Analysis and Management of Animal Populations deals with the processes involved in making informed decisions about the management of animal populations. It covers the modeling of population responses to management actions, the estimation of quantities needed in the modeling effort, and the application of these estimates and models to the development of sound management decisions. The book synthesizes and integrates in a single volume the methods associated with these themes, as they apply to ecological assessment and conservation of animal populations. Integrates population modeling, parameter estimation and decision-theoretic approaches to management in a single, cohesive framework Provides authoritative, state-of-the-art descriptions of quantitative approaches to modeling, estimation and decision-making Emphasizes the role of mathematical modeling in the conduct of science and management Utilizes a unifying biological context, consistent mathematical notation, and numerous biological examples
This new edition is revised throughout and includes new and expanded information on natural resource damage assessment, the latest emerging contaminants and issues, and adds new international coverage, including case studies and rules and regulations. The text details key environmental contaminants, explores their fates in the biosphere, and discusses bioaccumulation and the effects of contaminants at increasing levels of ecological organization. Vignettes written by experts illustrate key themes or highlight especially pertinent examples. This edition offers an instructors' solution manual, PowerPoint slides, and supplemental images. Features: Adds all new discussions of natural resource damage assessment concepts and approaches Includes new vignettes written by leading guest authors Draws on materials from 2,500 cited sources, including 400+ new to this edition Adds numerous new entries to a useful glossary of 800+ terms Includes a new appendix discussing Brazilian environmental laws and regulations added to existing appendices outlining U.S., E.U., Chinese, Australian, and Indian environmental laws Fundamentals of Ecotoxicology: The Science of Pollution, Fifth Edition contains a broad overview of ecotoxicology and provides a basic understanding of the field. Designed as a textbook for use in introductory graduate or upper-level undergraduate courses in ecotoxicology, applied ecology, environmental pollution, and environmental science, it can also be used as a general reference for practicing environmental toxicologists.
This textbook describes the process of composing, arranging, orchestrating, and producing music for jingles and commercials, and provides a comprehensive overview of the commercial music business. Rewritten and reformatted to increase readability and use in the classroom, this second edition includes new chapters on theatrical trailers, video games, Internet commercials, Web site music, and made-for-the-Internet video.
This new up-to-date edition of the successful handbook and ready reference retains the proven concept of the first, covering basic and advanced methods and applications in infrared imaging from two leading expert authors in the field. All chapters have been completely revised and expanded and a new chapter has been added to reflect recent developments in the field and report on the progress made within the last decade. In addition there is now an even stronger focus on real-life examples, with 20% more case studies taken from science and industry. For ease of comprehension the text is backed by more than 590 images which include graphic visualizations and more than 300 infrared thermography figures. The latter include many new ones depicting, for example, spectacular views of phenomena in nature, sports, and daily life.
Having a clearer understanding of the Old Testament feast days can bring to light whole sections of Gods Word and a greater understanding of the New Testament.
Examining one of the most popular and enduring genres of American music, this encyclopedia of classic rock from 1965 to 1975 provides an indispensable resource for cultural historians and music fans. More than movies, literature, television, or theater, rock music set the stage for the cultural shifts that occurred from 1965 to 1975. Led by The Beatles and Bob Dylan, rock became a self-conscious art form during these years, daring to go places unimaginable to earlier rock and roll musicians. The music and outspokenness of classic rock artists inspired and moved the era's social, cultural, and political developments with a power once possessed by authors and playwrights-and influenced many artists in younger generations of rock musicians. This single-volume work tracks the careers of well-known as well as many lesser-known but influential rock artists from the period, providing readers with a handy reference to the music from a critical, groundbreaking period in popular culture and its enduring importance. The book covers rock artists who emerged or came to prominence in the period ranging 1965–1975 and follows their careers through the present. It also specifically defines the term "classic rock" and identifies the criteria that a song must meet in order to be considered as within the genre. While the coverage naturally includes the cultural importance and legacy of most well-known American and British bands of the era, it also addresses the influence of artists from Western and Eastern Europe, Africa, Asia, and Latin America. Readers will grasp how the music of the classic rock era was notably more sophisticated than what preceded it-an artistic peak from which most of contemporary rock has descended.
Through attuned close readings, this volume brings out the imaginative and formal brilliance of Percy Bysshe Shelley's writing as it explores his involvement in processes of dialogue and influence. Shelley recognizes that poetic individuality is the reward of connectedness with other writers and cultural influences. 'A great Poem is a fountain forever overflowing with the waters of wisdom and delight', he writes, 'and after one person and one age has exhausted all its divine effluence which their peculiar relations enable them to share, another and yet another succeeds, and new relations are ever developed, the source of an unforeseen and an unconceived delight' (A Defence of Poetry). He is among the major Romantic poetic exponents and theorists of influence, because of his passionately intelligent commitment to the onward dissemination of ideas and feelings, and to the unpredictable ways in which poets position themselves and are culturally positioned between past and future. The book has a tripartite structure. The first three chapters seek to illuminate his response to representative texts, figures, and themes that constitute the triple pillars of his cultural inheritance: the classical world (Plato); Renaissance poetry (Spenser and Milton); Christianity and, in particular, the concept of deity and the Bible. The second and major section of the book explores Shelley's relations and affinities with, as well as differences from, his immediate predecessors and contemporaries: Hazlitt and Lamb; Wordsworth; Coleridge; Southey; Byron; Keats (including the influence of Dante on Shelley's elegy for his fellow Romantic) and the great painter J. M. W. Turner, with whom he is often linked. The third section considers Shelley's reception by later nineteenth-century writers, figures influenced by and responding to Shelley including Beddoes, Hemans, Landon, Tennyson, and Swinburne. A coda discusses the body of critical work on Shelley produced by A. C. Bradley, a figure who stands at the threshold of twentieth-century thinking about Shelley.
Storm over South Africa follows the lives and tribulations of a diverse group of characters through the 2nd Anglo-Boer War from 1899-1902 in South Africa. They belonged to different levels of the opposing societies and the story follows their actual life and death experiences in this conflict. The characters include the seventeen-year-old son of a Boer president; a young shipbuilding dock worker and his military nurse girlfriend from the industrial north-east of England, and a young Canadian soldier who volunteered for Canada’s first campaign outside its borders. Involved too are such illustrious British participants as Winston Churchill, Field Marshals Frederick Roberts and Herbert Kitchener, Generals Ian Hamilton and Robert Baden-Powell among others. Boer leaders involved include Generals Christiaan de Wet, Louis Botha, Koos de la Rey and Jan Smuts. The reader is guided through the various twists and turns of the first major British conflict of the 20th century from its beginning through to its end. The naivety and excitement of combatants in the lead up to and beginning of the Second Anglo-Boer War was contagious. It pulled many naïve young men into the maelstrom of combat. It began as another glorious Victorian war. But the successes and failures, sufferings and disillusionment soon emerge. It is a tale of imperial arrogance and determination, of stubbornness, innocence, love and loss experienced in a rugged and alluring land far from the heart of the British Empire.
Quantitative Ecotoxicology, Second Edition explores models and methods of quantitative ecotoxicology at progressively higher biological scales using worked examples and common software packages. It complements the author's previous books, Fundamentals of Ecotoxicology, Third Edition and Ecotoxicology: A Comprehensive Treatment. Encouraging a more r
Placing the South offers a selection of work published between 1985 and 2005 by one of the most incisive historians and literary critics of the South. The pieces seek to situate the South in a variety of contexts and offer a compelling defense of what Kwame Anthony Appiah has called "rooted cosmopolitanism." This is a mode of understanding based on respect for what is local and an awareness that regionalism is not enough. Hybridity, in both culture and literature, is inescapable and desirable. The first section of the book ("Placing") contains three comparative analyses that look at how regionalism has recently been conceptualized globally, how the modern South has acquired pertinence for those outside the United States, and how the relationship between Britain and the South has worked. The second section ("Ideologies") scrutinizes political ideas--freedom, imperialism, nationalism, racial ideology--which have transformed American discourse. The third section ("Forms") examines genre and how the South has been constructed and reconstructed by such literary forms as autobiography, biography, history, and literary history. The final section ("Writers") contains critical appreciations of political thinkers, novelists, poets, critics, historians, and sociologists important to southern intellectual life. Taken together, the essays offer a robust analysis of a dynamic region. Michael O'Brien is professor of American intellectual history at University of Cambridge and a fellow at Jesus College. He is the author of Conjectures of Order: Intellectual Life and the American South, 1810-1860 and other books.
The Stooges have come to be considered one of the most important rock bands, especially in regard to the formation of punk. By emphasizing their influence on later developments, however, critics tend to overlook the significance of the band in their own context and era. The Music and Noise of the Stooges, 1967-71 addresses such oversights. Utilizing the lenses of cultural criticism and sound studies (drawing on the thinking of Theodor Adorno, Jacques Attali, and Pierre Bourdieu, among others), as well as contemporary and archival texts, this extensively researched study analyzes the trajectory and musical output of the original Stooges. During the late 1960s and early 70s, a moment when the dissonant energy of rock’n’roll was more than ever being subsumed by the record industry, the Stooges were initially commercial failures, with the band’s "noisy" music and singer Iggy Pop’s "bizarre" onstage performances confusing their label, Elektra Records. As Begnal argues, the Stooges embodied a tension between market forces and an innovative, avant-garde artistic vision, as they sought to liberate audiences from passivity and stimulate an immanent joy in the rock’n’roll moment. This book offers a fresh perspective on the Stooges that will appeal both to rock fans and scholars (especially in the fields of cultural studies, the long Sixties, musicology, punk studies, and performance studies).
Espionage fact and fiction collide in this thrilling compendium of spy writing, where some of the greatest spy stories ever told meet the genuine agent records and instructions that altered history. Ian Fleming's genre-defining genius and John le Carré's iconic George Smiley are interspersed with real-life stories of derring-do inside Bolshevik Russia. Literary classics by Graham Greene and Somerset Maugham appear next to never-before-published reports from two of the Cambridge spies. Fully updated with tales of agent-running from the first female Director-General of MI5, Dame Stella Rimington, and Andy McNab's chilling account of a top-secret mission deep inside IRA territory, this compelling anthology is proof that truth really can be stranger than fiction. With expert commentary, former intelligence officer Michael Smith takes us on a fascinating journey inside the mysterious world of British intelligence. The Secret Agent's Bedside Reader is a must-read for every espionage enthusiast and aspiring agent.
Camera Works is about the impact of photography and film on modern art and literature. For many artists and writers, these new media offered hope of new means of representation, neither linguistic nor pictorial, but hovering in a kind of utopian space between. At the same time, the new media introduced a dramatic element of novelty into the age-old evidence of the senses. For the avant-garde, the challenges of the new media were the modern in its most concentrated form, but even for aesthetically unadventurous writers they constituted an element of modern experience that could hardly be ignored. Camera Works thus traces some of the more utopian projects of transatlantic avant-garde, including the Readie machine of Bob Brown, which was to turn stories and poems into strips of linguistic film. The influence of photography and film on the avant-garde is traced from the early days of Camera Work, through the enthusiasm of Eugene Jolas and the contributors to his magazine transition, to the crisis created by the introduction of sound in the late 1920's. Subseguent chapters describe the entirely new kind of sensory enjoyment brought into modern American fiction by the new media. What Fitzgerald calls "spectroscopic gayety," the enjoyable diorientation of the senses by machine perception, turns out to be a powerful force in much American fiction. The revolutionary possibilities of this new spectatorship and its limitations are pursued through a number of examples, including Dos Passos, James Weldon Johnson, and Hemingway. Together, these chapters offer a new and substantially different account of the relationship between modern American literature and the mediatized society of the early twentieth century. With a comprehensive introduction and detailed particular readings, Camera Works substantiates a new understanding of the formal and historical bases of modernism. It argues that when modern literature and art respond to modernity, on a formal level, they are responding to the intervention of technology in the transmission of meaning, an intervention that unsettles all the terms in the essential relationship of human consciousness to the world of phenomena.
Wildlife-Habitat Relationships goes beyond introductory wildlife biology texts to provide wildlife professionals and students with an understanding of the importance of habitat relationships in studying and managing wildlife. The book offers a unique synthesis and critical evaluation of data, methods, and studies, along with specific guidance on how to conduct rigorous studies. Now in its third edition, Wildlife-Habitat Relationships combines basic field zoology and natural history, evolutionary biology, ecological theory, and quantitative tools in explaining ecological processes and their influence on wildlife and habitats. Also included is a glossary of terms that every wildlife professional should know.
Describes and defends a long-standing tradition that maintains a proper balance between religious faith and human rationality Many of the early apologists, including Justin Martyr and Origen, presented a defense of the Christian faith that sought to combine the message of the Gospels with respect for the kind of rationality associated with Socrates and his followers. Michael Langford argues that, despite many misunderstandings, the term "liberal theology" can properly be used to describe this tradition. Langford's Tradition of Liberal Theology begins with a historical and contemporary definition of "liberal theology" and identifies eleven typical characteristics, such as a nonliteralist approach to interpreting Scripture, a rejection of original guilt, and the joint need for faith and works. Langford then gives vignettes of thirteen historical Christian figures who personify the liberal tradition. Finally, he explores some contemporary alternatives to liberal theology -- fundamentalism, the Catholic magisterium, Karl Barth's theology -- and presents a rational defense of the tradition of liberal theology.
The vision of two young scientists, Massey University was established in 1928 to bring science to New Zealand's role as Britain's farm. Massey has since become New Zealand's national and a global university, with almost 140,000 alumni spread across 140 different nations. This candid history looks at the university as it weathered war, funding crises, risk-taking expansion and conflict with the government's plans for New Zealand's tertiary sector. Written by distinguished historianProfessor Michael Belgrave, this is a lively look at how an agricultural college grew up to become a leading intellectual centre of excellence.
This book offers a philosophical reflection on the nature of language by reading some exemplary works of literature. Drawing on the thought of philosophers--especially Plato, Kant, Hegel, Emerson, Benjamin, Adorno, Heidegger and Wittgenstein, the author argues that language is the bearer of a utopian or messianic promise of happiness, and that by redeeming the revelatory power of words, the two writers in this study are contributing to the redemption of the promise of happiness in a world of reconciled antagonisms and contradictions.
How did he do it? So many years later, it's still the question guitar aficionados ask about Jimi Hendrix, whose music was like nobody else's. Song by song, album by album, concert by concert, this book analyzes how Hendrix achieved that sound--and so, shows you how to achieve it, too. The book examines all of Hendrix's equipment, providing a nuts-and-bolts analysis of each of his guitars (including serial number, history, and provenance), his amps choices, and his singular use of revolutionary effects from wah-wahs to overdrives to bizarre-o pedals like the Fuzzface. A practical reference book like no other, this volume gives the proper guidance and tools to any guitarist who wants to take a stab at emulating one of the greatest players of all time.
Wildlife Study Design is a comprehensive guide to all aspects of study design. It including a survey of major types of studies and variables, impact assessment, sampling techniques, inventorying and monitoring, and analysis of data. The book includes a practical, step-by-step guide to setting up a new study. Minimal mathematical notation and examples drawn from field research make applied animal ecology both accessible and relevant. Resource managers, researchers, and students of wildlife and conservation biology will find this book a fundamental resource for implementing and evaluating appropriate studies.
For the police it was an open and shut case: Stephen Lumley was guilty of taking part in the robbery at his uncle's jewellery shop. All the evidence was against him - he was unemployed and in debt, he'd made threats in the past against his uncle, Bernard Hammond, and he'd tried to escape when the other thieves fled the scene. Yet Lumley maintains his innocence, and the only person who believes him - apart from his wife - is his lawyer, the intuitive Rosa Epton. Rosa's efforts to learn the truth are frustrated by the elusiveness of a possible lead, so Lumley must stand trial at the Old Bailey. Undeterred, Rosa carries on her private enquiries with little success, until, that is, her lead turns up - dead. As the police investigate, new evidence comes to light, and events take another turn when Hammond's wife is kidnapped.
Michael C. Knapp's auditing casebook stresses the personal aspect of independent audits. The purpose of the book is to allow students to learn from cases based upon problem audits. The fifth edition provides a history of the thieving that was endorsed by Arthur Andersen and Co. in the Enron scandal.
The first encyclopedia to analyze, summarize, and explain the complexities of men's lives and the idea of modern manhood. The process of "making masculinity visible" has been going on for over two decades and has produced a prodigious and interesting body of work. But until now the subject has had no authoritative reference source. Men & Masculinities, a pioneering two-volume work, corrects the oversight by summarizing the latest historical, biological, cross-cultural, psychological, and sociological research on the subject. It also looks at literature, art, and music from a gender perspective. The contributors are experts in their specialties and their work is directed, organized, and coedited by one of the premier scholars in the field, Michael Kimmel. The coverage brings together for the first time considerable knowledge of men and manhood, focusing on such areas as sexual violence, intimacy, pornography, homophobia, sports, profeminist men, rituals, sexism, and many other important subjects. Clearly, this unique reference is a valuable guide to students, teachers, writers, policymakers, journalists, and others who seek a fuller understanding of gender in the United States.
James McCarroll (1814–1892) was a talented Irish poet, journalist, humorist, musician, and arts critic who left his mark on nineteenth-century Canada by seemingly engaging with anything topical in every medium. Often writing anonymously or under pseudonyms, McCarroll's best-known nom de plume was "Terry Finnegan," who wrote weekly comic letters to his "cousin" Thomas D'Arcy McGee, offering advice on political and social matters. Yet, since his death, McCarroll's contributions to early Canadian writing and culture have largely been forgotten. Making a case for the recuperation of Canada's lost Irish voice, Delicious Mirth seeks to gather and contextualize the extant fragments of this outspoken and flamboyant entertainer and commentator. Adept in the rich excesses of the Paddy brogue, McCarroll spoke for his beloved but broken country and sought to bring the Irish legacy of expansive prose and lyric poetry to Canada. Following the fluctuations of his personal hope, ambition, and talent through the years, Michael Peterman maps McCarroll's responses to the main events of the late nineteenth century such as Irish emigration, the settlement and growth of Upper Canada, the extension of the railway network, little magazine culture, reform politics and responsible government, the spiritualist movement, nascent Canadian theatre, classical and Celtic folk music, the US Civil War, Confederation, and most notably the Fenian movement, in which he became involved. His travels took him to many places, in particular Peterborough, Cobourg, Niagara Falls, Toronto, Buffalo, and New York City. Revealing a man of immense creative energy and cultural significance who has been lost to Canadian literary historians for over a hundred years, Delicious Mirth shows that McCarroll's life and works are outstanding achievements and deserve fresh attention today.
Tool-making or culture, language or religious belief: ever since Darwin, thinkers have struggled to identify what fundamentally differentiates human beings from other animals. Michael Tomasello weaves his twenty years of comparative studies of humans and great apes into a compelling argument that cooperative social interaction is the key to our cognitive uniqueness. Tomasello maintains that our prehuman ancestors, like today's great apes, were social beings who could solve problems by thinking. But they were almost entirely competitive, aiming only at their individual goals. As ecological changes forced them into more cooperative living arrangements, early humans had to coordinate their actions and communicate their thoughts with collaborative partners. Tomasello's "shared intentionality hypothesis" captures how these more socially complex forms of life led to more conceptually complex forms of thinking. In order to survive, humans had to learn to see the world from multiple social perspectives, to draw socially recursive inferences, and to monitor their own thinking via the normative standards of the group. Even language and culture arose from the preexisting need to work together and coordinate thoughts. A Natural History of Human Thinking is the most detailed scientific analysis to date of the connection between human sociality and cognition.
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