John Brown's father on the day of his birth, May 9, 1800, wrote "John was born one hundred years after his great grandfather. Nothing else very uncommon." Many years later came the 1856 Pottawatomie Massacre, where his uncommon convictions led him and his band of abolitionists to kill five pro-slavery settlers in Franklin County, Kansas. Three years later, Brown's raid on Harpers Ferry and his subsequent trial and execution helped push an already divided nation inexorably toward civil war. This is the story of John Brown, the age he embodied and the myth he became, and how the tragic gravity of his actions transformed America's past and future. Through biographical narrative, his life and legacy are discussed as a study in metaphor and power and the nature of historical memory.
Orson Welles was once asked which directors he most admired. He replied: "The old masters. By which I mean John Ford, John Ford, and John Ford." A legend in his own time, John Ford (1894–1973) received a record four Academy Awards for best director, and two of his World War II documentaries won Oscars for the US Navy. He directed 136 films in a career that lasted from the early silent era through the late 1960s. Ford is celebrated throughout the world as the cinema's foremost chronicler of American history, the leading poet of the Western genre, and a wide-ranging filmmaker of profound emotional impact. His classic films—including Stagecoach (1939), The Grapes of Wrath (1940), How Green Was My Valley (1941), The Quiet Man (1952), The Searchers (1956), and The Man Who Shot Liberty Valance (1962)—remain widely popular, and he has been acknowledged as a major influence on filmmakers such as Jean Renoir, Ingmar Bergman, Akira Kurosawa, Howard Hawks, Frank Capra, Samuel Fuller, Elia Kazan, Sidney Lumet, Martin Scorsese, Steven Spielberg, and George Lucas. In this groundbreaking critical study, Joseph McBride and Michael Wilmington provide an overview of Ford's career as well as in-depth analyses of key Ford films. Analyzing recurring Fordian themes and relating each film to his entire body of work, the authors insightfully explore the full richness of Ford's tragicomic vision of history. This new and revised version includes a study of the twenty-seven Ford silent films now known to survive in whole or in part (more than double the number available when the original edition was published); essays on three controversial aspects of Ford: his tragicomic sensibility, his views of race, and the influence of his Irish heritage; and an expanded version of McBride's interview with Ford on the last day of his career.
Major (Ret.) Conn MacLeod is no ordinary forty year old – and he has a very long list of achievements to prove it. From his decorated army career, his celebrated status as a world champion in several sports, his acknowledged expertise in history, science, and engineering gained through his numerous university degrees, and his notoriety as a millionaire playboy, he has more notches in his belt and trophies on the wall than ten men combined. Despite living his entire life in a breakneck, carefree and almost suicidal manner, Conn MacLeod has been the proverbial unstoppable force. But they say that all good things must come to an end... has he finally bitten off more than even he can chew? He now plans to go alone to a place that he knows absolutely nothing about – where the risks are unforeseeable and the outcomes inconceivable. Despite any possible preparations, this is not something you do every day – and expect to survive. Conn MacLeod has finally devised a key that will open a portal into a parallel world.
Libertines seeks to understand why public figures sometimes take extraordinary risks, sullying their good names, humiliating their families, placing themselves in legal jeopardy, and potentially destroying their political careers as they seek to gratify their sexual desires. From Hamilton to Trump and the many in between, each case of sexual misconduct in this book shows the seamy side of political lives, with calculations about covering discretions or portraying them favorably occurring only after the fact.
John Brown's father on the day of his birth, May 9, 1800, wrote "John was born one hundred years after his great grandfather. Nothing else very uncommon." Many years later came the 1856 Pottawatomie Massacre, where his uncommon convictions led him and his band of abolitionists to kill five pro-slavery settlers in Franklin County, Kansas. Three years later, Brown's raid on Harpers Ferry and his subsequent trial and execution helped push an already divided nation inexorably toward civil war. This is the story of John Brown, the age he embodied and the myth he became, and how the tragic gravity of his actions transformed America's past and future. Through biographical narrative, his life and legacy are discussed as a study in metaphor and power and the nature of historical memory.
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