This book, by Michael J. Brogan, examines government budgeting through the lens of public budget forecast errors. In examining this aspect of the budgetary process, Brogan helps readers understand levels of political and financial risk that policymakers are willing to accept in estimating the likelihood of accurate budget projections. This title is noteworthy in its innovative, accessible approach to examining the budget process through an analysis of forecast errors. Unlike most public budgeting books, which focus primarily on the technical aspects of budgeting or on the politics of the budget process, this book bridges the technical and political aspects of budgeting, thereby providing a more comprehensive analysis of contemporary issues and research in public budgetary matters. In light of the current financial crisis in the United States, this book is crucial for providing readers with a comprehensive review of the limits of budget projections and how political forces shape the forecasting process. Throughout the text, readers are presented with relevant state-specific mini cases. The mini cases highlight some of the difficulties in projecting future revenue and spending patterns, as well as the political conflict that can ensue. The empirical findings, mini cases, and arguments presented throughout this book are intended to empower readers, giving them the expertise needed to better understand how uncertainty in public budget forecasts affects the budget process. Ultimately, this knowledge can help citizens connect the financial management of a state with its governing patterns.
Mediation Law and Practice gives a thorough account of the practice of mediation from the perspective of the student and practitioner. Divided into two parts, it deals with both the practice of mediation and the law surrounding mediation. Touching on the theory and philosophy behind the practice, it further describes in a theoretical and practical sense the difference between the emerging models of mediation. Mediator qualities are discussed in terms of issues of gender, culture and power. This book examines the important issue of mediation ethics and, taking into account the developing law surrounding the practice, proposes a code of ethics. It looks at the future of mediation in light of the decline in litigation, the rise in regulatory constraints on mediation and the popularity of online mediation. Mediation Law and Practice provides students and practitioners with the complete text on the practice and law surrounding mediation.
A custom publication for students studying Professional Responsibility and Legal Ethics at Western Sydney University. Compiled by Michael Brogan, this text draws upon material from the Thomson Reuters range.
Dramatic New Series from Fan Favorite Michael Phillips The death of the clan patriarch has thrown the tiny Shetland Islands community of Whales Reef into turmoil. Everyone assumed MacGregor Tulloch's heir to be his grand-nephew David, a local favorite, but when it is discovered that MacGregor left no will, David's grasping cousin Hardy submits his own claim to the inheritance, an estate that controls most of the island's land. And while Hardy doesn't enjoy much popular support, he has the backing of a shadowy group of North Sea oil investors. The courts have frozen the estate's assets while the competing claims are investigated, leaving many of the residents in financial limbo. The future of the island--and its traditional way of life--hangs in the balance. Loni Ford is enjoying her rising career in a large investment firm in Washington, DC. Yet in spite of her outward success, she is privately plagued by questions of identity. Orphaned as a young child, she was raised by her paternal grandparents, and while she loves them dearly, she feels completely detached from her roots. That is until a mysterious letter arrives from a Scottish solicitor. . . . Past and present collide in master storyteller Phillips's dramatic new saga of loss and discovery, of grasping and grace, and of the dreams of men and women everywhere.
The Dramatic Conclusion to Michael Phillips's Shetland Islands Saga Loni Ford's unexpected inheritance of substantial real estate--not to mention a title--in the Shetland Islands has caused more than a stir in the quiet fishing hamlet of Whales Reef. How is life ever to be the same with an outsider--and a woman, at that--playing such a pivotal role in the life of this conservative community? But it isn't just the locals who have deep misgivings about the current situation. Loni herself never imagined this in her wildest dreams. What Loni is more sure of, however, is that she is falling in love--with Whales Reef, with its hardy people, with its simple, peaceful way of life, and with local chieftain David Tulloch, whose inheritance she has usurped, at least in the eyes of some. But life in Whales Reef is not without drama. Deep rifts exist between certain lifelong residents, and when one local resident turns up dead, suspicion is cast in the direction of the island's most prominent family. How Loni and David deal with this challenge will go a long way in determining their future, and that of the quaint island community.
This volume brings together for the first time over a hundred of Oakeshott's essays and reviews, written between 1926 and 1951, that until now have remained scattered through a variety of scholarly journals, periodicals and newspapers. A new editorial introduction explains how these pieces, including the lengthy essay on the philosophical nature of jurisprudence that occupies an important position in Oakeshott's work, illuminate his other published writings. The collection throws new light on the context of his thought by placing him in dialogue with a number of other major figures in the humanities and social sciences during this period, including Leo Strauss, A.N. Whitehead, Karl Mannheim, Herbert Butterfield, E.H. Carr, Gilbert Ryle, and R.G. Collingwood.
Michael Phillips Continues His Sweeping Shetland Islands Saga When Loni Ford is informed that she has inherited property in the Shetland Islands, she laughs. She wants nothing more than to sell it and be done with it. But when she arrives in the North Sea enclave, she is stunned to find that "the Cottage" is not at all what she expected, nor is David Tulloch, the man most of the islanders believe to be the rightful heir. The locals could hardly be more surprised that the heir is a woman--and an American. Loni, in turn, finds the islanders quaint and a bit behind the times. Expecting David to be as provincial as the rest of his clan, she discovers that there is far more to the man than meets the eye. And there is something about the peaceful atmosphere of the place--and the character of its most prominent citizen--that soon gets under her skin. Beneath the peaceful surface, however, change is threatening the island of Whales Reef. David's cousin Hardy Tulloch, whose claim to the inheritance now in Loni's hands was backed by oil investors, has not been deterred in his aim to control the island. But his co-conspirators have plans of their own, plans that put Loni's very life in danger.
A house that becomes a home is a place where memories are built and nurtured, to be passed down from generation to generation. These memories are absorbed into the very fabric of that house and live there for the lifetime of the building. The problem is--they don't like being disturbed. But they're waiting for you.
Conceived as a challenge to long–standing conventional wisdom, Creating the Future is a work of social history/cultural criticism that examines the premise that the progress of art in Los Angeles ceased during the 1970s—after the decline of the Ferus Gallery, the scattering of its stable of artists (Robert Irwin, Ed Kienholz, Ed Moses, Ed Rusha and others), and the economic struggles throughout the decade—and didn't resume until sometime around 1984 when Mark Tansey, Alison Saar, Judy Fiskin, Carrie Mae Weems, David Salle, Manuel Ocampo, among others became stars in an exploding art market. However, this is far from the reality of the L.A. art scene in the 1970s. The passing of those fashionable 1960s–era icons, in fact, allowed the development of a chaotic array of outlandish and independent voices, marginalized communities, and energetic, sometimes bizarre visions that thrived during the stagnant 1970s. Fallon's narrative describes and celebrates, through twelve thematically arranged chapters, the wide range of intriguing artists and the world—not just the objects—they created. He reveals the deeper, more culturally dynamic truth about a significant moment in American art history, presenting an alternative story of stubborn creativity in the face of widespread ignorance and misapprehension among the art cognoscenti, who dismissed the 1970s in Los Angeles as a time of dissipation and decline. Coming into being right before their eyes was an ardent local feminist art movement, which had lasting influence on the direction of art across the nation; an emerging Chicano Art movement, spreading Chicano murals across Los Angeles and to other major cities; a new and more modern vision for the role and look of public art; a slow consolidation of local street sensibilities, car fetishism, gang and punk aesthetics into the earliest version of what would later become the "Lowbrow" art movement; the subversive co–opting, in full view of Pop Art, of the values, aesthetics, and imagery of Tinseltown by a number of young and innovative local artists who would go on to greater national renown; and a number of independent voices who, lacking the support structures of an art movement or artist cohort, pursued their brilliant artistic visions in near–isolation. Despite the lack of attention, these artists would later reemerge as visionary signposts to many later trends in art. Their work would prove more interesting, more lastingly influential, and vastly more important than ever imagined or expected by those who saw it or even by those who created it in 1970's Los Angeles. Creating the Future is a visionary work that seeks to recapture this important decade and its influence on today's generation of artists.
When an unscrupulous antiquities dealer hires an archeologist to uncover the origin of an ancient tablet, he sets off a bizarre chain of events: Ten-thousand-year-old mummies are found in a cave in the Grand Canyon. A golden statue is discovered in the Sphinx¿s paw. What's the secret linking Arizona and Egypt? The U.S. Dept. of Defense believes the answer may well put the entire world at risk.
A collection of 6 volumes of Oakeshott's work: Notebooks, 1922-86, Early Political Writings 1925-30, The Concept of a Philosophical Jurisprudence, Vocabulary of a Modern European State, Lectures in the History of Political Thought, and What is History?
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