This lavishly illustrated book examines the distribution, ecology, conservation status, and biogeography of 176 species of dragonflies in the southern plains of the United States, where twelve ecoregions converge. The topics discussed, such as phenotypic variation and ecology, are applicable and of interest across the United States and much of north America, and will appeal to researchers and dragonfly enthusiasts alike. A series of maps, including a distributional map by specific locality of occurrence, indicate level of documentation and allow the reader to visualize the biogeographical associations of a given species. These maps also encourage citizen scientists to contribute documentation wherever they spend time in the field. Context-driven chapters, including one on the region’s rich paleontological history, blend environmental history and biogeography, giving the book a fresh perspective on the natural world while providing a rich summary of the odonates. Dragonflies at a Biographical Crossroads: The Odonata of Oklahoma and Complexities Beyond Its Borders will be sought out by dragonfly researchers and enthusiasts, entomologists, amateur naturalists, paleontologists, conservation biologists, educators, regional historians, and those seeking to meld the disciplines of cultural and environmental history with biology. It will also be readily accessible to the lay public. Dragonflies combine the visually stunning with acrobatic fireworks in ways no other insect can hope to combine.
The Salton Sea, California's largest inland lake, supports a huge bird population that is among the most concentrated and most diverse in the world. Sadly this environment is close to collapse from several environmental threats. This book describes the more than 450 species and sub-species.
Francis Palmer Smith was the principal designer of Atlanta-based Pringle and Smith, one of the leading firms of the early twentieth-century South. Smith was an academic eclectic who created traditional, history-based architecture grounded in the teachings of the cole des Beaux-Arts. As The Architecture of Francis Palmer Smith shows, Smith was central to the establishment of the Beaux-Arts perspective in the South through his academic and professional career. After studying with Paul Philippe Cret at the University of Pennsylvania, Smith moved to Atlanta in 1909 to head the new architecture program at the Georgia Institute of Technology. He would go on to train some of the South's most significant architects, including Philip Trammell Shutze, Flippen Burge, Preston Stevens, Ed Ivey, and Lewis E. Crook Jr. In 1922 Smith formed a partnership with Robert S. Pringle. In Atlanta, Savannah, Chattanooga, Jacksonville, Sarasota, Miami, and elsewhere, Smith built office buildings, hotels, and Art Deco skyscrapers; buildings at Georgia Tech, the Baylor School in Chattanooga, and the Darlington School in Rome, Georgia; Gothic Revival churches; standardized bottling plants for Coca-Cola; and houses in a range of traditional "period" styles in the suburbs. Smith's love of medieval architecture culminated with his 1962 masterwork, the Cathedral of St. Philip in Atlanta. As his career drew to a close, Modernism was establishing itself in America. Smith's own modern aesthetic was evidenced in the more populist modern of Art Deco, but he never embraced the abstract machine aesthetic of high Modern. Robert M. Craig details the role of history in design for Smith and his generation, who believed that architecture is an art and that ornament, cultural reference, symbolism, and tradition communicate to clients and observers and enrich the lives of both. This book was supported, in part, by generous grants from the Graham Foundation for Advanced Studies in the Fine Arts and the Georgia Tech Foundation, Inc.
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