From grassland fairy circles to alpine nano-shrooms, the Rocky Mountain region invites mushroom hunters to range though a mycological nirvana. Accessible and scientifically up-to-date, The Essential Guide to Rocky Mountain Mushrooms by Habitat is the definitive reference for uncovering post-rain rarities and kitchen favorites alike. Dazzling full-color photos highlight the beauty of hundreds of species. Easy-to-navigate entries offer essential descriptions and tips for identifying mushrooms, including each species' edibility, odor, taste, and rumored medicinal properties. The authors organize the mushrooms according to habitat zone. This ecology-centered approach places each species among surrounding flora and fauna and provides a trove of fascinating insights on how these charismatic fungi interact with the greater living world.
Editor's note: “Voices of Yellowstone’s Capstone: A Narrative Atlas of the Absaroka-Beartooth Wilderness” edited by Traute N. Parrie and Jesse A. Logan was the 2020 Big Sky Award winner for best book in any category by a Montana Author; a finalist the 2020 High Plains Book Awards nonfiction category; and a Independent Publishers 2020 Gold Medal winner for best regional (Rocky Mountain) non-fiction. "...whether you've been to the Absaroka-Beartooth Wilderness or not, whether you live nearby or not, this book conveys the spirit and allure of beloved high country anywhere on the planet." Todd Wilkinson, Mountain Journal Purchase from your local, independent bookseller, or at the Absaroka-Beartooth Wilderness Foundation Website: https://abwilderness.org/ All proceeds from the sale got to support the Absaroka-Beartooth Wilderness Foundation https://abwilderness.org/
The Alexander Technique is a method of muscular re-education, which has become standard training for actors, dancers and singers, and is practised for health reasons all over the world. Its founder, Frederick Matthias Alexander (1869-1955), was an Australian actor who stumbled upon it in the 1890s after studying himself in mirrors to discover why he had lost his voice. He realised that most people suffered from the same postural defects he had noticed in himself, and that this explained much of what went wrong with them. F.M. (as he was known) came to London in 1904 and became enormously successful. During the First World War he practised in America with equal success, converting the American philosopher John Dewey to his cause. He wrote four books (all still in print), and his supporters included Aldous Huxley, George Bernard Shaw and Stafford Cripps. He was, however, a difficult and argumentative man who made enemies. Towards the end of his life he embarked on a libel action against the South African government, which had accused him of charlatanism. He won, and went on practising and propagating his technique until his death aged 86.
An authoritative, unprecedented account of how in the early 2000s Canadian music finally became cool Hearts on Fire is about the creative explosion in Canadian music of the early 2000s, which captured the world’s attention in entirely new ways. The Canadian wave didn’t just sweep over one genre or one city, it stretched from coast to coast, affecting large bands and solo performers, rock bands and DJs, and it connected to international scenes by capitalizing on new technology and old-school DIY methods. Arcade Fire, Godspeed, Feist, Tegan and Sara, Alexisonfire: those were just the tip of the iceberg. This is also the story of hippie chicks, turntablists, poetic punks, absurdist pranksters, queer orchestras, obtuse wordsmiths, electronic psychedelic jazz, power-pop supergroups, sexually bold electro queens, cowboys who used to play speed metal, garage rock evangelists, classically trained solo violinists, and the hip-hop scene that preceded Drake. This is Canada like it had never sounded before. This is the Canada that soundtracked the dawn of a new century. Featuring more than 100 exclusive interviews and two decades of research, Hearts on Fire is the music book every Canadian music fan will want on their shelf.
Offers an extremely sophisticated, nuanced view of the social and political construction of an African middle class in colonial Zimbabwe." —Elizabeth Schmidt Tracing their quest for social recognition from the time of Cecil Rhodes to Rhodesia's unilateral declaration of independence, Michael O. West shows how some Africans were able to avail themselves of scarce educational and social opportunities in order to achieve some degree of upward mobility in a society that was hostile to their ambitions. Though relatively few in number and not rich by colonial standards, this comparatively better class of Africans challenged individual and social barriers imposed by colonialism to become the locus of protest against European domination. This extensive and original book opens new perspective into relations between colonizers and colonized in colonial Zimbabwe.
This third volume of Michael Mann's analytical history of social power begins with nineteenth-century global empires and continues with a global history of the twentieth century up to 1945. Mann focuses on the interrelated development of capitalism, nation-states, and empires. Volume 3 discusses the "Great Divergence" between the fortunes of the West and the rest of the world; the self-destruction of European and Japanese power in two world wars; the Great Depression; the rise of American and Soviet power; the rivalry between capitalism, socialism, and fascism; and the triumph of a reformed and democratic capitalism. -- from back cover of Volume 3.
Michael Share explores the historical relationship between Russia and the Chinese Eastern Periphery (Hong Kong, Taiwan, and Macao). Share's extensive research of archived materials shows that Russian and Soviet dealings with the Chinese Eastern Periphery were inextricably linked to broader international relationships with Great Britain, Japan, and the United States.
When first published in 2001, Have Not Been The Same became the first book to comprehensively document the rise of Canadian underground rock from 1985 to 1995. 10 years on, the 650-page book is still regarded by critics and musicians as the definitive history of the era. To mark this milestone, the authors have updated many key areas of the book through new interviews, further illuminating the ongoing influence of this generation of artists.
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