Sixteen Tons is the story of Country Music Hall of Fame member Merle Travis, a brilliant, multi-talented, and deeply troubled artist who is widely considered a genius. A world-class guitarist who dazzled audiences with his Kentucky thumb-picking style, Merle was also a pioneering country songwriter who wrote such classics as "Dark as a Dungeon" and "Sixteen Tons." Additionally, he was responsible for early electric guitar innovations in the 1940s, and was a gifted actor, writer, and cartoonist, among many other talents. This definitive portrait of Travis's life and career is the result of a recently-discovered treasure trove of Merle's unpublished autobiographical writings, which have been fleshed out with an immersive deep-dive biography by researcher and musical historian Deke Dickerson. It details the highs of a career that began with a string of nine straight Top 5 singles in the 1940s, and the lows of a lifelong struggle with alcoholism that developed into an addiction to pills that nearly killed Merle when he was running with Johnny Cash in the late 1950s. Travis ultimately reemerged to become a Grammy-winning artist who inspired millions and became a music legend.
This is a thorough study into the renowned Travis Picking Guitar Style done by Merle's kinfolk, Tommy Flint. Included are vintage photos, interesting annotations and some great Travis guitar solos. If you want to learn to Travis pick, this book will take you there and then some! In notation and tablature.
This is a thorough study into the renowned Travis Picking Guitar Style done by Merle's kinfolk, Tommy Flint. Included are vintage photos, interesting annotations and some great Travis guitar solos. If you want to learn to Travis pick, this book will take you there and then some! In notation and tablature.
(Guitar Recorded Versions). Notes and tab for 15 songs by one of country guitar's greatest legends. Includes: Cannon Ball Rag * Dark as a Dungeon * Fat Gal * I Am a Pilgrim * Kentucky Means Paradise * Sixteen Tons * Start Even * Sweet Temptation * and more, plus a biography/introduction.
The Life of a Girl Named Merle is an autobiography of my life. While I was born and raised in a big city, I am more of a country girl at heart. I had a good childhood, worked most of my life, and married with a family of my own. I had good times, funny times, exciting times, and some sad times, but most of all, a wonderful life. My name is special to me as you will read in my story. You can say it's my name that made me strong. So the point is, a title is just a title, like a book is just a book; but it is the contents, along with its title, that tells the story.
Keeping track of prolific authors who write fiction series was quite challenging for even the most ardent fan until To Be Continueddebuted in 1995. Noew, readers will be happy that the soon-to-be-released second edition has added 1,600 new books and 400 new series. To Be Continued, Second Edition, maintians the first volume's successful formula that featured concise A-to-Z entries packed with useful information, including titles, publishers, publication dates, genre categories, annotations, and subject terms. Among the genre categories that can be found in To Be Continued are romance, science fiction, crime novel, horror, adventure, fantasy, humor, western, war, Christian fiction, and others.
The bestselling author of Plain Speaking crafts a candid portrait of one of the most complex, fascinating, difficult, and colorful American presidents. From his birth in 1908 to his death in 1973, the story of Lyndon B. Johnson is told without sparing his personal excesses and contentious public image—while also highlighting the strength of his greatest accomplishments in Washington. Interlaced with interviews from Lady Bird Johnson, John Kenneth Galbraith, J. William Fulbright, Larry O’Brien, Hubert H. Humphrey, and hundreds of others, Miller provides an extensive and objective image of the life of LBJ. “No secret remains. This is Lyndon Johnson true, lunging through life, pouring ‘every ounce of his energy’ into whatever he did, ranting, raving, shouting, ‘screaming at the universe,’ flogging system, staff and self to achieve what others pronounced unachievable . . . Miller allows his posse of turncoats—336 in all, myself among them—to lead him to the Johnson few ever knew: at his best, magnificent; at his worst, outrageous.” —Horace Busby, The Washington Post “The domestic triumphs and the Johnson style come across like the Fourth of July . . . page-by-page, this is the low-down up to the Presidency—and one long book that never flags.” —Kirkus Reviews
Discusses how the depiction of diseases in movies has changed over the last century and what these changes reveal about American culture Examines disease movies as a genre that has emerged over the last century and includes pandemic and zombie films Reveals the changes to the genre’s narratives over three broad time periods: the beginning of film through the 1980s, the 1990s through the mid-2000s, and the late 2000s and afterward Investigates the evolution of disease movies through three perspectives: historically notable films, remakes, and franchises Analyses disease movies in the context of the development of American, global capitalism and the fragmentation of the social contract Explains the role of disease movie narratives in the American experience of Covid American movies about infectious diseases have reflected and driven dominant cultural narratives during the past century. These movies – both real pandemics and imagined zombie outbreaks – have become wildly popular since the beginning of the 21st century. They have shifted from featuring a contained outbreak to an imagined containment of a known disease to a globalized, uncontainable pandemic of an unknown origin. Movie narratives have changed from identifying and solving social problems to a despair and acceptance of America’s failure to fulfil its historic social contract. Movies reflect and drive developments in American capitalism that increasingly advocates for individuals and their families, rather than communities and the public good. Disease movies today minimize human differences and envisage a utopian new world order to advance the needs of contemporary American capitalism. These movie narratives shaped reactions to the outbreak of Covid and reinforced individual responsibility as the solution to end the pandemic.
The amazing story of the crew of the B-29 bomber The Great Artiste, who flew in both missions that dropped atomic bombs on Hiroshima and Nagasaki. Written by noted novelist and script writer Merle Miller and the radio operator of the B-29 Abe Sptizer, it is a fascinating first-hand account of the end of World War II and the beginning of the Nuclear Age. “None of us knew for sure what the “gimmick” was, not even after the fire and smoke rolled up toward us from Hiroshima and it looked as if the sun had fallen out of the sky and was on the ground. Not until a few minutes later when we had broken away from the danger zone and Colonel Paul W. Tibbets, our group commander and pilot of the B-29 that let go with the first bomb, said over the radio, “Well, boys, you have just dropped the first atomic bomb in history.” “Even then it didn’t sink in. I didn’t know what an atomic bomb was or what it had done to the city of Hiroshima below or what a far worse bomb would do a few days later when we let it go over Nagasaki.”
A great university in turbulent times From the deluge of World War II vets on the GI bill through the 1960s radicalism that made national headlines, the University of Wisconsin's history has been a part of American history. Historians, as well as the University's hundreds of thousands of alumni, faculty, staff, and students, will welcome this fourth volume covering the University's recent past. E. David Cronon and John W. Jenkins record in lively, readable prose a period that began with the influx of returning war veterans, more than doubling the University's enrollment in a single year. They explore the dark McCarthy era of loyalty oaths and blacklists during the 1950s and detail the actions of University president E. B. Fred, who stood out among American academic leaders for his commitment to principle and fair play. The turbulent 1960s, which opened with students reporting on their summertime Freedom Ride experiences throughout the American South and ended with the Vietnam War-related bombing of Sterling Hall in 1970, are a record of how an era of idealism gave way to one characterized by angry dissent and disorder, the rise of women's liberation, flower power, black power, and student power. The history concludes with the passage of legislation creating the University of Wisconsin System of campuses in 1971--an action that followed nearly three decades of experiments, compromises, and political struggles involving several governors.
Susan Culhane looked down at her tight dress then at her superior. The older woman looked back at her with an authoritative glare. Where as Susan Culhane put her high-heeled shoe on the bottom rail of the fence and pulled herself up allowing her to stand there with her head barely over the top rail, “Sunni, I must insist that you come and talk to us right now. You must not speak anymore with your grandparents.” “Go to hell,” said Sunni. “Sunni!” scolded her grandmother. “Don’t you talk like that, now. Do you hear me, Sunni?” “Yes, ma’am, but I don’t want to talk to that old bitch.” “Now, Sunni, I mean it. You watch your mouth and hush up that cussing. That’s not going to help matters at all.” “Well, she is.” “Sunni.” “Sunni, come here this instant. I demand that you come here.” Said Susan Culhane.
Handbook of Animal Models of Infection is a complete revision of a three-volume text that was published in 1986. It incorporates the major advances in the field during the past decade, in particular those concerning molecular biological procedures and new models that have been developed. It focuses on both methods and techniques, which makes it an essential and comprehensive reference as well as a benchtop manual. The Handbook will help investigators save time and effort in formulating an approach to test a new potential therapeutic agent or combination of agents for in vivo efficacy and to position the therapy for specific infections where it may have therapeutic promise. The book is divided into five sections; the first covering the general methodologies, followed by sections describing experimental bacterial, mycotic, parasitic, and viral infections. Discusses ethical and safety aspects in an introductory background section Covers principles of animal care and current techniques appropriate for the use of animal models of infection Details a wide range of animals including rodents, rabbits, cats, and primates Provides hands-on descriptions of how to set up the model Discusses the major advantages and limitations of each model Ensures full coverage of bacterial, fungal, viral, and parasitic infections
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.