much less attention. Offering a corrective to the view that Ireland was intellectually stagnant during this period, The Irish Enlightenment considers a range of artists, writers, and philosophers who were full participants in the pan-European experiment that forged the modern world. Michael Brown explores the ideas and innovations percolating in political pamphlets, economic and religious tracts, and literary works. John Toland, Francis Hutcheson, Jonathan Swift, George Berkeley, Edmund Burke, Maria Edgeworth, and other luminaries, he shows, participated in a lively debate about the capacity of humans to create a just society. In a nation recovering from confessional warfare, religious questions loomed large. How should the state be organized to allow contending Christian communities to worship freely? Was the public confession of faith compatible with civil society? In a society shaped by opposing religious beliefs, who is enlightened and who is intolerant? The Irish Enlightenment opened up the possibility of a tolerant society, but it was short-lived. Divisions concerning methodological commitments to empiricism and rationalism resulted in an increasingly antagonistic conflict over questions of religious inclusion. This fracturing of the Irish Enlightenment eventually destroyed the possibility of civilized, rational discussion of confessional differences. By the end of the eighteenth century, Ireland again entered a dark period of civil unrest whose effects were still evident in the late twentieth century.
Hailed as the new O'Casey by Irish critics in 1958, Behan is now often portrayed as the archetypal Irishman and spectacular drunk. Behind the myth lies the more compelling story of a writer who was never able to fully harness his larger-than-life personality and talent.
Contemporary Irish Plays showcases the new drama that has emerged since 2008. Featuring a blend of established and emerging writers, the anthology shows how Irish writers are embracing new methods of theatre-making to explore exciting new themes – while also finding new ways to come to terms with the legacies of the Troubles and the Celtic Tiger. Freefall is a sharp, humorous and exhilarating look at the fragility of a human life, blending impressionistic beauty, poignancy and comedy. Forgotten features the interconnecting stories of four elderly people living in retirement homes and care facilities around Ireland, who range in age from 80 to 100 years old. Drum Belly is a fascinating play about the Irish mafia in late 1960s' New York. It premiered at the Abbey Theatre in 2012. Previously unpublished, Planet Belfast by Rosemary Jenkinson is about a woman named Alice – Stormont's only Green MLA who must toe a delicate line between large, sectarian power bases in order to promote an environmental agenda in Northern Ireland. Desolate Heaven is a story about two young girls hoping to find freedom from home in the trappings of love. It was first performed at Theatre 503, London, in 2013 Written for the 2012 Dublin Theatre Festival, and previously unpublished, The Boys of Foley Street by Louise Lowe is a piece of site-specific theatre which led audience members on a tour of the backstreets of inner-city Dublin. Edited by the leading scholar on Irish theatre, Patrick Lonergan, Contemporary Irish Plays is a timely reminder of the long-held tradition and strength of Irish theatre which blossoms even in its new-found circumstances.
Dublin 1940. An IRA attack leaves two guards dead on the streets of Dublin. Two days later, a battle between warring gangs erupts at a race meeting, and on Ireland's east coast the cremated bodies of a wealthy family of five are found in their shuttered, burned-out villa. Dispatched from Special Branch to investigate, Detective Inspector Stefan Gillespie soon finds himself caught in a web of Irish, British and German Intelligence - all playing against each other, all watching each other, and all plagued by rogue operators they can't quite control, as the certainty grows that Hitler is about to invade England. And then, Stephen is sent to Berlin on a sensitive mission. His journey home becomes a dangerous pursuit in which no one can be trusted and the information he carries puts his life on the line.
An analysis of the political organisation of Irish republicanism after the Easter Rising of 1916, studying the triumphant but short-lived Sinn Féin party which vanquished its enemies, co-operated uneasily with its military allies, and 'democratised' the anti-British campaign. Its successors have dominated the politics of independent Ireland.
On the morning of 21 November 1920, Jane Boyle walked to Sunday Mass in the church where she would be married five days later. That afternoon she went with her fiancé to watch Tipperary and Dublin play a Gaelic football match at Croke Park. Across the city fourteen men lay dead in their beds after a synchronised IRA attack designed to cripple British intelligence services in Ireland. Trucks of police and military rumbled through the city streets as hundreds of people clamoured at the metal gates of Dublin Castle seeking refuge. Some of them were headed for Croke Park. Award-winning journalist and author Michael Foley recounts the extraordinary story of Bloody Sunday in Croke Park and the 90 seconds of shooting that changed Ireland forever. In a deeply intimate portrait he tells for the first time the stories of those killed, the police and military personnel who were in Croke Park that day, and the families left shattered in its aftermath, all against the backdrop of a fierce conflict that stretched from the streets of Dublin and the hedgerows of Tipperary to the halls of Westminster. Updated with new information and photographs.
This collection is the first to concentrate attention on the actual relationship that existed between the Irish population and the state under which they lived from the War of the Two Kings (1689–1691) and the Great Famine (1845–1849). Particular attention is paid to an understanding of the legal character of the state and the reach of the rule of law, addressing such themes as how law was made and put into effect; how ordinary people experienced the law and social regulations; and how Catholics related to the legal institutions of the Protestant confessional state. These themes will help to situate the study of Irish society into the mainstream of English and European social history.
Steve Zell, affectionately known as Z Man, was once Mike Benjamin's best buddy, best man, and business partner. But two years ago, Zell turned on Benjamin who eventually lost his business, his wife and child, and his lifestyle. It's taken two years, but Benjamin has carefully planned his revenge. He doesn't want to kill Zell. He just wants to ruin his life. Disguised as a homeless man named Howard Meeks, Benjamin kidnaps Zell, drugs him, cuts off his ten toes, cauterizes the wounds, and dumps his body where it can be easily found. Zell will never run or play tennis again. But the physical pain is only the beginning of his problems and only the beginning of what Benjamin plans to do to his former friend. Because of the past issues within their relationship, Benjamin quickly becomes the prime suspect in Zell's assault. Only time will tell if Benjamin is able to avoid detection and prosecution as he tries to bring about the downfall of Zell's entire family.
Irish Water was set up in 2013 to introduce the most ambitious water metering programme in the world. The plan was to get Irish people to finally pay to upgrade a nineteenth-century water system. The water metering programme began in August 2013 and was carried out at breakneck speed. However, it did not go to plan and the issue of water charges divided Ireland. There were nationwide demonstrations, and confrontations in housing estates involving water meter contractors, gardaí and water charge protesters. The programme ended in political disaster, with a humiliated government having to send out one million refunds. With access to unpublished documents, and interviews with the key personalities on both sides, In Deep Water provides a blow-by-blow account of how it all went wrong. The rows at cabinet. The warnings that went unheeded. The water women. The smartphone-wielding protesters. And the minister who threatened to reduce people’s water to a trickle. Compulsively readable and fast paced, In Deep Water gives an inside view of the controversy that divided Ireland.
Politics in the Republic of Ireland is now available in a fully revised fourth edition. Building on the success of the previous three editions, this text continues to provide an authoritative introduction to all aspects of politics in the Republic of Ireland. Written by some of the foremost experts on Irish politics, it explains, analyzes and interprets the background to Irish government and contemporary political processes. Crucially, it brings the student up-to-date with the very latest developments. New patterns of government formation, challenges to the established political parties, ever-deepening, if sometimes ambivalent, involvement in the process of European integration, a growing role in the politics of Northern Ireland and sustained discussion of gender issues are among these developments – along with evidence, revealed by several tribunals of enquiry, that Irish politics is not as free of corruption as many had assumed.
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