It is fascinating that in all the media reports and discussions of the church's abuse of power in the early years of the twenty-first century, few if any seemed to notice that the accusation of the church's misuse of power presupposed a shared understanding of the positive use of power within the church that had been violated. Rather than an interest in the sociological aspect of this question, this book examines the more ontological and normative aspects of it. That is, it investigates and discerns the foundational theological framework of culture and society and the location and purpose of the church within them. As a cultural force and societal institution, what does the church constructively bring to the human community?
Modern society, Michael Trask argues in this incisive and original book, chose to couch class difference in terms of illicit sexuality. Trask demonstrates how sexual science's concept of erotic perversion mediated the writing of both literary figures and social theorists when it came to the innovative and unsettling social arrangements of the early twentieth century. Trask focuses on the James brothers in a critique of pragmatism and anti-immigrant sentiment, shows the influence of behavioral psychology on Gertrude Stein's work, uncovers a sustained reflection on casual labor in Hart Crane's lyric poetry, and traces the identification of working-class Catholics with deviant passions in Willa Cather's fiction. Finally, Trask examines how literary leftists borrowed the antiprostitution rhetoric of Progressive-era reformers to protest the ascendance of consumerism in the 1920s.Viewing class as a restless and unstable category, Trask contends, American modernist writers appropriated sexology's concept of evasive, unmoored desire to account for the seismic shift in social relations during the Progressive era and beyond. Looking closely at the fraught ideological space between real and perceived class differences, Cruising Modernism discloses there a pervasive representation of sexuality as well.
In this latest addition to Oxford's Modernist Literature & Culture series, renowned modernist scholar Michael North poses fundamental questions about the relationship between modernity and comic form in film, animation, the visual arts, and literature. Machine-Age Comedy vividly constructs a cultural history that spans the entire twentieth century, showing how changes wrought by industrialization have forever altered the comic mode. With keen analyses, North examines the work of a wide range of artists--including Charlie Chaplin, Walt Disney, Marcel Duchamp, Samuel Beckett, and David Foster Wallace--to show the creative and unconventional ways the routinization of industrial society has been explored in a broad array of cultural forms. Throughout, North argues that modern writers and artists found something inherently comic in new experiences of repetition associated with, enforced by, and made inevitable by the machine age. Ultimately, this rich, tightly focused study offers a new lens for understanding the devlopment of comedic structures during periods of massive social, political, and cultural change to reveal how the original promise of modern life can be extracted from its practical disappointment.
From his rough beginnings to his early success as a crooner worshipped by bobby-soxers, Freedland's biography follows Sinatra's fall as a singer out of vogue and an actor labeled box-office poison, to his triumph as Oscar winner and entertainment legend.
A portrait of the 1920s glamour queen offers insight into how her early decision to take control over her career shaped her box-office stardom, iconic fashions, and extravagant lifestyle.
Flickering Empire tells the fascinating yet little-known story of how Chicago served as the unlikely capital of American film production in the years before the rise of Hollywood (1907–1913). As entertaining as it is informative, Flickering Empire straddles the worlds of academic and popular nonfiction in its vivid illustration of the rise and fall of the major Chicago movie studios in the mid-silent era (principally Essanay and Selig Polyscope). Colorful, larger-than-life historical figures, including Thomas Edison, Charlie Chaplin, Oscar Micheaux, and Orson Welles, are major players in the narrative—in addition to important though forgotten industry titans, such as "Colonel" William Selig, George Spoor, and Gilbert "Broncho Billy" Anderson.
Stories matter. Stories help us digest information, make sense of our world, understand ourselves and remember. This book takes political storytelling seriously. It examines stories as presented in paintings, music, and Films. and concludes with commentary designed to make sense of the role of political stories in our lives.
The first encyclopedia to analyze, summarize, and explain the complexities of men's lives and the idea of modern manhood. The process of "making masculinity visible" has been going on for over two decades and has produced a prodigious and interesting body of work. But until now the subject has had no authoritative reference source. Men & Masculinities, a pioneering two-volume work, corrects the oversight by summarizing the latest historical, biological, cross-cultural, psychological, and sociological research on the subject. It also looks at literature, art, and music from a gender perspective. The contributors are experts in their specialties and their work is directed, organized, and coedited by one of the premier scholars in the field, Michael Kimmel. The coverage brings together for the first time considerable knowledge of men and manhood, focusing on such areas as sexual violence, intimacy, pornography, homophobia, sports, profeminist men, rituals, sexism, and many other important subjects. Clearly, this unique reference is a valuable guide to students, teachers, writers, policymakers, journalists, and others who seek a fuller understanding of gender in the United States.
The most intriguing stories from the history of cinema are the tales of what might have been, those seemingly insignificant incidents that would have had the largest unforeseen effects. Imagine That... The farmers of southern California revolt against plans for an aqueduct ... and Chicago becomes the new home of American cinema Casablanca's writing committee takes total control ... and the film's greatest moments are whitewashed from history Disney decides against collaborating with Hitler's former engineer ... and the USA never wins the 'Space Race' Engaging, contentious and compulsively readable, each book in this new series takes the reader on a historical flight of fancy, imagining the consequences if history had gone just that little bit differently.
In Nazi Germany, the cult of celebrity was the embodiment of Hitler’s style of cultural governance. Hitler’s rise to power owed much to the creation of his own celebrity, and the country’s greatest stars, whether they were actors, writers, or musicians, could be one of only two things. If they were compliant, they were lauded and awarded status symbols for the regime; but if they resisted—or were simply Jewish—they were traitors to be interned and murdered. This fascinating analysis offers a shocking portrait of a Hitler shaped by aspirations to Hollywood-style fame, of the correlation between art and ambition, of films used as weapons, and of sexual predilections. The Führer believed he was an artist, not a politician, and in his Germany politics and culture became one. His celebrity was cultivated and nurtured by Joseph Goebbels, Germany’s supreme head of culture. Hitler and Goebbels enjoyed the company of beautiful female film stars, and Goebbels had his own “casting couch.” In Germany’s version of Hollywood there were scandals, starlets, secret agents, premieres, and party politics. The Third Reich would launch filmmaker and actress Leni Riefenstahl to prominence by making her its own glorifying documentarian, most famously in The Triumph of the Will, the innovative propaganda film starring Hitler and widely considered to be one of the greatest movies ever made. It is no coincidence that Eva Braun, Hitler’s longtime partner and wife for the two days leading up to their joint suicide, was a photographer, and in fact shot most of the surviving photographs and film footage of her lover. This book reveals previously unpublished information about the “Hitler film,” which Goebbels envisaged as “the greatest story ever told,” although it was ultimately trumped by the dictator’s own, real-life Wagnerian finale.
On the face of it, Winston Churchill and Charlie Chaplin—two icons of the twentieth century—couldn’t be more different. One is the grand statesman whose resolve led a nation in the struggle against Nazi Germany, the other the world-famous actor and comedian behind The Great Dictator, whose owns roots were in poverty and hardship. But in this moving novel, they are bound by a dark secret: both suffer from depression. When a chance encounter reveals what they share, an unusual and unlikely friendship ensues. A series of therapeutic meetings across the world, in Germany, England, and America, sees each become the other’s confidant as they talk of their “black dog days.” With the eye of a masterfully subtle narrator, Michael Köhlmeier imagines a startling friendship of unique understanding between this extraordinary pair: a friendship of the twentieth century between art and politics, humor and seriousness, but which at heart remains an understanding between two men—the poor tramp and the grand statesman—who bring together the history of the century.
Leo Ornstein: Modernist Dilemmas, Personal Choices traces the meteoric rise and heretofore inexplicable disappearance of the Russian-American, futurist-anarchist, pianist-composer from his arrival in the United States in 1906 through a career that lasted nearly a century. Outliving his admirers and critics by decades Leo Ornstein passed away in 2002 at the age of 108. Frequently compared to Igor Stravinsky and Arnold Schoenberg, for a time Ornstein enjoyed a kind a celebrity granted few living musicians. And then he turned his back on it all. This first, full-length biographical study draws upon interviews, journals, and letters from a wide circle of Ornstein's friends and acquaintances to track the Ornstein family as it escaped the horrors of the Russian pogroms, and it situates the Russian-Jewish-American musician as he carved out an identity amidst World War I, the flu pandemic, and the Red Scare. While telling Leo Ornstein's story, the book also illuminates the stories of thousands of immigrants with similar harrowing experiences. It also explores the immeasurable impact of his unexpected marriage in 1918 to Pauline Mallet-Prevost, a Park Avenue debutante. Leo Ornstein: Modernist Dilemmas, Personal Choices finds Ornstein at the center of several networks that included artists John Marin, William Zorach, Leon Kroll, writers and activists Paul Rosenfeld, Waldo Frank, Edmund Wilson, and Clair Reis, the Stieglitz Circle, and a group of English composers known as the Frankfurt Five. Ornstein's story challenges directly the traditional chronology and narrative regarding musical modernism in America and its close relation to the other arts.
This is the definitive account of how America's film industry remembered and reimagined World War I from the Armistice in 1918 to the outbreak of World War II in 1939. Based on detailed archival research, Michael Hammond shows how the war and the sociocultural changes it brought made their way into cinematic stories and images. He traces the development of the war's memory in films dealing with combat on the ground and in the air, the role of women behind the lines, returning veterans, and through the social problem and horror genres. Hammond first examines movies that dealt directly with the war and the men and women who experienced it. He then turns to the consequences of the war as they played out across a range of films, some only tangentially related to the conflict itself. Hammond finds that the Great War acted as a storehouse of motifs and tropes drawn upon in the service of an industry actively seeking to deliver clearly told, entertaining stories to paying audiences. Films analyzed include The Big Parade, Grand Hotel, Hell's Angels, The Black Cat, and Wings. Drawing on production records, set designs, personal accounts, and the advertising and reception of key films, the book offers unique insight into a cinematic remembering that was a product of the studio system as it emerged as a global entertainment industry.
The sensational, lurid, and wickedly entertaining true story of the brothers who invented Hollywood to become the godfathers of cinema - movie moguls Nicholas and Joseph Schenck - studded with glamorous stars, scandals, mobsters, murders, and one legendary blond bombshell. . . Groundbreaking pioneers of the Hollywood Dream Factory, Joseph and Nicholas Schenck may not have been household names like the Warner brothers or Louis B. Mayer, but they were infinitely more powerful, influential—and ruthless. A pair of Russian immigrants with giant ambitions, the Schencks turned their small nickelodeon business in New York’s Bowery into a partnership with Loew’s movie theaters and a controlling interest in three major studios: MGM, 20th Century Fox, and United Artists. They painted the silver screen silver, laid the foundations for the all-powerful studio system, and ruled a global movie empire from their Gatsby-sized mansions on the East and West coasts. The Schencks had become moguls. Their story is the stuff of legends—and their scandals are among the greatest stories Hollywood never told. This riveting, behind-the-scenes account reveals the suprising truth about: The union-busting mob deal that landed Joe Schenck in federal prison for four years—on tax evasion charges including deductions for a menage a trois. The cutthroat and merciless political maneuvering that defined the Hollywood studio heads. The lurid murder charges against silent film star “Fatty” Arbuckle—whose legal defense was paid for by Joe Schenck. Joe’s secret infatuation with Marilyn Monroe, even though Marilyn’s mother named her Norma after Joe’s wife! The brothers’ ingenious creation of the Academy of Motion Pictures and the Oscars—and indomitable control over the entire film industry. From the earliest days of silent films and the swinging era of the Roaring Twenties, through the Golden Age of the studio system and the patriotic call of WWII, to the Red Scare paranoia of the McCarthy years, the history of the Schenck brothers is the story of Hollywood itself—and the endurng power of the American Dream. Moguls is a must-read for film fans, history buffs, and anyone who loves the movies.
UNITED STATES OF AMERICA, 2033 A.D. In a time of widespread poverty, inequality and political unrest, Special Prosecutor Eustace Fargo’s controversial new justice laws have come into effect. Protests and violence meet the first Judges as they hit the street to enforce the Law; the cure, it’s clear, is far worse than the disease. Is this a sign of things to come? This omnibus collects three novellas by Michael Carroll, George Mann and Charles J Eskew.
Catastrophic events like the bombing of Hiroshima, Hurricane Katrina’s devastation of New Orleans, and drone strikes periodically achieve renewed political significance as subsequent developments summon them back to public awareness. But why and how do different conceptions of time inform and challenge these key events and the narratives they create? In this book, Michael J. Shapiro provides an approach to politics and time that unsettles official collective histories by introducing analyses of lived experience articulated in cinematic, televisual, musical, and literary genres. His investigation is framed by questions of our responsibility to acknowledge those victims of violence and catastrophe who have failed to rise above the threshold of public recognition. Ultimately, by focusing on time as an active force shaping our conception of political life, we can deepen our understanding of complex political dynamics and improve the theories and methods we rely on to interpret them. This bold and original book will be of interest to students and scholars of political theory, cultural studies and cinema studies looking for a new perspective on the temporal aspects of political life.
UNITED STATES OF AMERICA, 2033 A.D. In a time of widespread poverty, inequality and political unrest, Special Prosecutor Eustace Fargo’s controversial new justice laws have come into effect. Protests and violence meet the first Judges as they hit the street to enforce the Law; the cure, it’s clear, is far worse than the disease. Is this a sign of things to come?
A comprehensive dictionary listing all the people whose names are commemorated in the English and scientific names of birds. Birdwatchers often come across bird names that include a person's name, either in the vernacular (English) name or latinised in the scientific nomenclature. Such names are properly called eponyms, and few people will not have been curious as to who some of these people were (or are). Names such as Darwin, Wallace, Audubon, Gould and (Gilbert) White are well known to most people. Keener birders will have yearned to see Pallas's Warbler, Hume's Owl, Swainson's Thrush, Steller's Eider or Brünnich's Guillemot. But few people today will have even heard of Albertina's Myna, Barraband's Parrot, Guerin's Helmetcrest or Savigny's Eagle Owl. This extraordinary work lists more than 4,000 eponymous names covering 10,000 genera, species and subspecies of birds. Every taxon with an eponymous vernacular or scientific name (whether in current usage or not) is listed, followed by a concise biography of the person concerned. These entries vary in length from a few lines to several paragraphs, depending on the availability of information or the importance of the individual's legacy. The text is punctuated with intriguing or little-known facts, unearthed in the course of the authors' extensive research. Ornithologists will find this an invaluable reference, especially to sort out birds named after people with identical surnames or in situations where only a person's forenames are used. But all birders will find much of interest in this fascinating volume, a book to dip into time and time again whenever their curiosity is aroused.
Farquhar's ... entries draw from the full sweep of history to take readers through a complete year of misery, including tales of lost fortunes (like the would-be Apple investor who pulled out in 1977 and missed out on a $30 billion-dollar windfall), romance gone wrong (like the 16th-century Shah who experimented with an early form of Viagra with empire-changing results), and truly bizarre moments (like the Great Molasses Flood of 1919)"--
Joseph Berg was due to meet his 'contact' at a pub in London one rainy Friday evening. Unfortunately for Berg and the contact, someone got to the spy first and cut his throat - and Berg both witnessed the murder and became the chief suspect. In his desperation Berg approaches Richard Monk, a young solicitor with a taste for investigation, and Alan Scarby, a barrister who has his work cut out to defend Berg both at the Old Bailey and in Israel.
Artist Michael Lawrence has followed his own passions: dance, theatre, poetry and music transcribing his feelings into exhuberant, colorful, tender reflections. Michael has exhibited his paintings and sculptures in numerous countries and is widely collected. Film director Oliver Stone, author Ray Bradbury and movie star Kirk Douglas are amongst the collectors who own his work. Dedicated to Charles Chaplin, Loaded Brush is 415 pages featuring over 150 images details a fascinating and memorable life in art.
Best remembered for the iconic classics Gone with the Wind (1939) and The Wizard of Oz (1939) to the silver screen, Victor Fleming also counted successful films such as Red Dust (1932), Captains Courageous (1937), Test Pilot (1939), Dr. Jekyll and Mr. Hyde (1941), and the groundbreaking Joan of Arc (1948) among his more than forty directing credits. One of the most sought-after directors in Hollywood's golden age, Fleming (1889--1949) was renowned for his ability to make films across a wide range of genres. In Victor Fleming: An American Movie Master, author Michael Sragow paints a comprehensive portrait of the talented and charismatic man who helped create enduring screen personas for stars such as Clark Gable, Spencer Tracy, and Gary Cooper.
From the early days of the movies, "cavemen" have been a popular subject for filmmakers--not surprisingly, since the birth of cinema occurred only a few decades after the earliest scientific studies of prehistoric man. Filmmakers, however, were not constrained by the emerging science; instead they most often took a comedic look at prehistory, a trend that continued throughout the 20th century. Prehistoric humans also populated adventure-fantasy films, with the original One Million B.C. (1940) leading the charge. Documentaries were also made, but it was not until the 1970s that accurate film accounts of prehistoric humans finally emerged. This exhaustive work provides detailed accounts of 581 film and television productions that feature depictions of human prehistory. Included are dramas and comedies set in human prehistory; documentaries; and films and television shows in which prehistoric people somehow exist in historical periods--from the advent of civilization up to the present--or in extraterrestrial settings. Each entry includes full filmographic data, including year of release, running time, production personnel, cast information, and format. A description of each film provides background on the prehistoric elements. Contemporary critical commentary is included for many of the works.
A Dark and Bloody Ground: Sowing the Wind, chronicles the week of October 4 - 7, 1862, when the State of Kentucky lay in the balance as vast foraging armies swept the country side; soldiers from the North and from the South fighting and dying, staining Kentuckys soil with their blood. The reader witnesses these events through the eyes of seven protagonists, four Southern and three Northern. This novel for the first time brings to life such historical figures as George Thomas, Leonidas Polk, Phil Sheridan and Patrick Cleburne, to name but a few. The events of this week changed the lives of these men and the State of Kentucky forever! Kurt Holman, manager of the Perryville Battlefield State Historic Site says, I really like this! Its much more fun than The Killer Angels. Its a real page turner. It puts you right there.
How is it that humans are able to organize seemingly random sounds into the captivating sonic structures we call music? In this volume, Lawrence M. Zbikowski argues that humans' unique ability to correlate sounds with dynamic processes provides the basis for the construction of meaningful musical utterances - that is, a foundation for musical grammar. Building on a framework for grammar developed by cognitive linguists over the past three decades and the pathbreaking research set out in his earlier book, Conceptualizing Music (OUP 2002), Zbikowski explains how the ability to draw analogies between widely differing domains allowing humans to connect sequences of musical sounds with emotion processes, physical gestures, and the steps of dance. He shows how these connections underpin an evocative movement from a cantata by J.S. Bach, guide our understanding of gestural choreographies by Fred Astaire and Charlie Chaplin, and frame connections between movement and music in French courtly dance and the Viennese waltz. Through thorough surveys of research in cognitive science and careful analyses of works by composers ranging from Bach, Brahms, and Schubert to Jerome Kern, Zbikowski explores the unique resources for communication offered by music and examines how these differ from those of language. Foundations of Musical Grammar is sure to be an instant - and enticingly controversial - classic within the evolving literature addressing the many complex intersections of music and language. -- from dust jacket.
The man who brought the kavorka to the Seinfeld show through one of the most remarkable and beloved television characters ever invented, Kramer, shares the extraordinary life of a comedy genius—the way he came into himself as an artist, the ups and downs as a human being, the road he has traveled in search of understanding. “The hair, so essential, symbolizes the irrational that was and is and always will be the underlying feature not only of Kramer but of comedy itself. This seemingly senseless spirit has been coursing through me since childhood. I’ve been under its almighty influence since the day I came into this world. I felt it all within myself, especially the physical comedy, the body movements, so freakish and undignified, where I bumped into things, knocked stuff down, messed up situations, and often ended up on my ass. “This book is a hymn to the irrational, the senseless spirit that breaks the whole into pieces, a reflection on the seemingly absurd difficulties that intrude upon us all. It’s Harpo Marx turning us about, shaking up my plans, throwing me for a loop. Upset and turmoil is with us all the time. It’s at the basis of comedy. It’s the pratfall we all take. It’s the unavoidable mistake we didn’t expect. It’s everywhere I go. It’s in the way that I am, both light and dark, good and not-so-good. It’s my life.” —Michael Richards, from Entrances and Exits
Show People offers a comprehensive history of the idea of the film star from Mary Pickford to Andy Serkis, traversing more than one hundred years and drawing on examples from America, Britain, Europe, and Asia. Renowned film writer Michael Newton explores our enduring love affair with fame, glamour, and the cinematic image. Newton builds up an expansive picture of movie stardom through explorations of striking and diverse figures such as Ingrid Bergman and John Wayne, Anna Karina and Sidney Poitier, Maggie Cheung, and Raj Kapoor. He celebrates the great performers of the past, and he looks forward to developments in the future, while also illuminating the inner workings of the movie industry and what moves us in a film and in an actor’s performance. An encyclopedic, illustrated history of film idols ready for their close-ups, Show People is ultimately a book about cinephilia, the love of cinema, and our complex connection to that celebrated and beleaguered figure, the movie star.
Learn how to deploy and monitor databases in the cloud, manipulate documents, visualize data, and build applications running on MongoDB using Node.js Key FeaturesLearn the fundamentals of NoSQL databases with MongoDBCreate, manage, and optimize a MongoDB database in the cloud using AtlasUse a real-world dataset to gain practical experience of handling big dataBook Description MongoDB is one of the most popular database technologies for handling large collections of data. This book will help MongoDB beginners develop the knowledge and skills to create databases and process data efficiently. Unlike other MongoDB books, MongoDB Fundamentals dives into cloud computing from the very start – showing you how to get started with Atlas in the first chapter. You will discover how to modify existing data, add new data into a database, and handle complex queries by creating aggregation pipelines. As you progress, you'll learn about the MongoDB replication architecture and configure a simple cluster. You will also get to grips with user authentication, as well as techniques for backing up and restoring data. Finally, you'll perform data visualization using MongoDB Charts. You will work on realistic projects that are presented as bitesize exercises and activities, allowing you to challenge yourself in an enjoyable and attainable way. Many of these mini-projects are based around a movie database case study, while the last chapter acts as a final project where you will use MongoDB to solve a real-world problem based on a bike-sharing app. By the end of this book, you'll have the skills and confidence to process large volumes of data and tackle your own projects using MongoDB. What you will learnSet up and use MongoDB Atlas on the cloudInsert, update, delete, and retrieve data from MongoDBBuild aggregation pipelines to perform complex queriesOptimize queries using indexesMonitor databases and manage user authorizationImprove scalability and performance with sharding clustersReplicate clusters, back up your database, and restore dataCreate data-driven charts and reports from real-time dataWho this book is for This book is designed for people who are new to MongoDB. It is suitable for developers, database administrators, system administrators, and cloud architects who are looking to use MongoDB for smooth data processing in the cloud. Although not necessary, basic knowledge of a general programming language and experience with other databases will help you grasp the topics covered more easily.
From the 1905 opening of the wildly popular, eponymous Nickelodeon in the city's downtown to the subsequent outgrowth of nickel theaters in nearly all of its neighborhoods, Pittsburgh proved to be perfect for the movies. Its urban industrial environment was a melting pot of ethnic, economic, and cultural forces—a "wellspring" for the development of movie culture—and nickelodeons offered citizens an inexpensive respite and handy escape from the harsh realities of the industrial world.Nickelodeon City provides a detailed view inside the city's early film trade, with insights into the politics and business dealings of the burgeoning industry. Drawing from the pages of the Pittsburgh Moving Picture Bulletin, the first known regional trade journal for the movie business, Michael Aronson profiles the major promoters in Pittsburgh, as well as many lesser-known ordinary theater owners, suppliers, and patrons. He examines early film promotion, distribution, and exhibition, and reveals the earliest forms of state censorship and the ensuing political lobbying and manipulation attempted by members of the movie trade. Aronson also explores the emergence of local exhibitor-based cinema, in which the exhibitor assumed control of the content and production of film, blurring the lines between production, consumption, and local and mass media. Nickelodeon City offers a fascinating and intimate view of a city and the socioeconomic factors that allowed an infant film industry to blossom, as well as the unique cultural fabric and neighborhood ties that kept nickelodeons prospering even after Hollywood took the industry by storm. 9.5
This engaging study returns to a truly remarkable year, the year in which both Ulysses and The Waste Land were published, in which The Great Gatsby was set, and during which the Fascisti took over in Italy, the Irish Free State was born, the Harlem Renaissance reached its peak, Charlie Chaplin's popularity crested, and King Tutankhamen's tomb was discovered. In short, the year which not only in hindsight became the primal scene of literary modernism but which served as the cradle for a host of major political and aesthetic transformations resonating around the globe. In his previous study, the acclaimed Dialect of Modernism (OUP, 1994), Michael North looked at the racial and linguistic struggles over the English language which gave birth to the many strains of modernism. Here, he expands his vision to encompass the global stage, and tells the story of how books changed the future of the world as we know it in one unforgettable year.
More than 700 films from the classic period of film noir (1940 to 1959) are presented in this exhaustive reference book--such films as The Accused, Among the Living, The Asphalt Jungle, Baby Face Nelson, Bait, The Beat Generation, Crossfire, Dark Passage, I Walk Alone, The Las Vegas Story, The Naked City, Strangers on a Train, White Heat, and The Window. For each film, the following information is provided: the title, release date, main performers, screenwriter(s), director(s), type of noir, thematic content, a rating based on the five-star system, and a plot synopsis that does not reveal the ending.
Border Witness offers a surprising catalogue of films dealing with the US-Mexico border and released during the past 100 years. It compares these screen visions with what was happening on the ground at the time in both countries. From revolution through to the present global crisis, the films are left to speak for themselves, but their stories are measured alongside the author's experience following decades of research, writing, and activism along the line. Taken together, this book outlines a unique Border Film genre just now entering its Golden Age. This book also comes with a message to both nations that they should learn more from borderlanders about how to conduct cross-border lives"--
Invalid Modernism contributes to an intersectional moment in disability studies by looking at modernist aesthetics through a 'defamiliar body'. It also offers an intersectional understanding of modernism by studying the representation of physical and cognitive difference during a period marked by progressive reforms in health, labor, and welfare. Readings of texts by Henry James, Samuel Beckett, Virginia Woolf, William Carlos Williams, James Joyce, Djuna Barnes, Oscar Wilde, F.T. Marinetti, Jean Toomer, an opera by Alexander Zemlinsky, and paintings and constructions by dadaists and surrealists are set against the historical developments in sexology, medical discourse, and the pseudo-sciences of eugenics and anthropometry. Modernist works are well known for challenging formal features of narration and representation, but it is seldom observed that this challenge has often been enabled by figures of shell-shocked veterans, tubercular heroines, blind soothsayers, invalid aesthetes, and neurasthenic women. Such figures complicate an aesthetics of autonomy by which modernism is often understood. Since its evolution in the eighteenth century, aesthetics has been seen in terms of judgments based on detached appreciation. What begins as a highly privative, sensate response to an object or natural formation results in a disinterested judgment about the value of that response. By looking at modernist aesthetics through a disability optic, Invalid Modernism attempts to restore the missing body to aesthetics by disclosing a structure of feeling around dramatic changes in modernity. These changes are registered on and through the bodies and minds of figures considered in medical discourse of the period as 'invalid' citizens and subjects.
Charles Dickens 200: Text and Beyond: a commemorative volume is the second volume in the new SPECHEL e-ditions series. It commemorates the two-hundredth anniversary of Dickens’s birth, and for the purpose brings together, in addition to ‘dyed-in-the-wool’ Dickensians, a curious variety of experts from a miscellany of areas of expertise ranging from folksinger to linguist and even magician. The chapters approach Charles Dickens from musical aspects ranging from opera to music-hall song and street ballad, from his role as a family conjuror, to psychological analyses of various of his characters and linguistic analysis of his style. He is regarded through the prism of the Irish literary scene but also through the eye of the Hungarian translator of his work, through operatic and photographic adaptations of his subject-matter. Every new chapter produces an exciting and unexpected new facet of the author, whose birth the volume celebrates.
Kommentierte Bibliografie. Sie gibt Wissenschaftlern, Studierenden und Journalisten zuverlässig Auskunft über rund 6000 internationale Veröffentlichungen zum Thema Film und Medien. Die vorgestellten Rubriken reichen von Nachschlagewerk über Filmgeschichte bis hin zu Fernsehen, Video, Multimedia.
In this volume, 39 of the legendary composers from Tin Pan Alley, Hollywood and Broadway of the 1920s through the 1950s discuss their careers and share the stories of creating many of the most beloved songs in American music. Interviewed for radio in the mid-1970s, they include such giants as Harold Arlen, Eubie Blake, Cy Coleman, George Duning, Sammy Fain, Jerry Herman, Bronislaw Kaper, Henry Mancini, David Rose, Arthur Schwartz, Charles Strouse, Jule Styne, Jimmie Van Heusen, Harry Warren, Richard Whiting, and Meredith Willson. Photographs and rare sheet music reproductions accompany the interviews.
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