Michael DeMarco, M.A.'s Books

Foundations of Korean Martial Arts: Masters, Manuals and Combative Techniques

By: Michael DeMarco, M.A., et al.

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Foundations of Korean Martial Arts: Masters, Manuals and Combative Techniques

By: Michael DeMarco, M.A., et al.

Most of what are referred to as Korean martial art styles are actually derived from Japanese/Okinawan karate systems or find their roots in Chinese boxing. The Korean peninsula has existed as a fragile territory between China and Japan and thus shared many cultural elements from their neighbors. To what degree has the Japanese and Chinese arts influenced those practiced in Korea over the centuries? Can we distinguish any original Korean martial art style? Chapters in this anthology are derived from the Journal of Asian Martial Arts specifically in response to such questions as asked above. The authors provide great detail on the military/martial manuals that recorded both battlefield arts and personal combative arts and use these sources to give a picture of the martial traditions practiced in Korea for hundreds of years. In chapter one, Stanley Henning provides an excellent overview of martial arts in Korea since the earliest dynasties. These include bare-hand arts as well as those with weaponry. His overview illuminates the time and place of highly influential military manuals as discussed in the chapter by Manuel Adrogué. John Della Pia’s two chapters focus on a particular manual—the Muye Dobo Tongji (1790)—providing details of open-hand and weapons training, in particular with the unique Korean “native sword.” Two chapters provide the theory and practice of qigong methods for health and martial effectiveness. Dr. Patrick Massey et al. offer results on the use of breathing methods affecting lung capacity. Sean Bradley’s chapter goes deeply into the medical theories that parallel the practice of Sinmoo Hapkido’s qigong methods. The final two chapters focus on practical fighting applications from Hapkido. Marc Tedeschi’s chapter provides sound advice for self-defense against multiple opponents. In addition to detailing principles that give any defender a helpful advantage, Tedeschi shows nineteen examples of techniques against two, three, and four opponents that include pressure point striking, throws, arm bars, locks, and a variety of kicks. In the closing chapter, Sean Bradley discusses a few of his favorite techniques, where he learned them, and why they are memorable. Rich in historical details and practical advice, this anthology will prove to be a prized reference work to all interested in the Korean martial traditions.

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180

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Via Media Publishing

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ISBN 10

1893765431

ISBN 13

9781893765436

Tai Chi and the Daoist Spirit

By: Michael DeMarco,Arieh Lev Breslow,Douglas Wile,Greg Brodsky,Dennis Willmont,Charles Holcombe,Mark Hawthorne,Stanley E. Henning

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Tai Chi and the Daoist Spirit

By: Michael DeMarco,Arieh Lev Breslow,Douglas Wile,Greg Brodsky,Dennis Willmont,Charles Holcombe,Mark Hawthorne,Stanley E. Henning

The chapters in this anthology present an encompassing perspective of how some Chinese martial art styles—and most significantly taijiquan—developed and evolved along with deep rooted traditions of spirituality and the quest for health and longevity. Much in this volume deals with Daoist theories and practices, particularly its influences ranging from human energetics (qigong) and other physical exercises (daoyin), to practical combative arts.

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244

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Via Media Publishing

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ISBN 10

1893765873

ISBN 13

9781893765870

Chen T'ai Chi, Volume 1

Traditional Instructions from the Chen Village

By: Michael DeMarco

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Chen T'ai Chi, Volume 1

Traditional Instructions from the Chen Village

By: Michael DeMarco

When we think of martial arts in “old China,” we get visions of violent convulsions of dynastic change, devastating rebellions, civil wars, and banditry. Throughout the centuries there was a need for masters who possessed highly effective martial skills for positions in the military, protection services, and law enforcement. Out of this historical reality emerged a national treasure we call taijiquan. Chen-style taijiquan formulated during the days of military strategist Qi Jiguang (1528–1587), and its founder is considered to be militia battalion commander Chen Wangting (1600–1680). The art evolved. Its mystique remains fundamentally a true fighting art, including bare-handed forms and applications, plus an arsenal of weapons that includes the spear, straight sword, broadsword, and halberd. Then there are the associated training methods used to master this complete system, such as qigong, push-hands, and standing post. All of these practices are infused with knowledge associated with the physical and mental aspects of the human condition. Chen style encompasses a complete martial system. It has a deserved reputation for its combative efficiency, but also as a health-nurturing modality. The vastness of the Chen-style curriculum is way beyond the scope of most people to fully learn, so practitioners focus on what they can handle. Usually a solo routine is sufficient. Since all taiji styles stem from the original Chen family system, the Chens certainly share in the credit for taiji’s popularity in general, especially as an exercise purely for health benefits. Regardless of taiji style—be it Chen, Yang, Wu, Sun, Hao, or other—any serious taiji practitioner or scholar should have some understanding of the Chen family roots to get a vision of the whole tree. This two-volume anthology brings much of the rich heritage conveniently together for your reading. In this first volume, prepare yourself to sit at the feet of the main representatives of the Chen Village, including Chen Xiaowang, Chen Xiaoxing, and Wang Xi’an. Read rare text from Chen Xin, a member of the literati who expounded on the inner workings of Chen taiji by utilizing Daoist and traditional medical knowledge. In addition to the detailed history and penetrating philosophy you’ll find here, perhaps of greater importance are the clear explanations outlining each step in the learning process toward mastering Chen-style taiji. Only a very high-level teacher can understand what methods of instruction work best. Students don’t know; that’s why they should follow a teacher’s instructions as closely as possible. Chapters included here clarify what proper training entails and why much time and effort (gongfu) are necessary to gain results. As echoed among practitioners in taiji’s birthplace: “If you drink water from Chen Village, your feet know how to kick.” This two-volume edition brings you to the village for traditional instruction.

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192

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Via Media Publishing

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ISBN 10

1893765083

ISBN 13

9781893765085

Indo-Malay Martial Traditions Vol. 2

Aesthetics, Mysticism & Combatives

By: Michael DeMarco M a,Mark Wiley B a,Chris Parker B. Ed

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Indo-Malay Martial Traditions Vol. 2

Aesthetics, Mysticism & Combatives

By: Michael DeMarco M a,Mark Wiley B a,Chris Parker B. Ed

Many Indo-Malay martial arts are kept private, taught in secluded areas away from the public. These are arts of the older tradition, developed when combative knowledge was valued for its use in protecting the sanctity of life. This two-volume anthology brings together a great collection of writings by authors who dive into the deepest realms of Indo-Malay combatives. They offer readers a rare viewing of martial traditions that is usually hidden behind social shrouds of secrecy and a clannish quest to preserve individual tradition. A special presentation in this second volume are the writings of Dr. Kirstin Pauka forming three chapters on silat (silk) of West Sumatra. The lead chapter discusses silk history, styles, training methods, and its use in dance. In chapter 2, Dr. Pauka shows that the martial arts constitute the core of the movement repertoire of the Randai folk theatre. Her third piece reports on an extended silk artist-in-residence program in the Asian Theatre program at the University of Hawai'i. The next three chapters contains some academic coverage of kuntao-silat in the Indo-Malay traditions, garnished with technical sections illustrating the martial aspects of the arts. Mark Wiley details Silat Seni Gayong’s ethical foundation for self-defense and nine techniqes illustrating the art with the help of Master Shiekh Shamsuddin. My own chapter offers a glimpse of how cultural streams from India and China contributed over centuries to native Indonesian fighting arts to form hybrid systems. Examples were derived from personal observations of practitioners in the Willem Reeders lineage. The research shows the original intent and practices of any highly efficient combative art. Chris Parker’s insightful chapter discusses applications of specific movements, the rhythm that can be achieved when employing them, and the space they fill as being of crucial importance for defense. Pencak silat postures form the focus of this study. All who are serious about the history and practice of Indo-Malay fighting arts will enjoy this special anthology, volumes one and two. We are very fortunate to assemble the works of these highly qualified authors. We hope reading will provide information you seek. Although the availability of studying under a true silat mater is nearly impossible, the chapters here will certainly add direction and inspiration for practitioners.

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154

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Via Media Publishing

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ISBN 10

1893765229

ISBN 13

9781893765221

Taekwondo Studies: Advanced Theory and Practice

By: Michael DeMarco, M.A., et al.

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Taekwondo Studies: Advanced Theory and Practice

By: Michael DeMarco, M.A., et al.

Taekwondo is unlike any other martial art and it deserves some special attention because of its importance as a sport with a unique history and influence. This anthology, as part of our projects to provide stellar articles from the Journal of Asian Martial Arts, provides high quality materials about taekwondo you will not find elsewhere. Topics include fascets of taekwondo history, practice, competition, health, education, character, techniques, and sport/athletics. You’ll find the notes, bibliographies, illustrations, and index are also valuable. We have been very fortunate to include the writings of Dr. Willy Pieter, a pioneer in the scientific study of taekwondo. Other articles in this book provide details of taekwondo history, such as the detailed work by Dakin Burdick. The earlier version as published in the journal caused quite a stir among Korean martial art afficionados, particularly in the clear exposition that taekwondo’s roots are found in Japanese/Okinawan traditions. Some chapters focus on specific techniques, especially the pieces by Udo Moenig, Louis Bercades and Willy Pieter. The interview by José Suporta with Juan Moreno is very insightful as it includes a discussion of the differences of taekwondo practices for the martial artist and sport athlete. In her chapter, Marzena Czarneca uncovers the social relationships that often develop between students and teachers. The emotional and psychological bonds formed during classes are often difficult to notice and define, but she does so with a unique research methodology. Van Reenam’s chapter gives a refreshing portrait of childhood development through taekwondo practice. His conclusions will benefit those who teach, as well as the youngsters and parents involved in taekwondo. Authoritative works dealing with taekwondo are published occasionally. This book is a milestone in taekwondo literature. Hopefully you will enjoy reading each page of this important anthology. Besides being a convenient collection of special readings on taekwondo, we also hope the chapters will inspire future research and writing in this field.

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175

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Via Media Publishing

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ISBN 10

1893765180

ISBN 13

9781893765184

Chinese Swords: An Ancient Tradition and Modern Training

By: Michael DeMarco

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Chinese Swords: An Ancient Tradition and Modern Training

By: Michael DeMarco

The Chinese double-edged straight sword (jian), the “gentleman of weapons,” is the focus of this e-book. There are a growing number of people interested in this fascinating weapon, its history, and its use. For your convenience, this anthology assembles the best articles on this subject as published in the Journal of Asian Martial Arts. Chapters 1 and 2 were written by Dr. Richard Pegg, a scholar of Asian studies and art curator with over thirty years of studies in the martial arts. With sound academic and practical experience in swordsmanship, Dr. Pegg writes here on ancient Chinese bronze swords and also on the parallels of Chinese calligraphy and swordplay. The analysis and presentation of the calligraphic illustrations give insight into the physical execution of sword movement. These superb presentations provide a perspective that is useful for understanding the technical and historical significance of the sword arts in China. In the next chapter, Tony Yang, Andy Lianto, and Robert Figler give an excellent overview of the fundamentals of training with the straight sword. This article outlines some of the most famous sword forms in history, Liu Yunqiao’s lineage, solo and two-person practice, as well as details on fundamental techniques and their combinations. For all intents and purposes, the practice and perfection of these fundamentals make one a master of the sword. Over 140 photos are used just in this chapter to illustrate the techniques. Stephan Berwick’s chapter details the history and practice of a famous straight sword system, the Qingping (Green Duckweed). The study meshes Chinese- and English-sourced research and a revealing interview with Lu Junhai—the grandmaster of this unique sword system. The interview is conducted by America’s senior Qingping disciples, Reza Momenan and Hon Lee. If you are a serious practitioner of the Chinese double-edged straight sword and have an interest in its history and techniques, you’ll enjoy each chapter included in this anthology. May it be a handy reference work for information as well as a source of inspiration for actual sword practice.

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112

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Via Media Publishing

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ISBN 10

1893765105

ISBN 13

9781893765108

Mantis Boxing Anthology

By: Michael DeMarco

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Mantis Boxing Anthology

By: Michael DeMarco

A praying mantis insect faces any danger regardless of its opponent’s size and strength. If you’ve seen their parade of innate fearlessness, it is easy to see why they have inspired the creation of a Chinese martial art style. This anthology assembles the work of four highly qualified authors who present rare information about praying mantis boxing. In the first chapter, Dr. Martin Eisen interviews Gin-foon Mark, a noted fifth-generation master of Guangxi Province Bamboo Grove Praying Mantis. Mark discusses training in Chinese temples and compares it with the common training methods found today. The goals, training, and results are very different. The classical methods include developing the senses for fighting, and medical applications. Dr. Daniel Amos studied praying mantis boxing in Hong Kong. When a person starts to study a martial art, he or she is actually joining a social group to do so. The social structures of Hong Kong martial arts temple cults provide Chinese shunted aside by the dominant status system with an alternative, albeit secondary, system of status achievement. Here, the author presents details of his study and the social setting. The essence of China’s varied martial styles has often been preserved in writings. At the heart of this heritage are “character formulas”: a short list of characters that is used to establish the most elemental characteristics of a particular martial style. In the third chapter, Dwight Edwards provides an analysis of “The Twelve Character Formula of Seven Star Praying Mantis Boxing.” In the following chapter, Ilya Profatilov shares the results of years of researching the mantis systems in China. Old manuscripts describe the origins, theory, and curriculum of praying mantis boxing. Additionally, oral folk traditions, legends, fantastic stories, and songs are utlized. Referencing such sources, the author details the history of this realistic combat system, showing that it preserves its original techniques and classical forms. In the final chapter Profatilov discusses a favored close-range technique he recounts from his tutalage under Master Lin Tangfang (1920-2009) in a small village in Shandong Province. He uses the past to inspire his practice, as we hope this anthology will stimulate further research and practice to all readers.

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122

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Via Media Publishing

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1893765377

ISBN 13

9781893765375

Chen T'ai Chi: Traditional Instructions from the Chen Village, Volume 2

By: Michael DeMarco

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Chen T'ai Chi: Traditional Instructions from the Chen Village, Volume 2

By: Michael DeMarco

When we think of martial arts in “old China,” we get visions of violent convulsions of dynastic change, devastating rebellions, civil wars, and banditry. Throughout the centuries there was a need for masters who possessed highly effective martial skills for positions in the military, protection services, and law enforcement. Out of this historical reality emerged a national treasure we call taijiquan. Chen-style taijiquan formulated during the days of military strategist Qi Jiguang (1528–1587), and its founder is considered to be militia battalion commander Chen Wangting (1600–1680). The art evolved. Its mystique remains fundamentally a true fighting art, including bare-handed forms and applications, plus an arsenal of weapons that includes the spear, straight sword, broadsword, and halberd. Then there are the associated training methods used to master this complete system, such as qigong, push-hands, and standing post. All of these practices are infused with knowledge associated with the physical and mental aspects of the human condition. Chen style encompasses a complete martial system. It has a deserved reputation for its combative efficiency, but also as a health-nurturing modality. The vastness of the Chen-style curriculum is way beyond the scope of most people to fully learn, so practitioners focus on what they can handle. Usually a solo routine is sufficient. Since all taiji styles stem from the original Chen family system, the Chens certainly share in the credit for taiji’s popularity in general, especially as an exercise purely for health benefits. Regardless of taiji style—be it Chen, Yang, Wu, Sun, Hao, or other—any serious taiji practitioner or scholar should have some understanding of the Chen family roots to get a vision of the whole tree. This two-volume anthology brings much of the rich heritage conveniently together for your reading. In this second volume, there is a special emphasis on nurturing the internal aspects for health as well as for combative skills. You will find clear explanations outlining each step in the learning process toward mastering Chen-style taiji. Chapters included here clarify what proper training entails and why much time and effort (gongfu) are necessary to gain results. In addition to the detailed history and penetrating philosophy you’ll find here, perhaps of greater importance are the clear explanations outlining each step in the learning process toward mastering Chen-style taiji. Only a very high-level teacher can understand what methods of instruction work best. Students don’t know; that’s why they should follow a teacher’s instructions as closely as possible. Chapters included here clarify what proper training entails and why much time and effort (gongfu) are necessary to gain results. As echoed among practitioners in taiji’s birthplace: “If you drink water from Chen Village, your feet know how to kick.” This two-volume edition brings you to the village for traditional instruction.

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140

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Via Media Publishing

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ISBN 10

1893765121

ISBN 13

9781893765122

Lesser-Known Tai Chi Lineages: Li, Wu, Sun, Xiong

By: Michael DeMarco

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Lesser-Known Tai Chi Lineages: Li, Wu, Sun, Xiong

By: Michael DeMarco

Anyone who has studied taiji long enough to gain proficiency in the fundamental practices, probably has read enough to also grasp the general history and theory of the art. What we read influences our ideas about what the word “taiji” represents as a practice. For this reason, it is beneficial to look outside the mainstream writings to gain a broader view of the rich tradition taiji encompasses. A look at some of the lesser-known lineages can illustrate fascets of taiji that would have otherwise been overlooked or under appreciated. In the first chapter in this anthology, Wong Yuenming details the Li Family Taiji style as it developed from the teachings of Yang Luchan. Sources state that Yang Luchan gave his student Wang Lanting classics writings from Yang’s teacher Chen Changxing, manuals, secret instructions, “heart transmissions,” and various notes. Wang’s gifted disciple, Li Ruidong, formulated a curriculum that was uniquely immense, including training regimens he inherited at the turn of the century. Cai Naibiao’s chapter focuses on a “gatekeeper” of Wu Family Style Taijiquan, Wu Daxin. He was the grandson of Wu Jianquan (1870-1942), the founder of this lineage. Daxin was particularly famous for his taiji saber skills. The author is a lineage holder living in Hong Kong and was able to provide much information and insights into the life and contributions of Wu Daxin. Training in Sun Lutang’s taiji style presents not only an extremely healthy exercise, but also an effective system of combat as author Jake Burroughs discusses in chapter three. This is a concise yet inclusive overview of Sun Family Taiji boxing, including the historical background, real-world applications, and the theory involved in this often overlooked system of taiji. Burroughs is assisted in photographic presentations by Tim Cartmell. The final chapter presents a branch of Yang Style as taught by Xiong Yanghe (1888-1981), who was a leading scholar/practitioner in Taiwan over the decades. Information assembled here provides a comprehensive overview of Xiong Style Taiji. Included are Xiong’s lineage, his preservation of the system, and its significance for the understanding taijiquan as a martial art and exercise for health.

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1893765385

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9781893765382

Teaching and Learning Japanese Martial Arts: Scholarly Perspectives, Vol. 2

By: Michael DeMarco

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Teaching and Learning Japanese Martial Arts: Scholarly Perspectives, Vol. 2

By: Michael DeMarco

In contrast to the overabundance of writings about martial arts that are often promotional and misinformative, there are rare works by scholars that are praiseworthy for their sincere, unbiased approach to writing. This is the very definition of “scholarly.” This two-volume anthology brings together the best scholarly works published in the Journal of Asian Martial Arts on the topic of teaching and learning Japanese martial arts. In this second volume, you’ll find eight chapters that dive deep into Japanese martial traditions, combining aspects of history and culture that explain how teaching methods developed and evolved. Chapter one asks: What defines and gives meaning to the practice of karate? The Dr. Wingate looks to the ideology of karate as presented in the writings of founder Ginchin Funakoshi and traditional Japanese martial arts as “ways” of self-cultivation. This ideology is often greatly different from the ideology held by modern practitioners. This chapter explores the differences. Next, Dr. Donohue comments on the ideological complex surrounding training in the Japanese martial traditions. These systems, while remaining relatively uniform through time, have, in fact, been subject to considerable philosophical interpretation and emphasis. Why many practice martial artists has little to do with the essential nature of these arts. Dr. Grossman presents a thesis in his chapter that we can arrive at a deeper understanding of any martial arts—using aikido as an example—if we consider it to be a symbolic form of communication, as well as a martial art, and utilize the science of semiotics to translate the “message” encoded in the “body language” of aikido techniques. A photographic technical section illustrates this process. The next chapter by Sakuyama Yoshinaga discusses the potential growth for learning in children. How can adults provide the best learning environment? The author believes that inspiration comes through subtle emotions of the human heart, influencing others. The theory is found in ancient samurai traditions and applied by the author in teaching Shorinji Kempo. Chapter five by Dr. Dykhuizen point out how Asian martial arts are being practiced in cultures other than those within which they originated. Specific information concerning how practitioners from different cultures understand them becomes increasingly useful to martial artists and martial arts scholars. This chapter summarizes findings of an investigation among aikido practitioners. The Japanese Imperial family is said to have been given three symbols of authority by the gods: a mirror, a jewel, and a sword. Dr. Donohue uses this symbolic structure to discuss varying perspectives on the Japanese martial arts. Each aid in our understanding and appreciation of the multifaceted dimensions of the martial arts. In his chapter, Dr. Edinborough examines how Japanese martial arts, specifically the approach developed by Inaba Minoru, can be functionally understood as a form of art. Through referring to the aesthetic theories, the article examines budo as a means of organizing experience, recognizable alongside painting, dance, theater, and literature. The final chapter by Marvin Labbate looks close at the training hall. Dressed in a uniform, students line up in a ready position, come to attention, sit, meditate, and bow. This ritualized pattern is performed at the beginning, during, and at the end of each class, but what does it mean? In this chapter, each element of the ritualized pattern will be discussed to provide a clear understanding of its original intent. If you are interested in Japanese martial traditions, you will find much in these eight chapters that clarify why the arts are taught according to a longstanding tradition—and also why there have been evolutionary changes in the instructional methods. There is sound logic for the old traditions, as well as for the changes. The scholarly research presented in this anthology will improve a teacher’s way of instructing and help a student understand what to expect out of his or her studies.

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142

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Via Media Publishing

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ISBN 10

1544823096

ISBN 13

9781544823096

Medieval Warrior Cultures of Europe and Japan: Body, Mind, Sword

By: Michael DeMarco

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Medieval Warrior Cultures of Europe and Japan: Body, Mind, Sword

By: Michael DeMarco

There are simularities and differences between the European and Japanese medieval warrior traditions that reflect the social evolutions within those cultures. Over the years publishing the Journal of Asian Martial Arts, we published articles that presented the main themes found in this unique area of comparitive studies. The most important of these writings are assembled in this anthology for your convience. Chapters 1 and 2 are by Dr. Willy Pieter, a leading scholar with a thorough grasp of European and Japanese martial art traditions. His first chapter examines the feudal system and how aspects of social organization helped form the warrior ethic, resulting in a mix of scientific and intuitive elements. In the second chapter Dr. Pieter illustrates how the perception of the human body and mind are culturally different in the East and West. Westerners have a long tradition of dualism, which separates the body and mind, while the Eastern approach has been wholistic. The author discusses scientific and medical histories for insight, particularly Chinese and European influences on Japan. In the third chapter John Michael Greer presents the esoteric side of a European sword tradition as found in the writings of Dutch fencing master Gerard Thibault (ca. 1574–1627). He notes that Asian and Western combat systems havebeen understood in sharply different ways over the last century or so. Asian combatives came to be associated with Eastern spiritual traditions and seemed to be very different than any Western combative system. However, this short chapter shows that there is actually much in common. In the final chapter Matthew Galas compares and contrasts the sword arts in Germany with the classical Japanese martial traditions. The period covered by this inquiry reaches from approximately 1350 until 1600. The focus is on general principles and combat philosophy. The study reveals that German sword techniques were as effective as their counterparts in feudal Japan. The content in this anthology is usefull for anyone interested in either or both European and Japanese martial art traditions exemplified during their medieval periods. Enjoy reading this special anthology dedicated to two leading warrior traditions.

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110

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Via Media Publishing

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ISBN 10

1893765237

ISBN 13

9781893765238

Asian Martial Arts, Monks, and Ways of Thought

An Anthology from the Journal of Asian Martial Arts

By: Michael DeMarco

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Asian Martial Arts, Monks, and Ways of Thought

An Anthology from the Journal of Asian Martial Arts

By: Michael DeMarco

Many know of the legends concerning the Shaolin Temple as the font of Asian martial arts. However, this was not the only temple with deep associations with combatives. This anthology dives deep into the historic significance of the relationship between temples, monks, and martial arts. As a transporter of culture, it seems logical that the Indian monk Bodhidharma brought more than just Buddhist texts to the Shaolin Temple. India has a wonderful tradition of martial and healing arts that he would have shared at the temple. His rich story throws light on how and why monks throughout Asia have often blended martial arts with their spiritual lives. Asian countries have unique histories and societies, but also share important elements. A major thread is religion and the mixing with ancient native shamanism and mysticism. We find a blend of Buddhism, Daoism, Confucianism, Hinduism, and Islam in Asian cultures, which are strongly based in monastic centers. The spread of religious thought is coupled with the spread of knowledge about martial arts. It is part of human nature to find sources to enforce the spiritual, mental, and physical condition. Temples and martial arts are certainly valued for these reasons. In the first chapter, Michael Spiesbach details the story of Bodhi-dharma. His piece couples nicely with Stanley Henning’s observations from a visit to the Shaolin Temple. Dr. Charles Holcombe details the historic connections Daoism has with martial arts, while Mark Hawthorne discusses the recent state of Daoism and its prospects for the future. Jerry Shine’s chapter on the sohei shows the influence these warrior monks had in Japanese history. Ken Jeremiah’s chapter looks at the extreme asceticism Japanese monks and warriors practiced to reach their individual goals. Mark Wiley’s chapter deals with mystical elements as sources of power in Indonesian martial arts. In the final chapter, Mark Kelland brings the religious and martial traditions into our present everyday lives.

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165

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Via Media Publishing

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ISBN 13

9798562576958

Conditioning for Martial Art Practice

Nutrition, Exercise, Energy, Strength, Flexibility

By: Michael DeMarco

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Conditioning for Martial Art Practice

Nutrition, Exercise, Energy, Strength, Flexibility

By: Michael DeMarco

If you are interested in practicing a martial art for health, this anthology is highly practical for this purpose. The content will inspire readers to adapt ways to enrich their martial art practice to reach a higher standard of health. Whenever considering health, one’s diet should be a priority. The chapter by Roberto Nurchis shows how the kind of foods ingested have a negative or a positive influence on martial performance. General conditioning exercise are illustrated in Oga-Baldwin’s chapter. These exercise are in line with traditional qigong/stretching exercises. Netherton and Durstine’s chapter addresses the sports-medicine views of the physiology of warm-up exercises. The authors examine changes in blood flow and body temperature and the impact of these changes on muscle tissue as an individual goes through the warm-up process. Porta and McCabe show a number of supplementary weight training practices derived from Miyagi Chojun in Okinawa. These exercises are designed to strengthen bodies and maintain overall flexibility to properly perform the techniques. Julio Anta looks to ancient Shaolin Temple physical conditioning traditions for inspiration. His chapter introduces iron ring and hard qigong exercises that are based on fundamental principles also found in modern training methods, such as weightlifting. The chapters by Smith, Bradley, and Mancuso all deal with a variety of breathing techniques necessary for energy and stamina. Some breathing methods are definitely more appropriate for the fighting arts, while other methods are more applicable as adjuncts to various physical and mental disciplines. While Bradley looks to a particular Korean system and Mancuso has a focus on Chinese practices, Smith utilizes an in depth multi-cultural approach. Niiler’s chapter concerns the potential for leg injuries from jumping kicks. He uses examples of Chinese wushu flying kicks, but the scientific information and advice he provides will benefit anyone who practices jumping maneuvers. Last but not least are two very valuable chapters by Allen Pittman, one chapter dealing with the legs and the other with the trunk. The cross-cultural and scientific points of view he presents are extremely insightful. They are not only conducive for superb body conditioning, but will certainly lead to improved combative technique. Pittman’s chapters along with the other authors are useful and effective for modern practitioners of martial arts.

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191

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ISBN 10

1986022420

ISBN 13

9781986022422

Asian Martial Arts

Constructive Thoughts & Practical Applications

By: Michael DeMarco

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Asian Martial Arts

Constructive Thoughts & Practical Applications

By: Michael DeMarco

Asian Martial Arts: Constructive Thoughts & Practical Applications represents an international gathering of friends who happen to be highly qualified martial art scholars and practitioners. This martial arts book is a collection of articles from practitioners who have come together in celebration of the 20-plus years that Journal of Asian Martial Arts has inspired scholarship to higher academic standards while encouraging all aspects of responsible practice. Each article was written specifically for Asian Martial Arts, with topics representing the rich variety found in the Asian martial traditions.

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Via Media Publishing

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080484870X

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9780804848701

Jujutsu and Judo in the West

Uke Becomes Tori

By: Michael DeMarco

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Jujutsu and Judo in the West

Uke Becomes Tori

By: Michael DeMarco

The late 19th century saw a dynamic growth of contacts between Western countries and the Far East. Along with the increase in travel came a wave of educational opportunities for Americans and Europeans to gain first-hand experience of living in countries such as China, India, and Japan. Likewise, adventurous individuals from the Orient made their way to the West. Scholars, politicians, and business people became experts in their adapted culture. Some learned the native language and became experts in their second culture, often writing and lecturing on a variety of topics, including martial traditions. By the early 20th century a number of Japanese jujutsu and judo instructors were teaching their exotic arts in Germany, Spain, the United Kingdom, and the United States. How were these instructors viewed by those in their host countries? What similarities and differences were seen between the Japanese combatives and the local traditions such as Catch-as-Catch-Can, Greco-Roman, and Pancrase wrestling, and styles of boxing? Chapters in this anthology present an excellent overview of the early days when jujutsu and judo took foothold in the USA and Europe, with particular emphasis on England and the influence of The Budokwai in London, which as noted on Wikipedia, is “the oldest Japanese martial arts club in Europe. It was founded in 1918 by Gunji Koizumi and initially offered tuition in jujutsu, kendo, and other Japanese arts. It was the first judo club in Europe.” This anthology offers a historical view of how and why jujutsu and judo became living traditions in the West, and developed over the decades. There are six technical chapters by David Finch, well-known for his knowledge of judo and famed for his professional photography. The last chapter is a fitting finale presenting a comprehensive history and technical description of The Budokwai Kime-no-kata, a judo kata created during the earlier period of the institute. The fourteen chapters in this anthology—most from the Journal of Asian Martial Arts and a few newer writings—also discuss many of the leading practitioners of jujutsu/judo. As these arts adapted and transformed to Western countries, the purpose and modes of practice have also changed. This is important for all to study since knowledge of the past is vital for how these forms of combat and sport will evolve in the future.

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175

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1717030157

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9781717030153

T'ai Chi and Qigong for Your Health: Historical and Scientific Foundations

By: Michael DeMarco, M.A.

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T'ai Chi and Qigong for Your Health: Historical and Scientific Foundations

By: Michael DeMarco, M.A.

T’ai Chi and qigong are popular because of their great reputations as exercises with numerous health-related benefits. Can these benefits simply be results of placebo effects? Chapters in this e-book not only provide an interesting historical backdrop in which taiji and qigong developed, but also provide scientific support for the efficacy and effects of both modalities. Breslow’s chapter focuses on Daoist practices associated with their quest for immortality and longevity. Rhoads, Crider, and Hayduk looks at taiji and qigong with the tools of modern science. DeMarco compares Yang-style taiji practice of with guidelines provided by the National Institue of Health. Kachur, Carleton, and Asmundson provide an excellent chapter that gives insight into aspects of taiji practice that improve balance. The final chapter by Kenneth Cohen offers a history of the taiji ruler as a tool conducive to vitalizing the qi. Included are aspects of design, lineage, and some illustrated exercises, plus details on qi circulation. For anyone who questions the validity of taiji and qigong as exercise modalities, the collected writings in this book will provide information not available elsewhere. In addition to finding the historical and scientific foundation of these practices, the contents in this book will help improve taiji and qigong practice, bringing the many benefits as claimed for these gems of Chinese culture.

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138

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1893765172

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9781893765177

Grappling and Throwing From the Near and Far East

By: Michael DeMarco

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Grappling and Throwing From the Near and Far East

By: Michael DeMarco

Soon after birth, tiger cubs are instinctively drawn to wrestling. Eventually their play transforms into real skills of potentially lethal efficiency. Humans have done the same. In this anthology, you will find unique combative techniques found in some cultures as well as some techniques that are universal. Allen Pittman gives a portrayal of Dr. Tim Geoghegan’s particular blend of Eastern and Western wrestling, and his formidable arsenal for grappling and throwing. In anther chapter, Pittman focuses on the shoulder throw. The technical variations seem endless for this valued movement. Steve Scott illustrates the cross-body armlock according to skills he hopes will give readers a better understanding and mastery of this armlock. His following chapter shows a rare Russian technique. Known as the Kharbarelli Pick-up, it is a good example of how different cultures and their unique grappling traditions have been adopted outside their original location. The chapter on the carotid choke is presented from the perspectives of a martial arts instructor and that of a physician. The application, effects, and ramifications of drug usage and mental state are discussed in detail. Tim Cartmell explains the key concepts of “sticking and following” as they apply to throwing methods found in Chinese xingyi, taiji and bagua. The concepts are explained and illustrated with examples of sample techniques. David Allen’s writes on the Mongolian Nadaam Festival. Athletes from all over the country assemble to compete in horse racing, archery, and wrestling. Mongolian wrestling is probably the least watched martial art in the world. The author’s photo exposé brings the festival to us. The chapter by Burdick, Wolske and Daneshagar gives us a rare view into the Persian grappling tradition. Iran’s national sport is the strength training system found in the “house of strength,” where bodybuilders and wrestlers are steeped in both Zarathrushran and Islamic traditions. The following chapter by Zhang Yun is on the throwing art of Shuai Jiao. It includes: history and development, analysis of fighting principles, details of hand and footwork, body movement, training methods, training equipment, relationship with other Chinese styles, and demonstrations of applications. The final article focuses on sumo with some parallels being drawn between sumo and mixed martial arts. Techniques and tactics are presented so readers might add some of these sumo moves to their own martial arts repertoire.

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251

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Via Media Publishing

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1794394729

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9781794394728

Chinese Martial Arts: Changing Views and Practices

By: Michael DeMarco

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Chinese Martial Arts: Changing Views and Practices

By: Michael DeMarco

Since ancient times, some observant people have made the revered Book of Change (Yijing) their lifelong study. Change is the fundamental principle found in every aspect of our lives. Change is the Way of the universe. Confucian and Daoist texts are filled with anecdotal and philosophic discourse related to this theme. There is little wonder why we find the concept of change in the diverse Chinese martial traditions. This anthology presents articles from the Journal of Asian Martial Arts that are related to the theme of change. This does not mean that the authors are writing solely about philosophic ideas such as yin-yang, taiji, five phases (wuxing), or the eight hexagrams (bagua). From the content of these articles you will see how the views, needs, purposes and understandings of Chinese martial arts have changed over the centuries. By expounding on these themes, each author demonstrates how the actual practice of martial arts has changed in tandem with these fluctuating views. Supported by in depth research, interviews, and field experience, the nine articles included here offer us a view of Chinese martial arts from many angles. Of course effectiveness is one of the criteria for skills that are valued as being truely martial. To improve the effectiveness, some leading practitioners gained insights from nature, particularly from the animal kingdom. Also, in both ancient and modern times, Chinese practitioners borrowed from other styles. The concept of “mixed martial arts” is nothing new.There have been spinoffs to the warrior arts. Even centuries ago the martial arts were utilized in entertaining “flowery’ performances, as in Peking opera. The variety of martial movements were certainly conducive for good health so there is a long tradition of incorporating these in exercises practices solely for health and longevity. In the early twentieth century, martial arts became a political tool for boosting the spirit of country, vitalizing the “sick man of Asia.” Perhaps the most notable change in Chinese martial arts can be seen in the modern sportification of it. Motivated by rank, trophies, and money, the combative elements have been forsaken in favor of competition and show. Orignally practical, techniques have been transformed into pure acrobatics. This special anthology provides an encompassing overview of the development and variety of Chinese martial arts. You will come to appreciate the ancient roots and the forces that have influenced how and why these arts are practiced today.

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Via Media Publishing

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9798630655615

Japanese Weapons - An Anthology

By: Michael DeMarco

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Japanese Weapons - An Anthology

By: Michael DeMarco

This anthology presents an assortment of seven articles from the Journal of Asian Martial Arts that deal with Japanese weaponry: archery, short staff, naganita polearm, and test cutting (tamashigiri) with the long sword. A few articles are highly academic and others are easier reading, based on interviews or actual practice. Three chapters place a focus on archery and the related formalities of ritual and practice. Two of these discuss the uniqueness of Japanese kyudo—the Way of the Bow. As kyudo is a martial art practiced as a do or “spiritual way,” the authors emphasize the meditative aspects. Dr. Hesselink’s chapter differs in that his work details the art of archery performed at full-gallop on horseback. In the first chapter, Dr. Jones discusses his personal experience in Japan while testing for blackbelt in jodo—the Way of the short staff. In another chapter, Rick Polland points out aspects of solo short staff practice and how it also applies with an opponent. Ellis Amdur’s chapter dives into great detail on the history and evolution of the naganita—a bladed polearm ustilized over many centuries in Japanese warfare and later also as a do practice with individual spiritual cultivation as its primary objective. The beauty of naganita blades are no less intrincally interesting than the highly respected making and use of Japanese swords. Tameshigiri—test cutting—is the topic of the final chapter. Utilizing the Swiss Visual Human technology, Dr. Ward analized sixteen major cuts that were often used by the samurai against their opponents. In the past, test cutters would use human cadavers to see exactly how sword cuts affected particular body parts, e.g., neck, torso, wrist, etc. Each area attacked could be rated according to the difficulty of each cut. How does the composition of the body (thickness of bone, muscle tissue, cartledge, etc.) affect the skillfull execution of the blade? The questions and answers that arise while reading this chapter provide great insight into the use of all bladed weapons. Although the chapters in this anthology discuss archery, the short staff, mounted archery, the naginata and test cutting, there is a common theme: the importance of these to Japanese martial traditions.

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ISBN 13

9798639868412

Okinawan Martial Traditions: Te, Tode, Karate, Karatedo, Kobudo - Vol. 3

By: Michael DeMarco, M.A., et al.

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Okinawan Martial Traditions: Te, Tode, Karate, Karatedo, Kobudo - Vol. 3

By: Michael DeMarco, M.A., et al.

What would you like to obtain from your research and practice of an Okinawan martial art? For an academic, it would be to obtain historical and cultural facts and details. For a practitioner, it would be to gain expertise in the combative skills. If you’re interested in both, this first of a three-volume anthology is assembled for your convenience to facilitate your endeavors. These volumes assemble a wealth of material originally published during the two decades when the Journal of Asian Martial Arts was in print. Hundreds of pages and photographs present the richness of Okinawan martial traditions, from the original combatives to those influenced by Chinese and mainland Japanese martial art styles. The variety of topics shown in the table of contents indicate the depth and breath in the chapters, along with the authors who are well-known for their meticulous research and practical skills in specific arts. These three volumes dive deep into the history and culture of Okinawan martial arts. You’ll find coverage of the actual artifacts—the material culture related to weaponry and training methods. Instructions from the masters details both open-hand techniques as well as with weapons. The chapters offer insights into “the lives of many masters over the past few centuries, giving the raison d’être for these unique fighting arts—their reason for being. Many streams of arts have contributed to the martial traditions found on the small island: Naha-te, Shuri-te, Fukien White Crane, Shorin, Goju, Motobu, Shotokan, Isshin, Kyokushin, Pwang Gai Noon, Shito, Uechi, and the list continues … Along with the various styles come the associated training methods, such as conditioning exercises with weights and creatively designed apparatus, such as the punching post (makiwara), or stone lever and stone padlockshaped weights. Some become battle-hardened by active and passive breaking of objects (tameshiwari), including wooden boards, baseball bats, rocks, and ice. The extensive use of weaponry is found in many Okinawan styles, often associated with their farming and fishing occupations. Such a blend of history and culture make the Okinawan fighting traditions a fascinating field of study. Besides being such vital sources of information, these three volumes will prove enjoyable reading and permanent at-hand reference sources in your library.

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199

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Via Media Publishing

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ISBN 10

1893765423

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9781893765429

Filipino Martial Art Anthology

By: Michael DeMarco, MA., et al.

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Filipino Martial Art Anthology

By: Michael DeMarco, MA., et al.

There has been a lack of reliable academic studies regarding Filipino martial arts (FMA) that have uniquely developed in the Philippine archipelago. This anthology assembles pioneering scholarly materials valuable for any interested in the Filipino combatives, as well as chapters specifically on the practice. Mark Wiley stands out as a leading scholar/practitioner of the Filipino arts. This book contains three chapters by him. In the first, he conducted linguistic and historical research to present the developmental background of the ancient Filipino kali and European fencing systems, thus illuminating the evolution of classical eskrima. In chapter two, Wiley attempts to classify Filipino martial arts and explore the ethos of Filipino martial culture by deriving information directly from the contemporary grandmasters who have maintained an oral transmission of information concerning the evolution and development of their respective martial systems. Part of Wiley’s research also led him to seek out special repositories of artifacts. Museums collections rarely include much on Southeast Asian weapons. University of Pennsylvania Museum of Archaeology and Anthropology has nearly 1,000 martial artifacts in storerooms from the Philippines, including swords, knives, spears, shields, helmets, and armor discussed in Wiley’s third chapter. On a practical side, Steven Dowd presents the art of Carlita Lañada who studied martial arts as passed down within his own family in the Philippines. He calls his rendition Kuntaw Lima-Lima, an art whose techniques are reminiscent of Okinawan karate styles, with hints of Chinese gongfu. Presented are the underlying principles, and a sayawan (form) with applications. Majia Soderholm’s chapter is about Visayan Corto Kadena Eskrima and some of its concepts and training methods with regard to free-sparring with swords. It is a Filipino martial system encompassing empty-hand and non-bladed and bladed weapons. Peter Hobart presents a wonderful tribute to Remy Presas, the founder of Modern Arnis. This retrospective is comprised of the stories and memories of many of those who knew him. Topics include Presas’ theory and practice of arnis, such as importance of flow, and memories of his last seminar. The chapter by Ruel Macaraeg dives into the topic of piracy in the Philippines. His study reconstructs the pirates’ martial practices through comparative historical analysis of their weapons, costume, and organization in order to draw conclusions about their relationship to martial cultures in the Philippines and across the region. In the final chapter, Ken Smith discusses a few of his favorite techniques from Modern Arnis. His insights—as well as the information found in the previous chapters—contribute to the academic understanding of Filipino martial traditions as well as the actual practice of kali, escrima, and arnis. We hope you’ll enjoy the reading.

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157

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Via Media Publishing

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ISBN 10

189376544X

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9781893765443

Martial Art Essays from Beijing, 1760

By: Michael A. DeMarco, MA

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Martial Art Essays from Beijing, 1760

By: Michael A. DeMarco, MA

The themes in this book—drawn from Chinese history, culture, and martial arts experience—are entwined in a fictional narrative to animate events envisaged to have occurred during the mid-eighteenth century. From the outset, a thin veil separates fact from fiction. Our story starts with a discovery. While conducting research at the Vatican Library on the Jesuit missions in China, two scholars find a folder of papers written in Chinese among documents belonging to Giuseppe Castiglione (1688–1766), a painter at the royal court in Beijing. The papers turn out to be written by a fellow court painter, Yang Mingbin (c. 1664–1765). Yang’s handwritten essays provide revelations vital for understanding the ingenuity of Chinese martial arts. Yang’s text is organized under sixty-four subheadings. The author elucidates theory and practice methods in a fashion unlike any other writings on this subject. This is a rare early text written during a transitional period for martial arts. It is the time when the Qing Dynasty (1644 to 1912) was at its peak of cultural splendor and expanding its borders by military expeditions. Cannons and smaller firearms show the Western influence, but traditional martial arts were ubiquitous in the village, province, and national levels. Master Yang offers fascinating reading on all aspects of the Chinese fighting traditions. He places great emphasis on the importance of the “martial arts family” and the role of secrecy in lethal arts. The arts are also adapted for health and entertainment. All reflect an infusion of philosophy and practices from Buddhism, Daoism, and Confucianism. How one thinks affects how one practices martial arts. Yang describes the qualities associated with different skill levels, from beginner to most advanced. As he does this, we learn secrets that set forth key ways for improving defensive and offensive applications. These topics include body alignment, coordination, spontaneity, naturalness, balance, distancing, relaxation, and power. The same principles apply to bare-hand and weapons practice, as well as martial arts for health. Yang’s learning methodology for studying martial arts can be useful in other areas, as in his work as a master painter at court.

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145

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Via Media Publishing

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ISBN 10

1893765989

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9781893765986

Asian Martial Arts in Literature and Movies

By: Michael DeMarco, M.A.

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Asian Martial Arts in Literature and Movies

By: Michael DeMarco, M.A.

Most learn about martial arts through movies and print publications, primarily fictional. "Fiction is drama, the blood of drama is conflict, and martial arts are rooted in conflict," writes James Grady in chapter one. Good fiction uses martial arts well, while poor writing skills can be plain boring! This anthology is a collection of fifteen articles that cover the richness and depth of Asian martial arts in both movies and literature. After look over the array of topics, I decided to utilize writings by James Grady for the two introductory chapters. Grady is an internationally renowned writer and investigative journalist known for his nail-biting thriller novels. His early novel was adapted to film as Three days of the Condor (1975) starring Robert Redford. Grady has since written over a dozen wonderful novels and in between wrote two excellent pieces for the Journal of Asian Martial Arts: one dealing with movies and another with literature. The following chapters are greatly enriched by the informative contents in Grady’s chapters. Details about movie-making are provided in the interview with producer Andre Morgan (Enter the Dragon, Walter Texas Ranger, Martial Law, etc.), plus the inside scoop in the publishing and film industries in the interview with multifaceted Curtis Wong. Actor/producer/kickboxing champion Don Wilson provides insights from both sides of the camera in his interview. Among the chapters are Albert Dalia’s exposition of China’s “wandering martial hero” stories that have roots reaching back two thousand years; Christopher Bates’ excerpt from Xiang Kairan’s Tales of Chivalrous and Altruistic Heroes; and Olivia Mok’s research and translations of sections of Fox Volant of the Snowy Mountain, a Louis Cha’s novel of 1959. In the latter, Mok extricates references to dianxue—the methods of attacking vital points. We also have fiction focusing on Japanese and Chinese martial traditions by John Donohue, Peter Graebner, John DeRose, and John Gilbey’s (aka, Robert W. Smith)—each highlighting combative experience, theory and technique with cultural trimmings. Interviews with Barry Eisler and Author Rosenfeld give insight into scholar/practitioners whose published novels contain text colored by their knowledge of the martial arts and culture. We hope you’ll find this book captivating, exciting, heroic, spellbinding, content rich, fascinating, penetrating . . .

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275

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Via Media Publishing

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1893765326

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9781893765320

Karate Kata: For the Transmission of High-Level Combative Skills, Vol. 2

By: Michael DeMarco, M.A., et al.

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Karate Kata: For the Transmission of High-Level Combative Skills, Vol. 2

By: Michael DeMarco, M.A., et al.

We all know the meaning of the word kata. Even to nonpractitioners it is a familiar karate practice. Plus, the word has long been incorporated into the English language. For this reason I choose to write the plural as “katas,” and not follow the Japanese tradition where “kata” can be both singular or plural. By doing this I’ve ruffled feathers already, since many hold such a sacred bond with the time and place where karate took shape. Trouble with one word? Now how about the whole Okinawan martial tradition as passed on through katas? A kata is much like a family jewel that has passed down through generations. It holds a significance that is difficult to decipher, and many dispute the meaning of every micromovement it contains. Who created it? What are the applications? Is kata practice outdated? Is there more than we can see and understand? You bet. It is precisely because of the confusion and misunderstandings regarding the place of kata in the karate tradition that we are thrilled to present a two-volume e-book on this subject. If katas are learning tools that pass down knowledge of a valued art, then the authors included in this anthology can certainly facilitate the learning process for all interested in karate. Each author has excellent experience in the field, having studied directly under masters, often on the largest island in the Ryukyu island chain. In addition to their long years of physical participation in the school of hard knocks, their depth of scholarly research into the encompassing culture allows their writings to illuminate many aspects of kata practice that normally go unnoticed. In our quest to better understand the full significance of kata practice, we must take a serious look at why old masters formulated the routines. How can kata practice better our health and promise to hone our self-defense skills? Each chapter in this anthology deals with the principles that guide kata practice. Hopefully the reading will reveal some of the secrets to improving techniques. As with other martial traditions, some insights cannot be shared through written word. Like good teachers, may the chapters here inspire you to look deeper into kata practice.

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199

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Via Media Publishing

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ISBN 10

1893765148

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9781893765146

Aikido: O-Sensei’s Sublime Synthesis, Vol. 2

By: Michael DeMarco, M.A.

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Aikido: O-Sensei’s Sublime Synthesis, Vol. 2

By: Michael DeMarco, M.A.

How can we fully understand aikido, or any other martial art for that matter, when we have only been exposed to part of it? While learning about the art, we can easily make assumptions and be tricked by false impressions. In most cases, even instructors do not have enough background to grasp the entirety of the art and are happy to work with part of it. The content in this special two-volume anthology details the many facets of aikido as it was formulated by Morihei Ueshiba (1883–1969)—O-Sensei, the great teacher. Each chapter contributes to a piece of the aikido puzzle by providing historical details, insightful technical drills (bare handed and with weapons), and components that have flavored this art with a spiritual essence. From the Ueshiba wellspring flows a number of streams—political splinter groups offering their own take on what aikido should be and how it should be practiced. Each branch may stand on its own, but a good number of scholars and practitioners prefer a more encompassing representation of what O-Sensei taught. So, chapters in these volumes help “put Humpty Dumpty back together again.” Volume I includes ten chapters and volume II another fourteen. The authors—twenty-three in all—present superb credentials as scholars and practitioners of aikido. On the academic side, you’ll find chapters that detail aikido’s philosophy, from ethical relationships and practical theory to the subtle spiritual dimension. A few authors highlight the circumstances regarding the transmission of aikido from teacher to student. Some authors show how culture influences the perception and understanding of aikido when it travels outside Japan. Aikido is often practiced as a system of body movement encompassing a philosophy of peace and harmony. Others may focus on learning the art for its effective methods of self-defense. Composed of material previously published in the Journal of Asian Martial Arts, this two-volume anthology is heavy on the technical aspects of aikido that both teachers and students would benefit by reading. Training methods are discussed in detail, supported by hundreds of illustrations of attack and defense. Whatever your primary interest is in aikido, Aikido: O-Sensei’s Sublime Synthesis will prove to be a great reference for the scholar and practitioner. We hope this convenient collection of quality material dealing with Morihei Ueshiba’s martial discipline will benefit your research and inspire the practice of this elegant art.

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267

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Via Media Publishing

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ISBN 10

1893765261

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9781893765269

The Inside Ring

By: Michael Lawson

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The Inside Ring

By: Michael Lawson

Following an assassination attempt that wounds the president and kills the president's longtime best friend, General Andy Banks, the Secretary of Homeland Security, who had warned the Secret Service about the attack, ignites an investigation, with the help of honest attorney Joe DeMarco, that follows a twisted trail to the highest level of government. A first novel. Reprint.

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333

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Anchor

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140009514X

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9781400095148

Women and Asian Martial Traditions

By: Michael DeMarco, M.A.

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Women and Asian Martial Traditions

By: Michael DeMarco, M.A.

This anthology is filled with content specifically selected for readers who have a strong interest in women’s participation in the Asian martial traditions. In addition to combative theory and practice, topics include aspects of theatrical performance, music, dance, gender studies, and insights for embodying philosophical elements into daily life. The twelve chapters that were written by noted authorities will certainly educate and inspire. These focus on the martial traditions of Japan, China, India, Korea, Indonesia, and the Philippines. All of the historical and cultural details add much to the scholarly perspectives on these Asian arts. At the same time they add to the appreciation of how and why martial elements are infused in artistic performances, such as theater, music, and dance. Throughout can be seen the unifying thread of the womans’ role which will increase our appreciation of the feminine presence in Asian martial traditions.

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233

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Via Media Publishing

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1893765288

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9781893765283

Karata Kata: For the Transmission of High-Level Combative Skills, Vol. 1

By: Michael DeMarco, M.A. et al.

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Karata Kata: For the Transmission of High-Level Combative Skills, Vol. 1

By: Michael DeMarco, M.A. et al.

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194

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Via Media Publishing

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189376513X

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9781893765139

Principles of Systems Science

By: George E. Mobus,Michael C. Kalton

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Principles of Systems Science

By: George E. Mobus,Michael C. Kalton

This pioneering text provides a comprehensive introduction to systems structure, function, and modeling as applied in all fields of science and engineering. Systems understanding is increasingly recognized as a key to a more holistic education and greater problem solving skills, and is also reflected in the trend toward interdisciplinary approaches to research on complex phenomena. While the concepts and components of systems science will continue to be distributed throughout the various disciplines, undergraduate degree programs in systems science are also being developed, including at the authors’ own institutions. However, the subject is approached, systems science as a basis for understanding the components and drivers of phenomena at all scales should be viewed with the same importance as a traditional liberal arts education. Principles of Systems Science contains many graphs, illustrations, side bars, examples, and problems to enhance understanding. From basic principles of organization, complexity, abstract representations, and behavior (dynamics) to deeper aspects such as the relations between information, knowledge, computation, and system control, to higher order aspects such as auto-organization, emergence and evolution, the book provides an integrated perspective on the comprehensive nature of systems. It ends with practical aspects such as systems analysis, computer modeling, and systems engineering that demonstrate how the knowledge of systems can be used to solve problems in the real world. Each chapter is broken into parts beginning with qualitative descriptions that stand alone for students who have taken intermediate algebra. The second part presents quantitative descriptions that are based on pre-calculus and advanced algebra, providing a more formal treatment for students who have the necessary mathematical background. Numerous examples of systems from every realm of life, including the physical and biological sciences, humanities, social sciences, engineering, pre-med and pre-law, are based on the fundamental systems concepts of boundaries, components as subsystems, processes as flows of materials, energy, and messages, work accomplished, functions performed, hierarchical structures, and more. Understanding these basics enables further understanding both of how systems endure and how they may become increasingly complex and exhibit new properties or characteristics. Serves as a textbook for teaching systems fundamentals in any discipline or for use in an introductory course in systems science degree programs Addresses a wide range of audiences with different levels of mathematical sophistication Includes open-ended questions in special boxes intended to stimulate integrated thinking and class discussion Describes numerous examples of systems in science and society Captures the trend towards interdisciplinary research and problem solving

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782

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Springer

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ISBN 10

1493919202

ISBN 13

9781493919208

An Anthology of Chinese Martial Arts

By: Michael DeMarco

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An Anthology of Chinese Martial Arts

By: Michael DeMarco

China can easily boast of its great martial traditions, which many would say is the richest in the world. There are a variety of styles from the north to the south that encompass an extensive repertoire of open-hand and weapon techniques. The ten chapters in this anthology illustrated this wide spectrum. Mark Wiley’s interview with Hou Faxiang presents a fundamental healing modality famous in China — qigong, the nourishing and practical use of internal energy. Its theory and practice is entwined in many martial art styles.In chapters two and three, Robert W. Smith, introduces us to two Shaolin style masters whom he met during his stay in Taiwan. Since Han Qingtang was the top notch expert in joint-locking techniques, Smith managed to photograph seven of Han’s fundamental techniques. General Gao Fangxian was likewise a practical martial artist with an overwhelming presence, even when smiling. In a technical section he shows the might of Northern Shaolin.Southern Hung Gar is the topic for the next two chapters. Allan Ondash focuses on special kicking methods usually done simultaneously with hand usage, making the kicks difficult for a defender to notice being executed. His chapter is followed by Mark Jensen’s interview with Kwok Wing Lam detailing Iron Palm history and training. Yang Jwingming is known worldwide for his knowledge and personal skills in Chinese martial arts, primarily Long Fist and taijiquan. I conducted a lengthly two-part interview that provides information about Master Yang’s early years in Taiwan through his martial arts career in the United States. Stephen Berwick is well-known as one of the first Americans to become a highly respected practitioner and scholar of Chen Style Taijiquan. The interview conducted by Richard Florence shows the roadwork Berwick took to make his dreams come true—to be part of the longstanding Chen Family art. The ninth chapter by Dr. Donald Cheung presents the unique “cow herding stick” as taught by Xiao Mingkui, a Praying Mantis and Chen Taiji practitioner. The final chapter by Jake Burroughs looks at how the head is used in various striking techniques as found in many styles. We hope you will enjoy the material in this anthology, the personal stories of dedicated masters, and the rare photographs of their history and techniques.

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Page Count

195

Publisher

Via Media Publishing

ISBN 13

9798699291687

Martial Arts in the Arts: An Appreciation of Artifacts

An anthology of articles from the Journal of Asian Martial Arts

By: Michael DeMarco

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Martial Arts in the Arts: An Appreciation of Artifacts

An anthology of articles from the Journal of Asian Martial Arts

By: Michael DeMarco

Combative forms of movement meet all the criteria required to be called “arts”. Additionally, items associated with martial art theory and practice can be shown in a variety media and appreciated as objets d’art in their own right. This anthology presents the aesthetic side of the martial arts as they are found in numerous examples of material culture and items of fine art. An often neglected but incredibly rich area for seeing martial themes represented in art are museum collections. Five of the fourteen chapters in this book deal with museum collections. In many museums you can find interesting items that reflect aspects derived from a martial tradition. Weaponry is the most obvious category. You may also discover items in other categories that are directly related, such as painted scrolls and training equipment. Other fascinating items can be hidden in plain sight. It seems martial themes can be found in any museum category, including collections of statuary, ceramics, prints, paintings, jewelry, and calligraphy. For example, there are paintings of famous generals and battles, fearsome statues of temple guardian warriors, and philosophical insights in brush writings. While contemplating a particular collection from the interest of martial traditions, one museum curator said she had never previously thought of the collection from this perspective. — It’s enlightening. Objects that exhibit martial themes are made by artists and craftspeople. Only some of these items go into museums. Others are found in personal collections, stores, research institutes, art galleries, universities, practice halls, and elsewhere. Aid in recognizing martial themes in objects is one objective of this book, regardless of where these objects may be found. Who are the real martial art heros? What symbols were created to represent the warriors’ bravery and ethical codes? This anthology—comprised of fourteen chapters conveniently gathered here for your ease of reading—assists anyone interested in discovering the artistic representations of martial traditions. In doing so, we hope that readers who appreciate the contents of this book will be inspired to discover and appreciate the artifacts associated with the martial side of the world’s cultural heritage.

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208

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Via Media Publishing

Published Date

ISBN 10

198385073X

ISBN 13

9781983850738

Book's by Michael DeMarco, M.A.

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