A fresh and exciting new textbook that will be an indispensable and dynamic entry point for students of gender. Pays full attention to the recent move towards recognizing intersectionality and the way gender interacts with other forms of privilege and oppression.
The great vogue of Eurocommunism came to an end with the return of the French and Italian Communist Parties to positions of opposition to authority in the late 1970's, and the electoral confirmation that Spain's Communist Party would remain small. As the vogue of communism with a human face passed. The question of American policy toward Communists became far less pressing; yet the question will almost certainly require attention in the future. This is particularly true with respect to the Italian Communist Party, which remains powerful in numbers and flexible in policy. Michael Ledeen examines Communist Party participation in Western European governments since World War II, and the ambivalent American foreign policy toward it. He concentrates on the Italian Communist Party: its history and its relations with the Soviet Union. Togliatti, Secchia, Gramsci, Nenni are identified as the major players in Italian communist and socialist politics. The author explores in depth why the United States has been reluctant to become involved in internal Italian affairs, and how this policy posture has strongly influenced in the development of communism in Western Europe. Ledeen shows that the strategies of contemporary West European Communist Parties are now roughly similar to those of the immediate post-war period. He argues that American intellectuals are as uncritical of Eurocommunism as they were after the first flush of Allied victory in World War II, that the Carter administration's foreign policy was incoherent, and that the United States needs a consistent, ideological approach to communism--one that includes the capacity for action as well as reaction. Michael Ledeen is a senior associate of the Center for Strategic and International Studies at Georgetown University, and formerly taught history at Washington University. He was the founding editor of The Washington Quarterly, and is the author of, among other works, Grave New World; The First Duce: D'Annunzio at Fiume; and editor of U.S. Defense and Foreign Policy.
This work is a composite index of the complete runs of all mystery and detective fan magazines that have been published, through 1981. Added to it are indexes of many magazines of related nature. This includes magazines that are primarily oriented to boys' book collecting, the paperbacks, and the pulp magazine hero characters, since these all have a place in the mystery and detective genre.
Ordinary Violence in Mussolini's Italy reveals the centrality of violence to Fascist rule, arguing that the Mussolini regime projected its coercive power deeply and diffusely into society through confinement, imprisonment, low-level physical assaults, economic deprivations, intimidation, discrimination, and other everyday forms of coercion. Fascist repression was thus more intense and ideological than previously thought and even shared some important similarities with Nazi and Soviet terror.
Embark on an intellectual adventure with Puzzles and Paradoxes, a captivating book that presents 33 thought-provoking questions spanning history, the physical world, biology, philosophy, specific events, and miscellaneous topics, enticing readers to unravel mysteries and seek profound understanding. From the fall of Rome to the Golden Age of Greece, from the enigmas of the mind-body problem to the origins of life on Earth, from free will to the problem of evil, and from the invention of spectacles to the Monty Hall Problem and the Voynich Manuscript, this compelling collection explores diverse realms of knowledge, offering possible answers that inspire contemplation and ignite the joy of intellectual discovery.
During the Second World War the Axis powers, most prolifically the Germans, deployed a vast array of armored fighting vehicles to support their tanks and infantry. These included tank destroyers, reconnaissance vehicles, flame-thrower vehicles, and self-propelled artillery pieces. Armored tank destroyers, such as the Marder series, the Nashorn, Jagdpanther, Jagdtiger and the turretless German Stu III series (based on the Panzer III medium tank), helped the Nazis overcome their shortage of tanks. Copying the Stu III series the Italians created the turretless Semovente da 75/18 assault gun and the Hungarians the turretless Zrinyi. In the role of self-propelled artillery the German fielded the Hummel, the Wespe and the Grille while the Brummbar and the Sturmtiger performed in the dedicated assault gun role. For armored reconnaissance German industry came up with a series of capable armored cars; examples were the eight-wheel Puma and the full-tracked Luchs reconnaissance tank. The Italians developed the impressive four-wheel Autoblinda armored cars. Specialized antiaircraft tanks such the Mobelwagen, Wirbelwind and the Ostwind gave some protection against the ever more powerful Allied air forces. This fine book covers all these variants and many more besides in words and rare images and will delight readers, collectors, model-makers and war-gamers.
Positioning itself at the intersection of Italian film history, horror studies and cultural studies, this fascinating book asks why, and how, was the protean, transnational and transmedial figure of the vampire appropriated by Italian cinema practitioners between 1956 and 1975? The book outlines both the 1945-85 industrial context of Italian cinema and the political, economic and sociocultural context of the Italian Republic, from post-war reconstruction to the austerity of the mid-1970s. Using case studies of films by directors such as Mario Bava and Riccardo Freda, it also delves into lesser-known gems of Italian psychotronic cinema from the 1960s and 1970s, like L'amante del vampiro (The Vampire and the Ballerina) and Riti, magie nere e segrete orge nel Trecento . . . (The Reincarnation of Isabel). With original research into hitherto unpublished film production data, censorship data, original screenplays, trade papers, film magazines and vampire-themed paraliterature, the book strongly argues for the cultural legitimacy of Italian film genres like horror, adventure, comedy and erotica, whose study has so far been neglected in favour of the Italian auteur cinema of the 1940s neorealists and their later followers.
In Signs of the Holy One, Uwe Michael Lang addresses crucial questions which are just now coming to the fore concerning the sacred liturgy. His point of departure is that the Catholic liturgy is a synthesis of elements, far more than just its texts—gesture, motion, architecture, art, music—and that these elements are integral to the solemn liturgy and not just incidental. They are aspects of the non-verbal language of the sacred; they are what makes the liturgy beautiful. His consideration of the beauty of the liturgy poses the problem that the modern notion of beauty is subjective, which makes it difficult to articulate criteria for what is beautiful. But sacred beauty has criteria for each of its principal elements; these are the subject of extended discussion of architecture, art, and music, showing why and how they contribute to the total liturgy. Pope Benedict XVI, who wrote extensively about the liturgy, said, “The greatness of the liturgy depends – we shall have to repeat this frequently – on its non-spontaneity". Modern man needs to learn that banality and repetitious "novelty" are no substitute for the sacred and are unable to induce any sense of meaning, purpose and peace. The yearning for the Transcendent is always felt within the human psyche and is rarely far from the surface, especially among young adults. A Church that forgets this is heading in the wrong direction.
This vital book examines recent research on poverty and inequality, identifies strategies for ensuring adequate services, and challenges many of the inaccurate beliefs that were used to justify welfare reform legislation in 1996. You'll find up-to-date information on various marginalized groups and their social problems, including lack of health coverage for women with mental health, substance abuse, and domestic violence problems. In addition, you'll find data on the health coverage situation for the poor, for Appalachians, and for women in general. Finally, Rediscovering the Other America: The Continuing Crisis of Poverty and Inequality in the United States suggests strategies for changing public perceptions about the nature of poverty and the poor.
Reorganizes the field and challenges our preconceptions in both familiar areas and in disciplines that are not usually treated in studies on the classical tradition. A must read.' - Craig Kallendorf, Texas A&M University 'An exciting read: energetic, considered, sparklingly written. One gets the feeling that all angles have been properly covered. An ambitious project brilliantly realized.' - Matthew Bell, King's College London 'The authors have pulled off the seemingly impossible task of fusing their three voices into a single, urgently argued discourse, and for that reason among many others, this will be a wonderful book to read and to use, for all kinds of readers.' - Terence Cave, St John's College, Oxford 'I found the text very readable and I particularly enjoyed the post-postmodernist take on many issues. It is hugely stimulating and intriguing throughout.' - Deborah Howard, University of Cambridge 'I think this is an absolutely splendid text, unique in conception, elegant and ingenious in design, and extremely ???user-friendly??? in styling and presentation.' - David Hopkins, University of Bristol 'A prodigiously ambitious, cornucopian book . . . so rich that no review will do it justice.' - Paul Barolsky, University of Virginia, Arion 'Impressive power and learning.' - Justus Cobet, Universität Duisburg-Essen, Sehepunkte 'Succeeds in providing an overarching account of a huge sweep of cultural history without losing sight of the host of nuances and particularities associated with such an overwhelmingly large topic.' - Pablo Maurette, University of Chicago, Comparative Critical Studies 'Highly innovative...engrossing...the book is marvellously packed throughout with insights and provocations. It conducts, to its great benefit and ours, a properly theoretical enquiry.' - Charles Martindale, University of Bristol, Translation and Literature The classical tradition – the legacy of Ancient Greece and Rome – is a large, diverse, and important field that continues to shape human endeavour and engender wide public interest. The Classical Tradition: Art, Literature, Thought presents an original, coherent, and wide-ranging guide to the afterlife of Greco-Roman antiquity in later Western cultures and a ground-breaking reinterpretation of large aspects of Western culture as a whole – English-speaking, French, German, and Italian – from a classical perspective. Encompassing almost two millennia of developments in art, literature, and thought, the authors provide an overview of the field, a concise point of reference, and a critical review of selected examples, from Titian to T. S. Eliot, from the hero to concepts of government. They engage in current theoretical debate on various fronts, from hermeneutics to gender. Themes explored include the Western languages and their continuing engagement with Latin and Greek; the role of translation; the intricate relationship of pagan and Christian; the ideological implications of the classical tradition; the interplay between the classical tradition and the histories of scholarship and education; the relation between high and low culture; and the myriad complex relationships – comparative, contrastive, and interactive – between art, literature, and thought themselves. Authoritative and accessible, The Classical Tradition: Art, Literature, Thought offers new insights into the powerful legacy of the ancient world from the Middle Ages and the Renaissance to the present day.
Federico Maria Sardelli writes from the perspective of a professional baroque flautist and recorder-player, as well as from that of an experienced and committed scholar, in order to shed light on the bewildering array of sizes and tunings of the recorder and transverse flute families as they relate to Antonio Vivaldi's compositions. Sardelli draws copiously on primary documents to analyse and place in context the capable and surprisingly progressive instrumental technique displayed in Vivaldi's music. The book includes a discussion of the much-disputed chronology of Vivaldi's works, drawing on both internal and external evidence. Each known piece by him in which the flute or the recorder appears is evaluated fully from historical, biographical, technical and aesthetic standpoints. This book is designed to appeal not only to Vivaldi scholars and lovers of the composer's music, but also to players of the two instruments, students of organology and those with an interest in late baroque music in general. Vivaldi is a composer who constantly springs surprises as, even today, new pieces are discovered or old ones reinterpreted. Much has happened since Sardelli's book was first published in Italian, and this new English version takes full account of all these new discoveries and developments. The reader will be left with a much fuller picture of the composer and his times, and the knowledge and insights gained from minutely examining his music for these two wind instruments will be found to have a wider relevance for his work as a whole. Generous music examples and illustrations bring the book's arguments to life.
This volume offers a description of early modern habits of writing and reading, of publication and stage performance, and of political and religious writing. An introduction to early modern English literature for students and general readers. Considers the ways in which early modern writers construct the past, recover and adapt classical genres, write about people and places, and tackle religious and secular controversies. Illustrated with a profusion of excerpts from early modern texts. Writers represented include More, Erasmus, Spenser, Marlowe, Shakespeare, Donne, and Milton, as well as less well known authors.
Michael Mello, a capital public defender, tells us the stories behind the cases that make up Deathwork, a moment-by-moment, behind-the-scenes look at the life and work of a death row lawyer and his clients.
Beautifully designed, intimate and illuminating, this is the story of American icon Ernest Hemingway's life through the documents, photographs, and miscellany he kept, compiled by the steward of the Hemingway estate and featuring contributions by his son and grandson. For many people, Ernest Hemingway remains more a compilation of myths than a person: soldier, sportsman, lover, expat, and of course, writer. But the actual life underneath these various legends remains elusive; what did he look like as a laughing child or young soldier? What did he say in his most personal letters? How did the train tickets he held on his way from France to Spain or across the American Midwest transform him, and what kind of notes, for future stories or otherwise, did he take on these journeys? Ernest Hemingway: Artifacts from a Life answers these questions, and many others. Edited and with an introduction by the manager of the Hemingway estate, featuring a foreword by Hemingway’s son Patrick and an afterword by his grandson Seán, this rich and illuminating book tells the story of a major American icon through the objects he touched, the moments he saw, the thoughts he had every day. Featuring over four hundred dazzling images from every stage and facet of Hemingway’s life, many of them never previously published, this volume is a portrait unlike any other. From photos of Hemingway running with the bulls in Spain to candid letters he wrote to his wives and his publishers, it is a one-of-a-kind, stunning tribute to one of the most titanic figures in literature.
Paschalis offers a new reading of the whole Aeneid based on the meaning of proper names and using the scene of Laocoon and the Trojan Horse as a model. He sheds fresh light on every episode and book of the epic from the storm of Aeneid 1 to the death of Turnus, and reveals a sustained, pervasive, and deep-going exploitation of the meaning of names.
Of the conceptual artists who began their careers in the 1960s and 1970s—Bruce Nauman, Chris Burden, Vito Acconci, and Mel Bochner among them—Barry Le Va may be the most elusive. As this first study of his work reveals, his rigorously planned art was instigated to mask its creator’s intentions and methods, presenting itself as an “aftermath” of modernism’s claim to permanency and civil society’s preferred mode of monumentalism. For Michael Maizels, Le Va’s work constitutes a particularly productive subject of inquiry because it clearly articulates the interconnection between the avant-garde’s distrust of autonomous art objects, two decades of social unrest, the emergence of information theory, and lingering notions of scientific objectivity. Barry Le Va: The Aesthetic Aftermath explores how Le Va used such materials as shattered glass, spent bullets, sound recordings, scattered flour, and meat cleavers embedded in a floor to challenge the interlocking assumptions behind blind faith in lasting beauty, just government, and perfectible knowledge. Taking inspiration from popular crime novels as well as contemporary art theory, Le Va charged his viewers to attempt, like detectives at a crime scene, to decipher an order underlying the apparent chaos. Le Va’s installations were designed to erode not simply the presumed autonomy of the art object but also the economic and political authority of the art establishment. In his concluding chapter, Maizels looks at the more fixed work of the past two decades in which Le Va turned to architectural themes and cast concrete to probe the limits of dynamism and the idea of permanence.
The emergence of cinema as a predominant form of mass entertainment in the 1910s inspired intellectuals to rethink their definitions of art. The Great Black Spider on Its Knock-Kneed Tripod traces the encounter of Italy's writers with cinema, and in doing so offers vibrant new perspectives on the country's early twentieth-century culture. This comparative study focuses on the immediate responses to this cultural phenomenon of three highly influential intellectuals, each with a competing aesthetic vision Filippo Tommaso Marinetti, founder of Futurism; Gabriele D'Annunzio, leader of Italian Decadentism; and Luigi Pirandello, a father of modern European theatre and theorist of humour. Along with demonstrating how the popularization of the feature-length narrative influenced each author's outlook and theories, Michael Syrimis unravels the extent to which cinema enforced or neutralized the ideological and aesthetic differences between them.
Catholic liturgy is far more than its texts. It is a synthesis that also includes several other elements—gesture, music, art, and architecture—which are aspects of the non-verbal language of the sacred and are what make the liturgy beautiful. Father Lang's consideration of the beauty of the liturgy addresses the modern notion that beauty is in the eye of the beholder, that the experience of beauty is entirely subjective. This idea makes it difficult to articulate criteria for what is beautiful, yet sacred liturgy does indeed have objective measures for evaluating its principal elements. Reflecting upon these and quoting from authoritative Church documents, Father Lang discusses sacred music, art, and architecture, and demonstrates how the beauty of these elements makes present the sacred. Pope Benedict XVI said, "The greatness of the liturgy depends—we shall have to repeat this frequently—on its non- spontaneity." Continuous liturgical experimentation is unable to induce a sense of meaning or peace, writes Father Lang, because novelty does not satisfy the yearning for the Transcendent within the human psyche, which is rarely far from the surface.
A bold philosophical investigation into technology and the limits of the human A daring, original work of philosophical speculation, Neurotechnology and the End of Finitude mounts a sustained investigation into the possibility that human beings may technologically overcome the transcendental limits of possible experience and envisages what such a transition would look like. Focusing on emergent neurotechnologies, which establish a direct channel of communication between brain and machine, Michael Haworth argues that such technologies intervene at the border between interiority and exteriority, offering the promise of immediacy and the possibility of the mind directly affecting the outside world or even other minds. Through detailed, targeted readings of Kant, Freud, Heidegger, Croce, Jung, and Derrida, Haworth explores the effect of this transformation on human creativity and our relationships with others. He pursues these questions across four distinct but interrelated spheres: the act of artistic creation and the potential for a technologically enabled coincidence of idea and object; the possibility of humanity achieving the infinite creativity that Kant attributed only to God; the relationship between the psyche and the external world in Freudian psychoanalysis and Jungian analytical psychology; and the viability and impact of techno-telepathic communication. Addressing readers interested in contemporary continental philosophy and philosophy of technology, media and communications, and science and technology studies, Neurotechnology and the End of Finitude critically envisions a plausible posthuman future.
This pictorial history presents an in-depth study of the various tanks built and deployed by the Axis Alliance during WWII. Though Nazi Panzer tanks have become a ubiquitous symbol of Axis Alliance combat, the Japanese Army had more tanks than Germany in 1938. These included the Type 95 light tank and the Type 89 and 97 medium tanks. Other Axis powers, including Italy, Romania and Hungary also built their own tanks. The latter was responsible for the Toldi and Turan light tank series. In this informative collection of wartime photographs, military expert Michael Green discusses how the Axis powers drew on British and French tank designs in the period leading up to the Second World War. The Carden-Loyd tankette suspension was used as a model for the Panzer 1 series as well as the light Italian and Japanese tanks. German engineering talent then produced the ingenious designs of the Panzer II, III and IV series and, later in the War, the Panther Medium and Tiger heavy tanks.
This book is a history of love and the challenge love offers to the laws and customs of its times and places, as told through poetry from the Song of Songs to John Milton’s Paradise Lost. It is also an account of the critical reception afforded to such literature, and the ways in which criticism has attempted to stifle this challenge. Bryson and Movsesian argue that the poetry they explore celebrates and reinvents the love the troubadour poets of the eleventh and twelfth centuries called fin’amor: love as an end in itself, mutual and freely chosen even in the face of social, religious, or political retribution. Neither eros nor agape, neither exclusively of the body, nor solely of the spirit, this love is a middle path. Alongside this tradition has grown a critical movement that employs a 'hermeneutics of suspicion', in Paul Ricoeur’s phrase, to claim that passionate love poetry is not what it seems, and should be properly understood as worship of God, subordination to Empire, or an entanglement with the structures of language itself – in short, the very things it resists. The book engages with some of the seminal literature of the Western canon, including the Bible, the poetry of Ovid, and works by English authors such as William Shakespeare and John Donne, and with criticism that stretches from the earliest readings of the Song of Songs to contemporary academic literature. Lively and enjoyable in its style, it attempts to restore a sense of pleasure to the reading of poetry, and to puncture critical insistence that literature must be outwitted. It will be of value to professional, graduate, and advanced undergraduate scholars of literature, and to the educated general reader interested in treatments of love in poetry throughout history.
Reading Poetry offers a comprehensive and accessible guide to the art of reading poetry. Discussing more than 200 poems by more than 100 writers, ranging from ancient Greece and China to the twenty-first century, the book introduces readers to the skills and the critical and theoretical awareness that enable them to read poetry with enjoyment and insight. This third edition has been significantly updated in response to current developments in poetry and poetic criticism, and includes many new examples and exercises, new chapters on ‘world poetry’ and ‘eco-poetry’, and a greater emphasis throughout on American poetry, including the impact traditional Chinese poetry has had on modern American poetry. The seventeen carefully staged chapters constitute a complete apprenticeship in reading poetry, leading readers from specific features of form and figurative language to larger concerns with genre, intertextuality, Caribbean poetry, world poetry, and the role poetry can play in response to the ecological crisis. The workshop exercises at the end of each chapter, together with an extensive glossary of poetic and critical terms, and the number and range of poems analysed and discussed – 122 of which are quoted in full – make Reading Poetry suitable for individual study or as a comprehensive, self-contained textbook for university and college classes.
. . . a major contribution to cornett research and belongs in the library of every cornettist." —Historic Brass Society ". . . scrupulously detailed. . . The first successful attempt to provide a comprehensive reference book on the cornett and its music. Recommended for both upper-division undergraduate libraries and collections serving music scholars and performers." —Choice " . . . it will likely stand as the definitive bibliography of cornett music for many years." —Notes ". . . this is a groundbreaking study of the subject . . . likely to remain the only major study of the instrument and the music composed for it." —American Reference Books Annual ". . . every cornett player owes an immense debt of gratitude to [the authors and their assistants] for revealing such a wealth of performing opportunities . . ." —European Journal of Early Music The cornett is made of wood but has a brass cup mouthpiece and uses woodwind finger technique. Here the authors have compiled a bibliography of all extant sources of instrumental and vocal music which specify the cornett.
This book discusses some works of these poets: Livius Andronicus, Naevius, Ennius, Virgil, Ovid, Albinovanus Pedo, Cornelius Severus, Lucan, Valerius Flaccus, Statius, Silius Italicus, Claudian, and Corippus.
Instant New York Times Bestseller Uncover the evidence-based science to slowing the effects of aging, from the New York Times bestselling author of the How Not to Die series When Dr. Michael Greger, founder of NutritionFacts.org, dove into the top peer-reviewed anti-aging medical research, he realized that diet could regulate every one of the most promising strategies for combating the effects of aging. We don’t need Big Pharma to keep us feeling young—we already have the tools. In How Not to Age, the internationally renowned physician and nutritionist breaks down the science of aging and chronic illness and explains how to help avoid the diseases most commonly encountered in our journeys through life. Physicians have long treated aging as a malady, but getting older does not have to mean getting sicker. There are eleven pathways for aging in our bodies’ cells and we can disrupt each of them. Processes like autophagy, the upcycling of unusable junk, can be boosted with spermidine, a compound found in tempeh, mushrooms, and wheat germ. Senescent “zombie” cells that spew inflammation and are linked to many age-related diseases may be cleared in part with quercetin-rich foods like onions, apples, and kale. And we can combat effects of aging without breaking the bank. Why spend a small fortune on vitamin C and nicotinamide facial serums when you can make your own for up to 2,000 times cheaper? Inspired by the dietary and lifestyle patterns of centenarians and residents of “blue zone” regions where people live the longest, Dr. Greger presents simple, accessible, and evidence-based methods to preserve the body functions that keep you feeling youthful, both physically and mentally. Brimming with expertise and actionable takeaways, How Not to Age lays out practical strategies for achieving ultimate longevity.
Spectral Data for Steroids provides a comprehensive compilation of spectral data for 211 steroids. The compounds are arranged on the basis of their molecular structures:
Building services are often overlooked in the history of architecture and engineering. This volume presents 41 papers presented at the Fifth Annual Conference of the Construction History Society held at Queens' College Cambridge from 6-8 April 2018 which cover a wide variety of topics on aspects of construction history and building services.
Interprets the nature of Christianity in Celtic Britain and Ireland from the 5th to the 10th cent., based on written and visual evidence- images of Christ in manuscripts, metalwork and sculpture. The strain of the Pelagianism in Britain in the early 5th century influenced the theology and practice of the Celtic monastic Churches on both sides of the Irish Sea, making theological spectrum quite distinct from that of the continent.
Africa is a source of amazing bio-diversity and home to some of the planet's most spectacular landscapes. The sights of this awe-inspiring continent are captured with consummate skill and sensitivity by master lensman Michael Poliza. With extensive experience photographing the animals and terrain of Africa, Poliza's viewpoint is shaped by his concern for the fragile eco-systems he chronicles. These images embody the soul of Africa's flora and fauna with a true artist's eye for color and composition. This book will be enjoyed for years to come. Poliza started as a child actor on German TV, then founded several highly successful IT ventures in the US and Germany. His ?STARSHIP MILLENNIUM VOYAGE, ? around the world on a 75 ft expedition yacht, was avidly followed by millions via internet. Poliza now focuses mainly on film and photography, including work for the Discovery Channel. He spends a great deal of time based in Cape Town, and is a pioneer in the use of digital photography for illustrated books. ? An ideal gift, both for the lover of fine art photography and the keen naturalist ? A timeless collection highlighting the beauty of Africa's natural riches
The bible of B-movies is back--and better than ever! From Abby to Zontar, this book covers more than 9,000 amazing movies--from the turn of the century right up to today's Golden Age of Video--all described with Michael Weldon's dry wit. More than 450 rare and wonderful illustrations round out thie treasure trove of cinematic lore--an essential reference for every bad film fan.
The most authoritative, comprehensive, and clinicallyfocused guide to operative thoracic surgery--updatedwith the latest techniques and technologies A Doody’s Core Title for 2019! Adult Chest Surgery is a thorough, hands-on guide to the modern practice of general thoracic surgery. Broad in scope and straightforward in style and presentation, this classic is an outstanding reference for any clinician in need of a comprehensive description ofthe clinical nature of general thoracic surgery. Like its award-winning predecessor, the second edition of Adult Chest Surgery focuses on providing concise descriptions of current techniques and surgical principles for the most common thoracic surgical problems encountered in the clinic and the operating room. This edition is enhanced by 40 new chapters devoted to a range of topics including new endoscopic techniques for antireflux surgery; percutaneous thoracic tumor ablation; peroral esophageal myotomy; robotic techniques for lobectomy, esophagectomy, and thymectomy; and other new minimally invasive approaches to standard thoracic resections. It is also enriched by more than 250 new detailed illustrations of procedures, bringing the total number to 850. Adult Chest Surgery features a logical organization based on anatomy, and each section has an overview chapter, which summarizes the relevant anatomy, pathophysiology, and diagnostic and procedural options. Throughout, operations and diagnostic procedures are highlighted in succinct, illustrated technique chapters.
A little more than 100 years after the discovery of x-rays, this three-volume set is intended to provide a comprehensive overview of the theory and current practice of Medical Imaging as we enter the 21st century. As evidenced by the variety of research described in these volumes, medical imaging is still undergoing very rapid change. In more than 50 chapters, well-known experts provide the most current information available for students, researchers and practitioners working in this exciting field. These useful volumes can be ordered as a set or individually.
SPIE-International Society for Optical Engineering
Published Date
ISBN 10
0819436224
ISBN 13
9780819436221
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