Between 1936 and 1939, almost 1,700 Canadians defied their government and volunteered to fight in the Spanish Civil War. They left behind punishing lives in Canadian relief camps, mines, and urban flophouses to confront fascism in a country few knew much about. Michael Petrou has drawn on recently declassified archival material, interviewed surviving Canadian veterans, and visited the battlefields of Spain to write the definitive account of Canadians in the Spanish Civil War. Renegades is an intimate and unflinching story of idealism and courage, duplicity and defeat.
The Rational Shakespeare: Peter Ramus, Edward de Vere, and the Question of Authorship examines William Shakespeare’s rationality from a Ramist perspective, linking that examination to the leading intellectuals of late humanism, and extending those links to the life of Edward de Vere, Seventeenth Earl of Oxford. The application to Shakespeare’s plays and sonnets of a game-theoretic hermeneutic, an interpretive approach that Ramism suggests but ultimately evades, strengthens these connections in further supporting the Oxfordian answer to the question of Shakespearean authorship.
Cecil was a consummate plotter who undermined enemies and helped his supporters, he himself wrote: "I spend my time in sowing so much seed as my poor wretched fingers can scatter, in such a season as may bring forth a plentiful harvest. I dare boldly say no shower or storm shall mar our harvest except it should come from beyond the middle region."" This was written just a fortnight before the discovery of poor Guy Fawkes. What does it mean? It is ambiguous, which is probably what Cecil wanted. I think it is a coded message proclaiming that nothing could stop his plot from succeeding except if those in his service, in the Midlands bungled their part; that is failed to kill all the Catholics hiding in the house. This must surely refer to the assassination of all those Catholic nobles who fled London. If they were dead, they could not protest their innocence. The sherif's men ambushed and destroyed anyone who might have told the truth. Might those 'plotters' have set the record straight?
An entertaining, hilarious, biting biography of “Mr. Warmth,” the infamously prickly comic who dominated Hollywood and Las Vegas for decades, making an artform out of heckling his friends, family and especially his audiences - and they couldn’t get enough of it. Having ridden a wave of success that lasted more than sixty years, Don Rickles is best known as the “insult” comic who skewered presidents, royalty, celebrities, and friends and fans alike. But there was more to “Mr. Warmth” than a devilish ear-to-ear grin and lightning-fast put-downs. Rickles was a loving husband, an adoring father who suffered a devastating loss, and a loyal friend to the likes of Bob Newhart and Frank Sinatra. Don was also a young student at the American Academy of Dramatic Arts and intended to become a serious actor. But it was in small nightclubs where Rickles found success, steamrolling hecklers, honing his acerbic put-downs, and teaching the world to love being insulted. Don Rickles, The Merchant of Venom traces career from his rise in the 1950s to a late-in-life resurgence thanks to the Toy Story franchise, his role in Scorsese’s Casino, and scores of TV appearances from Carson to Seth Meyers. In the intervening decades, Rickles conquered every medium, including the stage, where the Vegas legend was still performing at the age of eighty-five. In his highly memorable career, he was idolized by a generation of younger comedians including Jerry Seinfeld, Jay Leno, and many others. And all along, Rickles performed in the shadow of a shocking open secret: he was the nicest man in town.
In World War I, 35 relatives of the Collins family aged between 18 and 57 volunteered for service - 15 came from the Collins side while 20 were from the Byrne side. Some never passed the enlistment process. Of those who served overseas, many were injured and a saddening percentage died. With interest in the war high due to its centenary, this book honours those who answered the call by detailing their service and lives using primary documents and the vast amount of resources available for researchers. It is hard to say whether these veterans cover the full range of Australia's involvement during the Great War, from being enlisted for a few weeks at the end of the war to dying, but there is no denying the 34 men and one woman whose lives are recorded here encompass a broad range of the Australian experience during the conflict.
It has been said that the records of singer and actress Julie London were purchased for their provocative, full-color cover photographs as frequently as they were for the music contained in their grooves. During the 1950s and 1960s, her piercing blue eyes, strawberry-blonde hair, and shapely figure were used to sell the world an image of cool sexuality that stoked the fevered dreams of many men. The contrast between that image and reality, the public and the private, is at the heart of Julie London's story. Through years of research, extensive interviews with family, friends, and musical associates, and access to rarely seen or heard archival material, author Michael Owen reveals the impact that her image had on the direction of her career and how it influenced the choices she made, including the decision to walk away from performing. Go Slow follows Julie London's life and career through its many stages: her transformation from 1940s movie starlet to the coolly defiant singer of the classic torch ballad "Cry Me a River" of the 1950s, and her journey from Las Vegas hotel entertainer during the rock and roll revolution of the 1960s to the no-nonsense nurse of the 1970s hit television series Emergency!
Black and Blue: The Redd Foxx Story tells the remarkable story of Foxx, a veteran comedian and "overnight sensation" at the age of 49 whose early life was defined by adversity and his post- Sanford and Son years by a blur of women, cocaine, endless lawsuits, financial chaos, and a losing battle with the IRS. Foxx's frank, trailblazing style as the "King of the Party Records" opened the door for a generation of African-American comedians including Dick Gregory, Bill Cosby, Richard Pryor, Eddie Murphy, and Chris Rock. Foxx took the country by storm in January 1972 as crotchety, bow-legged Watts junk dealer Fred Sanford in Sanford and Son , one of the most beloved sitcoms in television history. Fred's histrionic "heart attacks" ("It's the big one, Elizabeth! I'm comin' to join ya, honey!") and catchphrases ("You big dummy!") turned Fred Sanford into a cultural icon and Redd Foxx into a millionaire. Sanford and Son took Foxx to the pinnacle of television success but would also prove to be his downfall. Interviews with friends, confidantes, and colleagues provide a unique insight into this generous, brash, vulnerable performer a man who Norman Lear described as "inherently, innately funny in every part of his being.
This is the first known biography of Sir Charles Bullen Hugh Mitchell G C M G, former Governor of the Straits Settlements and District Grand Master of the freemasons in the Eastern Archipelago.The book traces his early life as an officer in the Royal Marines, where he served for 15 years, ending up with the rank of Lieutenant Colonel, as well as his long, distinguished career in the Colonial Service, serving Queen Victoria in many countries including Natal in Southern Africa during and after the Zulu Wars, British Honduras, British Guiana, Fiji and Singapore.It is his time in Singapore that is given extensive treatment in the book. Having been sworn in as Governor and Commander-in-Chief of The Straits Settlements and their Dependencies (the 'Colony') on 1 February 1894, Mitchell inherited a colony, which was in very serious financial difficulty. With his prudent financial management, the governor brought the Colony back to a strong financial position and completed many projects. He was also instrumental in the implementation of the Federation of Malay States and was its first High Commissioner.His governorship was cut short when he died suddenly at the Colony's Government House (the current Istana) on 7 December 1899 and was buried in Singapore.However, his legacy was written out by his successor Sir Frank Swettenham who would take credit for the Colony's achievements. To this end, this book will go towards correcting the history of Singapore and Malaya at that time.The book also contains one of the very few public accounts of freemasonry in Singapore during the 19th Century and those of prominent freemasons participating in the colonial administration and commercial sector in the Colony.
Michael Ewans explores how classical Greek tragedy and epic poetry have been appropriated in opera, through eight selected case studies. These range from Monteverdi's Il ritorno d'Ulisse in patria, drawn from Homer's Odyssey, to Mark-Antony Turnage's Greek, based on Sophocles's Oedipus the King. Choices have been based on an understanding that the relationship between each of the operas and their Greek source texts raise significant issues, involving an examination of the process by which the librettist creates a new text for the opera, and the crucial insights into the nature of the drama that are bestowed by the composer's musical setting. Ewans examines the issues through a comparative analysis of significant divergences of plot, character and dramatic strategy between source text, libretto and opera.
A sequel to the 1979 offering investigates such celluloid gumshoes as Mike Hammer, Miss Jane Marple, Philip Marlowe, Perry Mason, The Shadow, Sherlock Holmes, and The Whistler, as well as those with brief careers, including Kitty O'Day, Tony Rome, and Lord Peter Whimsey. Reveals the characters, the actors, the films, and the literary works that set off the whole chain of events. Includes dozens of movie stills and corrections to the base volume. Annotation copyrighted by Book News, Inc., Portland, OR
In Performing Opera: A Practical Guide for Singers and Directors Michael Ewans provides a detailed and practical workbook to performing many of the most commonly produced operas. Drawing on examples from twenty-four operas ranging in period from Gluck and Mozart to Britten and Tippett, it illustrates exactly how opera functions as dramatic form. Grounded in close analyses of performances of thirty scenes and five whole operas by first-rate singers and celebrated directors, Performing Opera provides readers with an appreciation of the unique challenges and skills required by performers and directors. It will assist them in their own performance and equip them with detailed knowledge of works most commonly featured in the repertoire. In the first part of the book the analysis progresses from scenes in which the singers are silent, via arias and monologues, duets and confrontations, up to ensembles. Wider issues are subsequently addressed: encounters with offstage events, encounters with the numinous, characterization, and the sense of inevitability in tragic opera.
The Avant-Garde in Interwar England addresses modernism's ties to tradition, commerce, nationalism, and spirituality through an analysis of the assimilation of visual modernism in England between 1910 and 1939. During this period, a debate raged across the nation concerning the purpose of art in society. On one side were the aesthetic formalists, led by members of London's Bloomsbury Group, who thought art was autonomous from everyday life. On the other were England's so-called medieval modernists, many of them from the provincial North, who maintained that art had direct social functions and moral consequences. As Michael T. Saler demonstrates in this fascinating volume, the heated exchange between these two camps would ultimately set the terms for how modern art was perceived by the British public. Histories of English modernism have usually emphasized the seminal role played by the Bloomsbury Group in introducing, celebrating, and defining modernism, but Saler's study instead argues that, during the watershed years between the World Wars, modern art was most often understood in the terms laid out by the medieval modernists. As the name implies, these artists and intellectuals closely associated modernism with the art of the Middle Ages, building on the ideas of John Ruskin, William Morris, and other nineteenth-century romantic medievalists. In their view, modernism was a spiritual, national, and economic movement, a new and different artistic sensibility that was destined to revitalize England's culture as well as its commercial exports when applied to advertising and industrial design. This book, then, concerns the busy intersection of art, trade, and national identity in the early decades of twentieth-century England. Specifically, it explores the life and work of Frank Pick, managing director of the London Underground, whose famous patronage of modern artists, architects, and designers was guided by a desire to unite nineteenth-century arts and crafts with twentieth-century industry and mass culture. As one of the foremost adherents of medieval modernism, Pick converted London's primary public transportation system into the culminating project of the arts and crafts movement. But how should today's readers regard Pick's achievement? What can we say of the legacy of this visionary patron who sought to transform the whole of sprawling London into a post-impressionist work of art? And was medieval modernism itself a movement of pioneers or dreamers? In its bold engagement with such questions, The Avant-Garde in Interwar England will surely appeal to students of modernism, twentieth-century art, the cultural history of England, and urban history.
From the very beginning, Singapore’s promise of adventure and romance lured visitors to her shores. Travellers came from everywhere and found in Singapore so much to amaze and amuse, so much to write home about. The tales selected for this collection take the reader back to the early days of Singapore when pirates roamed the seas and tigers ate Chinamen for breakfast. It was an era of rickshaws and gharries, of pepper and gambier plantations, of secret societies and opium dens. Through the eyes of more than 60 visitors are seen glimpses of a place, a time and a way of life that is very different from today’s. First published in 1985, this classic volume is bound to entertain and inform a whole new generation of readers
The archaeological remains in the Gulf area are astounding, and still relatively unexplored. Michael Rice has produced the first up-to-date book, which encompasses all the recent work in the area. He shows that the Gulf has been a major channel of commerce for millenia, and that its ancient culture was rich and complex, to be counted with its great contempororaries in Sumer, Egypt and south-west Persia.
From colonial times to the present, American composers have lived on the fringes of society and defined themselves in large part as outsiders. In this stimulating book Michael Broyles considers the tradition of maverick composers and explores what these mavericks reveal about American attitudes toward the arts and about American society itself. Broyles starts by examining the careers of three notably unconventional composers: William Billings in the eighteenth century, Anthony Philip Heinrich in the nineteenth, and Charles Ives in the twentieth. All three had unusual lives, wrote music that many considered incomprehensible, and are now recognized as key figures in the development of American music. Broyles goes on to investigate the proliferation of eccentric individualism in all types of American music—classical, popular, and jazz—and how it has come to dominate the image of diverse creative artists from John Cage to Frank Zappa. The history of the maverick tradition, Broyles shows, has much to tell us about the role of music in American culture and the tension between individualism and community in the American consciousness.
Schools and Public Health is a meditation on the past, present, and future of the relationship between public health and American public schools. Gard and Pluim begin by developing a historical account of the way schools have been used in the public health policy arena in America. They then look in detail at more contemporary examples of school-based public health policies and initiatives in order to come to a judgment about whether and to what extent it makes sense to use schools in this way. With this is as the foundation, the book then offers answers to the question of why schools have so readily been drawn into public health policy formulations. First, seeing schools as a kind of ‘miracle factory’ is a long standing habit of mind that discourages careful consideration of alternative public health strategies. Second, schools have been implicated in public health policy in strategic ways by actors often with unstated political, cultural, ideological, and financial motivations. Finally, the authors call for a more sophisticated approach to public health policy in schools and suggest some criteria for judging the potential efficacy of school-based interventions. In short, the potential effectiveness of proposed interventions needs to be assessed not only against existing historical evidence, but also against the competing roles society expects schools to play and the working-life realities for those charged with implementing public health policies in schools.
Praise for the updated 2012 Kindle edition of Lucy A to Z: The Lucille Ball Encyclopedia "Very important. Fresh insights. The most detailed-and most enjoyable-book available on Lucille Ball. A must-have." -Laura Wagner, Classic Images "As we are producing the I Love Lucy 50th Anniversary Special, [Lucy A to Z] has been a godsend." -Lucie Arnaz, 2001 letter to author "[Lucy A to Z is a] compound of insight, fact, and trivia." -Stefan Kanfer, author, Ball of Fire "This new Fourth Edition of Lucy A to Z is a wonderful read and I'm very pleased to recommend it to everyone." -Wanda Clark, Lucille Ball's personal secretary "If you need any 'splainin' about Lucy' life and career, you'll find it here!" -Craig Hamrick, author, The TV Tidbits Classic Television Trivia Quiz Book
This book provides an overview of historical and contemporary cases of homicidal poisoning. While homicidal poisoning is sometimes thought of as a thing of the past, it continues to be a contemporary problem, and in fact the unknown offender rate for poisoning cases is 20-30 times that of other homicide types in contemporary research, and many poisoners commit serial homicides while going undetected. The author of this important and timely work explores the theoretical bases for understanding homicidal poisoning, the nature of poisons used in homicidal cases, the characteristics of poisoners and their victims, and techniques for detection and prevention. This unique book will be of particular interest to: students of criminology (classes dealing with criminal psychology, and murder investigation); students of the history of crime; criminal justice professionals: attorneys, homicide detectives, forensic pathologists, forensic and clinical toxicologists, and other forensic investigators; and all interested in poisons, poisoners and the detection of poisoning. It has relevance to criminology, law and policing, toxicology and forensic science, the history of crime and detection, and criminal psychology. Endorsements: "A most welcomed addition to the important subject of the criminal poisoner. The author has done a fantastic job of researching the world literature, and distilling it down for the reader. The work is very well referenced, and provides critical information for law enforcement, forensic pathologists, and others, that could be dealing with the criminal poisoner." John H. Trestrail IIIToxicologistLos Lunas, New Mexico USA "Dr Michael Farrell has produced a comprehensive and authoritative work on a most serious but often overlooked aspect of criminal assault - the act of poisoning. In the Criminology of Homicidal Poisoning, Farrell seamlessly weaves together the facts about poisons and their use as an instrument of homicide with the context of the larger issue of murder. By examining the poisoner and the victim, the reader is provided a depth of understanding about how a deadly outcome arose and why the choice was made to employ poison to get the grisly job done. With criminal homicide by poisoning making up a small percentage of known crimes, the danger of insufficient scholarly attention is present. Dr Michael Farrell makes a significant contribution to ensure against this potential. As a homicide researcher, I know Criminology of Homicidal Poisoning will join the works I turn to in understanding the nuances of the how and why of homicide." Dr Richard M. Hough, Sr., Criminology and Criminal Justice and Public Administration Program Coordinator, University of West Florida, US "This comprehensive text links forensic toxicology with criminology, making a solid contribution to both fields. Farrell not only describes how homicidal poisoning fits the most popular criminological theories for why people kill but also examines the nature and lethality of various poisons, identifies trends in poisoning, provides a history, and shows offender traits and victim characteristics. In addition, he discusses issues for investigators and prosecutors who will be taking a poisoning case to trial." Katherine Ramsland Professor of forensic psychology at DeSales University, PennsylvaniaPsychology Today/div
The Other Space Race is a unique look at the early U.S. space program and how it both shaped and was shaped by politics during the Cold War. Eisenhower’s “New Look” expanded the role of the Air Force in national security, and ultimately allowed ambitious aerospace projects, namely the “Dyna-Soar,” a bomber equipped with nuclear weapons that would operate in space. Eisenhower’s space policy was purely practical, creating a strong deterrent against the use of nuclear arms against the United States. With the Soviet launch of Sputnik in 1957, the political climate changed, and space travel became part of the United States’ national discourse. Sambaluk explores what followed, including the scuttling of the “Dyna-Soar” program and the transition from Eisenhower’s space policy to John Kennedy’s. This well-argued, well-researched book gives much needed perspective on the Cold War’s influence on space travel and it’s relation to the formation of public policy.
On September 23, 1969, five years after the first made-for-television movie premiered, the ABC network broadcast Seven in Darkness. This was the first television film for an anthology show called the Tuesday Night Movie of the Week. Dedicating ninety minutes of weekly airtime to a still-emerging genre was a financial risk for the third-place network—a risk that paid off. The films were so successful that in 1972 the network debuted The Wednesday Movie of the Week. Although most of the movies are no longer remembered, a handful are still fondly recalled by viewers today, including Duel, Brian’s Song, and The Night Stalker. The series also showcased pilot films for many eventual series, such as Alias Smith and Jones, The Six Million Dollar Man, and Starsky and Hutch. By the end of both shows’ regular runs in the spring of 1975, the network had broadcast more than 200 made-for-television films. In The ABC Movie of the Week: Big Movies for the Small Screen, Michael McKenna examines this programming experiment that transformed the television landscape and became a staple of broadcast programming for several years. The author looks at how the revolving films showcased the right mixture of romantic comedy, action, horror, and social relevance to keep viewers interested week after week. McKenna also chronicles how the ratings success led to imitations from the other networks, resulting in a saturation of television movies. As a cultural touchstone for millions who experienced the first run and syndicated versions of these films, The ABC Movie of the Week is a worthy subject ofstudy. Featuring a complete filmography of all 240 movies with credit information and plot summaries, a chronology, and a list of pilots—both failed and successful—this volume will be valuable to television historians and scholars, as well as to anyone interested in one of the great triumphs of network programming.
Best-selling author Michael Karol (Lucy A to Z: The Lucille Ball Encyclopedia) is at it again, with a book of lists honoring Lucy’s 100th birthday and the 60th anniversary of I Love Lucy — both of which occur in 2011! Chapter titles include Headline News, Lucy by the Numbers, The Lucy Show Mystery, Mam’selle Mame, and many more...with an exclusive list by Lucille Ball’s and Desi Arnaz’s good friend, comedian Kaye Ballard (The Mothers-In-Law). You’ll laugh, learn and love this unique peek into the Lucyverse.
This book concentrates on the sometimes Greek but largely Roman survivals many travellers set out to see and perhaps possess throughout the immense Ottoman Empire, on what were eastward and southward extensions of the Grand Tour. Europeans were curious about the Empire, Christianity’s great rival for centuries, and plenty of information on its antiquities was available, offered here via lengthy quotations. Most accounts of the history of collecting and museums concentrate on the European end. Plundered Empire details how and where antiquities were sought, uncovered, bartered, paid for or stolen, and any tribulations in getting them home. The book provides evidence for the continuing debate about the ethics of museum collections, with 19th century international competition the spur to spectacular acquisitions.
Now an acclaimed documentary from Screen Media, the New York Times bestselling account of the story behind one of the most influential, durable, and beloved shows in the history of television: Sesame Street. “Davis tracks down every Sesame anecdote and every Sesame personality in his book . . . Finally, we get to touch Big Bird's feathers.” —The New York Times Book Review Sesame Street is the longest-running-and arguably most beloved- children's television program ever created. Today, it reaches some six million preschoolers weekly in the United States and countless others in 140 countries around the world. Street Gang is the compelling, comical, and inspiring story of a media masterpiece and pop-culture landmark. Television reporter and columnist Michael Davis-with the complete participation of Joan Ganz Cooney, one of the show's founders-unveils the idealistic personalities, decades of social and cultural change, stories of compassion and personal sacrifice, and miraculous efforts of writers, producers, directors, and puppeteers that together transformed an empty soundstage into the most recognizable block of real estate in television history.
In 1976, a fledgling magazine held forth the the idea that comics could be art. In 2016, comics intended for an adult readership are reviewed favorably in the New York Times, enjoy panels devoted to them at Book Expo America, and sell in bookstores comparable to prose efforts of similar weight and intent. We Told You So: Comics as Art is an oral history about Fantagraphics Books’ key role in helping build and shape an art movement around a discredited, ignored and fading expression of Americana. It includes appearances by Chris Ware, Art Spiegelman, Harlan Ellison, Stan Lee, Daniel Clowes, Frank Miller, and more.
Sal Mineo is probably most well-known for his unforgettable, Academy Award–nominated turn opposite James Dean in Rebel Without a Cause and his tragic murder at the age of thirty-seven. Finally, in this riveting new biography filled with exclusive, candid interviews with both Mineo’s closest female and male lovers and never-before-published photographs, Michael Gregg Michaud tells the full story of this remarkable young actor’s life, charting his meteoric rise to fame and turbulent career and private life. One of the hottest stars of the 1950s, Mineo grew up as the son of Sicilian immigrants in a humble Bronx flat. But by age eleven, he appeared on Broadway in Tennessee Williams’s The Rose Tattoo, and then as Prince Chulalongkorn in the original Broadway production of The King and I starring Yul Brynner and Gertrude Lawrence. This sultry-eyed, dark-haired male ingénue of sorts appeared on the cover of every major magazine, thousands of star-struck fans attended his premieres, and millions bought his records, which included several top-ten hits. His life offstage was just as exhilarating: full of sports cars, motor boats, famous friends, and some of the most beautiful young actresses in Hollywood. But it was fourteen-year-old Jill Haworth, his costar in Exodus—the film that delivered one of the greatest acting roles of his life and earned him another Academy Award nomination and a Golden Globe win—with whom he fell in love and moved to the West Coast. But by the 1960s, a series of professional missteps and an increasingly tumultuous private life reversed his fortunes. By the late sixties and early seventies, grappling with the repercussions of publicly admitting his homosexuality and struggling to reinvent himself from an aging teen idol, Mineo turned toward increasingly self-destructive behavior. Yet his creative impulses never foundered. He began directing and producing controversial off-Broadway plays that explored social and sexual taboos. He also found personal happiness in a relationship with male actor Courtney Burr. Tragically, on the cusp of turning a new page in his life, Mineo’s life was cut short in a botched robbery. Revealing a charming, mischievous, creative, and often scandalous side of Mineo few have known before now, Sal Mineo is an intimate, moving biography of a distinctive Hollywood star.
Major Motion Picture Adaptation Coming Soon The internationally acclaimed actress Patricia Neal (1926–2010) was a star on stage, film, and television for more than sixty years. On Broadway she appeared in such lauded productions as Lillian Hellman's Another Part of the Forest, winning the first Tony award. In Hollywood she starred opposite the likes of John Wayne, Paul Newman, John Garfield, and Gary Cooper in some thirty films. She is perhaps best known for her portrayal of Alma Brown in Hud, which earned her the 1963 Academy Award for Best Actress. But there was much more to Neal's life. She was born in Packard, Kentucky, though she spent most of her childhood in Knoxville, Tennessee. For a time, Neal became romantically involved with Gary Cooper, her married costar in The Fountainhead. In 1953, Neal wed famed children's author Roald Dahl, a match that would bring her five children and thirty years of dramatic ups and downs. At the pinnacle of her screen career, Neal suffered a series of strokes which left her in a coma for twenty-one days, and Variety even ran a headline erroneously stating that she had died. After a difficult recovery, Neal returned to film acting, earning a second Academy Award nomination for The Subject Was Roses (1968). She appeared in several television movie roles in the 1970s and 1980s and won a Golden Globe for Best Actress in a Dramatic TV Movie in 1971 for The Homecoming. Adapted as a major motion picture (filmed as An Unquiet Life) starring Hugh Bonneville, Keeley Hawes, and Sam Heughan, Patricia Neal: An Unquiet Life is the first critical biography detailing the actress's impressive film career and remarkable personal life. Author Stephen Michael Shearer conducted numerous interviews with Neal, her professional colleagues, and her intimate friends and was given access to the actress's personal papers. The result is an honest and comprehensive portrait of an accomplished woman who lived her life with determination and bravado.
Raymond Burr (1917-1993), a film noir regular known for his villainous roles in movies like Rear Window, became one of the most popular stars in television history. He delighted millions of viewers each week in the toprated shows Perry Mason and Ironside, which ran virtually uninterrupted for nearly twenty years.
Gloria Swanson defined what it meant to be a movie star, but her unforgettable role in Sunset Boulevard overshadowed the true story of her life. Now Stephen Michael Shearer sets the record straight in the first in-depth biography of the film legend. Swanson was Hollywood's first successful glamour queen. Her stardom as an actress in the mid-1920s earned her millions of fans and millions of dollars. Realizing her box office value early in her career, she took control of her life. Soon she was not only producing her own films, she was choosing her scripts, selecting her leading men, casting her projects, creating her own fashions, guiding her publicity, and living an extravagant and sometimes extraordinary celebrity lifestyle. She also collected a long line of lovers (including Joseph P. Kennedy) and married men of her choosing (including a French marquis, thus becoming America's first member of "nobility"). As a devoted and loving mother, she managed a quiet success of raising three children. Perhaps most important, as a keen businesswoman she also was able to extend her career more than sixty years. Her astounding comeback as Norma Desmond in Billy Wilder's Sunset Boulevard catapulted her back into the limelight. But it also created her long-misunderstood persona, one that this meticulous biography shows was only part of this independent and unparalleled woman.
Squires (English, Virginia Tech) and Talbot (Spanish, Roanoke College) collected Frieda Laurence's letters for years before realizing that they could add considerable insight to a biography of her famous writer husband. The result, though focusing on him, turned out to be a biography of them as a couple, pulling her out from his shadow. Annotation copyrighted by Book News, Inc., Portland, OR
Bohuslav Martinu (1890-1959)was one of the most prolific composers in the 20th century. Despite the fact that he lived for several years in the United States and had many of his works premiered in this country, he still stands as an enigma. This collection of essays by an international group of experts, is dedicated to the memory of Michael Henderson, who died in 1994 at the age of 47. Henderson was in the process of writing a biography of the composer. These essays include a range of new approaches to Martinu: Judy Mabary gives a concise history of Martinu's collaboration with choreographer Eric Hawkins, The Strangler; Ales Brezina looks penetratingly at the often tortured relationship between Martinu and the Czechoslovak government; and Michael Beckerman explores questions of construction in Martinu's Piano Concerto No. 2. Shorter pieces by Czech scholars Isa Popelka and Jaroslav Mihule are also included. In addition, there will be an essay by Michael Henderson on "Martinu's Mysterious Accident" which will shed light on one of the most harrowing events in the composer's life.
This third volume in Mike Ashley's four-volume study of the science-fiction magazines focuses on the turbulent years of the 1970s, when the United States emerged from the Vietnam War into an economic crisis. It saw the end of the Apollo moon programme and the start of the ecology movement. This proved to be one of the most complicated periods for the science-fiction magazines. Not only were they struggling to survive within the economic climate, they also had to cope with the death of the father of modern science fiction, John W. Campbell, Jr., while facing new and potentially threatening opposition. The market for science fiction diversified as never before, with the growth in new anthologies, the emergence of semi-professional magazines, the explosion of science fiction in college, the start of role-playing gaming magazines, underground and adult comics and, with the success of Star Wars, media magazines. This volume explores how the traditional science-fiction magazines coped with this, from the
In Everyday Creative Writing the reader will find the prospecting tools of the trade - from freewriting and free association to puzzles and computer gaming.
This reference work, updated since the 1997 edition, provides comprehensive information on the major professional leagues in North America--baseball, basketball, football, hockey and soccer. Arranged chronologically, the entries for each league in each sport include individual statistical leaders, championship results, major rules changes, winners of major awards, and hall of fame inductees.
The Gulf, Colorado, and Santa Fe Railroad founded the town of Temple in 1881. Named in honor of the railroad's chief engineer, B. M. Temple, the town lies in the finest agriculture belt in Texas. Prior to the arrival of the railroad, farmers of Bell County transported cotton, grain, and produce to the nearest railroad terminus at Waco, Cameron, Calvert, or Rockdale on a difficult three-day trip. Moving these goods became much easier with the arrival of the railroad, and Temple became an important center for trade. By 1912, Temple was the most important revenue-producing station on the Gulf, Colorado, and Santa Fe Railroad south of Kansas City. Early on, the railroad established a hospital for employees, and by 1900, there were three hospitals: St. Mary's Sanitarium, Santa Fe, and King's Daughters. Temple's importance as a trade center contributed to an early and sustained population growth. The city of Temple promotes the community's history with the annual Pioneer Day celebration.
What happened on this date in church history? From ancient Rome to the twenty-first century, from peasants to presidents, from missionaries to martyrs, this book shows how God does extraordinary things through ordinary people every day of the year. Each story appears on the day and month that it occurred and includes questions for reflection and a related Scripture verse.
A history of the police drama Dragnet and its creator and producer Jack Webb, from its beginnings as a successful radio show to its acclaimed run on television in the 1950s and later color version in the 1960s.
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