John Himmelfarb is a bold American artist who consistently ignores the boundaries between drawing and painting. This comprehensive monograph also details his most recent work that includes the lyric paintings of the Inland Romance Series and linear calligraphic creations that challenge the heart and mind of the contemporary art lover. 84 colour & 50 illustrations
Now in a fully revised and updated edition, this history of modern Korea explores the social, economic, and political issues it has faced since being catapulted into the wider world at the end of the nineteenth century. Placing this formerly insular society in a global context, Michael J. Seth describes how this ancient, culturally and ethnically homogeneous society first fell victim to Japanese imperialist expansionism, and then was arbitrarily divided in half after World War II. Seth traces the postwar paths of the two Koreas—with different political and social systems and different geopolitical orientations—as they evolved into sharply contrasting societies. South Korea, after an unpromising start, became one of the few postcolonial developing states to enter the ranks of the first world, with a globally competitive economy, a democratic political system, and a cosmopolitan and dynamic culture. By contrast, North Korea became one of the world's most totalitarian and isolated societies, a nuclear power with an impoverished and famine-stricken population. Considering the radically different and historically unprecedented trajectories of the two Koreas, Seth assesses the insights they offer for understanding not only modern Korea but the broader perspective of world history. All readers looking for a balanced, knowledgeable history will be richly rewarded with this clear and cogent book.
A Life at the Crossroads tells the story of a Minnesota farm boy who became an inner-city pastor, high-profile denominational executive, and the last president of the world’s most historic seminary (Gettysburg Lutheran). Cooper-White, who is also a commercial pilot and flight instructor, pursued journalism following his ministerial career. In clear and winsome prose, he shares his personal autobiography along with a treasure trove of twentieth-century ecclesiastical history. From facing machine guns in Chile and El Salvador to taking on church controversies over sexuality and ecumenical initiatives, to leading consolidation of two rival seminaries, Cooper-White’s is the story of a cleric who took seriously the call to be a public theologian. The consolidation of the two institutions, which had failed in a half-dozen previous attempts, offers a case study in patient and persistent long-term leadership.
A re-interpretation of the Marshall Plan, as an extension of strategic American policy, views the plan as the "brainchild" of the New Deal coalition of progressive private and political interests.
This candid memoir of a GI serving under Gen. Patton offers a rare glimpse into the realities of life and combat in Europe during WWII. Though Gen. Patton’s army is famous for dashing armored attacks, some of the most intensive fighting of World War II was done by Patton’s infantry—the foot sloggers who were deployed to reduce enemy strong points. This candid account of the US infantry in the European theater takes the reader from the beaches of Normandy to the conquest of Germany—all through the eyes of an infantryman who had the unique perspective of speaking the enemy’s language. A fluent German speaker, Michael Bilder was called upon for interrogations and other special duties. As a combat lifeguard, he also played a key role in successive river crossings. Here, Bilder relates his experiences of infantry life, from German snipers to intoxicated Frenchwomen, to the often morbid humor of combat. He also describes the Battle of Metz in all its horror, as well as the 5th Infantry’s drive into the Bulge, where they faced their first winter battle against enemy veterans of Russia.
Nancy Hanks, Chairman of the National Endowment for the Arts (NEA) from 1969 to 1977, turned this fledgling organization into a major instrument for government support of the arts—accomplishing thereby a virtual revolution in the public arts policy of the United States. She died of cancer on January 7, 1983; later that year, at the request of Congress, President Ronald Reagan designated the building complex at Pennsylvania Avenue and 11th Street (the "Old Post Office") in Washington, D.C., as the Nancy Hanks Center. This biography captures the spirit and the flavor of Ms. Hanks's remarkable life, above all during the eight years in which she led the Endowment. Tracing her childhood in Florida and North Carolina through her achievements as a student leader at Duke University, Straight makes clear her conscious effort to find a path with more scope than the usual marriage-and-a-family when expected of Southern women. Nancy Hanks went to Washington and found a job with the Office of War Mobilization. She later worked with Nelson Rockefeller, who became governor of New York, a Republican party luminary, and vice president under Gerald Ford, in addition to being an heir to one of America's greatest fortunes. Her relationship with Rockefeller was crucial to her personal life, and his conception of government and its role and a lasting influence on her career. Straight examines Nancy Hanks's leadership of the NEA and takes particular note of the intense debate over the role of government in fostering American artistic expression, an issue with roots running back through the New Deal to the early history of the United States. Nancy Hanks took a strong and activist role in the formulation and administration of a national arts policy, and her accomplishments have left an indelible mark on public support for arts in the United States. Straight, who worked closely with Ms. Hanks and admired her despite frequent policy disagreements, deals honestly with both the successes and failures of her efforts. His biography imparts a sense of the reasons why her many friends felt such loyalty to this complex and gifted woman.
John Himmelfarb is a bold American artist who consistently ignores the boundaries between drawing and painting. This comprehensive monograph also details his most recent work that includes the lyric paintings of the Inland Romance Series and linear calligraphic creations that challenge the heart and mind of the contemporary art lover. 84 colour & 50 illustrations
Police are required to obey the law. While that seems obvious, courts have lost track of that requirement due to misinterpreting the two constitutional provisions governing police conduct: the Fourth and Fourteenth Amendments. The Fourth Amendment forbids "unreasonable searches and seizures" and is the source of most constitutional constraints on policing. Although that provision technically applies only to the federal government, the Fourteenth Amendment, ratified in the wake of the Civil War, has been deemed to apply the Fourth Amendment to the States. This book contends that the courts’ misinterpretation of these provisions has led them to hold federal and state law enforcement mistakenly to the same constitutional standards. The Fourth Amendment was originally understood as a federalism, or “states’ rights,” provision that, in effect, required federal agents to adhere to state law when searching or seizing. Thus, applying the same constraint to the States is impossible. Instead, the Fourteenth Amendment was originally understood in part as requiring that state officials (1) adhere to state law, (2) not discriminate, and (3) not be granted excessive discretion by legislators. These principles should guide judicial review of modern policing. Instead, constitutional constraints on policing are too strict and too forgiving at the same time. In this book, Michael J.Z. Mannheimer calls for a reimagination of what modern policing could look like based on the original understandings of the Fourth and Fourteenth Amendments.
It’s one of the most famous sports images of all time. Former heavyweight boxing champion Sonny Liston is sprawled on his back in the boxing rim. Muhammad Ali stands over Liston, holding his right hand as if ready to throw another punch. The reigning world champion had just thrown a short, right-handed punch to the side of Liston’s head. In a flash, Liston had gone down. The photo of the angry Ali standing over the fallen challenger was taken in an instant by photojournalist John Rooney, but the controversy over the 1965 fight lingers to this day.
A sweeping history of the Cold War’s many “hot” wars born in the last gasps of empire The Cold War reigns in popular imagination as a period of tension between the two post-World War II superpowers, the United States and the Soviet Union, without direct conflict. Drawing from new archival research, prize-winning historian Michael Burleigh gives new meaning to the seminal decades of 1945 to 1965 by examining the many, largely forgotten, “hot” wars fought around the world. As once-great Western colonial empires collapsed, counter-insurgencies campaigns raged in the Philippines, the Congo, Iran, and other faraway places. Dozens of new nations struggled into existence, the legacies of which are still felt today. Placing these vicious struggles alongside the period-defining United States and Soviet standoffs in Korea, Vietnam, and Cuba, Burleigh swerves from Algeria to Kenya, to Vietnam and Kashmir, interspersing top-level diplomatic negotiations with portraits of the charismatic local leaders. The result is a dazzling work of history, a searing analysis of the legacy of imperialism and a reminder of just how the United States became the world’s great enforcer.
Is it possible that the woman who raised Abraham Lincoln was actually his half-sister, and that the man he knew as his grandfather had conducted a scandalous affair with a servant girl? Was Nancy Dude really a murderous witch, or the victim of relentless calamities that would stretch anyone beyond the bounds of sanity? Should Horace Kephart be considered a hero for his work to protect the area of the Great Smokies, where a moutain was named in his honor, or a drunken scoundrel who uprooted families from the homes and farms they’d had for generations? From Sam Houston’s childhood among the Cherokee to the mysterious “road to nowhere”, Great SmokiesMyths and Legends makes history fun and pulls back the curtain on some of this national park’s most fascinating and compelling stories.
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