In this majestically unnerving novel, Michael Dibdin, the creator of the acclaimed Aurelio Zen mysteries, explores themes that might have been ripped out of today's headlines, as he charts America's dual epidemic of religious cultism and random violence.The murders take place in distant cities and with no apparent motive. All that connects them is their cold-blooded efficiency. But a dogged Seattle detective and a horribly bereaved survivor are about to come face-to-face with their perpetrator—a man named Los, a self-styled prophet who has the power to make his followers travel thousands of miles to kill for him. Out of mayhem and revelation, the minutiae of police work and the explosive contents of a psychotic mind, Michael Dibdin orchestrates a tour de force of dread. This should be read with the lights on and the doors firmly bolted.
Michael Dibdin’s veteran Italian police officer is back. The newest addition to this remarkable series -- consistently galvanizing as much for its revelation of the subtle complexities of Italian life as for its page-turning suspense -- is a novel of long-held secrets set against a sweeping background of political and passionate intrigue. When a group of Austrian cavers exploring a network of abandoned military tunnels in the Italian Alps comes across human remains at the bottom of a deep shaft, everyone assumes the death was accidental. Until, that is, the still-unidentified body is stolen from the morgue and the Defense Ministry puts a news blackout on the case. And is the recent car bombing in Campione D’Italia, a tiny tax haven surrounded on all sides by Switzerland, somehow related? The whole affair has the whiff of political corruption. That’s enough to interest Aurelio Zen’s boss at the Interior Ministry, who wants to know who is hiding what from whom, and why. The search for the truth leads Zen back into the murky history of postwar Italy and the obscure corners of modern-day society to uncover the truth about a crime that everyone thought was as dead and buried as its victim.
“One of my patients thinks somebody’s trying to kill him,” Aileen Macklin says to her husband over breakfast. A psychiatrist with a fading marriage, Aileen is haunted by the glue-sniffing lad who comes to her in a panic, begging to be admitted to a psychiatric hospital for protection. Gary Dunn clearly needs help: ravaged by his squalid existence, he is paralyzed with fear about a murder he has witnessed and convinced he may be next. Unfortunately for Gary, he may just be right. And unfortunately for Aileen, she becomes far more involved in his case than professional ethics would recommend.
After months in the hospital healing from wounds sustained in a car bomb attack in Sicily, Aurelio Zen of Rome’s elite Criminalpol, presumed dead, is lying low under a false name at a beach resort on the Tuscan coast. Biding his time until he’s summoned to the States to testify in an imminent anti-Mafia trial, he has nothing to do but enjoy the orderly and undemanding world of a classic Italian beach holiday. Until he notices that an inordinate number of people -- each of whom might have been mistaken for Zen himself -- have been dropping dead around him.
An Aurelio Zen Novel Michael Dibdin's overburdened Italian police inspector has been transferred to Naples, where the rule of law is so lax that a police station may double as a brothel. But this time, having alienated superiors with his impolitic zealousness in every previous posting, Zen is determined not to make waves. Too bad an American sailor (who may be neither American nor a sailor) knifes one of his opposite numbers in Naples's harbor, and some local garbage collectors have taken to moonlighting in homicide. And when Zen becomes embroiled in a romantic intrigue involving love-sick gangsters and prostitutes who pass themselves off as Albanian refugees, all Naples comes to resemble the set of the Mozart opera of the same title. Bawdy, suspenseful, and splendidly farcical, the result is an irresistible offering from a maestro of mystery.
One of Dibdin's finest . . . Wonderful.' EVENING STANDARD 'Energetically and meticulously written.' GUARDIAN AN AURELIO ZEN MYSTERY Aurelio Zen's final case brings him to remote town of Calabria, at the toe of Italy's boot, on what is supposed to be a routine assignment: the death of a scout for an American film company. But the case is complicated by a group of dangerous strangers who have arrived to uncover another local mystery - buried treasure - and who will stop at nothing to achieve their goal. The case rapidly spirals out of control, and Zen must penetrate the code of silence in the tight-knit community in order to solve the crime. 'Clever and exuberantly witty . . . Dibdin is outrageously funny, as always, in conveying Zen's snobby Venetian attitude toward his regional postings.' NEW YORK TIMES 'Ample opportunities for the expression of his dry wit . . . the final entry [in the Zen series] is a very good one indeed.' INDEPENDENT 'One of the genre's best stylists . . . This combination of gritty violence, often wildly funny satire, and wonderful descriptive writing has been the hallmark of Dibdin's Zen novels.' GUARDIAN 'Superbly written thriller.' 5* reader review 'Probably the most enjoyable of the Zen series, it provides an insight of Italy rarely accomplished by any author.' 5* reader review 'Such a good read.' 5* reader review 'Brilliantly plotted, very exciting.' 5* reader review PRAISE FOR MICHAEL DIBDIN AND THE INSPECTOR ZEN SERIES: 'He wrote with real fire.' IAN RANKIN 'A maestro of crime writing.' SUNDAY TIMES 'One of the genre's finest stylists . . . And Zen himself is a masterly creation: he is anti-heroic and pragmatic but obstinate, cunning and positively burdened with integrity.' GUARDIAN 'Dibdin tells a rollicking good tale that you want both to read fast, because of its gripping storyline, and to linger over, to savour the evocative descriptions of place and mood.' INDEPENDENT 'One of British crime fiction's most distinguished and distinctive voices.' ANDREW TAYLOR 'Dibdin has a gift for shocking the unshockable reader.' Ruth Rendell 'Zen is one of the greatest creations of contemporary crime fiction.' OBSERVER 'I love the way these books capture the atmosphere and contradictions of Italy.' 5* reader review 'Aurelio Zen novels are a great treat.' 5* reader review 'There is no better writer than Dibdin. His books are a joy to read.' 5* reader review 'Love these books . . . I am sure you will get hooked too!' 5* reader review
In Italian police inspector Aurelio Zen, Michael Dibdin has given the mystery one of its most complex and compelling protagonists: a man wearily trying to enforce the law in a society where the law is constantly being bent. In this, the first novel he appears in, Zen himself has been assigned to do some law bending. Officials in a high government ministry want him to finger someone--anyone--for the murder of an eccentric billionaire, whose corrupt dealings enriched some of the most exalted figures in Italian politics.But Oscar Burolo's murder would seem to be not just unsolvable but impossible. The magnate was killed on a heavily fortified Sardinian estate, where every room was monitored by video cameras. Those cameras captured Burolo's grisly death, but not the face of his killer. And that same killer, elusive, implacable, and deranged, may now be stalking Zen. Inexorable in its suspense, superbly atmospheric, Vendetta is further proof of Dibdin's mastery of the crime novel.
Florence,1855. "The English are dying too much," the city's police chief observes. And members of the foreign community in this quaint Italian backwater, both English and American, are indeed dying at an alarming rate and in an extraordinary variety of ingenious and horrible ways. With the local authorities out of their depth, the distinguished resident Robert Browning launches his own private investigation, aided and abetted by an expatriot Robert Booth. Unfortunately, their amateur sleuthing is hampered by the fact that each of their suspects becomes the next victim in a series of murders orchestrated by a killer with a taste for poetic justice. A Rich Full Death features characters both historical and imaginary, ranging from an enticing servant girl to Mr. Browning's consumptive, world-famous wife, Elizabeth Barrett, in a tale lush with period detail, intricately plotted, and with a truly astonishing final twist.
Aurelio Zen—cynical and tough, yet worn down from years of law enforcement—has just been given the worst assignment he could imagine. He has been sent to the heart of hostile territory: Sicily, the ancient, beautiful island where blood has been known to flow like wine, and the distinction between the police and the criminals is a fine one. Even worse, he has been sent to spy on the elite anti-Mafia squad.The only thing that makes the job palatable—and takes his mind off routine details like the rotting body found in a remote train car—is that Zen's adopted daughter, Carla, is also in town. But life becomes precarious for Carla when she stumbles upon some information she'd be better off not knowing and befriends a local magistrate on the Mafia's most wanted list. What ensues is a breakneck plot of amazing complexity that culminates in a stunning finale. Blood Rain, emotionally gripping and defiantly original, is surely one of Dibdin's finest works.
This Zen might be able to do (his plan involves Neapolitan prostitutes masquerading as Albanian refugees) except for the sudden spate of ominous graffiti, marauding garbage truck crews, officer impersonations, and VIP disappearances he is expected to solve. Which in turn might be possible if Zen weren't being mistaken for the head of Naples' most powerful and feared clan...
In the latest installment in his critically acclaimed Italian mystery series, Michael Didbin sends Aurelio Zen to Italy’s culinary capital, Bologna, where he discovers that some cases are not quite what they appear to be. When the corpse of the shady Bologna industrialist who owns the local football team is found both shot and stabbed with a Parmesan knife, Aurelio Zen is summoned to oversee the investigation. Anxious for a break from his girlfriend, who attributes Zen’s slow recovery from routine surgery to hypochondria, he is only too happy to take on what first appears to be an undemanding assignment. The case quickly spins out of control, becoming entangled with the fates of a student semiotics, a mysterious immigrant claiming to be royalty, and Bologna’s most incompetent private detective. Meanwhile a prominent postmodern academic accuses Italy’s leading celebrity chef of being a fraud. Back to Bologna is dazzlingly plotted and delivers both comic and serious insights into the realities of today’s Italy.
Winner of the Crime Writers Association Gold Dagger Award, this chilling police procedural is a masterpiece of psychological suspense. Italian Police Commissioner Aurelio Zen is dispatched to investigate the kidnapping of Ruggiero Miletti, a powerful Perugian industrialist. But nobody much wants Zen to succeed: not the local authorities, who view him as an interloper, and certainly not Miletti's children, who seem content to let the head of the family languish in the hands of his abductors--if he's still alive. Was Miletti truly the victim of professionals? Or might his kidnapper be someone closer to home: his preening son Daniele, with his million-lire wardrobe and his profitable drug business? His daughter, Cinzia, whose vapid beauty conceals a devastating secret? The perverse Silvio, or the eldest son Pietro, the unscrupulous fixer who manipulates the plots of others for his own ends? As Zen tries to unravel this rat's nest of family intrigue and official complicity, Michael Dibdin gives us one of his most accomplished thrillers.
There can be no question that the contents of this book will prove extremely controversial. Many people will be deeply shocked by the nature of Watson's statement. Many will no doubt prefer to reject it rather than surrender the beliefs of a lifetime. Others will at least regret that two of the great mysteries of crime are finally solved... An extraordinary document comes to light which for fifty years had been held on deposit by the bankers of the deceased John Herbert Watson MD - better known as Dr Watson. The document, written by Dr Watson himself, opens in the East End of London in 1888. Three women have been savagely murdered. To calm the public outcry, Scotland Yard approaches London's most eminent detective, Sherlock Holmes, and asks him to investigate the killer. Can Holmes solve the mystery of Jack the Ripper? And why has this story been suppressed for so long?
With the future of a new wine vintage at stake, Aurelio Zen takes on another unorthodox assignment, to investigate the case of the jailed heir to an important wine-growing family, accused of a brutal murder.
One of England's most acclaimed younger mystery writers, the creator of Detective Aurelio Zen, gives us a brilliant and haunting variation on the classic drawing-room murder novel. The setting is Eventide Lodge, where the guests have gathered for tea. Colonel Weatherby is reading by the fire. Mrs. Hargreave III is whiling away her time at patience. And Miss Rosemary Travis and her friend, Dorothy, are wondering which of their housemates will be the next to die.For even as Michael Dibdin's elderly sleuths debate clues and motives, it becomes clear that Eventide Lodge is not a genteel country inn but a place of ghastly cruelties and humiliations. A place where the logic of murder is . . .almost comforting. At once affectionate homage and audacious satire, The Dying of the Light will delight any aficionado of Patricia Highsmith, Peter Dickinson, or Ruth Rendell.
How did the buying and collecting of books figure in the lives and works of the Romantics, those supposed apostles of spiritualized poetic genius? Why was book collecting controversial during the Romantic period, and what role has book collecting played in the history of homophobia? The Queer Bookishness of Romanticism: Ornamental Community addresses these and more questions about the suppressed bookish dimension of Romanticism, as well as Romanticism’s historical forebears and Victorian inheritors. The analysis ranges widely, addressing the bookish proclivities of the "romantic friends" the Ladies of Llangollen, the camp works about book collecting produced by a subculture calling themselves “ornamental gentlemen,” narratives of prototypically punk collecting and flâneuring by the essayist and collector Charles Lamb, and rare-book forgeries by Thomas J. Wise and Harry Forman, queer bibliographer-scholars responsible for canonizing some of the Romantic poets during the Victorian period. In the process, this book uncovers surprising connections between conceptions of literature and sexuality; literary materiality and queerness; and forgery, sexuality, and authorship.
When a murdered body is discovered, and then stolen, from an abandoned military tunnel in the Italian Alps, Aurelio Zen investigates to see if the killing is somehow related to a recent car bombing in the tax haven of Campion d'Italia.
Among the emerging generation of crime writers, none is as stylish and intelligent as Michael Dibdin, who, in Dead Lagoon, gives us a deliciously creepy new novel featuring the urbane and skeptical Aurelio Zen, a detective whose unenviable task it is to combat crime in a country where today's superiors may be tomorrow's defendants.Zen returns to his native Venice. He is searching for the ghostly tormentors of a half-demented contessa and a vanished American millionaire whose family is paying Zen under the table to determine his whereabouts-dead or alive. But he keeps stumbling over corpses that are distressingly concrete: from the crooked cop found drowned in one of the city's noisome "black wells" to a brand-new skeleton that surfaces on the Isle of the Dead. The result is a mystery rich in character and deduction, and intensely informed about the history, politics, and manners of its Venetian setting.
A comedy of manners, a mystery thriller, and a sardonic satire whose deliciously unscrupulous narrator claims that everything he did regarding his victims was “market-led,” Dirty Tricks is pure entertainment from one of the most inventive writers around. When the nameless narrator embarks upon an affair with Karen, a seemingly vapid P.E. teacher married to a boring accountant, he does not know her fetish is for adultery while her husband is in the room or loitering nearby. But once he finds out, he doesn’t care. He has been abroad for twenty years, and since his return to merry old England he’s been startlingly uninhibited by morals or a conscience. Which is not only why he eventually gets involved with blackmail, a kidnapping, and two murders, but also how, with hilariously syllogistic logic, he’s able to justify his role in all of it.
Focuses on David Garrick and the leading actors of his company at Drury Lane. This book tells how, in their time, Garrick, Macklin and Woffington were as famous for their achievements on the stage as they were infamous for their activities off it. It draws a selection of the actors' own words with those of their contemporaries and critics.
The British Copyright Act of 1709 protected proprietors of books and music printed after 10 April 1710 who gave copies to the Company of Stationers in London. Upon receipt of a copy, usually within days of its first publication, the Stationers' Hall warehouse keeper entered details into a register. They included the date of registration, the name of the work's proprietor (its author or, if copyright had been transferred, its publisher), and the work's full title, which normally named the composer and the writer of any text and often named the work's performers and dedicatee. Although some publishers put the words 'Entered at Stationers' Hall' on title-pages without actually depositing copies, the information in the registers about the many works that were registered has significant bibliographic value. Because the music entries have not previously been printed and access to them has been difficult, they generally have been ignored by cataloguers and scholars, with the consequence that numerous musical works of this period have been misdated in libraries and reference books. This book makes available, for the first time, the full text of the music entries at Stationers' Hall from 1710 to 1810 and abbreviated details of works entered from 1811 to 1818. Its value is enhanced by the inclusion of locations of copies of most works, together with indexes of composers, authors, performers and dedicatees, and an explanatory introduction by the compiler.
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Early in 1815, Louisa Catherine Adams and her young son left St. Petersburg in a heavy Russian carriage and set out on a difficult journey to meet her husband, John Quincy Adams, in Paris. She traveled through the snows of eastern Europe, down the Baltic coast to Prussia, across the battlefields of Germany, and into a France then experiencing the tumultuous events of Napoleon's return from Elba. Along the way, she learned what the long years of Napoleon's wars had done to Europe, what her old friends in the royal court in Berlin had experienced during the French occupation, how it felt to have her life threatened by reckless soldiers, and how to manage fear. The journey was a metaphor for a life spent crossing borders: born in London in 1775, she had grown up partly in France, and in 1797 had married into the most famous of American political dynasties and become the daughter-in-law of John and Abigail Adams. The prizewinning historian Michael O'Brien reconstructs for the first time Louisa Adams's extraordinary passage. An evocative history of the experience of travel in the days of carriages and kings, Mrs. Adams in Winter offers a moving portrait of a lady, her difficult marriage, and her conflicted sense of what it meant to be a woman caught between worlds.
When did medicine become modern? This book takes a fresh look at one of the most important questions in the history of medicine. It explores how the cultures, values and meanings of medicine were transformed across the late eighteenth and early nineteenth centuries as its practitioners came to submerge their local identities as urbane and learned gentlemen into the ideal of a nationwide and scientifically-based medical profession. Moving beyond traditional accounts of professionalization, it demonstrates how visions of what medicine was and might be were shaped by wider social and political forces, from the eighteenth-century values of civic gentility to the radical and socially progressive ideologies of the age of reform. Focusing on the provincial English city of York, it draws on a rich and wide-ranging archival record, including letters, diaries, newspapers and portraits, to reveal how these changes took place at the level of everyday practice, experience and representation.
This edition makes available in a single edition all of Hunt's major works, fully annotated and with a consolidated index. The set will include all of Hunt's poetry, and an extensive selection of his periodical essays.
After a decomposed body is discovered in an abandoned military tunnel, Inspector Aurelio Zen travels north to the Italian Alps to investigate. At first glance, the death appears to have been an accident. But when Zen takes a closer look, a mysterious tattoo begins to tell a much more sinister tale, especially after the body is snatched from the morgue. As Zen races to discover the inner workings of a clandestine military organization named Medusa, he is reminded of just how lethal Italian history can be. Medusa takes us on an exploration of the dark history of post-war Italy and a modern-day sightseeing tour of what Zen calls Italia Lite. In the urbane and pragmatic Zen, world-class mystery novelist Michael Dibdin has given us a detective unlike any other. And in this latest installment of this critically acclaimed series, we are treated to a mystery that drips with intrigue and a thriller so satisfying the pages cannot be turned fast enough.
This compilation of the prefaces from the author's "English plays of the nineteenth century" (5 vols. ; London : Oxford Univ. Press, 1969-1976) provides an introduction to the critical interpretations of most genres of English drama.
Perhaps the most significant development of the Georgian theater was its multiplication of ethnic, colonial, and provincial character types parading across the stage. In Theatrical Nation, Michael Ragussis opens up an archive of neglected plays and performances to examine how this flood of domestic and colonial others showcased England in general and London in particular as the center of an increasingly complex and culturally mixed nation and empire, and in this way illuminated the shifting identity of a newly configured Great Britain. In asking what kinds of ideological work these ethnic figures performed and what forms were invented to accomplish this work, Ragussis concentrates on the most popular of the "outlandish Englishmen," the stage Jew, Scot, and Irishman. Theatrical Nation understands these stage figures in the context of the government's controversial attempts to merge different ethnic and national groups through the 1707 Act of Union with Scotland, the Jewish Naturalization Bill of 1753, and the Act of Union with Ireland of 1800. Exploring the significant theatrical innovations that illuminate the central anxieties shared by playhouse and nation, Ragussis considers how ethnic identity was theatricalized, even as it moved from stage to print. By the early nineteenth century, Anglo-Irish and Scottish novelists attempted to deconstruct the theater's ethnic stereotypes while reimagining the theatricality of interactions between English and ethnic characters. An important shift took place as the novel's cross-ethnic love plot replaced the stage's caricatured male stereotypes with the beautiful ethnic heroine pursued by an English hero.
Over 3,200 entries An essential guide to authors and their works that focuses on the general canon of British literature from the fifteenth century to the present. There is also some coverage of non-fiction such as biographies, memoirs, and science, as well as inclusion of major American and Commonwealth writers. This online-exclusive new edition adds 60,000 new words, including over 50 new entries dealing with authors who have risen to prominence in the last five years, as well as fully updating the entries that currently exist. Each entry provides details of a writer's nationality and birth/death dates, followed by a listing of their titles arranged chronologically by date of publication.
What is it that binds together a series of violent murders across America and the long-lost Secret of the Templars?The killings always take place in the home, usually in broad daylight, in towns and cities all over America. The victims are of every age and background; they have been bound and gagged and shot in the head at close range. The crimes appear to be random and motiveless and no one has claimed responsibility.So what connects the killings to an obscure religious sect operating from an island in the Pacific North-West? And what clues lie hidden in the Secret of the Templars?If you enjoyed Dark Spectre you may also like Dirty Tricks, also by Michael Dibdin.
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