For fans of musicals, singing, Hollywood history, and the lives of stars, no other work equals this new three-volume reference to the on- and off-camera careers of more than 100 performers who made major contributions to the American screen musical. From June Allyson to Mae West, Hollwood Songsters provides a detailed narrative-ranging from 2,000 to 5000 words each-of the lives and careers of stars forever etched in our memories. Each entry includes a filmography, discography (of both albums and CDs), Broadway appearances, radio work, television appearances and series, and a full-page photo of the subject. This is the ideal reference work for everyone one from the mildly curious to the devoted fan.
Designed for students, this detailed analysis of the principal areas of French grammar combines the insights of modern linguistic theory with those of more traditional grammarians. Theory is placed firmly in the service of description and analysis, and students are guided to an understanding of the French language which will complement the information offered by traditional reference grammars. The book includes discussion of verbs and verb phrases, voice, tense and mood, the noun phrase and pronouns, prepositions and variations in sentence-structure. The author pays special attention to those areas of French grammar which pose difficulties for an English-speaking reader. Each chapter is followed by a set of problems and exercises, and by a useful guide to further reading. Foundations of French Syntax assumes no prior knowledge of linguistics, and will appeal to students and teachers of linguistics, French and other Romance languages.
A study of African rewritings of Greek tragedy, this title asks why the plays of Sophocles' Theban Cycle are so often adapted by dramatists of African descent, and how plays that dilate on the power of the past can articulate the postcolonial moment.
2022 Association for Recorded Sound Collections Awards for Excellence—Certificate of Merit in the category of Best Historical Research in Recorded Rock and Popular Music Ten songs, from “Bill Bailey, Won’t You Please Come Home” (1902) to “You Made Me Love You” (1913), ignited the development of the classic pop ballad. In this exploration of how the style of the Great American Songbook evolved, Michael G. Garber unveils the complicated, often-hidden origins of these enduring, pioneering works. He riffs on colorful stories that amplify the rising of an American folk art composed by innovators both famous and obscure. Songwriters, and also the publishers, arrangers, and performers, achieved together a collective genius that moved hearts worldwide to song. These classic ballads originated all over the nation—Louisiana, Colorado, Illinois, Michigan—and then the Tin Pan Alley industry, centered in New York, made the tunes unforgettable sensations. From ragtime to bop, cabaret to radio, new styles of music and modes for its dissemination invented and reinvented the intimate, personal American love ballad, creating something both swinging and tender. Rendered by Frank Sinatra, Ella Fitzgerald, and a host of others, recordings and movies carried these songs across the globe. Using previously underexamined sources, Garber demonstrates how these songs shaped the music industry and the lives of ordinary Americans. Besides covering famous composers like Irving Berlin, this history also introduces such little-known figures as Maybelle Watson, who had to sue to get credit and royalties for creating the central content of the lyric for “My Melancholy Baby.” African American Frank Williams contributed to the seminal “Some of These Days” but was forgotten for decades. The ten ballads explored here permanently transformed American popular song.
The Byrd Machine ran Virginia politics for more than half a century. This political organization rose to power during the era of Jim Crow, wielding power and influence over everything from who got the nod to be governor to how the state maintained racial segregation. Inheriting its tactics from two previous political machines, the Byrd organization operated with a pathological hatred of debt spending, crushing the power of labor unions and forcing its will on Black schoolchildren protesting separate and unequal facilities. The nadir of its era was massive resistance, a move to close public schools rather than integrate them. Journalist and author Michael Lee Pope details the rise and fall of the last great political machine in Virginia.
This highly accessible introduction to translation theory, written by a leading author in the field, uses the genre of film to bring the main themes in translation to life. Through analyzing films as diverse as the Marx Brothers’ A Night at the Opera, The Star Wars Trilogies and Lost in Translation, the reader is encouraged to think about both issues and problems of translation as they are played out on the screen and issues of filmic representation through examining the translation dimension of specific films. In highlighting how translation has featured in both mainstream commercial and arthouse films over the years, Cronin shows how translation has been a concern of filmmakers dealing with questions of culture, identity, conflict and representation. This book is a lively and accessible text for translation theory courses and offers a new and largely unexplored approach to topics of identity and representation on screen. Translation Goes to the Movies will be of interest to those on translation studies and film studies courses.
This definitive biography chronicles the life and work of the legendary director of Gone With the Wind and The Wizard of Oz. Victor Fleming was the most sought-after director in Hollywood’s golden age, renowned for his work across an astounding range of genres—from gritty westerns to screwball comedies, romances, boddy pictures, and family entertainment. Yet this chameleon-like versatility has resulted in his relative obscurity today—despite his having directed two of the most iconic movies of all time. Fleming is best remembered for Gone With the Wind and The Wizard of Oz, but he directed more than forty films, including classics like Red Dust, Test Pilot, Dr. Jekyll and Mr. Hyde, and Captains Courageous. Fleming created enduring screen personas for Clark Gable, Spencer Tracy, and Gary Cooper, as well as for Ingrid Bergman, Clara Bow, and Norma Shearer—who were among his many lovers. In this definitive biography, Michael Sragow restores the director to the pantheon of great American filmmakers, correcting a major oversight in Hollywood history. It is the dramatic story of a man at the center of the most exciting period in American filmmaking.
Formed in 1915, and still operational today, 14 Squadron is one of the RAF's longest serving and most senior Squadrons. Spending the first thirty years of its operational life in the Middle East, the history of this Squadron is a rich one, but one which, until now, has gone largely unrecorded. Napier effectively brings together all the historical scraps and shreds of stories which make up the collective history of this unit, from 1915 –1945, a period of great military and social upheaval. The author himself attests to the fact that the work is not merely about the aeroplanes operational history during this period, or the stark military facts (although enthusiasts of both these areas will find much here); rather, the work concerns itself to a large extent with the people who flew such aircraft. Recording the dramatic trials and tribulations of the people who were 14 Squadron, Napier provides a sympathetic and engaging account of this period of Military History.
WHO REALLY KILLED “CRAZY JOE” GALLO? AT LAST, THE TRUTH CAN BE TOLD. AND IT WASN’T FRANK “THE IRISHMAN” SHEERAN AS HE CLAIMED. This is the shocking and brutal story of Carmine DiBiase—aka Sonny Pinto—the elusive Mafia killer who went from small-time street punk to FBI’s Most Wanted list to Death Row—only to be released on the streets to kill and kill again . . . among those who died by his gun was Joey Gallo. “Sober, he was nothing, but drunk he would blow your head off.” That’s how Pete the Greek described Carmine “Sonny” DiBiase, the Colombo crime family hitman who’d been terrorizing Manhattan’s Little Italy since he was a kid. After beating and robbing a local tailor and doing time in reformatory, Sonny set up operations at The Mayfair Boys Civic and Social Club, an illegal poolroom where he shot and killed his best friend on Christmas day . . . A prime suspect of this and other crimes, Sonny went on the lam and off the grid for seven years. He then surrendered himself to police, was tried for murder and sentenced to death. But after a second trial, he walked away a free man—free to kill again. Joey “Crazy Joe” Gallo and his President Street mob waged a deadly Mafia civil war with the Colombo crime family, and in particular, Carmine “the Snake” Persico. A contract was put out for Gallo and his gang. And on that fateful night of April 7, 1972, in a Little Italy restaurant, Gallo was assassinated . . . by Carmine “Sonny” DiBiasi.. This is the true story of who really whacked Crazy Joey Gallo on that fateful night of April 7, 1972.
This revised and greatly expanded edition of a well-established reference book presents 5105 feature length (four reels or more) Western films, from the early silent era to the present. More than 900 new entries are in this edition. Each entry has film title, release company and year, running time, color indication, cast listing, plot synopsis, and a brief critical review and other details. Not only are Hollywood productions included, but the volume also looks at Westerns made abroad as well as frontier epics, north woods adventures and nature related productions. Many of the films combine genres, such as horror and science fiction Westerns. The volume includes a list of cowboys and their horses and a screen names cross reference. There are more than 100 photographs.
Revised and updated since its first publication in 1990, this acclaimed critical survey covers the classic chillers produced by Universal Studios during the golden age of hollywood horror, 1931 through 1946. Trekking boldly through haunts and horrors from The Frankenstein Monster, The Wolf Man, Count Dracula, and The Invisible Man, to The Mummy, Paula the Ape Woman, The Creeper, and The Inner Sanctum, the authors offer a definitive study of the 86 films produced during this era and present a general overview of the period. Coverage of the films includes complete cast lists, credits, storyline, behind-the-scenes information, production history, critical analysis, and commentary from the cast and crew (much of it drawn from interviews by Tom Weaver, whom USA Today calls "the king of the monster hunters"). Unique to this edition are a new selection of photographs and poster reproductions and an appendix listing additional films of interest.
From 1937 through 1945, Hollywood produced over 1,000 films relating to the war. This enormous and exhaustive reference work first analyzes the war films as sociopolitical documents. Part one, entitled "The Crisis Abroad, 1937-1941," focuses on movies that reflected America's increasing uneasiness. Part two, "Waging War, 1942-1945," reveals that many movies made from 1942 through 1945 included at least some allusion to World War II.
Sardinian Syntax presents the first comprehensive synchronic description of Sardinian syntax available in English. Michael Jones combines a detailed coverage of the language with a theoretical approach that draws on contemporary linguistic theory. The book provides an extensive reference grammar and an invaluable source of information for all linguists whose interests extend beyond the world's major languages.
Marion Shilling began her career as a silent film ingenue for MGM and went on to play heroines in Westerns of the 1930s. Stage actress Esther Muir made the transition from Broadway to Hollywood just as talkies became popular. Hugh Allan was a leading man in the last years of the silents only to leave the film business in 1930 because of the uncertainty surrounding his transition to sound films and his disgust with studio politics. These three performers and thirteen others (Barbara Barondess, Thomas Beck, Mary Brian, Pauline Curley, Billie Dove, Edith Fellows, Rose Hobart, William Janney, Marcia Mae Jones, Barbara Kent, Anita Page, Lupita Tovar, and Barbara Weeks) reminisce here about Hollywood and the movie business as it made the transition.
The rural areas of Britain, Europe and the developed world are undergoing massive changes, with increasing concern about productivity, agricultural methods and environmental policy. Rural Politics examines the issues affecting rural areas, such as water pollution, forestry, and the greening of agricultural policy. It looks in particular at the political parameters to these issues and how concern for the countryside is essentially a part of a wider set of political processes. Rural Politics provides a much needed examination of the evolution and content of policies affecting today's countryside, both in terms of major land uses and economic and social development.
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