These Study Guides have been developed exclusively with the Caribbean Examinations Council (CXC(R)) to be used as an additional resource by candidates who are following the Caribbean Advanced Proficiency Examination (CAPE(R)) programme. They provide candidates with extra support to help them maximise their performance in their examinations.
When it was formed, Trojan Records epitomised the punk DIY ethic over a decade before 1976. With a blizzard of individual labels and a marketing strategy that involved selling product out of the backs of vans, the company spearheaded the injection of reggae and ska into the vein of British youth consciousness. In its first brief six-year incarnation, Trojan produced nearly 30 hit singles, created the legendary compilation series Tighten Up and launched new acts like Jimmy Cliff, Desmond Dekker, Ken Boothe, The Pioneers, Bob And Marcia, Greyhound and Dave And Ansell Collins, all against a background of cut-throat politics, cultural division and prejudice. Featuring a comprehensive discography, Young, Gifted And Black is the official story of Trojan Records, lifting the lid on the scheming, backbiting and sheer seat-of-the-pants inspiration that made the label such a powerful force for black UK music.
Winner of the ARSC’s Award for Best Research (History) in Folk, Ethnic, or World Music (2008) When Jamaican recording engineers Osbourne “King Tubby” Ruddock, Errol Thompson, and Lee “Scratch” Perry began crafting “dub” music in the early 1970s, they were initiating a musical revolution that continues to have worldwide influence. Dub is a sub-genre of Jamaican reggae that flourished during reggae’s “golden age” of the late 1960s through the early 1980s. Dub involves remixing existing recordings—electronically improvising sound effects and altering vocal tracks—to create its unique sound. Just as hip-hop turned phonograph turntables into musical instruments, dub turned the mixing and sound processing technologies of the recording studio into instruments of composition and real-time improvisation. In addition to chronicling dub’s development and offering the first thorough analysis of the music itself, author Michael Veal examines dub’s social significance in Jamaican culture. He further explores the “dub revolution” that has crossed musical and cultural boundaries for over thirty years, influencing a wide variety of musical genres around the globe. Ebook Edition Note: Seven of the 25 illustrations have been redacted.
Musician, political critic, and hedonist, international superstar Fela Anikulapo-Kuti created a sensation throughout his career. In his own country of Nigeria he was simultaneously adulated and loathed, often by the same people at the same time. His outspoken political views and advocacy of marijuana smoking and sexual promiscuity offended many, even as his musical brilliance enthralled them. In his creation of afrobeat, he melded African traditions with African American and Afro-Caribbean influences to revolutionize world music. Although harassed, beaten, and jailed by Nigerian authorities, he continued his outspoken and derisive criticism of political corruption at home and economic exploitation from abroad. A volatile mixture of personal characteristics -- charisma, musical talent, maverick lifestyle, populist ideology, and persistence in the face of persecution -- made him a legend throughout Africa and the world. Celebrated during the 1970s as a musical innovator and spokesman for the continent's oppressed masses, he enjoyed worldwide celebrity during the 1980s and was recognized in the 1990s as a major pioneer and elder statesman of African music. By the time of his death in 1997 from AIDS-related complications, Fela had become something of a Nigerian institution. In Africa, the idea of transnational alliance, once thought to be outmoded, has gained new currency. In African America, during a period of increasing social conservatism and ethnic polarization, Africa has re-emerged as a symbol of cultural affirmation. At such an historical moment, Fela's music offers a perspective on race, class, and nation on both sides of the Atlantic. As Professor Veal demonstrates, over three decades Fela synthesized a unique musical language while also clearing -- if only temporarily -- a space for popular political dissent and a type of counter-cultural expression rarely seen in West Africa. In the midst of political turmoil in Africa, as well as renewal of pro-African cultural nationalism throughout the diaspora, Fela's political music functions as a post-colonial art form that uses cross-cultural exchange to voice a unique and powerful African essentialism.
The NCAA tournament has always been an enormous spotlight for the underdog. Bracket-clenching fans root for teams from smaller schools to upset the elite squads and score an unexpected win on their tournament sheet...if they picked them, that is. And normally that's all the fans expect-one or two incredible upsets. But in 2006, the underdogs broke through... Cinderella is an inside look at the NCAA's mid-major basketball programs, which fight for one shot to battle the elite teams for the national championship. The rise of mid-majors has been one of the most thrilling sport stories of the past few years, and it's only getting bigger. Michael Litos spent the 2005-06 season on the frontlines of the Colonial Athletic Association, home of such mid-major standouts as Old Dominion, Hofstra, and George Mason. With complete access to coaches and players, he found incredible tales of pressure and passion. He saw coaches and players struggling to put together a championship drive in spite of uncompromising schedules and half-filled arenas. And he was there when the ultimate underdog turned the world of college basketball upside-down-George Mason's historic run to the Final Four. In what was dubbed "The Year of the Mid-major," Cinderella delivers the ultimate look at what it means to be an underdog, and how the sport of college basketball is being transformed. In the last great league of amateur athletes, this is the story those who play for the love of the game...and the thrill of achieving the unbelieveable
From world leaders to Mafia dons, from Hollywood stars to the literary world's most eccentric writers, the notable and notorious alike have entrusted their life's work to Simon & Schuster's preeminent editor, Michael Korda. In this masterful memoir, Korda reveals the unforgettable cast of characters and outrageous anecdotes behind four decades of blockbuster publishing, bringing us face-to-face with dozens of larger-than-life figures: Richard Nixon, who maintained his "presidential" persona long after his public life was over; Joan Crawford, whose autobiography reflected a life she would have liked to have lived but did not; Joseph Bonanno, the retired Mafia don who'd do anything to keep from being killed by the reviewers. And in a revelatory account that reads as compulsively as fiction, Another Life paints a vivid picture of publishing's glitterati, including Jacqueline Susann, who liberated women's fiction--and terrorized a publishing house, and Tennessee Williams, who nourished his genius on four-course vodka lunches. A veritable Who's Who of stage, screen, and letters, Another Life is the deft interweaving of publishing at it most fascinating--and storytelling at its finest.
Based on extensive archival research and oral history, Staging Tradition traces the parallel careers of the creators of the Renfro Valley Barn Dance and the National Folk Festival. Through their devotion to the staging of traditional culture, including folk, country, and bluegrass music, John Lair (1894-1985) and Sarah Gertrude Knott (1895-1984) became two of the mid-twentieth century's most notable producers. Lair and Knott's discovery of new developments in theater and entertainment during the 1920s led the pair to careers that kept each of them center stage. Inspired by programs such as WLS's Barn Dance and the success of early folk events, Lair promoted Kentucky musicians. Knott staged her own radically inclusive festival, which included Native and African American traditions and continues today as the National Folk Festival. Michael Ann Williams shows how Lair and Knott fed the public's fascination with the "art of the common man" and were in turn buffeted by cultural forces that developed around and beyond them.
William Faulkner continues to be an author who is widely read, studied, and admired. This book provides a new and interdisciplinary account of Faulkner's legacy, arguing that his fiction is just as relevant today as it was during his own time. Indeed, Faulkner's far-reaching critique of his Southern heritage speaks directly to the anti-racism discourse of our own time and engages the dire threat to subjecthood in a technologically saturated civilization. Combining literary critique with network and complexity science, this study offers a new reading of William Faulkner as a novelist for the information age. Over the course of his career, we find an artist struggling to articulate the threat to human wellbeing in rapidly scaling social systems and gradually developing a hard-won humanism that affirms the individual and interpersonal life as a source of novelty and social change.
Michael Williams has spent the past year travelling along the fascinating rail byways of Britain for this new collection of journeys. Here is the 'train to the end of the world' running for more than four splendid hours through lake, loch and moorland from Inverness to Wick, the most northerly town in Britain. He discovers a perfect country branch line in London's commuterland, and travels on one of the slowest services in the land along the shores of the lovely Dovey estuary to the far west of Wales. He takes the stopping train across the Pennines on a line with so few services that its glorious scenery is a secret known only to the regulars. Here, too, is the Bittern Line in Norfolk and the Tarka Line in North Devon as well as the little branch line to the fishing port of Looe in Cornwall, rescued from closure in the 1960s and now celebrating its 150th anniversary taking families on holiday to the seaside. From the most luxurious and historic - aboard the Orient Express - to the most futuristic - on the driverless trains of London's Docklands Light Railway - here is a unique travel companion celebrating the treasures of our railway heritage from one of Britain's most knowledgeable railway writers.
To mark the occasion of Michael Kidner's 90th birthday, Flowers East staged a major retrospective exhibition, celebrating an enduring career and exceptional contribution to the arts. A pioneer of Optical Art, Kidner has devoted much of his career to developing work of a constructive nature. His interest in mathematics, science and the theories of chaos has determined an art that is both formal and playful. The curiosity of his mind is matched by his willingness to accept the unexpected outcome. Examples of work from all periods of his career, from the 1950s to the present, were included in the exhibition (these include After Image, Stripe/Moiree, Wave, Series, Column, Lattice, Elastic Fixed and Flexible Frame and Pentagon). The show comprised paintings, works on paper, sculpture and prints.
The North Carolina Gazetteer first appeared to wide acclaim in 1968 and has remained an essential reference for anyone with a serious interest in the Tar Heel State, from historians to journalists, from creative writers to urban planners, from backpackers to armchair travelers. This revised and expanded edition adds approximately 1,200 new entries, bringing to nearly 21,000 the number of North Carolina cities, towns, crossroads, waterways, mountains, and other places identified here. The stories attached to place names are at the core of the book and the reason why it has stood the test of time. Some recall faraway places: Bombay, Shanghai, Moscow, Berlin. Others paint the locality as a little piece of heaven on earth: Bliss, Splendor, Sweet Home. In many cases the name derivations are unusual, sometimes wildly so: Cat Square, Huggins Hell, Tater Hill, Whynot. Telling us much about our own history in these snapshot histories of particular locales, The North Carolina Gazetteer provides an engaging, authoritative, and fully updated reference to place names from all corners of the Tar Heel State.
Winner of the Nicholas Bessaraboff Prize Musical repertory of great importance and quality was performed on viols in sixteenth- and early seventeenth-century England. This is reported by Thomas Mace (1676) who says that ’Your Best Provision’ for playing such music is a chest of old English viols, and he names five early English viol makers than which ’there are no Better in the World’. Enlightened scholars and performers (both professional and amateur) who aim to understand and play this music require reliable historical information and need suitable viols, but so little is known about the instruments and their makers that we cannot specify appropriate instruments with much precision. Our ignorance cannot be remedied exclusively by the scrutiny or use of surviving antique viols because they are extremely rare, they are not accessible to performers and the information they embody is crucially compromised by degradation and alteration. Drawing on a wide variety of evidence including the surviving instruments, music composed for those instruments, and the documentary evidence surrounding the trade of instrument making, Fleming and Bryan draw significant conclusions about the changing nature and varieties of viol in early modern England.
CALLING THE SHOTS covers the two year period from the time Michael Vaughan took over as England captain. This book concentrates on leadership, with Michael describing his approach to captaincy, his aims and thoughts about the various Test series, as well as his decision making and man management strategies. The book reads as a lively and entertaining narrative, whilst maintaining its informative role during the most successful period for England cricket during the past 25 years. CALLING THE SHOTS also takes us through the electrifying 2005 Ashes series. Michael Vaughan describes his hugely successful approach that led to triumph over the formidable Australian team, and how it felt to be part of one of the greatest series ever.
In 1984 the Press celebrated 400 years of continuous printing and publishing. This history, now published as a paperback, provides a readable introduction to that unique period, with a foreword by Gordon Johnson which comments on the continuing achievement of the Press. The story is of the development of the printing and publishing arm of the University of Cambridge, from the medieval system of resident stationers to the modern international printing and publishing house. The narrative is set within the development of the University; in the history of the book trade as a whole; and in the intellectual and political history of England.
This "book on the art of Michael Shannon traces his development from his early years as a student with George Bell, to his most recent studies of the landscape of Northern Victoria. Comprehensively illustrated, it reveals his sustained interest in the urban environment and his ability to find both poetry and quiet dignity in the ordinary aspects of the suburban world". -- inside front cover.
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