The Stooges have come to be considered one of the most important rock bands, especially in regard to the formation of punk. By emphasizing their influence on later developments, however, critics tend to overlook the significance of the band in their own context and era. The Music and Noise of the Stooges, 1967-71 addresses such oversights. Utilizing the lenses of cultural criticism and sound studies (drawing on the thinking of Theodor Adorno, Jacques Attali, and Pierre Bourdieu, among others), as well as contemporary and archival texts, this extensively researched study analyzes the trajectory and musical output of the original Stooges. During the late 1960s and early 70s, a moment when the dissonant energy of rock’n’roll was more than ever being subsumed by the record industry, the Stooges were initially commercial failures, with the band’s "noisy" music and singer Iggy Pop’s "bizarre" onstage performances confusing their label, Elektra Records. As Begnal argues, the Stooges embodied a tension between market forces and an innovative, avant-garde artistic vision, as they sought to liberate audiences from passivity and stimulate an immanent joy in the rock’n’roll moment. This book offers a fresh perspective on the Stooges that will appeal both to rock fans and scholars (especially in the fields of cultural studies, the long Sixties, musicology, punk studies, and performance studies).
In an age when the recording industry is undergoing its most radical change in over half a century, the guidance of a skilled music producer is quickly becoming indispensable for producing a great recording. Music Production: A Manual for Producers, Composers, Arrangers, and Students, Third Edition serves as a comprehensive road map for navigating the continuous transformations in the music industry and music production technologies. From dissecting compositions to understanding studio technologies, from coaching vocalists and instrumentalists to arranging and orchestration, from musicianship to marketing, advertising, and promotion, Michael Zager takes us on a tour of the world of music production and the recording industry, helping students and professionals keep pace with this rapidly changing profession. This third edition features: New interviews with eminent industry professionals Updated information on current trends in producing popular music and the impacts of the Music Modernization Act Additional material on video game music End-of-chapter assignments for course usage An instructor’s manual is available. Please email textbooks@rowman.com.
The long-awaited, first-ever print biography of “Canada’s band” “A clever, touching, and very informative book that may well be the definitive work on an important piece of Canadian pop culture.” — Publishers Weekly, starred review In the summer of 2016, more than a third of Canadians tuned in to watch the Tragically Hip’s final performance. Why? Partially because Gord Downie’s terminal brain cancer made the event much bigger than merely a musical occasion. But also because these five men were always more than just a chart-topping band. They defined a generation of Canadian rock music. They were a tabula rasa onto which fans could project their own ideas: of performance, of poetry, of history, of Canada itself. Acclaimed music journalist Michael Barclay talks to dozens of the band’s peers and friends about not just the Hip’s music but about the opening bands, dealing with disease through art, Gord Downie’s role in reconciliation with Indigenous people, and the Hip’s role in Canadian culture. It’s a book for those who have always loved the Hip, and for everyone else. As Downie said at that final show watched by millions, “Everyone is invited. Everyone is involved.”
Over the past four decades, rap and hip hop culture have taken a central place in popular music both in the United States and around the world. Listening to Rap: An Introduction enables students to understand the historical context, cultural impact, and unique musical characteristics of this essential genre. Each chapter explores a key topic in the study of rap music from the 1970s to today, covering themes such as race, gender, commercialization, politics, and authenticity. Synthesizing the approaches of scholars from a variety of disciplines—including music, cultural studies, African-American studies, gender studies, literary criticism, and philosophy—Listening to Rap tracks the evolution of rap and hip hop while illustrating its vast cultural significance. The text features more than 60 detailed listening guides that analyze the musical elements of songs by a wide array of artists, from Afrika Bambaataa and Grandmaster Flash to Nicki Minaj, Jay-Z, Kanye West, and more. A companion website showcases playlists of the music discussed in each chapter. Rooted in the understanding that cultural context, music, and lyrics combine to shape rap’s meaning, the text assumes no prior knowledge. For students of all backgrounds, Listening to Rap offers a clear and accessible introduction to this vital and influential music.
Welsh post-punk band Young Marble Giants released one LP in 1980 and then, like their vanishing portraits on the album's cover, disappeared. Even though Colossal Youth received positive reviews and sold surprisingly well, Young Marble Giants quickly slid into the margins of rock 'n' roll history-relegated to cult status among post-punk and indie rock fans. Their lasting appeal owes itself to the band's singular approach and response to punk rock. Instead of employing overt political ideology and abrasive sounds to rebel against the status quo, Young Marble Giants filled their songs with restraint, ambiguity, and silence. The trio opened up their music to new sounds and ideas that redefined punk's rules of rebellion. Where did their rebellious ideas and impulses come from? By tracing Colossal Youth's artistic origins from Ancient Greece to the 20th-century avant-garde, Michael Blair and Joe Bucciero uncover the intricacies of Young Marble Giants' idiosyncratic take on music in the post-punk age. Emerging from the gaps in between the notes are new ways of hearing the history of punk, the political and economic turbulence of the late 1970s, and the world that surrounds us right now.
It's a big Spiral Arm, and the scarred man, Donavan buigh, has gone missing in it, upsetting the harper Mearana's plans for a reconciliation between her parents. Bridget ban, a Hound of the League, doubts that reconciliation is possible or desirable; but nonetheless has dispatched agents to investigate the disappearance. The powerful Ravn Olafsdottr, a Shadow of the Names, slips into Clanthompson Hall to tell mother and daughter of the fate of Donovan buigh. In the Long Game between the Confederation of Central Worlds and the United League of the Periphery, Hound and Shadow are mortal enemies; yet a truce descends between them so that the Shadow may tell her tale. There is a struggle in the Lion's Mouth, the bureau that oversees the Shadows—a clandestine civil war of sabotage and assassination between those who would overthrow Those of Name and the loyalists who support them. And Donovan, one-time Confederal agent, has been recalled to take a key part, willingly or no. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The study of popular music composition is a new field in which the standard rules of traditional music theory do not apply. Learn how to write top 40 hits in every style from alternative rock to country pop. Discover the way chords are constructed and used in pop music, the Nashville numbers system and the role of scales in pop music harmony. Learn how to arrange a lead-sheet chart for a small ensemble so your entire band can learn a song in minutes. No more listening to a cd over and over to figure out a guitar riff when you can learn to recognize chord progressions and easily transcribe music from recordings. You will master the ability to play chord changes for self-accompaniment as well as composition. Finally you will learn how to use the scales for improvisation and "ad libbing" so you can become a soloist with your own unique sound.
(Guitar Educational). Expand your guitar knowledge with the Guitar Lesson Goldmine series! Featuring 100 individual modules covering a giant array of topics, each lesson in this Rock volume includes detailed instruction with playing examples presented in standard notation and tablature. You'll also get extremeley useful tips, scale diagrams, chord grids, photos, and more to reinforce your learning experience, plus audio featuring performance demos of all the examples in the book! A huge variety of rock guitar styles and techniques are covered, including: vibrato, string bending, string skipping, tapping, shred techniques, soloing approaches, exotic scales, rockabilly guitar, surf guitar, southern rock, and much more!
Violent scenes in American fiction are not only brutal, bleak, and gratuitous," writes Michael Kowalewski. "They are also, by turns, comic, witty, poignant, and sometimes, strangely enough, even terrifyingly beautiful." In this fascinating tour of American fiction, Kowalewski examines incidents ranging from scalpings and torture in The Deerslayer to fish feeding off human viscera in To Have and Have Not, to show how highly charged descriptive passages bear on major issues concerning a writer's craft. Instead of focusing on violence as a socio-cultural phenomenon, he explores how writers including Cooper, Poe, Crane, Hemingway, Faulkner, Wright, Flannery O'Connor, and Pynchon draw on violence in the realistic imagining of their works and how their respective styles sustain or counteract this imagining. Kowalewski begins by offering a new definition of realism, or realistic imagining, and the rhetorical imagination that seems to oppose it. Then for each author he investigates how scenes of violence exemplify the stylistic imperatives more generally at work in that writer's fiction. Using violence as the critical occasion for exploring the distinctive qualities of authorial voice, Deadly Musings addresses the question of what literary criticism is and ought to be, and how it might apply more usefully to the dynamics of verbal performance.
Aesthetics of Equality is a theoretical and compositional intervention into the problem of equality. While some of the analysis is concerned with contemporary issues, the book is a primarily a work of political theory and a guide to aesthetic methods, focused on how one can conceive equality issues critically through conceptual engagements with diverse artistic genres: literature, film, music, photography, and architecture. Beginning with the question, "what one can contribute to equality issues by being attentive to aesthetic form in a variety of artistic genres that challenge institutionalized accounts of history," the book proceeds to implement answer by extracting political problematics with analyses of the compositional structures of the textual objects of analysis in the chapter's diverse inquiries. While aesthetic strategies are a main concern in the investigation, it is also shaped by commitments to some substantive political concerns, particularly an attentiveness to persons and voices that tend to be civically invisible The assembled chapters demonstrate the way critical approaches to a variety of media genres make visible and audible the persons and groups that are excluded or disqualified from access to livable domestic space and civic participation. The subject matter is temporally extensive, ranging from ancient Israel and Egypt in the Old Testament's Genesis chapter through the early and later ethno-histories of California and Texas and geographically broad, with chapters on diverse cities: New York, Paris, Istanbul, Los Angeles, and fictional Texas and Mexican border cities"--
For almost a century, writers such as Ralph Ellison, Michael Ondaatje, and Ishmael Reed have expressed an affinity for jazz, hearing the music as a model for writing. Michael Jarrett examines their work and the work of others who have brought jazz into language, pushing "interpretation" into the realm of "invention.
THE STORY: The fabulous songs of Johnny Burke are here perfectly woven into various settings and scenes as if they always belonged there. We move from a smoky 1920s Chicago Speakeasy, where we hear such songs as Dr. Rhythm and What's New to the
“Amazingly raw and candid . . . Come As You Are is as good as rock bios get” —Billboard Nirvana came out of nowhere in 1991 to sell nearly five million copies of their landmark album Nevermind, whose thunderous sound and indelible melodies embodied all the confusion, frustration, and passion of the emerging Generation X. Come As You Are is the close-up, intimate story of Nirvana—the only book with exclusive in-depth interviews with bandmembers Kurt Cobain, Krist Noveselic, and Dave Grohl, as well as friends, relatives, former bandmembers, and associates—now updated to include a final chapter detailing the last year of Kurt Cobain's life, before his tragic suicide in April 1994.
Founded by Robert M. Savini in 1933, Astor Pictures Corporation distributed hundreds of films in its 32 years of operation. The company distributed over 150 first run features in addition to the numerous re-releases for which it became famous. Astor had great success in the fields of horror and western movies and was a pioneer in African-American film productions. While under Savini's management, Astor and its subsidiaries were highly successful, but after his death in 1956 the company was sold, leading to eventual bankruptcy and closure. This volume provides the first in-depth look at Astor Pictures Corporation with thorough coverage of its releases, including diverse titles like La Dolce Vita and Frankenstein's Daughter.
The definitive chronicle of underground music in the 1980s tells the stories of Black Flag, Sonic Youth, The Replacements, and other seminal bands whose DIY revolution changed American music forever. Our Band Could Be Your Life is the never-before-told story of the musical revolution that happened right under the nose of the Reagan Eighties -- when a small but sprawling network of bands, labels, fanzines, radio stations, and other subversives re-energized American rock with punk's do-it-yourself credo and created music that was deeply personal, often brilliant, always challenging, and immensely influential. This sweeping chronicle of music, politics, drugs, fear, loathing, and faith is an indie rock classic in its own right. The bands profiled include: Sonic Youth Black Flag The Replacements Minutemen Husker Du Minor Threat Mission of Burma Butthole Surfers Big Black Fugazi Mudhoney Beat Happening Dinosaur Jr.
Of all the musical developments of rock in the 1960s, one in particular fundamentally changed the music’s structure and listening experience: the incorporation of extended improvisation into live performances. While many bands—including Cream, Pink Floyd, and the Velvet Underground—stretched out their songs with improvisations, no band was more identified with the practice than the Grateful Dead. In Get Shown the Light Michael Kaler examines how the Dead’s dedication to improvisation stemmed from their belief that playing in this manner enabled them to touch upon transcendence. Drawing on band testimonials and analyses of early recordings, Kaler traces how the Dead developed an approach to playing music that they believed would facilitate their spiritual goals. He focuses on the band’s early years, the significance of their playing Ken Kesey’s Acid Test parties, and their evolving exploration of the myriad musical and spiritual possibilities that extended improvisation afforded. Kaler demonstrates that the Grateful Dead developed a radical new way of playing rock music as a means to unleashing the spiritual and transformative potential of their music.
Moral philosophy has long been dominated by the aim of understanding morality and the virtues in terms of principles. However, the underlying assumption that this is the best approach has received almost no defence, and has been attacked by particularists, who argue that the traditional link between morality and principles is little more than an unwarranted prejudice. In Principled Ethics, Michael Ridge and Sean McKeever meet the particularist challenge head-on, and defend a distinctive view they call "generalism as a regulative ideal.
New York Times Bestseller “A genuinely moving story about race and class, parenting and marriage. . . Chabon is inarguably one of the greatest prose stylists of all time." — Benjamin Percy, Esquire New York Times bestselling, Pulitzer Prize-winning novelist Michael Chabon has transported readers to wonderful places: to New York City during the Golden Age of comic books (The Amazing Adventures of Kavalier & Clay); to an imaginary Jewish homeland in Sitka, Alaska (The Yiddish Policemen’s Union); to discover The Mysteries of Pittsburgh. Now he takes us to Telegraph Avenue in a big-hearted and exhilarating novel that explores the profoundly intertwined lives of two Oakland, California families, one black and one white. In Telegraph Avenue, Chabon lovingly creates a world grounded in pop culture—Kung Fu, ’70s Blaxploitation films, vinyl LPs, jazz and soul music—and delivers a bravura epic of friendship, race, and secret histories. As the summer of 2004 draws to a close, Archy Stallings and Nat Jaffe are still hanging in there—longtime friends, bandmates, and co-regents of Brokeland Records, a kingdom of used vinyl located in the borderlands of Berkeley and Oakland. Their wives, Gwen Shanks and Aviva Roth-Jaffe, are the Berkeley Birth Partners, a pair of semi-legendary midwives who have welcomed more than a thousand newly minted citizens into the dented utopia at whose heart—half tavern, half temple—stands Brokeland. When ex–NFL quarterback Gibson Goode, the fifth-richest black man in America, announces plans to build his latest Dogpile megastore on a nearby stretch of Telegraph Avenue, Nat and Archy fear it means certain doom for their vulnerable little enterprise. Meanwhile, Aviva and Gwen also find themselves caught up in a battle for their professional existence, one that tests the limits of their friendship. Adding another layer of complications to the couples' already tangled lives is the surprise appearance of Titus Joyner, the teenage son Archy has never acknowledged and the love of fifteen-year-old Julius Jaffe's life.
Written by professional Windows game developers, this book offers comprehensive coverge of how to create distributable Windows 95 games. It explains all of the components of Microsoft's Windows 95 Game SDK extensively. The CD includes all the source code from the book as well as sample applications and demo software from the leading game development tools manufacturing companies.
IN THIS CAPTIVATING, OFTEN HILARIOUS DEBUT MYSTERY, ONE OF THE GREAT COMEDIANS OF OUR TIME BLENDS FACT WITH FICTION, AS LAW & ORDER: SVU'S RICHARD BELZER'S OFF-CAMERA PERSONA COMES TO LIFE ON THE PAGE, EMPLOYING INVESTIGATIVE KNOW-HOW AND COMEDIC TIMING IN EQUAL MEASURE TO SOLVE THE MYSTERY SURROUNDING THE DISAPPEARANCE OF A TRUSTED FRIEND. When Richard Belzer meets Rudy Markovich, nyc medical examiner, for dinner in Brighton Beach, he has little reason to expect anything more than a friendly bull session. But in the next twenty-four hours Belzer finds himself in the middle of a vicious street brawl, splashed across the tabloid headlines as an out-of-control celeb, and fearing for the life of his good pal Rudy -- who police assume is sleeping at the bottom of the East River. As Belzer finds himself increasingly required to call upon the resources he taps to portray Detective Munch on nbc, he maintains his sense of humor and carries us along on a rollicking ride through the underworld of New York City. With Rudy kidnapped, or worse, it falls to The Belz to track him down and solve the riddle to the vanishing act. The lives of Detective Munch and Richard Belzer collide and mesh in I Am Not a Cop! as one of America's great comics and TV cops brings all of his talents to bear in book form and provides a triumph of the mystery genre.
This is an autobiography, done as only the "first person singular" can do it. It's not written for reasons of ego. God knows, if you read it you'll see what an awkward, ambling, stumbling life story is told here. But so far, those stumbles have mostly been forward and interesting. Therein lies the story. This "in-between" generation rascal missed the "Beat Generation," and was too old to be a "Baby Boomer." There wasn't a discernable movement or cultural attitude for those who lived in-between. They had to make it up as they went along. This is the meandering story of one of those "Betweeners.
The “beautifully written” (The New York Times) autobiography of Michael Nesmith, from his star-making role on The Monkees and his invention of the music video to his critical contributions to movies, comedy, and the world of virtual reality “Reads like the chronicle of a relentless seeker.”—Los Angeles Times Michael Nesmith’s eclectic, electric life spanned his star-making role on The Monkees, his invention of the music video, and his critical contributions to movies, comedy, and the world of virtual reality. But above all, his is a seeker’s story, a pilgrimage in search of a set of principles to live by. That search took Nesmith from a childhood in Dallas to the set of The Monkees in Los Angeles to the heart of swinging London with John Lennon and Jimi Hendrix. This funny, thoughtful, self-aware book is a window into an unexpected life, inflected at every turn by the surprising candor and absurdist humor of an American original.
An oral history (with photographs) of the greatest American bar band of the twenty-first century. "Plenty of rock bands treat their fans like congregants. But, not many shine a light on the arrangement. Fewer still go as far as The Hold Steady, whose lead vocalist and lyricist, Craig Finn, has a disarming way of combining humility and exultation." —New York Times On January 22, 2003, four men stepped onto a stage in Brooklyn and did something no one else was doing at that time, in that place. They played rock ’n’ roll: old-fashioned rock ’n’ roll with skyscraping riffs and sloppy solos, topped with extraordinary lyrics about an out-of-focus America, blurred by pills and powders, of crime and fear and desperation and redemption. Twenty years later, The Hold Steady are one of America’s most beloved rock bands, famed for live shows that turn unbelievers into converts, and for a catalog filled with some of the most exciting yet poetic music of the twenty-first century. To mark those twenty years, The Hold Steady tell their full story in The Gospel of The Hold Steady: How a Resurrection Really Feels. An oral history, based on interviews with everyone who has played in the band, and those who have worked with them over the course of their career, The Gospel of the Hold Steady addresses all the triumphs and setbacks of The Hold Steady’s career in the band’s own words—from high times to near deaths, from the brink of splitting to their current renaissance. The volume also includes over 200 photographs and images. The Gospel of The Hold Steady is completed by essays about America’s greatest bar band by writers Rob Sheffield, Laura Barton, Isaac Fitzgerald, and Michael Hann, as well as the thoughts and memories of “The Unified Scene”—the fans who have helped define the band’s identity over the years. This is a book for everyone who loves The Hold Steady, and anyone who understands that the magic of rock ’n’ roll happens on a stage in a small room, with voices raised from the crowd.
Shows how to develop the styles needed to play lead guitar in a rock band. This book contains information on the background, sounds and guitars of rock. It provides description and instruction on the various guitar techniques that can be used. It contains useful descriptions and notation samples of rock genres such as soft and alternative.
Did you observe new Startups burning Millions in just a few days? This is what happened more than once in recent years, however sometimes startups are successful. If you are seriously thinking about starting your own business you need to give deep consideration to a lot of factors before taking the plunge. A very high percentage of start-ups fail - often in a very short space of time. And the reasons for failure are numerous and wide-ranging. If you don't give sufficient thought and planning to your new venture it is very likely that you will be among them. It is always helpful to know of other people's experiences in these sort of areas. What they did - or didn't do - can provide you with clear pointers as to how you should proceed. Many people have been down the road and many have failed. Their failures might contain the seeds of your success if you are able to understand where they went wrong and use that information to your benefit. Running your own business takes guts and stamina - among lots of other qualities. If you are thinking of taking the plunge you will need - and deserve - a lot of luck. Good hunting!
Long-time word-detective and bestselling author of Port Out, Starboard Home, Michael Quinion brings us the answers to nearly two hundred of the most intriguing questions he's been asked about language over the years. Sent to him by enquiring readers from all around the globe, Michael's answers about the meanings and histories behind the quirky phrases, slang and language that we all use are set to delight, amuse and enlighten even the most hardened word-obsessive. Did you know that 'Blighty' comes from an ancient Arabic word? Or that Liberace cried his way to the bank so many times people think he came up with the phrase? That 'cloud nine' started out as 'cloud seven' in the speakeasies of '30s America? And that the first person to have their thunder stolen was a dismal playwright from Drury Lane? Michael Quinion's Why is Q Always Followed By U? is full of surprising discoveries, entertaining quotations and memorable information. There are plenty of colourful stories out there, but Michael Quinion will help you discover the truth that lies behind the cock-and-bull stories and make sure you're always linguistically on the ball.
“An uncompromising look at his younger self and the Nicaraguan revolution . . . that compels readers to question their own motivations and beliefs.” —The Americas When Michael Johns joined a Sandinista militia in 1983, a fellow revolutionary dubbed him a rábano, a radish: red on the outside but white on the inside. Now, more than twenty-five years later, Johns appreciates the wisdom of that label as he revisits the questions of identity he tried to resolve by working with the Sandinistas at that point in his life. In The Education of a Radical, Johns recounts his immersion in Marxism and the Nicaraguan sojourn it led to, with a painful maturation process along the way. His conversion began in college, where he joined a student group called the Latin American Solidarity Association and traveled to Chiapas, Mexico, for research on his senior thesis. Overwhelmed by the poverty he witnessed, he experienced an ideological transformation. When a Marxist professor later encouraged him to travel to Nicaragua, the real internal battle began for him, a battle that was intensified by the U.S. invasion of Grenada and its effect on the Sandinistas, who believed they were the next target for an imminent American invasion. Before he knew it, Johns was digging trenches and learning how to use an AK-47. His intellectual ideals came face-to-face with revolutionary facts, and the results would perplex him for years to come. Bringing to life a vivid portrait of the sometimes painful process of reconciling reality with romanticized principles, The Education of a Radical encapsulates a trove of truths about humanity, economics, and politics in one man’s memorable journey.
A suitable guide for those starting out in a band, who need to know quickly and simply how to develop a hard, metal or nu rock style. With information on the background, sound, instruments and line-up of a typical band and how to go about achieving that, it provides description and instruction on the various guitar techniques that can be used.
Living Space: John Coltrane, Miles Davis, and Free Jazz, from Analog to Digital fuses biography and style history in order to illuminate the music of two jazz icons, while drawing on the discourses of photography and digital architecture to fashion musical insights that may not be available through the traditional language of jazz analysis. The book follows the controversial trajectories of two jazz legends, emerging from the 1959 album Kind of Blue. Coltrane's odyssey through what became known as "free jazz" brought stylistic (r)evolution and chaos in equal measure. Davis's spearheading of "jazz-rock fusion" opened a door through which jazz's ongoing dialogue with the popular tradition could be regenerated, engaging both high and low ideas of creativity, community, and commerce. Includes 42 illustrations.
Everyone knows the legends – Hendrix, Page, Clapton, Beck, and all the other six-string giants – but the evolution of guitarcraft wasn't forged purely by über-famous players with large cultural footprints. Scores of lesser-known pioneers such as Tommy Bolin, Danny Cedrone, Tampa Red, and Sister Rosetta Tharpe contributed vast numbers of licks, riffs, solos, tones, compositions, techniques, and musical concepts that inspired generations of guitarists and advanced the art of playing guitar. Their stories are as critical to modern guitar music as is electricity or amplification. Any guitarist seeking to devise a unique and individual sound should study the wacky, off-kilter, unfamiliar, and criminally underutilized creative concepts of the unsung greats, straight from the pages of Guitar Player magazine.
Traces "garage" and "psychedelic" rock from the 50's through the sixties, unfolds the history and the sonic structures of some of rock's core repertoire
Comprehensive...Authoritative...and User-Friendly! Based on the bestselling Webster's New World College Dictionary, Fourth Edition, this fully up-to-date compact dictionary features * Concise, easy-to-understand definitions of today's most commonly used words * Clear, readable type * Easy-to-use pronunciations * Word derivations for greater understanding Over 60,000 entries Now with 175 illustrations Scientific, technical, professional, and business terms
An original selection of work by one of America's greatest living poets. For more than fifty years, Michael Heller has been building one of the most impressive bodies of work in contemporary American poetry. His poems, shaped by Jewish and Buddhist thought and simultaneously lyrical and philosophical, engage the political and the natural world in an ongoing consideration of the responsibility and imaginative freedom of the poet. Profoundly reflective and deeply sensual, Heller is simply one of the best poets writing today. This new selection of his work, the first in many years, provides a perfect vantage from which to contemplate his achievement.
Whiskey cocktails that go well beyond the Old-Fashioned After decades of being seen as an old man's drink, whiskey is booming in popularity. Craft distilleries are popping up all over the United States, making whiskeys not just from corn, rye, and malted barley, but also from grains such as quinoa, blue corn, and triticale. Cocktail lovers, moving away from sweet and fruity flavor profiles, have embraced the earthy, bitter, savory notes that come from the “brown” spirits. In this collection, Shrubs author Michael Dietsch reaches out to those cocktail drinkers with recipes both classic and original, in historical order. He begins with colonial-era drinks such as Cherry Bounce and the Stone Fence, moving to early whiskey drinks like the Toddy and Julep, and then into the cocktail explosion of the Jerry Thomas era circa 1880s. This leads to the drinks of pre-Prohibition, Prohibition, and post-Repeal, and then to a section on the cocktail renaissance of the last 15 years. Author Michael Dietsch writes, "Whiskey is a spirit with a story," and he includes an overview and some history without losing sight of the pleasures in drinking the stuff. His cocktail recipes are also infused with stories, making this book a joy to both read and use.
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