Race, Gender and Image Restoration Theory: How Digital Media Change the Landscape explores themes that are relevant to the socio-political landscape of twenty-first-century America, including race and gender representation, social media and traditional media framing, and image restoration management. This book provides a comprehensive discussion of Critical Race Theory (CRT) and Image Restoration Theory (IRT) to establish a baseline for a conversation on celebrity image restoration tactics used on social media platforms such as Twitter and Facebook as well as traditional media platforms. Case studies offer a broad overview of politics, sports and entertainment image management and restoration. Recommended for scholars interested in public relations, crisis management, Image Repair Theory (IRT), and representations of race and gender in mass media.
Using the cultural prism of race, this book critically examines the image of African Americans in media of the twenty-first century. Further, the authors assess the ways in which media focused on gender, religion, and politics in framing perceptions of the President and First Lady of the United States during the Obama administration.
Racial profiling has been a controversial topic in civil right's dialogue for centuries beginning with the Negro Free Registry in the slave era, emerging again with the 1980s 'War on Drugs, ' and climaxing with the 2000 'War on Terror.' This study offers an in-depth overview of the evolution of racial profiling in the United States throughout these diverse periods. It specifically offers an in-depth examination of how mainstream and Black press newspapers framed the phenomena of 'racial profiling' three years before and after the September 11 terrorist attacks. It offers readers a peek at the various types of frames, ethnic groups, and sources that journalists chose in their quest to cover the issue. Moreover, it defines, compares, and contrasts the differences in Black and Mainstream media's coverage of the issue and the unique purpose that each media form serves. Finally, this work provides a brilliant example of a frame analysis carried to its full extent
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