Love Inspired brings you three new titles! Enjoy these uplifting contemporary romances of faith, forgiveness and hope. HIS NEW AMISH FAMILY The Amish Bachelors by Patricia Davids Desperate to stop her Englisch cousin from selling the farm her uncle promised to her, widow Clara Fisher seeks the help of auctioneer Paul Bowman. Paul’s always been a wandering spirit, but will sweet, stubborn Clara and her children suddenly fill his empty life with family and love? THE SOLDIER’S REDEMPTION Redemption Ranch by Lee Tobin McClain Finn Gallagher’s drawn to his new rescue-dog caretaker, Kayla White, and her little boy. But the single mother’s running from something in her past. And as he begins wishing the little family could be his, Finn must convince her to trust him with her secret. HIS TWO LITTLE BLESSINGS Liberty Creek by Mia Ross When the school board threatens to cut her art program, Emma Calhoun plans to fight for the job she loves. And with banker Rick Marshall on board to help, she might just succeed. But will the handsome widower and his sweet little girls burrow their way into her heart?
Transnational adoption was once a rarity in the United States, but Americans have been choosing to adopt children from abroad with increasing frequency since the mid-twentieth century. Korean adoptees make up the largest share of international adoptions—25 percent of all children adopted from outside the United States—but they remain understudied among Asian American groups. What kind of identities do adoptees develop as members of American families and in a cultural climate that often views them as foreigners? Choosing Ethnicity, Negotiating Race is the only study of this unique population to collect in-depth interviews with a multigenerational, random sample of adult Korean adoptees. The book examines how Korean adoptees form their social identities and compares them to native-born Asian Americans who are not adopted. How do American stereotypes influence the ways Korean adoptees identify themselves? Does the need to explore a Korean cultural identity—or the absence of this need—shift according to life stage or circumstance? In Choosing Ethnicity, Negotiating Race, sixty-one adult Korean adoptees—representing different genders, social classes, and communities—reflect on early childhood, young adulthood, their current lives, and how they experience others' perceptions of them. The authors find that most adoptees do not identify themselves strongly in ethnic terms, although they will at times identify as Korean or Asian American in order to deflect questions from outsiders about their cultural backgrounds. Indeed, Korean adoptees are far less likely than their non-adopted Asian American peers to explore their ethnic backgrounds by joining ethnic organizations or social networks. Adoptees who do not explore their ethnic identity early in life are less likely ever to do so—citing such causes as general aversion, lack of opportunity, or the personal insignificance of race, ethnicity, and adoption in their lives. Nonetheless, the choice of many adoptees not to identify as Korean or Asian American does not diminish the salience of racial stereotypes in their lives. Korean adoptees must continually navigate society's assumptions about Asian Americans regardless of whether they chose to identify ethnically. Choosing Ethnicity, Negotiating Race is a crucial examination of this little-studied American population and will make informative reading for adoptive families, adoption agencies, and policymakers. The authors demonstrate that while race is a social construct, its influence on daily life is real. This book provides an insightful analysis of how potent this influence can be—for transnational adoptees and all Americans.
If national health insurance becomes a reality, what options should be considered for the coverage of prescription drugs? The authors—whose Pills, Profits, and Politics has had a dramatic effect on physicians, pharmacists, patients, and the drug industry as well as on federal and state legislators—insist that the major objective must be the best possible health care. But holding down costs to patients and taxpayers must also be a goal. To complicate matters further, the advantage of each likely option—including price controls, the use of formularies, drug utilization review, patient cost-sharing, and the use of low-cost, generic-name products—is offset by a disadvantage, even a danger. If drug prices are slashed too much, the industry will lose many of its incentives to develop better drugs for the future. Particular attention is focused on the so-called drug lag—the lengthy delays in licensing of new drugs, even after they have been used with apparently good results in other countries. Pills and the Public Purse also addresses the seldom-appreciated fact that investing tax dollars in needed drugs may save taxpayers in the long run by minimizing unnecessary physician visits and hospitalization. Pills and the Public Purse challenges Congress and such agencies as the Food and Drug Administration and the Health Care Financing Administration to enact policies that put the interests of the public before those of government, industry, physicians, and pharmacists. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1981.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1982.
Based on the life of IRL YouTube sensation Mia Fizz, FAN TAKEOVER is the first in a new series that takes you behind the camera and into the world of a social media star! Famous YouTuber Mia Fizz has two problems: one, she needs to shake up the content on her channel. Two, her little sister Sienna's birthday is just days away, and she hasn't found the perfect present for a viral birthday reveal. In need of inspo, Mia turns to her beloved fans. It's time for a fan takeover! Each day Mia will have to do one thing her fans choose. Things get complicated when Mia's followers challenge her to try something that's way outside her comfort zone—and she meets a cute guy in the process. Her fans pose a scary idea: what if Mia talks to him? Embarrassing moments, hilarious vids, and fan encounters ensue ... but will any of these wild challenges help Mia figure out what to get Sienna for her birthday?
Anton Balistrano, billionaire, boss of bosses for the mafia. One of the most powerful and respected men in the world. Robert Cass, his consigliere, given the nickname, the stallion for his defiance and disobedience, is transformed from a navy lawyer to a mob henchman. Accustomed to betrayal, Anton comes upon a betrayal so intimate, it rocks his world, as he begins a deadly cat and mouse game with a worthy opponent; the FBI. Are you the cat or the mouse? taunts Anton. The organization brings in a woman to assist Robert Cass as consigliere, something never allowed to the exclusive men only organization. It brings the mafia in a whole new direction, as the rise to power begins.
A heart-expanding novel about four Latinx teens who make New Year’s resolutions for one another—and the whirlwind of a year that follows. Fans of Erika L. Sánchez and Emery Lord will fall for this story of friendship, identity, and the struggle of finding yourself when all you want is to start over. From hiking trips to four-person birthday parties to never-ending group texts, Jess, Lee, Ryan, and Nora have always been inseparable. But now with senior year on the horizon, they’ve been growing apart. And so, as always, Jess makes a plan. Reinstating their usual tradition of making resolutions together on New Year’s Eve, Jess adds a new twist: instead of making their own resolutions, the four friends assign them to one another—dares like kiss someone you know is wrong for you, find your calling outside your mom’s Puerto Rican restaurant, finally learn Spanish, and say yes to everything. But as the year unfolds, Jess, Lee, Ryan, and Nora each test the bonds that hold them together. And amid first loves, heartbreaks, and life-changing decisions, beginning again is never as simple as it seems.
Anna Eikenhout (1902-1986) was an honors graduate of Ohio State University, a fine-arts librarian, a skilled pianist, and an avid reader in three languages. Harlan Hubbard (1900-1988), a little-known painter and would-be shantyboater, seemed an unlikely husband, but together they lived a life out of the pages of Thoreau's Walden. Much of what is known about the Hubbards comes from Harlan's books and journals. Concerning the seasons and the landscape, his writing was rapturous, yet he was emotionally reticent when discussing human affairs in general or Anna in particular. Yet it was through her efforts that their life on the river was truly civilized. Visitors to Payne Hollow recall Anna as a generous, gracious hostess, whose intelligence and artistry made the small house seem grander than a mansion.
Su-young is an illegitimate child in 1960s South Korea. War-torn, unforgiving, and devastatingly poor, the country is nothing like the modern, affluent Korea of today. Su-young is moved from home to home as her mother looks for work. Her birth is a stigma of shame for mother and child. Soon after Su-young finds a seemingly stable home with her aunt she receives heartbreaking news: her mother has fallen for a young American soldier. They marry and head for America, leaving Su-young behind. When her aunt falls deeper and deeper into poverty, the family turns on her with cruelty and humiliations. Su-young spirals down. How will she find the courage and resources to fight for her humanity and survival? Her defiant struggle will hold the reader in suspense until the final page.
This insightful study places African American women's stardom in historical and industrial contexts by examining the star personae of five African American women: Dorothy Dandridge, Pam Grier, Whoopi Goldberg, Oprah Winfrey, and Halle Berry. Interpreting each woman's celebrity as predicated on a brand of charismatic authority, Mia Mask shows how these female stars have ultimately complicated the conventional discursive practices through which blackness and womanhood have been represented in commercial cinema, independent film, and network television. Mask examines the function of these stars in seminal yet underanalyzed films. She considers Dandridge's status as a sexual commodity in films such as Tamango, revealing the contradictory discourses regarding race and sexuality in segregation-era American culture. Grier's feminist-camp performances in sexploitation pictures Women in Cages and The Big Doll House and her subsequent blaxploitation vehicles Coffy and Foxy Brown highlight a similar tension between representing African American women as both objectified stereotypes and powerful, self-defining icons. Mask reads Goldberg's transforming habits in Sister Act and The Associate as representative of her unruly comedic routines, while Winfrey's daily television performance as self-made, self-help guru echoes Horatio Alger narratives of success. Finally, Mask analyzes Berry's meteoric success by acknowledging the ways in which Dandridge's career made Berry's possible.
Author Mia Henrys novel, A Mothers Sin, is a riveting, engaging story, bringing family drama to the forefront in a touching and moving way which readers will absolutely love.. This book is great for readers who like emotional fiction with strong female characters. The novel is laden with astute observations about family, forgiveness and love that transcend the narrow label of the genre. The inspiring message of A Mothers Sin would be essential to readers who want to gain the strength of hope in their reading material. Mia Henrys debut novel is a dramatic and inspiring book which enlightens as it entertain readers.
Based on the life of IRL YouTube sensation Mia Fizz, FAN TAKEOVER is the first in a new series that takes you behind the camera and into the world of a social media star! Famous YouTuber Mia Fizz has two problems: one, she needs to shake up the content on her channel. Two, her little sister Sienna's birthday is just days away, and she hasn't found the perfect present for a viral birthday reveal. In need of inspo, Mia turns to her beloved fans. It's time for a fan takeover! Each day Mia will have to do one thing her fans choose. Things get complicated when Mia's followers challenge her to try something that's way outside her comfort zone—and she meets a cute guy in the process. Her fans pose a scary idea: what if Mia talks to him? Embarrassing moments, hilarious vids, and fan encounters ensue ... but will any of these wild challenges help Mia figure out what to get Sienna for her birthday?
Meet 17 Asian Pacific American female athletes from yesterday and today! From snowboarder Chloe Kim and hockey player Julie Chu to soccer player Natasha Kai-Marks, these champions will inspire us as we learn how they rose to compete at the highest level and how they pave the way for others to follow.
Even though Corporate Social Responsibility (CSR) has become a widely accepted concept promoted by different stakeholders, business corporations' internal strategies, known as corporate self-regulation in most of the weak economies, respond poorly to this responsibility. Major laws relating to corporate regulation and responsibilities of these economies do not possess adequate ongoing influence to insist on corporate self-regulation to create a socially responsible corporate culture. This book describes how the laws relating to CSR could contribute to the inclusion of CSR principles at the core of the corporate self-regulation of these economies in general, without being intrusive in normal business practice. It formulates a meta-regulation approach to law, particularly by converging patterns of private ordering and state control in contemporary corporate law from the perspective of a weak economy. It proposes that this approach is suitable for alleviating regulators' limited access to information and expertise, inherent limitations of prescriptive rules, ensuring corporate commitment, and enhance the self-regulatory capacity of companies. This book describes various meta-regulation strategies for laws to link social values to economic incentives and disincentives, and to indirectly influence companies to incorporate CSR principles at the core of their self-regulation strategies. It investigates this phenomenon using Bangladesh as a case study.
African American westerns have a rich cinematic history and visual culture. Mia Mask examines the African American western hero within the larger context of film history by considering how Black westerns evolved and approached wide-ranging goals. Woody Strode’s 1950s transformation from football star to actor was the harbinger of hard-edged western heroes later played by Jim Brown and Fred Williamson. Sidney Poitier’s Buck and the Preacher provided a narrative helmed by a groundbreaking African American director and offered unconventionally rich roles for women. Mask moves from these discussions to consider blaxploitation westerns and an analysis of Jeff Kanew’s hard-to-find 1972 documentary about an all-Black rodeo. The book addresses how these movies set the stage for modern-day westploitation films like Django Unchained. A first-of-its kind survey, Black Rodeo illuminates the figure of the Black cowboy while examining the intersection of African American film history and the western.
A novel of trauma, identity, and survival. After an assault, bigender seventeen-year-old Aleks/Alexis is looking for a fresh start—so they voluntarily move in with their uncle, a Catholic priest. In their new bedroom, Aleks/Alexis discovers they can overhear parishioners in the church confessional. Moved by the struggles of these "sinners," Aleks/Alexis decides to anonymously help them, finding solace in their secret identity: a guardian angel instead of a victim. But then Aleks/Alexis overhears a confession of another priest admitting to sexually abusing a parishioner. As they try to uncover the priest's identity before he hurts anyone again, Aleks/Alexis is also forced to confront their own abuser and come to terms with their past trauma.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.