Focuses on David Garrick and the leading actors of his company at Drury Lane. This book tells how, in their time, Garrick, Macklin and Woffington were as famous for their achievements on the stage as they were infamous for their activities off it. It draws a selection of the actors' own words with those of their contemporaries and critics.
The Formation of Christian Europe analyzes the Carolingians' efforts to form a Christian Empire with the organizing principle of the sacrament of baptism. Owen M. Phelan argues that baptism provided the foundation for this society, and offered a medium for the communication and the popularization of beliefs and ideas, through which the Carolingian Renewal established the vision of an imperium christianum in Europe. He analyzes how baptism unified people theologically, socially, and politically and helped Carolingian leaders order their approaches to public life. It enabled reformers to think in ways which were ideologically consistent, publicly available, and socially useful. Phelan also examines the influential court intellectual, Alcuin of York, who worked to implement a sacramental society through baptism. The book finally looks at the dissolution of Carolingian political aspirations for an imperium christianum and how, by the end of the ninth century, political frustrations concealed the deeper achievement of the Carolingian Renewal.
Ken Follet was a normal average person, a widow with one married daughter. When her two kids are abducted, abused and killed the daughter tries to kill herself. Ken decides to take the law into his own hands. He waits six brain festering years for the only man ever punished for the children's deaths to be released from prison Ken has his revenge. Finding that he has a hidden liking for violence Ken decides that this is his way forward. By starting the Guild, he brings down a reign of terror on a small city. In a very short time, the city is controlled by the Guild and for some reason petty crime almost stops. Can violence ever be a justified way of stopping violence? Would the police be able to act against a criminal group like the Guild? Would you be willing to go against the Guild if you found that they were working in your town? Could it ever happen?
Ben Vautier, Niki De Saint Phalle, François Morellet, Louise Bourgeois, Alexandre Hollan, Claude Viallat, Sophie Calle, Bernard Pagès, Jean-Pierre Pincemin, Annette Messager, Gérard Titus-Carmel: eleven major French artists of the last forty years or so, examined in the light of their uniqueness and their rootedness, the specificities of their differing and at times overlapping plastic practices and the swirling and often highly hybridised conceptions entertained in regard to such practices. Thus does analysis range from discussion of the feisty, Fluxus-inspired, free-spirited funkiness of Ben Vautier's work to the various modes of transcendence of trauma and haunting fear generated by the exceptional gestures of Niki de Saint Phalle and Louise Bourgeois, to the alyrical formalism yet imbued with irony and ludicity of François Morellet, through to the serene intensities of Alexandre Hollan's vies silencieuses, the infinite a-signatures of Claude Viallat's adventure in the sheer joy of a poiein of self-reflexive coloration, the powerfully elegant and muscular disarticulations of Bernard Pagès' sculpture, the great sweep through art's history implied by Jean-Pierre Pincemin's chameleon-like gestures, the vast swirling programme of socio-psychological analysis the arts of Annette Messager and Sophie Calle offer in their radically distinctive manners, the obsessively serialised oeuvre of Gérard Titus-Carmel allowing a burrowing deep into the opaque logic of a real though dubious 'presence to the world'.
Explication of Holmes's didactic works, including A Mortal Antipathy and Over the Teacups, which substantiates Holmes as a serious writer of the New England Renaissance whose ideology of self-determination as an American value is as relevant to modern society as it was to the agrarian and industrial societies he addressed"--Provided by publisher.
After sixty years of living in a Cistercian community, Michael Casey combines his down-to-earth observations about the joys and challenges of living in community with an appreciation of the deeper meanings of cenobitic life, taking into account the changes in both theory and practice that have occurred in his lifetime. He invites his readers, especially monks and nuns, to reflect on their own experiences of community as a means of seeing a path forward into the future. Many of the key components of monastic community have kept the same names for more than a millennium. In an age of paradigm shift, Michael Casey invites readers to examine these essential practices of community life and to ask how they might be envisioned in a way that speaks to our contemporaries.
This important volume looks back to 1890 and -- 100 years later -- asks some of the same questions William James was asking in his Principles of Psychology. In so doing, it reviews our progress toward their solutions. Among the contemporary concerns of 1990 that the editors consider are: the nature of the self and the will, conscious experience, associationism, the basic acts of cognition, and the nature of perception. Their findings: Although the developments in each of these areas during the last 100 years have been monumental, James' views as presented in the Principles still remain viable and provocative. To provide a context for understanding James, some chapters are devoted primarily to recent scholarship about James himself -- focusing on the time the Principles was written, relevant intellectual influences, and considerations of his understanding of this "new" science of psychology. The balance of this volume is devoted to specific topics of particular interest to James. One critical theme woven into almost every chapter is the tension between the role of experience (or phenomenological data) within a scientific psychology, and the viability of a materialistic (or biologically reductive) account of mental life. Written for professionals, practitioners, and students of psychology -- in all disciplines.
This work is a composite index of the complete runs of all mystery and detective fan magazines that have been published, through 1981. Added to it are indexes of many magazines of related nature. This includes magazines that are primarily oriented to boys' book collecting, the paperbacks, and the pulp magazine hero characters, since these all have a place in the mystery and detective genre.
Moving from the Catholic Church's pagan origins, through the Roman era, middle ages, and Reformation to the present, Robert Michael here provides a definitive history of Catholic antisemitism.
Bernard Lonergan's economic writings span forty years and contain ideas that differ radically from those of his contemporaries. His theory of macroeconomic dynamics was developed through the 1930s and 1940s, culminating in the composition of For a New Political Economy (1942) and An Essay in Circulation Analysis (1944). In Lonergan's Discovery of the Science of Economics, Michael Shute uses archival material in order to examine the influence of Lonergan's early work in methodology, social philosophy, and theology on the development of his economic theory. Shute traces the development of Lonergan's economic ideas from the late 1920s to the publication of his significant economic works in the 1940s. Together with its companion volume, Lonergan's Early Economic Research, this volume outlines the process behind one of the great intellectual discoveries of the twentieth century and uncovers Lonergan's framework for a genuine science of economics.
Although a highly visible part of the ecclesiastical furniture of the Roman Catholic Church and the Vatican for thirteen centuries, surprisingly little has been written about cardinals or (apart from some notable individual biographies), about the men who became papal princes . The cardinals of the Roman Church are the nearly men of Catholicism - those whose office since the 11th century has been chiefly to choose the Pope, following efforts to wrest this power from Rome s nobility and militia. This compelling history traces the origins and growth of the office of cardinal and tells the stories of some of the remarkable (for all kinds of reasons) men who have worn the red cap, coveted by some, refused on occasion and sometimes laid down in exchange for marriage, though one maverick got wed in his red hat. The Cardinals is an informative and entertaining look at the lives of some of the more colourful characters who have worn the cardinatial red or purple. It reveals an unlikely company of saints and villains, patrons of the arts and scholars, cardinals who might have been pope but who were blackballed, and cardinals who were deprived of the title because of their dissolute lives, doubtful opinions, or interference in papal policies. There are diplomats in these pages, statesmen, kingmakers and soldiers. There are members of royal and noble families, and the son of a Doge of Venice. And there are the cardinals whose fame simply lies in their goodness and their care of the dioceses entrusted to them.
Knat Lio is a teenage boy who fancies himself a private detective. While on summer vacation, he is hired for some real detective work, investigating a man’s involvement in an armed robbery. Antoine Fluellyn (Flu) is a supremely gifted football star who suffers a serious on-field injury. Even after he recovers physically, he cannot mentally regain his other-worldly potential, and instead drifts into a life of crime, finding employment in the underworld. Set in New York State, the name of the crime drama’s main character, Knat Lio, was chosen by the author as an alternative to a palindrome, which is a word that’s spelled the same backwards or forwards, such as mom. “While I was still working (I'm retired now), I saw some words on a door, and I thought to myself, if I inverted those words, I could come up with an interesting name. And I built the character; Knat Lio, from those words.”
What does it mean to love? What are the traits of character that support love’s activity? How does the economy of grace—the mission of Christ and the action of the Holy Spirit—elevate and transform human love, virtue, and the desire for happiness? In On Love and Virtue: Theological Essays, the eminent Dominican theologian Michael Sherwin considers how the Catholic tradition has addressed these questions. Fr. Sherwin places this tradition in dialogue with contemporary questions. Taking St. Thomas Aquinas as his primary guide, Fr. Sherwin reads St. Thomas in light of his biblical and patristic sources (especially St. Augustine) and engages contemporary developments in philosophy in order to deepen our understanding of how grace both heals and elevates human nature. Along the way, Fr. Sherwin considers the vocation of the theologian and the biblical and patristic understanding of the Christian call to moral apprenticeship and friendship with God.
It was to be the fifth tallest building in the world, the largest manmade structure outside of New York City, jutting into the skies of the Roaring Twenties over the central downtown of ...Columbus, Ohio. Its socially progressive creators hoped it would stand forever as a symbol of what their titanic parent company called “the noblest work of man”. LeVeque is Michael Perkins’ intriguing tale of what happened when those dreams were dashed by depression, war, and the personal tragedies of the city’s titans. Illustrated by vintage photographs unseen for generations, LeVeque uses a majestic Midwestern skyscraper as the barometer for a century of profound change, change that re-shaped the way we see and use cities and their symbols.
Democratic Vernaculars is a comprehensive, culturally inclusive, and thematically unified history of the communicative, audience-centered rhetorical vernacular that occupies the “middle range” of English, bounded on the one side by expressive structure (grammar and linguistics) and on the other by aesthetics (literature). Broadening the history of rhetoric by considering a vast collection of vernacular resources such as elementary grammars and readers, popular guidebooks, textbooks, and rhetorical treatises, this book advances the history of the rhetorical theory and pedagogy since the 17th century by examining ways in which diverse vectors of the rhetorical vernacular coalesced to produce an English language sufficiently idiomatic for practical social exchange while being, at the same time, suitable for higher literary, scholarly, and cultural pursuits. Democratic Vernaculars is essential reading for scholars in rhetoric and the histories of language and education, and can serve as a text for upper-division undergraduate and graduate courses in rhetoric.
Roll up to the funhouse, a brand new collection of tales from the author of Whisper, Dark Corners & Meat, Michael Bray. A man who makes an unscheduled stop gets more than he bargained for in 'CANDYLAND.' A Group of teens discover a terrible secret on Samsonite farm in 'SCARECROWS.' A Schoolyard bully and his former victim reunite with horrifying results in 'LONG TALL COFFIN.' A High school party becomes an arachnid nightmare for one unfortunate guest in 'THE BOY WHO SAW SPIDERS.' These are just some of the horrors hidden within the darkest recesses of the funhouse. Look closer if you dare, and indulge in these 16 tales of madness, murder, terror and insanity.
This book traces the strange career of Brown-Sequard, an eccentric, restless, nineteenth-century physician-scientist whose life was characterized by dramatic reversals of fortune and is said to have been "one of the greatest discovers of facts that the world has ever seen".
Gloria Swanson is most remembered today for her role as “Norma Desmond” in Billy Wilder’s noir sound classic Sunset Boulevard (1950), but Swanson during her heyday was heralded as filmdom’s leading fashion queen, as proclaimed by director Cecil B. DeMille in such silent motion pictures as Male and Female (1919), Why Change Your Husband (1921), and The Affairs of Anatol (1922). Throughout that decade and well into the 1930s, Swanson set fashion standards on and off the screen in creations designed by such illustrious couturieres as Mitchell Leisen, Paul Iribe, Norman Norell, Sonia Delaunay, Max Ree, Capt. Edward H. Molyneux, Coco Chanel, Rene Hubert, and later Edith Head. In the 1950s, she designed and managed her own line of ready to wear fashion patterns called Forever Young for women of a discernible age. Gloria Swanson: Hollywood’s First Glamour Queen is a photographic tribute to this extraordinary woman. Focusing on sense of style and fashion, the book contains hundreds of personal and professional photographs, many never before published, and running biographical commentary by biographer Stephen Michael Shearer, author of the definitive book of the star, Gloria Swanson: The Ultimate Star (St. Martin’s Press-Macmillan).
How much does the Thomas Cromwell of popular novels and television series resemble the real Cromwell? This meticulous study of Cromwell’s early political career expands and revises what has been understood concerning the life and talents of Henry VIII’s chief minister. Michael Everett provides a new and enlightening account of Cromwell’s rise to power, his influence on the king, his role in the Reformation, and his impact on the future of the nation. Controversially, Everett depicts Cromwell not as the fervent evangelical, Machiavellian politician, or the revolutionary administrator that earlier historians have perceived. Instead he reveals Cromwell as a highly capable and efficient servant of the Crown, rising to power not by masterminding Henry VIII’s split with Rome but rather by dint of exceptional skills as an administrator.
Instead of simply narrating the life of the saint, Robson looks at Francis through the thoughts and writings of those who knew him: his parents, the local bishop, Pope Innocent III, Cardinal Ugolino, Saint Anthony of Padua and Saint Clare. What emerges is a new understanding of the saint.
This book examines a pivotal period in ancient human history: the fall of the Roman Empire and the birth of a new European civilization in the early Middle Ages. The Early Medieval World: From the Fall of Rome to the Time of Charlemagne addresses the social and material culture of this critical period in the evolution of Western society, covering the social, political, cultural, and religious history of the Mediterranean world and northern Europe. The two-volume set explains how invading and migrating barbarian tribes—spurred by raiding Huns from the steppes of Central Asia—contributed to the fall of the Western Roman Empire, and documents how the blending of Greco-Roman, Germanic, and Christian cultures birthed a new civilization in Western Europe, creating the Christian Church and the modern nation-state. A-Z entries discuss political transformation, changing religious practices in daily life, sculpture and the arts, material culture, and social structure, and provide biographies of important men and women in the transitional period of late antiquity. The work will be extremely helpful to students learning about the factors that contributed to the decline of the Roman Empire—an important and common topic in world history curricula.
Burning Bodies interrogates the ideas that the authors of historical and theological texts in the medieval West associated with the burning alive of Christian heretics. Michael Barbezat traces these instances from the eleventh century until the advent of the internal crusades of the thirteenth century, depicting the exclusionary fires of hell and judicial execution, the purifying fire of post-mortem purgation, and the unifying fire of God's love that medieval authors used to describe processes of social inclusion and exclusion. Burning Bodies analyses how the accounts of burning heretics alive referenced, affirmed, and elaborated upon wider discourses of community and eschatology. Descriptions of burning supposed heretics alive were profoundly related to ideas of a redemptive Christian community based upon a divine, unifying love, and medieval understandings of what these burnings could have meant to contemporaries cannot be fully appreciated outside of this discourse of communal love. For them, human communities were bodies on fire. Medieval theologians and academics often described the corporate identity of the Christian world as a body joined together by the love of God. This love was like a fire, melting individuals together into one whole. Those who did not spiritually burn with God's love were destined to burn literally in the fires of Hell or Purgatory, and the fires of execution were often described as an earthly extension of these fires. Through this analysis, Barbezat demonstrates how presentations of heresy, and to some extent actual responses to perceived heretics, were shaped by long-standing images of biblical commentary and exegesis. He finds that this imagery is more than a literary curiosity; it is, in fact, a formative historical agent.
In No Limits, Michael Phelps - perhaps the greatest Olympic competitor the world has ever seen - will show us the secrets to his remarkable success, from training to execution. Behind his tally of Olympic gold medals - more than any athlete throughout history - lies a consistent approach to competition, a determination to win, mental preparation, and a straightforward passion for his sport. One of his mottos is 'Performance is Reality', and it typifies his attitude about swimming. No Limits goes behind the scenes to explore the hard work, sacrifice, and dedication that catapulted Phelps into the international spotlight. Phelps will share remarkable anecdotes about family, his coach, his passion for the sport, and the wisdom that he has gained from unexpected challenges and obstacles. Highlighting memorable races and valuable lessons from throughout his career, Phelps offers candid insight into the mind and experiences of a world champion. No Limits will inspire anyone to follow their passion straight to the finish line.
Often forgotten among the actors, directors, producers and others associated with filmmaking, art directors are responsible for making movies visually appealing to audiences. As such they sometimes make the difference between a hit and a bomb. This biographical dictionary includes not only the world's great and almost-great artists, but the unjustly neglected film designers of the past and present. Among the more than 300 art directors and designers are pioneers from silent films, designers from Hollywood and Europe's Golden Ages, Asian figures, post-Golden Age personalities, leaders of the European and American New Waves, and many contemporary designers. Each entry consists of biographical information, an analysis of the director's career and important films, and an extensive filmography including mentions of Academy Award nominations and winners.
THE STORY: Political theatre at its best, bringing to life an issue that has perplexed this nation since its founding: dissent during a time of war. The play dramatizes a largely forgotten period in the life of Dr. Martin Luther King, Jr. In 1965 a
Humphrey Paxton has taken to carrying a shotgun to 'shoot plotters and blackmailers and spies'. His new tutor, Mr Thewless, suggests he might be overdoing it somewhat. But when a man is found shot dead Thewless is plunged into a nightmare world of lies, kidnapping and murder - and grave matters of national security.
This book analyses the theological, medical and scientific critique of enthusiasm claims to direct divine inspiration in early modern Europe, and the contribution of that critique to a more secular culture on the eve of the Enlightenment.
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