Vienna’s ‘respectable’ antisemites offers a radical challenge to conventional accounts of one of the darkest periods in the city’s history: the rise of organised, politically directed antisemitism between the late-nineteenth and mid-twentieth centuries. Drawing on original research into the Christian Social movement, the book analyses how issues such as nationalism, mass poverty and social unrest enabled the gestation in ‘respectable’ society of antisemitism, an ideology that seemed to be dying in the 1860s, but which was given new strength from the 1880s. It delivers a riposte to portrayals of the lower clergy as a marginalised group that was driven to defend itself from liberal attacks by turning to anti-liberal, antisemitic action, as well as exposing the nurturing role played by senior clergy. As the book reveals, the Church in Vienna as a whole was determined to counter liberalism, to the point of welcoming any authoritarian regime that would do so.
From 1928 through 1982, when Columbia Pictures Corporation was a traded stock company, the studio released some of the most famous and popular films dealing with horror, science fiction and fantasy. This volume covers more than 200 Columbia feature films within these genres, among them Close Encounters of the Third Kind, The 7th Voyage of Sinbad, Earth vs. the Flying Saucers and The Revenge of Frankenstein. Also discussed in depth are the vehicles of such horror icons as Boris Karloff, Bela Lugosi, and John Carradine. Additionally highlighted are several of Columbia's lesser known genre efforts, including the Boston Blackie and Crime Doctor series, such individual features as By Whose Hand?, Cry of the Werewolf, Devil Goddess, Terror of the Tongs and The Creeping Flesh, and dozens of the studio's short subjects, serials and made-for-television movies.
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