Dan Floyd, a retired and widowed lawyer, is doing his best to fill his timeattending church, keeping in touch with his two adult sons, and reading up on epidemics. When he comes down with what seems like garden-variety flu, he amuses himself by studying plagues, both modern-day varieties and the biblical kind. Dan and his sons, one of whom is a doctor, share information and speculate about epidemics. Meanwhile, in the community around him, he begins to hear of people dying from complications brought on by the flumany of whom attend his church. Dan soon finds himself investigating members of the Starkherz family, three generations of doctors; it seems the Starkherzes were working with the H1N1 influenza virusthe source of the flu epidemic of 19181919in an attempt to neutralize it. Could their work serve as the source for a twenty-first-century flu pandemic? In this novel, a retired lawyer works with his sons to discover the source of a deadly influenza epidemic that threatens their lives and the lives of everyone around them.
Objects that make the past feel real, from a stone axe head to a piece of John Brown’s scaffold—includes photos. History isn’t just about abstract “isms”—it’s the story of real events that happened to real people. In Touching America’s History, Meredith Mason Brown uses a collection of such objects, drawing from his own family’s heirlooms, to summon up major developments in America’s history. The objects range in date from a Pequot stone axe head, probably made before the Pequot War in 1637, to the western novel Dwight Eisenhower was reading while waiting for the weather to clear so the Normandy Invasion could begin, to a piece of a toilet bowl found in the bombed-out wreckage of Hitler’s home in 1945. Among the other historically evocative items are a Kentucky rifle carried by Col. John Floyd, killed by Indians in 1783; a letter from George Washington explaining why he will not be able to attend the Constitutional Convention; shavings from the scaffold on which John Brown was hanged; a pistol belonging to Gen. William Preston, in whose arms Gen. Albert Sidney Johnston bled to death after being shot at the Battle of Shiloh; and the records of a court-martial for the killing by an American officer of a Filipino captive during the Philippine War. Together, these objects call to mind nothing less than the birth, growth, and shaping of what is now America. “Clearly written, buttressed by maps and portraits, Brown's book regales while showing the objectivity and nuance of a historian.”—Library Journal “A whole new way of doing history…a novel form of story-telling.”—Joseph J. Ellis, Pulitzer Prize-winning author of Founding Brothers: The Revolutionary Generation
The name Daniel Boone conjures up the image of an illiterate, coonskin cap-wearing patriot who settled Kentucky and killed countless Indians. The scarcity of surviving autobiographical material has allowed tellers of his story to fashion a Boone of their own liking, and his myth has evolved in countless stories, biographies, novels, poems, and paintings. In this welcome book, Meredith Mason Brown separates the real Daniel Boone from the many fables that surround him, revealing a man far more complex -- and far more interesting -- than his legend. Brown traces Boone's life from his Pennsylvania childhood to his experiences in the militia and his rise as an unexcelled woodsman, explorer, and backcountry leader. In the process, we meet the authentic Boone: he didn't wear coonskin caps; he read and wrote better than many frontiersmen; he was not the first to settle Kentucky; he took no pleasure in killing Indians. At once a loner and a leader, a Quaker who became a skilled frontier fighter, Boone is a study in contradictions. Devoted to his wife and children, he nevertheless embarked on long hunts that could keep him from home for two years or more. A captain in colonial Virginia's militia, Boone later fought against the British and their Indian allies in the Revolutionary War before he moved to Missouri when it was still Spanish territory and became a Spanish civil servant. Boone did indeed kill Indians during the bloody fighting for Kentucky, but he also respected Indians, became the adopted son of a Shawnee chief, and formed lasting friendships with many Shawnees who once held him captive. During Boone's lifetime (1734--1820), America evolved from a group of colonies with fewer than a million inhabitants clustered along the Atlantic Coast to an independent nation of close to ten million reaching well beyond the Mississippi River. Frontiersman is the first biography to explore Boone's crucial role in that transformation. Hundreds of thousands of settlers entered Kentucky on the road that Boone and his axemen blazed from the Cumberland Gap to the Kentucky River. Boone's leadership in the defense of Boonesborough during a sustained Indian attack in 1778 was instrumental in preventing white settlers from fleeing Kentucky during the bloody years of the Revolution. And Boone's move to Missouri in 1799 and his exploration up the Missouri River helped encourage a flood of settlers into that region. Through his colorful chronicle of Boone's experiences, Brown paints a rich portrayal of colonial and Revolutionary America, the relations between whites and Indians, the opening and settling of the Old West, and the birth of the American national identity. Supported with copious maps, illustrations, endnotes, and a detailed chronology of Boone's life, Frontiersman provides a fresh and accurate rendering of a man most people know only as a folk hero -- and of the nation that has mythologized him for over two centuries.
Few life occurrences shaped individual and collective identities within Victorian-era society as critically as witnessing or suffering from illness. The prevalence of illness narratives within late nineteenth-century popular culture was made manifest on the period’s British and American stages, where theatrical embodiments of illness were indisputable staples of actors’ repertoires. Playing Sick: Performances of Illness in the Age of Victorian Medicine reconstructs how actors embodied three of the era’s most provocative illnesses: tuberculosis, drug addiction, and mental illness. In placing performances of illness within wider medicocultural contexts, Meredith Conti analyzes how such depictions confirmed or resisted salient constructions of diseases and the diseased. Conti’s case studies, which range from Eleonora Duse’s portrayal of the consumptive courtesan Marguerite Gautier to Henry Irving’s performance of senile dementia in King Lear, help to illuminate the interdependence of medical science and theatre in constructing nineteenth-century illness narratives. Through reconstructing these performances, Conti isolates from the period’s acting practices a lexicon of embodied illness: a flexible set of physical and vocal techniques that performers employed to theatricalize the sick body. In an age when medical science encouraged a gradual decentering of the patient from their own diagnosis and treatment, late nineteenth-century performances of illness symbolically restored the sick to positions of visibility and consequence.
Supported with copious maps, illustrations, endnotes, and a detailed chronology of Boone's life, Frontiersman provides a fresh and accurate rendering of a man most people know only as a folk hero--and of the nation that has mythologized him for over two centuries.
Objects that make the past feel real, from a stone axe head to a piece of John Brown’s scaffold—includes photos. History isn’t just about abstract “isms”—it’s the story of real events that happened to real people. In Touching America’s History, Meredith Mason Brown uses a collection of such objects, drawing from his own family’s heirlooms, to summon up major developments in America’s history. The objects range in date from a Pequot stone axe head, probably made before the Pequot War in 1637, to the western novel Dwight Eisenhower was reading while waiting for the weather to clear so the Normandy Invasion could begin, to a piece of a toilet bowl found in the bombed-out wreckage of Hitler’s home in 1945. Among the other historically evocative items are a Kentucky rifle carried by Col. John Floyd, killed by Indians in 1783; a letter from George Washington explaining why he will not be able to attend the Constitutional Convention; shavings from the scaffold on which John Brown was hanged; a pistol belonging to Gen. William Preston, in whose arms Gen. Albert Sidney Johnston bled to death after being shot at the Battle of Shiloh; and the records of a court-martial for the killing by an American officer of a Filipino captive during the Philippine War. Together, these objects call to mind nothing less than the birth, growth, and shaping of what is now America. “Clearly written, buttressed by maps and portraits, Brown's book regales while showing the objectivity and nuance of a historian.”—Library Journal “A whole new way of doing history…a novel form of story-telling.”—Joseph J. Ellis, Pulitzer Prize-winning author of Founding Brothers: The Revolutionary Generation
Dan Floyd, a retired and widowed lawyer, is doing his best to fill his timeattending church, keeping in touch with his two adult sons, and reading up on epidemics. When he comes down with what seems like garden-variety flu, he amuses himself by studying plagues, both modern-day varieties and the biblical kind. Dan and his sons, one of whom is a doctor, share information and speculate about epidemics. Meanwhile, in the community around him, he begins to hear of people dying from complications brought on by the flumany of whom attend his church. Dan soon finds himself investigating members of the Starkherz family, three generations of doctors; it seems the Starkherzes were working with the H1N1 influenza virusthe source of the flu epidemic of 19181919in an attempt to neutralize it. Could their work serve as the source for a twenty-first-century flu pandemic? In this novel, a retired lawyer works with his sons to discover the source of a deadly influenza epidemic that threatens their lives and the lives of everyone around them.
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