Closing with the Enemy picks up where D-Day leaves off. From Normandy through the "breakout" in France to the German army's last gasp in the Battle of the Bulge, Doubler deals with the deadly business of war-closing with the enemy, fighting and winning battles, taking and holding territory. His study provides a provocative reassessment of how American GIs accomplished these dangerous and costly tasks. Doubler portrays a far more capable and successful American fighting force than previous historians-notably Russell Weigley, Martin Van Creveld, and S.L.A. Marshall-have depicted. True, the GIs weren't fully prepared or organized for a war in Europe and have often been viewed as inferior to their German opponent. But, Doubler argues, they more than compensated for this by their ability to learn quickly from mistakes, to adapt in the face of unforseen obstacles, and to innovate new tactics on the battlefield. This adaptability, Doubler contends, was far more crucial to the American effort than we've been led to believe. Fueled by a fiercely democratic and entrepreneurial spirit, GI innovations emerged from every level within the ranks-from the novel employment of conventional weapons and small units to the rapid retraining of troops on the battlefield. Their most dramatic success, however, was with combined arms warfare-the coordinated use of infantry, tanks, artillery, air power, and engineers-in which they perfected the use of air support for ground operations and tank-infantry teams for breaking through enemy strongholds. Doubler argues that, without such ingenuity and imaginative leadership, it would have been impossible to defeat an enemy as well trained and heavily fortified as the German army the GIs confronted in the tortuous hedgerow country of northern France, the narrow cobblestoned streets of Aachen and Brest, the dark recesses of the Huertgen Forest, and the frigid snow-covered hills of the Ardennes. Marking the 50th anniversary of the American victory in the Battle of the Bulge, Doubler offers a timely reminder that "the tremendous effects of firepower and technology will still not relieve ground troops of the burden of closing with the enemy." As even Desert Storm suggests, that will likely prove true for future high-tech battlefields, where an army's adaptability will continue to be prized.
The National Guard is the compelling account, in words and pictures, of the nationas oldest military institution. From the defense of the Jamestown settlement in 1607 to peacekeeping missions in the Balkans and, most recently, to their participation in the war on terrorism, the citizen-soldiers of the National Guard have always been an integral part of Americaas first line of defense. The guard fought at the battles of Lexington and Concord, Bunker Hill, New Orleans, First Bull Run, San Juan Hill, the Meuse-Argonne, Omaha Beach, Operation Desert Storm, and in many, many other engagements. With nearly half a million members in the year 2002, the Air and Army National Guard are as important as ever to Americaas security.Featuring a wide array of rarely seen prints, vivid photographs, and informative narrative text, this handsome volume tells the inspirational story of those dedicated part-time soldiers who, throughout the past 400 years, have provided full-time service to their states and to their nation. It charts the National Guardas evolution from ragtag militias to sophisticated, modern armed forces by describing units, individuals, weapons, equipment, vehicles, and service throughout the guardas storied history. The paperback second edition features updated text and twenty new photos to cover the National Guard's recent service in Afghanistan, Iraq, homeland security, and the aftermath of Hurricane Katrina.The first comprehensive illustrated history of the guard ever published, The National Guard will be treasured by citizen-soldiers, by their families, and by military history enthusiasts nationwide.
The competing teams of astronauts sent to explore the asteroid Keanu discovered it was, in fact, a giant spacecraft with an alien crew carrying a plea for help. A brave new frontier beckons. But it will come at a price. Without warning, the aliens transport small groups of humans to the vast interior habitats of Keanu. Their first challenge is to survive. Their second: discover why The Architects—the unseen aliens controlling the asteroid—brought them there. The third: find a way to take control of Keanu. Because the ship is moving again. The Architects are going home...
The author, a former BBC radio producer, conducted interviews with many leading British composers of the day, and his account provides for a unique insight into this often overlooked genre. Based on Michael Hall's many interviews with leading British composers of the genre, this book looks at the heyday of the British Music Theatre in the 1960s and 70s, a period when the author as a BBC radio producer was actively involved with the contemporary music scene. Music Theatre - a composite of music, singing, dancing and speaking distinct from traditional opera and ballet - has its roots in works by Monteverdi, Schoenberg, Satie, Stravinsky, Weill, Hindemith and Eisler, but flourished anew in the 1960s, in America, Britain and Europe. Hall's book presents an account of the context for the activity of Birtwistle, Goehr and Maxwell Davies; it uncovers details of little-known early works by other major figures such as Cardew and Tavener; and it recognises the highly distinctive contributions of composers whose works are less well known. Music Theatre in Britain also throws new light upon the reaction of British composers to the economic and social upheavals of 'the Sixties', offering a distinct and valuable contribution to our understanding of the relationship of the post-war musical avant-garde to social movementsand ideology. Music Theatre in Britain will be of interest to all those working in the field of late twentieth-century British music, to students of composition, and to composers, performers and producers of Music Theatre. MICHAEL HALL, who died in August 2012, had a long career as a conductor, founder of Royal Northern Sinfonia, BBC producer and broadcaster, university lecturer and writer on music.
“Persuasive, impassioned. . . hopeful news [for those] suffering from functional bowel disease.” — New York Times Book Review Dr. Michael Gershon’s groundbreaking book fills the gap between what you need to know—and what your doctor has time to tell you. Dr. Michael Gershon has devoted his career to understanding the human bowel (the stomach, esophagus, small intestine, and colon). His thirty years of research have led to an extraordinary rediscovery: nerve cells in the gut that act as a brain. This "second brain" can control our gut all by itself. Our two brains—the one in our head and the one in our bowel—must cooperate. If they do not, then there is chaos in the gut and misery in the head—everything from "butterflies" to cramps, from diarrhea to constipation. Dr. Gershon's work has led to radical new understandings about a wide range of gastrointestinal problems including gastroenteritis, nervous stomach, and irritable bowel syndrome. The Second Brain represents a quantum leap in medical knowledge and is already benefiting patients whose symptoms were previously dismissed as neurotic or "it's all in your head.
On tour: The Archies have a chance to make it big, but they are forced to take heavy metal rocker Gunny on tour with them. Betty Cooper: Betty decides to try out for the high school baseball team instead of the girls' softball team.
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