The executive consultant and author of The White Shirt shares a faith based parable with lessons for navigating our ever-changing world. In his popular book The White Shirt, Michael Alan Tate introduced readers to a young man named Cyrus who needed to find his place in the world. The story of his journey coincided with a step-by-step guide for readers to create their own career strategy. Now Tate returns to Cyrus at a new stage of life, where he mut learn to adapt to a changing world—and to his own changing role within it. In Roll Up Your Sleeves, Tate presents a new parable that teaches leaders how they can successfully navigate change in their personal and professional lives. Along with the engaging story, readers will find: • A simple toolset for any leader facing a complex world of constant change • A clear understanding of what change does to employees, friends, and family •Easy to apply actions to keep change from disrupting an entire organization, family, or community
This inspiring parable about a young man in search of his calling is full of the insight, tools, and strategies you need to transition into a life you love. In The White Shirt, a young man named Cyrus leaves a secure career and ventures out into the world to find his true calling. Along the way he learns how to create a simple strategy for success, why it’s important to share a career plan with the right people, and most importantly, how it all comes together faster with a friend by your side. The White Shirt coincides with a website packed with tools and a step-by-step guide to creating a one-page personal career strategy, developed with a friend over the course of a week. Whether readers are graduating from college, struggling to find a job, re-entering the workforce, changing careers, or preparing for retirement, they will learn how to successfully navigate their transition in The White Shirt.
Through an inspiring parable and a step-by-step guide, The White Shirtprovides strategies to find a peaceful and life-giving career at any stage of life; it's the only career book designed to read with a friend.
Unlike many books on the Second Coming, The Birth Pangs explores prophecy starting with just the Bible and no preconceived ideas. Author Dr. Abdul-Malak gives fresh and unique insight into key prophetic events and passages found throughout the Bible. When it comes to controversial events, such as the Second Coming or the timing of the Rapture, he challenges mainstream theories in an objective and unbiased manner, subjecting them to rigorous examination in light of other appropriate Scriptures. His goal was to create a straightforward, holistic account of the end times that any Christian can grasp. The Birth Pangs is the fruit of that labor. With the trained eye of a diligent professional, Dr. Abdul-Malak harnesses his experience with thousands of labors as a gynecologist, taking readers on a fascinating journey through the most confusing and controversial parts of the Bibleend-time prophecies. As a skilled surgeon, he carefully dissects God's Word one layer at a time, revealing the details and hidden treasures in the cryptic language of prophecy. Like the labor process, he believes that end-time prophecy should be simple enough for every Christian to understand. With detailed explanations and imagery, Dr. Abdul-Malak reveals exactly why Jesus referred to the end times as The Birth Pangs.
Author Michael Crain provides an exciting Biblical picture of Heaven that will have a dramatic impact on your life. You will no longer need to be troubled about hoping for the fantastic! On to Heaven deals with all that happens before, during and after the death of a Christian. It gives great insight as to what may happen and what we might expect to inherit after we leave this world.
There is something different about this baseball park; it walks on four legs it talks with a bark. Come along and discover what secrets and adventures this Ballpark Dog has in store.
In This is Tomorrow Michael Bird takes a fresh look at the long twentieth century, from the closing years of Queen Victorias reign to the turn of the millennium, through the lens of the artists who lived and worked in this ever-changing Britain. Bird examines how the rhythms of change and adaptation in art became embedded in the collective consciousness of the nation and vividly evokes the personalities who populate and drive this story, looking beyond individual careers and historical moments to weave together interconnecting currents of change that flowed through London, Glasgow, Leeds, Cornwall, the Caribbean, New York, Moscow and Berlin. From the American James McNeill Whistlers defence of his new kind of modern art against the British art establishment in the latter half of the 19th century to the Danish-Icelandic artist Olafur Eliassons melting icebergs in London, he traverses the lives of the artists that have recorded, questioned and defined our times. At the heart of this original book are the successive waves of displacement caused by global wars and persecution that conversely brought fresh ideas and new points of view to the British Isles; educational reforms opened new routes for young people from working-class backgrounds; movements of social change enabled the emergence of female artists and artists of colour; and the emergence of the mass media shaped modern modes of communication and culture. These are the ebbs and flows that Michael Bird teases out in this panoramic account of Britain and its artists in across the twentieth century.
Originally published in 1979. The idea of the "South" has its roots in Romanticism and American culture of the nineteenth century. This study by Michael O'Brien analyzes how the idea of a unique Southern consciousness endured into the twentieth century and how it affected the lives of prominent white Southern intellectuals. Individual chapters treat Howard Odum, John Donald Wade, John Crowe Ransom, Allen Tate, Frank Owsley, and Donald Davidson. The chapters trace each man's growing need for the idea of the South—how each defined it and how far each was able to sustain the idea as an element of social analysis. The Idea of the American South moves the debate over Southern identity from speculative essays about the "central theme" of Southern history and, by implication, past the restricted perception that race relations are a sufficient key to understanding the history of Southern identity.
He was a friend of James Joyce, Pablo Picasso, e.e. cummings, John Dos Passos, Irving Berlin, and F. Scott Fitzgerald--and the enemy of Ezra Pound, H.L. Mencken, and Ernest Hemingway. He was so influential a critic that Edmund Wilson declared that he had played a leading role in the "liquidation of genteel culture in America." Yet today many students of American culture would not recognize his name. He was Gilbert Seldes, and in this brilliant biographical study, Pulitzer Prize-winning historian Michael Kammen recreates a singularly American life of letters. Equally important, Kammen uses Seldes's life as a lens through which to bring into sharp focus the dramatic shifts in American culture that occurred in the half-century after World War I. Born in 1893, Seldes saw in his lifetime an astonishing series of innovations in popular and mass culture: silent films and talkies, the phonograph and the radio, the coming of television, and the proliferation of journalism aimed at mainstream America in such venues as Vanity Fair, The Saturday Evening Post, and Esquire. (His monthly column in Esquire was called "The Lively Arts.") Seldes was more than a witness to these changes, however; he was the leading champion of popular culture in his time, and a skilled practitioner as well. Kammen, the first scholar to enjoy access to Seldes's unpublished papers, illuminates his immense influence as the earliest cultural critic to insist that the lively arts--vaudeville, musical revues, film, jazz, and the comics--should be taken just as seriously as grand opera, the legitimate theatre, and other manifestations of high culture. As he traces Seldes's remarkable evolution from an acknowledged aesthete and highbrow to a cultural democrat with a passion for the popular arts, Kammen recaptures the critic's prescience, wit, and generosity for a newly expanded audience. We witness Seldes's triumphs and travails as managing editor of The Dial, the most influential literary magazine of its time, and read of New York's endlessly feuding publications and literary rivalries. Kammen offers wonderfully detailed accounts of The Dial's introduction of "The Wasteland" in its November 1922 issue; Seldes's review of Ulysses for The Nation, one of the first (if not the very first) to appear in the U.S.; and the complete story of the writing, publication, and critical reception of The Seven Lively Arts, Seldes's most influential book. And Kammen also covers Seldes's astonishingly versatile later career as a freelance writer (on every conceivable subject), historian, novelist, playwright, filmmaker, radio scriptwriter, the first program director for CBS Television, and the founding dean of the Annenberg School of Communications at the University of Pennsylvania. One of popular culture's earliest and most eloquent champions, Seldes was nonetheless publicly worried as early as 1937 that the popularity of radio, film, and television would mean the demise of the "private art of reading." By 1957 he was warning that "with the shift of all entertainment into the area of big business, we are being engulfed into a mass-produced mediocrity." At a time when many thoughtful Americans despair of popular culture, The Lively Arts revisits the opening salvos in the ongoing debate over "democratization" versus "dumbing down" of the arts. It offers a penetrating and timely analysis of Gilbert Seldes's pioneering conviction that the popular and the great arts must not only co-exist but enrich one another if we are to realize the innovation and intensity of American culture at its best.
Modern society, Michael Trask argues in this incisive and original book, chose to couch class difference in terms of illicit sexuality. Trask demonstrates how sexual science's concept of erotic perversion mediated the writing of both literary figures and social theorists when it came to the innovative and unsettling social arrangements of the early twentieth century. Trask focuses on the James brothers in a critique of pragmatism and anti-immigrant sentiment, shows the influence of behavioral psychology on Gertrude Stein's work, uncovers a sustained reflection on casual labor in Hart Crane's lyric poetry, and traces the identification of working-class Catholics with deviant passions in Willa Cather's fiction. Finally, Trask examines how literary leftists borrowed the antiprostitution rhetoric of Progressive-era reformers to protest the ascendance of consumerism in the 1920s.Viewing class as a restless and unstable category, Trask contends, American modernist writers appropriated sexology's concept of evasive, unmoored desire to account for the seismic shift in social relations during the Progressive era and beyond. Looking closely at the fraught ideological space between real and perceived class differences, Cruising Modernism discloses there a pervasive representation of sexuality as well.
An essential introduction to the most significant poems and their works since 1900 Reproduced within this collection are some of the greatest poems of the 20th century, featuring works from major writers such as T.S. Eliot and Sylvia Plath to Langston Hughes and W.B. Yeats. For each, Michael Schmidt provides an insight into their themes and the background to their work, opening for the reader a deeper understanding and enjoyment of these extraordinary poems. Poets include: W.B. Yeats Robert Frost Edward Thomas Philip Larkin T.S. Eliot Ted Hughes Langston Hughes Sylvia Plath C.S Sisson Derek Walcott Ezra Pound & many more!
John Joseph Mathews (1894–1979) is one of Oklahoma’s most revered twentieth-century authors. An Osage Indian, he was also one of the first Indigenous authors to gain national renown. Yet fame did not come easily to Mathews, and his personality was full of contradictions. In this captivating biography, Michael Snyder provides the first book-length account of this fascinating figure. Known as “Jo” to all his friends, Mathews had a multifaceted identity. A novelist, naturalist, biographer, historian, and tribal preservationist, he was a true “man of letters.” Snyder draws on a wealth of sources, many of them previously untapped, to narrate Mathews’s story. Much of the writer’s family life—especially his two marriages and his relationships with his two children and two stepchildren—is explored here for the first time. Born in the town of Pawhuska in Indian Territory, Mathews attended the University of Oklahoma before venturing abroad and earning a second degree from Oxford. He served as a flight instructor during World War I, traveled across Europe and northern Africa, and bought and sold land in California. A proud Osage who devoted himself to preserving Osage culture, Mathews also served as tribal councilman and cultural historian for the Osage Nation. Like many gifted artists, Mathews was not without flaws. And perhaps in the eyes of some critics, he occupies a nebulous space in literary history. Through insightful analysis of his major works, especially his semiautobiographical novel Sundown and his meditative Talking to the Moon, Snyder revises this impression. The story he tells, of one remarkable individual, is also the story of the Osage Nation, the state of Oklahoma, and Native America in the twentieth century.
Forty-five years after his death, and more than seventy years after his indictment for treason, Ezra Pound remains a deeply controversial figure. Today it is hard to imagine a poet sparking national debate, but Pound did just that. His receipt in 1949 of the first-ever Bollingen Award for Poetry started a hue and cry that spread to every US periodical that made even a pretense of following "cultural" issues: even Time weighed in. It took two years for things to simmer down, and when they finally did, literary study looked profoundly different. Everyone engaged in the study of poetry today, professors and students alike, works in an environment shaped by that national crisis of conscience. The present book considers this untold story, and investigates not just what critics have had to say about Pound but also why they have asked the questions they have asked. It is routine for reception histories to distinguish between professional studies and more popular responses; this book encourages us to consider why we make that distinction and what the costs of doing so might be. Unprofessional responses to Pound have often been ideologically and politically embarrassing for Pound scholars, who have in response policed the distinction between professional and popular readings with extraordinary vigilance. As a result, the history of Pound's reception unfolds as a kind of drama - perhaps the last ongoing theater for McCarthyite cultural-political anxieties. Michael Coyle is Professor of English at Colgate University and has published widely on Pound. Roxana Preda is Leverhulme Fellow in American Literature at the University of Edinburgh and President of the Ezra Pound Society.
“Strictly, the Southerner had no mind; he had temperament. He was not a scholar; he had no intellectual training; he could not analyze an idea, and he could not even conceive of admitting two.” This judgment, rendered in The Education of Henry Adams, may be the most quoted of Adams’s writings on the South. However, it is far from the only one of his beliefs that helped to shape a national outlook on the region from the late antebellum period to the present. Thinking about the South, says Michael O’Brien, was “part of being an Adams.” In this book O’Brien shows how Adams (grandson of President John Quincy Adams and great-grandson of President John Adams) looked at the region during various phases of his life. O’Brien explores the cultural and familial impulses behind those views and locates them in American intellectual history. He begins with the young Henry Adams, who served as his father’s secretary in the House of Representatives during the secession crises of 1860-1861 and in the American embassy in London during and after the Civil War, until 1868. O’Brien then covers a number of topics relevant to Adams’s outlook on the South, including his residency in that deceptively “southern” city, Washington, D.C.; his journalism on the Reconstruction-era South; his biographical or historical works on the Virginians John Randolph, Thomas Jefferson, and James Madison; and his two novels, especially Democracy. Finally, O’Brien ponders the vein of southern self-criticism--exemplified by Wilbur J. Cash’s Mind of the South--that embraces the notorious slur so often quoted from The Education of Henry Adams.
Published to coincide with the release of the HBO film Hemingway and Gellhorn, starring Nicole Kidman and Clive Owen. Michael Reynolds was the supreme biographer of Ernest Hemingway. HBO’s film concentrates on Hemingway’s years with his third wife, the adventurous journalist Martha Gellhorn. This book brings together Reynolds’s Hemingway: The 1930s and Hemingway: The Final Years.
Reynolds's "masterpiece in the making" ("Library Journal") concludes with a rich and sympathetic portrayal of Nobel Prize recipient Hemingway's final 20 years.
Marus the brachiosaurus is devastated when he discovers that other dinosaur children reject him because he is different (he is very, very big!). So begins the adventures of Marus the Longneck Saves the Day. This gentle story of a gentle giant is a simple, rhyming tale that will tap into every childs fascination with dinosaurs and teach them invaluable lessons about positive values. Join children everywhere in modeling Marus the Longnecks helpful and self-sacrificial actions while enjoying complimentary, whimsical illustrations. This is an eLIVE book, meaning each printed copy contains a special code redeemable for the free download of the audio version of the book.
I take...an outward route, arguing that the Agrarian project was and must be seen as a willed campaign on the part of one elite to establish and control 'the South' in a period of intense cultural maneuvering. The principal organizers of I'll Take My Stand knew full well there were other 'Souths' than the one they touted; they deliberately presented a fabricated South as the one and only real thing. In Inventing Southern Literature Michael Kreyling casts a penetrating ray upon the traditional canon of southern literature and questions the modes by which it was created. He finds that it was, indeed, an invention rather than a creation. In the 1930s the foundations were laid by the Fugitive-Agrarian group, a band of poet-critics that wished not only to design but also to control the southern cultural entity in a conservative political context. From their heyday to the present, Kreyling investigates the historical conditions under which literary and cultural critics have invented the South and how they have chosen its representations. Through his study of these choices, Kreyling argues that interested groups have shaped meanings that preserve a South as the South. As the Fugitive-Agrarians molded the region according to their definition in I'll Take My Stand, they professed to have developed a critical method that disavowed any cultural or political intent or content, a claim that Kreyling disproves. He shows that their torch was taken by Richard Weaver on the Right and Louis D. Rubin, Jr., on the Center-Left and that both critics tried to preserve the Fugitive-Agrarian credo despite the severe stresses imposed during the era of desegregation. As the southern literary paradigm has been attacked and defended, certain issues have remained in the forefront. Kreyling takes on three: reconciling the imperatives of race with the traditional definitions of the South; testing the ways white women writers of the South have negotiated space within or outside the paradigm; and analyzing the critics' use and abuse of William Faulkner (the major figure of southern literature) as they have relied on his achievement to anchor the total project called Southern Literature. Michael Kreyling, a professor of English at Vanderbilt University, is the author of several books, including "Eudora Welty's Achievement of Order" and "Author and Agent: Eudora Welty and Diarmuid Russell.
Bringing together Michael O’Brien’s pathbreaking essays on the American South, this book examines the persistence and vitality of southern intellectual history from the early nineteenth century to the present day. At once a broad survey of southern thought and a meditation on the subject as an academic discipline, Rethinking the South deftly integrates social history, literary criticism, and historiography as it positions the South within the wider traditions of European and American culture. In his thoughtful introduction and throughout the ten essays that follow, O'Brien stresses the tradition of Romanticism as a central theme, binding togethere figures as disparate as critic Hugh Legare, literary scholar Edwin Mims, poets Richard Henry Wilde and Allen Tate, and historians W. J. Cash and C. Vann Woodward. First published as a collection in 1988, these essays confirm O’Brien’s position as a pioneer in establishing and defining the enterprise of southern intellectual history.
Many artists, writers, and other creative people do their best work when collaborating within a circle of likeminded friends. Experimenting together and challenging one another, they develop the courage to rebel against the established traditions in their field. Out of their discussions they develop a new, shared vision that guides their work even when they work alone. In a unique study that will become a rich source of ideas for professionals and anyone interested in fostering creative work in the arts and sciences, Michael P. Farrell looks at the group dynamics in six collaborative circles: the French Impressionists; Sigmund Freud and his friends; C. S. Lewis, J. R. R. Tolkien, and the Inklings; social reformers Elizabeth Cady Stanton and Susan B. Anthony; the Fugitive poets; and the writers Joseph Conrad and Ford Maddox Ford. He demonstrates how the unusual interactions in these collaborative circles drew out the creativity in each member. Farrell also presents vivid narrative accounts of the roles played by the members of each circle. He considers how working in such circles sustains the motivation of each member to do creative work; how collaborative circles shape the individual styles of the persons within them; how leadership roles and interpersonal relationships change as circles develop; and why some circles flourish while others flounder.
Violent scenes in American fiction are not only brutal, bleak, and gratuitous," writes Michael Kowalewski. "They are also, by turns, comic, witty, poignant, and sometimes, strangely enough, even terrifyingly beautiful." In this fascinating tour of American fiction, Kowalewski examines incidents ranging from scalpings and torture in The Deerslayer to fish feeding off human viscera in To Have and Have Not, to show how highly charged descriptive passages bear on major issues concerning a writer's craft. Instead of focusing on violence as a socio-cultural phenomenon, he explores how writers including Cooper, Poe, Crane, Hemingway, Faulkner, Wright, Flannery O'Connor, and Pynchon draw on violence in the realistic imagining of their works and how their respective styles sustain or counteract this imagining. Kowalewski begins by offering a new definition of realism, or realistic imagining, and the rhetorical imagination that seems to oppose it. Then for each author he investigates how scenes of violence exemplify the stylistic imperatives more generally at work in that writer's fiction. Using violence as the critical occasion for exploring the distinctive qualities of authorial voice, Deadly Musings addresses the question of what literary criticism is and ought to be, and how it might apply more usefully to the dynamics of verbal performance.
The early 1960s to the mid-1970s was one of the most turbulent periods in American history. The U.S. military was engaged in its longest, costliest overseas conflict, while the home front was torn apart by riots, protests, and social activism. In the midst of these upheavals, an underground and countercultural press emerged, giving activists an extraordinary forum for a range of imaginative expressions. Poetry held a prominent place in this alternative media. The poem was widely viewed by activists as an inherently anti-establishment form of free expression, and poets were often in the vanguards of political activism. Hearts and Minds is the first book-length study of the poems of the Black Liberation, Women's Liberation, and GI Resistance movements during the Vietnam era. Drawing on recent cultural and literary theories, Bibby investigates the significance of images, tropes, and symbols of human bodies in activist poetry. Many key political slogans of the period--"black is beautiful," "off our backs"--foreground the body. Bibby demonstrates that figurations of bodies marked important sites of social and political struggle. Although poetry played such an important role in Vietnam-era activism, literary criticism has largely ignored most of this literature. Bibby recuperates the cultural-historical importance of Vietnam-era activist poetry, highlighting both its relevant contexts and revealing how it engaged political and social struggles that continue to motivate contemporary history. Arguing for the need to read cultural history through these "underground" texts, Hearts and Minds offers new grounds for understanding the recent history of American poetry and the role poetry has played as a medium of imaginative political expression.
Bronislaw Malinowski (1884–1942) was one of the most colorful and charismatic social scientists of the twentieth century. His contributions as a founding father of social anthropology and his complex personality earned him international notoriety and near-mythical status. This landmark book presents a vivid portrait of Malinowski’s early life, from his birth in Cracow to his departure in 1920 from the Trobriand Islands of the South Pacific. At the age of 36, he had already created the innovative fieldwork methods and techniques that would secure his intellectual legacy. Drawing on an exceptionally rich array of primary documents, including Malinowski’s letters and unpublished diaries and manuscripts, Michael Young provides significant new information about the anthropologist’s personality, private life, and career. The author describes Malinowski’s restless life of travel, connections with intellectuals and artists, Nietzschean belief in his own destiny, and legendary fieldwork. The singular man who emerges from these pages fascinates on every level—as a volatile friend and lover, a provocative colleague, a passionate diarist, and a brilliant thinker who pioneered radical change in the field of anthropology.
A brilliant exposé of how Kim Philby—the master-spy and notorious double agent—became the mentor, and later, mortal enemy, of James Angleton, who would eventually lead the CIA. Kim Philby's life and career has inspired an entire literary genre: the spy novel of betrayal. Philby was one of the leaders of the British counter-intelligence efforts, first against the Nazis, then against the Soviet Union. He was also the KGB's most valuable double-agent, so highly regarded that today his image is on the postage stamps of the Russian Federation even today. Before he was exposed, Philby was the mentor of James Jesus Angleton, one of the central figures in the early years of the CIA who became the long-serving chief of the counter-intelligence staff of the Agency. James Angleton and Kim Philby were friends for six years, or so Angleton thought. Then they were enemies for the rest of their lives. This is the story of their intertwined careers and a betrayal that would have dramatic and irrevocable effects on the Cold War and US-Soviet relations, and have a direct effect on the shape and culture of the CIA in the latter half of the twentieth century. Spanning the globe, from London and Washington DC, to Rome and Istanbul, Spies and Traitors gets to the heart of one of the most important and flawed personal relationships in modern history.
Michael D. Hurley and Michael O'Neill offer a perceptive and illuminating look into poetic form, a topic that has come back into prominence in recent years. Building on this renewed interest in form, Hurley and O'Neill provide an accessible and comprehensive introduction that will be of help to undergraduates and more advanced readers of poetry alike. The book sees form as neither ornamenting nor mimicking content, but as shaping and animating it, encouraging readers to cultivate techniques to read poems as poems. Lively and wide-ranging, engaging with poems as aesthetic experiences, the book includes a long chapter on the elements of form that throws new light on troubling terms such as rhythm and metre, as well as a detailed introduction and accessible, stimulating chapters on lyric, the sonnet, elegy, soliloquy, dramatic monologue and ballad and narrative.
Heart in Conflict is a study of two periods of intense vocational crisis in William Faulkner's career as a writer: his time of apprenticeship, before the composition of The Sound and the Fury, and the beginnings, in the late 1930s and early 1940s, of the long season of decline that followed the completion of Absalom, Absalom! These periods of crisis, Michael Grimwood argues, grew out of an ongoing tension between the divided components of Faulkner's personality between two versions of himself: the illiterate bumpkin and the sophisticated aesthete. It was a collaboration between these two postures that formed Faulkner's vocation, that created the impulse to translate the rural, unlettered world of Oxford, Mississippi, into a literature of the highest ambitions. But Faulkner was neither bumpkin nor aesthete. His awareness of the fraudulence of both his self-images, and ultimately his art, caused him to create, beginning with The Wild Palms in 1939, novels divided against themselves both structurally and thematically, novels whose complexities emanate from their author's own complex personality. Grimwood traces the formation of Faulkner's divided personality in his childhood and youth, in the conflicting influences of literature and landscape, in the conflicting urges wrought by a mother who called him to the rigors of the schoolhouse and a father whose interests led to the diffuse pleasure of the world outside. The conflict gained dimension when Faulkner's earliest poems, written in the style of the European pastoral, were mocked by students in the pages of the University of Mississippi literary magazine. Faulkner internalized this mockery, and it would emerge in the late 1930s and early 1940s as a destructively self-critical compulsion to write novels--The Wild Palms, The Hamlet, Knight's Gambit, and Go Down, Moses--that were simultaneously pastoral and mock-pastoral, that reflected both an impulse to bequeath his own substance through words and a virtual surrender to illiteracy. In many ways, the tensions that divided Faulkner--tensions between pastoral ideal and rural reality, between flights of language and attachment to the wordless soil--also divided the whole of southern literature and society from the time of its origins. Such conflicts can be found in the writings of Thomas Jefferson, philosopher of democracy and slaveowner; in the southwestern humor and plantation fiction that dominated southern letters in the 1830s; and in the works of the agrarian writers of the 1930s, whose European poesy belies their dirt-road political beliefs. Showing how the tensions in the narratives mirrored tensions in the author and in his society, Heart in Conflict reveals William Faulkner as he struggled with his inheritance both as a southerner and as a southern writer.
American history abounds with a rich tradition of literature dealing with nonviolence. In a work that spans from the seventeenth century to the present, Michael True brings to light the strong but long-neglected strain in American culture: nonviolence as an active response to conflicts and divisiveness. In identifying writings about action for social change, he distinguishes literary works from peace advocacy and nonviolence and relates them to broad currents of United States history. The Quakers of the 1680s and abolitionists of the 1850s, the sanctuary Movement and Plowshares of the 1980s, novelists (from Nathaniel Hawthorne to Norman Mailer) and poets (from Walt Whitman to Denise Levertov) all have written powerful works on nonviolent action. Through this literature, the author explores the beauty of an important theme in American literature. At a time when people face widespread injustice, True reminds us that nonviolence holds a significant place in our country's history.
Traces the development of the subway from its inception to its decline as an overcrowded and dangerous part of city life - Explores how it has been represented in film and art - Gives women's experiences of the subway - Examines the city's racial tensions - Skyscapers - Spatial layout of the city - Urban space.
The Most Beautiful Kite is the heartwarming story of taking pleasure in the new and wondrous triumphs of our children as they grow, and of the loving gift of letting go so they may find their own way. Author Michael O'Malley uses the colorful imagery and whimsy of a kite in a charming and unforgettable book that every parent will enjoy reading with their children.
In this delightful book, George the Giraffe struggles with the difference between fact and fiction. Told by Peck that he has no neck, George turns to his old friend, Howie, for comfort and ends up receiving more. Michael J. Chapmans George the Giraffe Thinks He Has No Neck is a must-read for anyone learning to cope with the things others say about them.
Every time boys and girls fight or call each other names, Big Bad Word Monsters love to gobble up all the bite-sized morsels of nasty words. Word Monsters are everywhere. They're usually harmless, but when the town of Grand Locution faces an infestation of Word Monsters, it's no laughing matter. The town becomes a rude and impolite place to live. The Big Bad Word Monster follows two bright children as they try to get rid of the Big Bad Word Monsters forever. Can two kids really do enough to stop the word pollution in Grand Locution?
The Giveaway Box is a look at the developing stages of friendship and self giving. New author Michael J. Dostillio has captured the warm-hearted feelings of a little boy that will delight children and parents of all ages.
Her mother walked outside and told Victoria, 'Please go inside and just do your homework! Your father will be home soon and your homework needs to be done or at least started. Author Michael Randazzo captures the argument that all adolescents have with their parents. Even though homework isn't always the most fun thing to do, it is important and should be made a priority. Stressing the importance of completing important tasks, Randazzo also reminds us that there are things that must be done so we can enjoy the fun parts of life.
Placing the South offers a selection of work published between 1985 and 2005 by one of the most incisive historians and literary critics of the South. The pieces seek to situate the South in a variety of contexts and offer a compelling defense of what Kwame Anthony Appiah has called "rooted cosmopolitanism." This is a mode of understanding based on respect for what is local and an awareness that regionalism is not enough. Hybridity, in both culture and literature, is inescapable and desirable. The first section of the book ("Placing") contains three comparative analyses that look at how regionalism has recently been conceptualized globally, how the modern South has acquired pertinence for those outside the United States, and how the relationship between Britain and the South has worked. The second section ("Ideologies") scrutinizes political ideas--freedom, imperialism, nationalism, racial ideology--which have transformed American discourse. The third section ("Forms") examines genre and how the South has been constructed and reconstructed by such literary forms as autobiography, biography, history, and literary history. The final section ("Writers") contains critical appreciations of political thinkers, novelists, poets, critics, historians, and sociologists important to southern intellectual life. Taken together, the essays offer a robust analysis of a dynamic region. Michael O'Brien is professor of American intellectual history at University of Cambridge and a fellow at Jesus College. He is the author of Conjectures of Order: Intellectual Life and the American South, 1810-1860 and other books.
Mystic Chords of Memory "Illustrated with hundreds of well-chosen anecdotes and minute observations . . . Kammen is a demon researcher who seems to have mined his nuggets from the entire corpus of American cultural history . . . insightful and sardonic." —Washington Post Book World In this ground-breaking, panoramic work of American cultural history, the Pulitzer Prize-winning author of A Machine That Would Go of Itself examines a central paradox of our national identity How did "the land of the future" acquire a past? And to what extent has our collective memory of that past—as embodied in our traditions—have been distorted, or even manufactured? Ranging from John Adams to Ronald Reagan, from the origins of Independence Day celebrations to the controversies surrounding the Vietnam War Memorial, from the Daughters of the American Revolution to immigrant associations, and filled with incisive analyses of such phenonema as Americana and its collectors, "historic" villages and Disneyland, Mystic Chords of Memory is a brilliant, immensely readable, and enormously important book. "Fascinating . . . a subtle and teeming narrative . . . masterly." —Time "This is a big, ambitious book, and Kammen pulls it off admirably. . . . [He] brings a prodigious mind and much scholarly rigor to his task . . . an importnat book—and a revealing look at how Americans look at themselves." —Milwaukee Journal
Say the name Marshall McLuhan and you think of the great discover's explorations of the media. But throughout his life, McLuhan never stopped reflecting profoundly on the nature of God and worship, and on the traditions of the Church. Often other intellectuals and artists would ask him incredulously, "Are you really a Catholic?" He would answer, "Yes, I am a Catholic, the worst kind -- a convert," leaving them more baffled than before. Here, like a golden thread lining his public utterances on the media, are McLuhan's brilliant probes into the nature of conversion, the church's understanding of media, the shape of tomorrow's church, religion and youth, and the God-making machines of the modern world. This fascinating collection, gathered from his many and scattered remarks, essays, and other writings, shows the deeply Christian side of a man widely considered the most important thinker of our time, a man whose insights into media and culture have revolutionized the field of media study and the way we see the world.
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