This New York Times–bestselling memoir about an African American man’s struggles and triumphs is “heartrending and beautiful” (Junot Diaz Pulitzer Prize–winning author of The Brief Wondrous Life of Oscar Wao). A Today Show Book Club selection, Raising Fences tells the story of a man whose youth was spent committing petty crimes, experimenting with sex, and developing a mortal fear of police. Like many young black men, Michael Datcher’s childhood was marked by the gaping hole left by an absent father. Out of that absence grew the desire to fulfill a dream that seemed almost a fantasy: to leave the streets behind, build a family, and become what he had wanted so badly—a good father. Moving past his self-destructive habits and taking responsibility for his mistakes wasn’t easy. Datcher’s journey nearly brought him to his breaking point—where he faced the threat of becoming what he feared most. “Datcher’s voice is clear, bold, daring, and welcome.” —Junot Diaz, Pulitzer Prize–winning author of The Brief Wondrous Life of Oscar Wao “Honest, brisk and ultimately very moving . . . A beautiful story of real-life redemption.” —Kirkus Reviews “Combines attitude, honesty and romance . . . A stunning tribute to perseverance, courage and the power of positive thinking.” —Publishers Weekly “Brutally honest, hauntingly poetic . . . Heartbreaking.” —Essence “Riveting.” —USA Today “Poignant . . . Complex.” —The Seattle Times “An inspiration to all who dare to dream of a better life.” —The Star-Ledger
This New York Times–bestselling memoir about an African American man’s struggles and triumphs is “heartrending and beautiful” (Junot Diaz Pulitzer Prize–winning author of The Brief Wondrous Life of Oscar Wao). A Today Show Book Club selection, Raising Fences tells the story of a man whose youth was spent committing petty crimes, experimenting with sex, and developing a mortal fear of police. Like many young black men, Michael Datcher’s childhood was marked by the gaping hole left by an absent father. Out of that absence grew the desire to fulfill a dream that seemed almost a fantasy: to leave the streets behind, build a family, and become what he had wanted so badly—a good father. Moving past his self-destructive habits and taking responsibility for his mistakes wasn’t easy. Datcher’s journey nearly brought him to his breaking point—where he faced the threat of becoming what he feared most. “Datcher’s voice is clear, bold, daring, and welcome.” —Junot Diaz, Pulitzer Prize–winning author of The Brief Wondrous Life of Oscar Wao “Honest, brisk and ultimately very moving . . . A beautiful story of real-life redemption.” —Kirkus Reviews “Combines attitude, honesty and romance . . . A stunning tribute to perseverance, courage and the power of positive thinking.” —Publishers Weekly “Brutally honest, hauntingly poetic . . . Heartbreaking.” —Essence “Riveting.” —USA Today “Poignant . . . Complex.” —The Seattle Times “An inspiration to all who dare to dream of a better life.” —The Star-Ledger
A stunning picture book comprising two incredible stories—the first part chronicles the adventures of a four-year-old Black girl named Harlem, while the second part describes the history of Harlem the neighborhood. From a New York Times bestselling author and a critically acclaimed illustrator. In this beautiful picture book in two parts, meet Harlem: the girl and the neighborhood. Part one follows the adventures of a little girl named Harlem and her single father as they go on a museum “playdate” with painters Romare Bearden and Jean-Michel Basquiat, listen to John Coltrane records, and conduct science experiments in their apartment ("The volcano erupts /Red lava on Valentine’s Day!"). Part two takes us back to the fourth year of the twentieth century in Harlem the neighborhood. Here, we are introduced to Philip A. Payton Jr., aka Papa Payton, whose Afro-American Realty Company gave birth to the Black housing explosion, helping to start America's Great Black Migration. Because of Papa Peyton, Black families—like Harlem and her father a century later—could move to Harlem and thrive and flourish. This is a completely unique, absolutely gorgeous picture book by a New York Times bestselling author and a Coretta Scott King Award-winning illustrator that weaves together the lives of a modern Black family and a historically Black neighborhood in New York City.
Animating Black and Brown Liberation introduces a vital new tool for reading American literatures. Rooted in both ancient Egyptian ideas about life and cutting-edge theories of animacy, or levels of aliveness, this tool—ankhing—enables Michael Datcher to examine the ways African American and Latinx literatures respond to and ultimately work to resist hegemonic forces of neoliberalism and state-sponsored oppression. Weaving together close readings and politically informed philosophical reflection, Datcher considers the work of writer-activists Toni Cade Bambara, Cherríe Moraga, Gloria Anzaldúa, June Jordan, Salvador Plascencia, and Ishmael Reed, in light of theoretical interventions by Jane Bennett, Mel Y. Chen, Bruno Latour, Michel Foucault, Paulo Freire, and Erica R. Edwards. How, he asks, can cultural production positively influence Black and Brown material conditions and mobilize collective action "off the page"? How can art-based counterpublics provide a foundation for Black and Brown community organizing? What emerges from Datcher's innovative analysis is a frank assessment of the links between embodied experiences of racialization, as well as a distinctive vision of twentieth- and twenty-first-century American literature as a repository of emancipatory strategies with real-world applications.
Trial by jury is one of the most important aspects of the U.S. legal system. A reflective look at how juries actually function brings out a number of ethical questions surrounding juror conduct and jury dynamics: Do citizens have a duty to serve as jurors? Might they seek exemptions? Is it acceptable for jurors to engage in after-hours research? Might a juror legitimately seek to "nullify" the outcome to express disapproval of the law? Under what conditions might jurors make a valid choice to hold out against or capitulate to their fellow jurors? Is it acceptable to form alliances? After trial, are there problems with entering into publishing contracts? Unfortunately, questions such as these have received scant attention from scholars. This book revives attention to these and other issues of jury ethics by collecting new and insightful essays along with responses from leading scholars in the field of jury studies. Is it acceptable for jurors to engage in after-hours research? Might a juror legitimately seek to "nullify" the outcome to express disapproval of the law? After trial, are there problems with entering into publishing contracts? Unfortunately, questions such as these have received scant attention from scholars. This book revives attention to these and other issues of jury ethics by collecting new and insightful essays along with responses from leading scholars in the field of jury studies. Contributors: Jeffrey Abramson, B. Michael Dann, Shari Seidman Diamond, Norman J. Finkel, Paula Hannaford-Agor, Valerie P. Hans, Julie E. Howe, Nancy J. King, John Kleinig, James P. Levine, Candace McCoy, G. Thomas Munsterman, Maureen O'Connor, Steven Penrod, Alan W. Scheflin, Neil Vidmar
Offers a new framework for reading American literatures that critically links African American and Latinx traditions and struggles for liberation. Animating Black and Brown Liberation introduces a vital new tool for reading American literatures. Rooted in both ancient Egyptian ideas about life and cutting-edge theories of animacy, or levels of aliveness, this tool—ankhing—enables Michael Datcher to examine the ways African American and Latinx literatures respond to and ultimately work to resist hegemonic forces of neoliberalism and state-sponsored oppression. Weaving together close readings and politically informed philosophical reflection, Datcher considers the work of writer-activists Toni Cade Bambara, Cherríe Moraga, Gloria Anzaldúa, June Jordan, Salvador Plascencia, and Ishmael Reed, in light of theoretical interventions by Jane Bennett, Mel Y. Chen, Bruno Latour, Michel Foucault, Paulo Freire, and Erica R. Edwards. How, he asks, can cultural production positively influence Black and Brown material conditions and mobilize collective action “off the page”? How can art-based counterpublics provide a foundation for Black and Brown community organizing? What emerges from Datcher’s innovative analysis is a frank assessment of the links between embodied experiences of racialization, as well as a distinctive vision of twentieth- and twenty-first-century American literature as a repository of emancipatory strategies with real-world applications. “In Animating Black and Brown Liberation, Michael Datcher posits a bold new way of approaching a variety of important texts, including those authored by Toni Cade Bambara, Ishmael Reed, Salvador Plascencia, Gloria Anzaldúa, and June Jordan, among others. Drawing on ideas by theorists such as Foucault, Arendt, Giorgio Agamben, and Alexander Weheliye, Datcher offers a fresh and original way of valuing these works. This volume is a thought-provoking addition to the world of literary criticism.” — Henry Louis Gates Jr., Alphonse Fletcher University Professor, Harvard University “This book offers a much-needed perspective on what is generally regarded in the field of American literary studies as ‘Black and Brown’ comparative ethnic literature. Few projects have endeavored to bridge African American and Latinx literatures, and Animating Black and Brown Liberation does so with a clarity and brilliance not seen in a long time.” — Ellie D. Hernández, author of Postnationalism in Chicana/o Literature and Culture
America’s legal system harbors serious, widespread injustices. Many defendants are sent to prison for nonviolent offenses, including many victimless crimes. Convicts often serve draconian sentences in crowded prisons rife with abuse. Almost all defendants are convicted without trial because prosecutors threaten defendants with drastically higher sentences if they request a trial. Most Americans are terrified of encountering any kind of legal trouble, knowing that both civil and criminal courts are extremely slow, unreliable, and expensive to use. This book explores the largest injustices in the legal system and what can be done about them. Besides proposing institutional reforms, the author argues that prosecutors, judges, lawyers, and jury members ought to place justice before the law – for example, by refusing to enforce unjust laws or impose unjust sentences. Issues addressed include: · The philosophical basis for judgments about rights and justice · The problems of overcriminalization and mass incarceration · Abuse of power by police and prosecutors · The injustice of plea bargaining · The appropriateness of jury nullification · The authority of the law, or the lack thereof Justice Before the Law is essential reading for everyone interested in legal ethics, the rule of law, and criminal justice. It is also ideal for students of legal philosophy.
From 'audet IX to Zytchin III, this book covers it all. This is the ultimate reference book for all Star Trek fans! Added to this edition are 128 new pages. This addendum highlights the latest episodes of Star Trek: Deep Space Nine®, Star Trek: Voyager® and the newest feature film, Star Trek: Insurrection™. The thousands of photos and hundreds of illustrations place the Star Trek universe at your fingertips. Planets and stars, weapons and ships, people and places are just part of the meticulous research and countless cross-reference that fill this book.
Michael Brown offers an overview of the history of the development of African American and Afrocentric biblical interpretation. He then discusses how such scholarship began as an attempt to correct the biases African Americans perceived to be manifest in European and Euro-American biblical scholarship. This corrective, he says, quickly developed a life of its own, and Afrocentric biblical interpretation developed its own interpretive voice and style. Brown also examines Afrocentrism and the "blackening of the Bible," offering a critique of the color politics of Afrocentric criticism. He examines the evolution of womanism as a method of biblical interpretation, and explores and criticizes the ways that ideological and postcolonial criticism has contributed to Afrocentric biblical criticism. Finally, he presents the challenges he thinks confront the practice of such criticism, and he advances a new paradigm for the project that will put it in conversation with a wider audience of biblical scholars, classicists, historians, and theologians. Michael Joseph Brown is Assistant Professor of New Testament and Christian Origins, Candler School of theology, Emory University in Atlanta, Georgia. He is the author of What They Don't Tell You: A Survivor's Guide to Academic Biblical Studies and The Lord's Prayer through North African Eyes: A Window into Early Christianity.
Political scientists and social choice theorists often assume that economic diversification within a group produces divergent political beliefs and behaviors. Michael Dawson demonstrates, however, that the growth of a black middle class has left race as the dominant influence on African- American politics. Why have African Americans remained so united in most of their political attitudes? To account for this phenomenon, Dawson develops a new theory of group interests that emphasizes perceptions of "linked fates" and black economic subordination.
The purpose of this book is to examine whether physical distance from jobs or racial discrimination in youth labor markets explains a greater part of minority youth’s employment problems. First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Acclaimed for his writings on Malcolm X and Martin Luther King, Jr., as well as his passionate defense of black youth culture, Michael Eric Dyson has emerged as the leading African American intellectual of his generation. Now Dyson turns his attention to one of the most enigmatic figures of the past decade: the slain hip-hop artist Tupac Shakur. Five years after his murder, Tupac remains a widely celebrated, deeply loved, and profoundly controversial icon among black youth. Viewed by many as a "black James Dean," he has attained cult status partly due to the posthumous release of several albums, three movies, and a collection of poetry. But Tupac endures primarily because of the devotion of his loyal followers, who have immortalized him through tributes, letters, songs, and celebrations, many in cyberspace. Dyson helps us to understand why a twenty-five-year-old rapper, activist, poet, actor, and alleged sex offender looms even larger in death than he did in life. With his trademark skills of critical thinking and storytelling, Dyson examines Tupac's hold on black youth, assessing the ways in which different elements of his persona-thug, confused prophet, fatherless child-are both vital and destructive. At once deeply personal and sharply analytical, Dyson's book offers a wholly original way of looking at Tupac Shakur that will thrill those who already love the artist and enlighten those who want to understand him. "In the tradition of jazz saxophonists John Coltrane and Charlie Parker, Dyson riffs with speed, eloquence, bawdy humor, and startling truths that have the effect of hitting you like a Mack truck."-San Francisco Examiner "Such is the genius of Dyson. He flows freely from the profound to the profane, from popular culture to classical literature." -- Washington Postbr Philadelphia Inquirer "Among the young black intellectuals to emerge since the demise of the civil rights movement" -- undoubtedly the most insightful and thought-provoking is Michael Eric Dyson." -- Manning Marable, Director of African American Studies, Columbia University
In an updated new edition of this classic work, a team of highly respected sociologists, political scientists, economists, criminologists, and legal scholars scrutinize the resilience of racial inequality in twenty-first-century America. Whitewashing Race argues that contemporary racism manifests as discrimination in nearly every realm of American life, and is further perpetuated by failures to address the compounding effects of generations of disinvestment. Police violence, mass incarceration of Black people, employment and housing discrimination, economic deprivation, and gross inequities in health care combine to deeply embed racial inequality in American society and economy. Updated to include the most recent evidence, including contemporary research on the racially disparate effects of the Covid-19 pandemic, this edition of Whitewashing Race analyzes the consequential and ongoing legacy of "disaccumulation" for Black communities and lives. While some progress has been made, the authors argue that real racial justice can be achieved only if we actively attack and undo pervasive structural racism and its legacies.
Student aid in higher education has recently become a hot-button issue. Parents trying to pay for their children's education, college administrators competing for students, and even President Bill Clinton, whose recently proposed tax breaks for college would change sharply the federal government's financial commitment to higher education, have staked a claim in its resolution. In The Student Aid Game, Michael McPherson and Morton Owen Schapiro explain how both colleges and governments are struggling to cope with a rapidly changing marketplace, and show how sound policies can help preserve the strengths and remedy some emerging weaknesses of American higher education. McPherson and Schapiro offer a detailed look at how undergraduate education is financed in the United States, highlighting differences across sectors and for students of differing family backgrounds. They review the implications of recent financing trends for access to and choice of undergraduate college and gauge the implications of these national trends for the future of college opportunity. The authors examine how student aid fits into college budgets, how aid and pricing decisions are shaped by government higher education policies, and how competition has radically reshaped the way colleges think about the strategic role of student aid. Of particular interest is the issue of merit aid. McPherson and Schapiro consider the attractions and pitfalls of merit aid from the viewpoint of students, institutions, and society. The Student Aid Game concludes with an examination of policy options for both government and individual institutions. McPherson and Schapiro argue that the federal government needs to keep its attention focused on providing access to college for needy students, while colleges themselves need to constrain their search for strategic advantage by sticking to aid and admission policies they are willing to articulate and defend publicly.
The bible of B-movies is back--and better than ever! From Abby to Zontar, this book covers more than 9,000 amazing movies--from the turn of the century right up to today's Golden Age of Video--all described with Michael Weldon's dry wit. More than 450 rare and wonderful illustrations round out thie treasure trove of cinematic lore--an essential reference for every bad film fan.
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